It’s always been a rough go on network television for series which require viewers to think and suspend their disbelief at the same time, but despite this, many brave producers and writers have tried to capture the imaginations of couch potatoes. Sometimes it works, as evidenced by the long runs of such shows as “Battlestar Galactica,” “Lost,” “Smallville,” and “Supernatural,” but more often than not, it doesn’t, which is why IMDb is littered with listings for sci-fi series that lasted for only a single season. Looking back at the decade (which, if you hadn’t noticed, is what we’re doing with all of these TV of the 2000s features), you can also find way too many shows which survived into the second season, proved that their first season wasn’t a fluke, sometimes even improving on it, and then got canceled…and, man, does that hurt. Heck, I even included three- and four-season wonders in this list, one because it had scored such a huge upswing in quality, the other mostly because it seemed like such a gyp when it got the axe. But, then, you could say that about all of these shows, really…
WARNING! LIST CAVEAT! – To be included within this list, the show cannot have started at any point prior to Jan. 1, 2000. Without that caveat, you can bet that “Angel” would’ve been included…and, yes, probably “Farscape,” too. But definitely “Angel.”
15. Masters of Science Fiction (ABC): As an anthology series in the 2000s, it’s not like it ever had a chance in Hell of surviving, anyway, which is why it comes in at the bottom of the list. Still, it deserves mention here, partially because it was really good, but mostly because it got an even bigger shaft from ABC than “New Amsterdam” got from Fox.
Get this: during ABC’s executive panel during the TCA Press tour of summer 2007, someone asked Stephen McPherson, the network’s president of entertainment about the origins of the series, and he responded, “It was a low-cost initiative that we tried. We did this series of movies to see if there was a way to spark something different at a really low cost point. You know, I think there is some good work done there, but it’s very unseen. So it’s just been…it’s been a little bit problematic.” Okay, now, to be fair, he’s acknowledging that there’s “good work” inherent somewhere in the series, but to put these comments in a better perspective, they were made before the show had even premiered. And how did he decide to remedy this problem of the series being “unseen”? By premiering it at 10 PM on Saturday night. Hey, way to get behind your programming, Steve!
In fairness, I’m sure no one, not even the series creators, ever expected “Masters of Science Fiction” to be anything other than a short-lived midseason entry, but it’s not like it had to be. The series harked back to classic dramatic anthologies like “The Twilight Zone,” “The Outer Limits,” and the like, and while its budget might not be through the roof, the performances – including turns from Malcolm McDowell, Anne Heche, Sam Waterston, Judy Davis, Terry O’Quinn, Elizabeth Rohm, Brian Dennehy, and John Hurt – were top-notch. But, then, that’s what happens when you bring in directors like Mark Rydell (”On Golden Pond”), Michael Tolkin (”The Player”), and Jonathan Frakes (”Star Trek: First Contact”) to helm adaptations of stories by Robert Heinlein (”Starship Troopers”), Howard Fast (”Spartacus”), and legendary sci-fi writer Harlan Ellison, who actually adapted his own story, collaborating with Josh Olson (”A History of Violence”). If any of this sounds like it might be up your alley, you can at least take comfort in the knowledge that the entire series is available on DVD, including two episodes that ABC couldn’t be bothered to air.
14. Dark Angel (Fox): Nowadays, it’s best remembered for the fact that it introduced the world at large to the assets of Jessica Alba (which, by the way, look damned good in black leather), but when “Dark Angel” premiered, its high profile came from the fact that it was the first thing that it was produced by James Cameron. What not nearly as many people remember, however, is that the show also starred Michael Weatherly, who would get a much longer running gig a few years later when he took on the role of Anthony DiNozzo in “NCIS,” and Jensen Ackles, now better known as Dean Winchester on “Supernatural.”
But I digress. The slightly-futuristic (it took place in 2019) “Dark Angel” was predominantly about Alba’s character, Max Guevara, a genetically enhanced super-soldier who has escaped from the government that created her and is using her job as a motorcycle courier to cover for the fact that she spends most of her time searching for her brethren, i.e. the other 11 super-soldiers who escaped with her. She does this with the help of Logan Kale (Weatherly), a.k.a. cyber-journalist “Eyes Only,” whose unparalleled computer skills go a long way toward making up for the fact that he’s paralyzed from the waist down. The series looked great, and having John Savage serve as one of its primary villains (Colonel Donald Michael Lydecker) was inspired, but trying to get the general public to embrace the cyberpunk movement – even the highly diluted version of it that “Dark Angel” offered – was a lost cause. Truth be told, we’re probably lucky that we got as much of the show as we did. If Cameron’s name hadn’t been on it, it probably would’ve been over at the end of Season 1.
13. Kyle XY (ABC Family): Ironically, I’m writing this mere moments after getting word that a copy “Kyle XY: The Final Season” has just been sent my way. Even if you aren’t familiar with the series, you’ll nonetheless have deduced from the appearance of the word “final” in the set’s subtitle that this isn’t a show that came and went within the span of a single season. Yes, “Kyle XY” actually lasted for three seasons, but it was still going strong creatively when ABC Family decided that it just didn’t match up well enough with their other content, like “Greek” or “The Secret Life of the American Teenager.” Now, look, I dig those shows as much as the next thirtysomething who wants to vicariously relive his youth through semi-realistic TV characters, but is that any reason to kill off a great sci-fi melodrama like “Kyle”? No, sir, it is not.
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