Tag: Knight Rider

The Hoff abides

The interviewer’s nightmare is the subject who gives one-word answers to every question, the person who doesn’t really know what to say and who doesn’t like talking. David Hasselhoff is not that interview subject. Our erstwhile TV-meister, Will Harris, interviewed the “Knight Rider”/”Bay Watch” human phenom over at our Bullz-Eye.com mothership, and found out how a perfectly straightforward question could lead to a nearly 1300 word answer, and that was just for starters.

Of course, it’s not like there isn’t anything to talk about as the Hoff, as I understand he is now known, discusses his new reality show with his daughters and his extremely varied career that you probably know more about me than me anyway. It’s amazing how much the man has done, and is doing, aside from “Baywatch, “Knight Rider,” his German musical superstardom, his Comedy Central roast, and a certain unplanned video appearances sans shirt but avec cheeseburger, that I’ve been able to more or less completely ignore for three decades. (He was, however, almost an extra in one of my favorite Roger Corman flicks, the original “Death Race 2000,” so there’s that.) Anyhow, enough of my yammering, you want to read the Hoff’s yammering

Click here to read Will Harris’s interview with the Hoff himself, David Hasselhoff.

2008: The Year in TV – Will Harris

Once the writer’s strike was over, the television industry got back to business with a vengeance, offering up quite a lot of high quality material…so much, in fact, that my TiVo is STILL loaded down with shows I just haven’t had the time to watch. Seriously, I’ve got three episodes of “My Boys” that I’ve been sitting on since July. There just aren’t enough hours in the day…and I’m a full-time TV critic, for God’s sake! But here’s at least some of the stuff that I dug and despised during the course of 2008…and sometime around 2012, maybe I can offer up a complete picture of 2009.


1. “The Big Bang Theory,” CBS

Big Bang Theory

No other sophomore series came roaring out of the gate like this one. Fears that the show had already jumped the shark by getting Leonard and Penny together were dismissing before the end of the second-season premiere, the addition of Sara Gilbert to the cast was an added bonus, and the suggestion that Sheldon is a sex object to physics geeks is almost too funny for words. Mark my words: this is the year that Jim Parsons earns his first Emmy nomination.

2. “30 Rock,” NBC
There’s no truth to the rumor that you can’t be a member of the Television Critics Association if you don’t like “30 Rock,” but, really, what’s not to like? Tina Fey is both gorgeous and hilarious, Alec Baldwin can’t open his mouth without getting a laugh, and, come to think of it, there’s really no-one in this ensemble who isn’t funny. So why do they keep bringing on all of these guest stars? Beats me. But since they incorporate them so well into the episodes, it’s hard to complain.

3. “Life on Mars,” ABC
When I did my 2008 Fall TV Preview, I hadn’t yet seen the pilot for this series, but if I had, it would’ve beaten out “Fringe” for the top spot on my list of new shows I was most excited about. Rising above its “based on a British series” origins, “Life on Mars” has one of the strongest casts on television (Jason O’Mara, Harvey Keitel, Michael Imperioli, Gretchen Mol, and Jonathan Murphy), a great premise (a police detective gets knocked unconscious in 2008 and wakes up in 1973), and – perhaps most impressively – managed to survive its network’s recent purge of quality dramas. For God’s sake, don’t let it go the way of “Pushing Daisies.” If you haven’t watched it yet, it’s not too late.

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NBC reportedly wipes off “Lipstick,” lays waste to “Enemy”

According to James Hibberd, NBC has given up the ghost on Christian Slater’s schizophrenic spy drama, “My Own Worst Enemy,” and their Brooke-Shields-starring estrogen-fest, “Lipstick Jungle.”

Cancelled? Looks like I picked the right day to start drinking again.”

The loss of the latter is not entirely surprising, given that it couldn’t seem to find a terribly strong fan base no matter where the network placed it on its schedule. As for the departure of the former, however, it begs at least two very important questions:

1) Why does NBC insist on premiering shows in the post-“Heroes” timeslot and, when they don’t succeed there, refuse to try them out in any other timeslot? They did it to “Journeyman,” and they did it to “Studio 60.” (Granted, “Studio 60” was eventually aired elsewhere, but not until after it had already gotten its walking papers.)

2) How much money must NBC have invested in “Knight Rider” to keep that dog of a series afloat but kick “My Own Worst Enemy” to the curb?

Greetings to the New Show: “Knight Rider”

Well, I might as well start off this entry with the bit I wrote about the return of “Knight Rider” to series television in my Fall TV Preview:

After the incredibly disappointing TV movie earlier this year, which played like a two-hour-long car commercial with a really bad script, there is absolutely no rational reason for my including this within my top 10, but, dammit, sometimes nostalgia wins out over common sense. It is almost certainly telling that the powers that be couldn’t manage to get us a copy of the first episode prior to a network conference call to promote the series, and I will be the first to bail out if the premiere is as bad as the movie was, but – God help me – I can still remember how much enjoyment I got out of the original series, and I cannot for the life of me shake that off.

Well, NBC finally managed to produce an advance screener of the first episode, and…well, it’s not as bad as the movie, but it’s still a far cry from “great,” that’s for damned sure.

It’s one thing to turn on the television set and turn off your mind, but based on its premiere episode, it looks like “Knight Rider” is shaping up to be about as scientifically plausible as…uh…wow, I’m trying to think of a sufficiently ridiculous example, and I just can’t come up with one that I’m comfortable with. Suffice it to say that your average automotive engineer would probably find this the most hysterical hour of television to emerge in the past few decades.

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