Tag: Jet Li (Page 2 of 2)

An action-packed movie Monday

Lots going on…

* Via Merrick at THR.

New Line has picked up a pitch from Darren Lemke, the writer behind the studio’s Bryan Singer project “Jack the Giant Killer,” that reimagines the classic tale of “The Nutcracker and the Mouse King” as an action-adventure movie.

I’m thinking Steven Seagall for the lead, with Jet Li as Kato, though I’m not sure how either of them are at dancing to the music of Tchaikovsky. Okay, actually, this version won’t be a balletĀ  (obviously) and they’re going for more of a “Chronicles of Narnia” vibe.

* Brad Pitt will be producing, but not playing the lead, in an action-oriented flick about the young Vlad Dracul (his buddies call him “the Impaler”). I’d prefer if they would be honest and call this “Dracula Begins,” but the actual title is “Vlad.” The studio will be the “Twilight” driven Summit. How much you wanna bet this vampire-to-be has a tortured love-life?

* Hand drawn animation appears to be coming back to Disney in a big way. Yay. Film-maker Brendon Connolly has some interesting hints.

93211_first-look-princess-and-the-frog

* And one more item from THR/Heat Vision that I can’t really ignore. Cowriter-producer Peter Jackson has announced that auditions for “The Hobbit” have begun and the only role that’s precast is Ian McKellan as Gandalf. So, actors, if you’ve got a snub nose, a pasty complexion, are never chosen first for basketball, and have hairy feet, I suggest you get into gear. They are denying rumors that James McAvoy could be in the running for Bilbo, though he does have an overall Baggins thing going on, I think. Another actor who screams “hobbit!” to me is writer Peter Morgan’s favorite star, Michael Sheen of “Frost/Nixon,” “The Queen,” and “The Damned United.” Of course, whoever it is, I guess it will have to believable that he’ll look like Ian Holm when he gets on in years.

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It’s a Michelle Yeoh Saturday! part 2

Sorry about the goofy dubbing that mars Ms. Yeoh’s fine acting before the action starts, but if you hold on for a minute, you’ll see why I selected this scene.

This is from “Twin Warriors,” also starring Jet Li and directed by the great fight choreographer Yuen Woo Ping. I’ve never seen this one for some reason, but it sure looks great.

A Chat with Dolph Lundgren (“Command Performance,” “The Expendables”)

When we last chatted with Dolph Lundgren, the topic at hand was “Missionary Man,” a film where he served up a triple threat writer, director, and leading man. One can only presume that he didn’t find the experience too overwhelming, since he’s performing the same duties on his latest picture, “Command Performance.” This time, though, he’s playing a rock and roll drummer from L.A. named Joe…just Joe…who’s sitting behind the kit for a Moscow-based band that’s opening for an American pop star named Venus. You may not be surprised to learn that things go horrible wrong, leading Joe – who’s surprisingly good with firearms for a percussionist – to save the day. Last time around, we quizzed Dolph left and right about his body of work, so this time we decided to stick mostly to current topics like his new flick, his upcoming reunion with Sylvester Stallone in “The Expendables,” and…wow, another “Universal Soldier” movie? Really?

Join us for…

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Extremely late Friday night news dump

Hey folks, day time tasks have slowed me down, but who was it who said “the night was made for movie blogging”? Okay, no one said that, but we all know it’s true! Anyhow, here are some items from throughout the week I haven’t had a chance to touch on…

* This interview with director Mary Harron has been linked to by several different bloggers throughout the week. If memory serves, it may not actually be new news that Christian Bale partially based his genius-level breakthrough performance in 2000’s “American Psycho” on Tom Cruise, but it’s perhaps more intriguing now that we think we more about both actors’ quirks.

Christian Bale in "American Psycho"

* It might be inside critic/film blogger baseball to you but it’s big — and somewhat distressing — news to me. The thought provoking and just plain cool Karina Longworth, who has helped me out via the miracle of linking many times at her Spout blog home, will be leaving the site at the end of the month, which will also no longer be providing new content including the work of Christopher Campbell (I frequently link to his “The Day in Film Bloggery” posts.).

Somewhat oddly, her soon to be ex-boss attributed her departure not to fiscal issues but to a difference over “vision” for the blog. So, his “vision” was not to have one at all? Anyhow, the consensus is that the hardworking Longworth will be going places regardless.

* I strongly disliked the pilot for “Fringe” (and said so right here) and, unlike David Medsker, I outright hated “Transformers.” (I didn’t even make it through the whole movie…oh, the pleasures of not reviewing.) Then screenwriters Roberto Orci and Alex Kurtzman surprised the heck out of me by crafting a perfectly terrific script for “Star Trek,” marred only a little by director J.J. Abram’s hyperactive visual proclivities. (What’s wrong with using a tripod sometimes? Still, he got terrific performances and told a dandy tale, so I’m not complaining too much.) Anyhow, theĀ  writers’ thoughts on the sequel are worth a look.

* Jackie Chan and Andy Lau are remaking Jet Li‘s 1981 breakthrough film, which I’m ashamed to say I’ve never even heard of before (at least not that I can remember), “Shaolin Temple.” I guess I should try to see it. Considering that Li was barely 19 back then and that Chan is now 55 (Lau’s in his forties), I trust he’s not playing the same character…or it’s been seriously rewritten.

* Disney is reportedly working on a “digital cloud,” in which content will be purchased and viewable in multiple formats. I generally get the consumer appeal of this, but I still fail to see why anyone would want to watch a movie on a cell phone. In fact, I think even the larger online version of this is way too small for this kind of beauty. (There’s a very brief Spanish language intro, by far the best version of this Disney classic I found on YouTube — the segment starts at 0:23.)

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