Tag: Jay Leno (Page 4 of 6)

“The Jay Leno Show” – The Post-Premiere Wrap-Up

At last, it has arrived.

Just last week, in our Fall TV Preview, I wrote of the impending premiere of “The Jay Leno Show,” “This is the most controversial maneuver in the past several decades of television history, a Hail Mary by the people at the Peacock,” so as a TV critic, there was no way I was going to miss Jay’s premiere episode. Having now seen it, I am absolutely unsurprised to report to you that, aside from a change in set, there’s virtually no different between the feel of his work on “The Tonight Show” and his work on “The Jay Leno Show.”

Really, though, this can’t be a surprise to anyone.

Although I always picked Letterman over Leno in the late night wars, I never disliked Leno. He was always hysterical whenever he turned up on “Late Night with David Letterman,” so I was thrilled for the guy when he made the transition to Johnny Carson’s regular guest host and turned that into a gig as Carson’s full-time replacement. But you can like a guy without actually watching him, and although I can see the appeal that Leno offers to mainstream audiences, I just prefer my comedy to be a little bit more off-center.

Rest assured, there was very little outside-of-the-box comedy on display in the first episode of “The Jay Leno Show.”

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NBC: What’s New for Fall 2009

The Jay Leno Show (Mon., Sept. 14 @ 10:00 PM, NBC)

The competition:
Monday: “Castle” (ABC), “CSI: Miami” (CBS)
Tuesday: “The Forgotten” (ABC), “The Good Wife” (CBS)
Wednesday: “Eastwick” (ABC), “CSI: New York” (CBS)
Thursday: “Private Practice” (ABC), “The Mentalist” (CBS)
Friday: “20/20” (ABC), “Numb3rs” (CBS)

Starring: Jay Leno
Producers: Debbie Vickers, Larry Goitia, Jay Leno, Jack Coen, Stephanie Ross (“The Tonight Show with Jay Leno”)
Network’s Description: Marking a new era in television, Jay Leno, recently named America’s Favorite TV Personality by the 2009 Harris Poll, moves from late night to primetime on September 14 when his series becomes the first-ever entertainment program to be stripped across primetime on broadcast network television. The series promises more comedy in the 10 o’clock hour and will showcase many of the features that have made Leno America’s late-night leader for more than a dozen years.
The Buzz: About as mixed as buzz can be. This is the most controversial maneuver in the past several decades of television history, a Hail Mary by the people at the Peacock. It’s highly possible that the people who’ve abandoned “The Tonight Show” since the tall, skinny Irish kid took over have just decided to go to bed early for a change and are fully prepared to start watching their old buddy, Jay, in his new locale. Then again, maybe they won’t. It’s a crazy crap shoot, this series, and all that us critics can do is sit back and see what the viewers decide to do.
Pilot Highlight: None, obviously, due to the live nature of the show.
Bottom Line: If you like Jay Leno, you’ll like the show. If you don’t, you won’t. It’s really as simple as that. But will you watch the show? Leno has the right attitude by acknowledging outright that he doesn’t expect to beat original programming, only anticipating that they’ll probably start to take home the ratings gold once the reruns start. I like Leno as much as the next guy, but I like scripted dramatic programming better. For that alone, I’m not exactly rooting for him to succeed. But with that said, I’m mostly just curious to see what’s going to happen.

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TCA: ABC Executive Session

Compared to his broadcast network peers, ABC President Stephen McPherson had a pretty low-key executive session, admitting outright that he didn’t really have any grand announcements to drop on us, but he did discuss the following matters:

* “Who Wants To Be A Millionaire” returns to ABC tomorrow. McPherson describes being on the set with Regis again as “nostalgic and energizing,” and assures us that the show’s return features the best million-dollar question moment in the entire history of the series. Big talk, but we’ll see.

* McPherson’s got class. He didn’t take the bait when asked for the obligatory comment about Ben Silverman’s departure, and he fully acknowledged that he’s interested in seeing what’s going to happen with Jay Leno, given that it’s the first time we’ve seen anything like this on TV in our lifetime.

* On the matter of viewers investing in series that could be yanked out from under them at any given moment, he made it clear that it’s not an arbitrary decision when a show is canceled. “How patient can you be?” he asked. “How much information do you have about the show? Is it being rejected? Is it slowly building? Is it stable at that label? How does it affect the rest of your schedule? The overall network?” Though they try to be as patient as they can be with a series, sometimes it just has to go. “Canceling shows is the worst part of my job,” he said.

* That’s as may be, but it sounds like dealing with Katherine Heigl’s outbursts can’t be a heck of a lot better. When asked about her actions, he replied, “I think it’s unfortunate. It’s not something I think you want to let consume you or your people, because it is what it is, and people are going to behave in the way they choose to behave, but I think there are so many people who work hard on ‘Grey’s Anatomy’ and all of our shows and go without any credit. Those are the people I’d be most concerned about.”

* When “Scrubs,” it’s still gonna be “Scrubs.” “It’s not changing its title,” confirmed McPherson. “It’s gonna be different in the sense of the construct of what’s going on, but it’ll be the same character dynamics as before, but it’s allowing Bill (Lawrence) to introduce new characters and spend time with them. But it’ll be the same tonal show, with the same kind of comedy and storytelling that you’re used to.” As noted, Zach Braff will be turning up for a few episodes, but McPherson says they’re going to “try to convince him to do more.”

* Despite appearances, “FlashForward” was not specifically created to be the heir apparent to “Lost.” “We would love for it to have even a part of the success of ‘Lost,'” McPherson admitted, ‘but the spec script was originally done, I think, for HBO, and we were thrilled to read it. But there was no development where we went, ‘Hey, let’s try to make the next ‘Lost’! It was just about good material.”

* It seems a bit weird that ABC should’ve rescued both Kelsey Grammer and Patricia Heaton after their joint Fox failure, “Back to You,” but McPherson says they came about through very different circumstacnes. “We’d previously developed ‘The Middle’ and even shot it, but we just didn’t feel like we’d gotten the pilot to where it needed to be,” he said. “But then Patti got available, she struck us as the perfect person for the show, and she sparked to the script.” As for Grammer, his new series, “Hank,” was pitched “as a full show with him attached, and we felt it was really in the zeitgeist and a great character for him to be playing.”

* “Romantically Challenged,” the new Alyssa Milano / Kyle Bornheimer sitcom, is in talks for a midseason run, but McPherson isn’t sure where to put it at the moment.

* Despite rumors to the contrary, “Ugly Betty” was never canceled. It was just taken off the air to offer up episodes of “Samantha Who?” and “In the Motherhood,” and McPherson is very excited about the new season.

* In regards to Violet’s storyline on “Private Practice” last season, he acknowledged that he was “frightened by it” when heard about it, but “while it’s polarizing, it’s gained excitement about the show and the characters and the potential where we can go with it. We can go edgier at 10 PM, and it can be a different show than ‘Grey’s.'” McPherson declared the storyline to be a perfect example of why you should trust great show runners.

* And, lastly, for all of you “American Idol” fans, McPherson admitted that he has indeed reached out to Paula Abdul, and although he first said that he was sorry about what she was going through, he did managed to slip in that he’d love to see her on ABC.

TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

TCA Tour: CBS Executive Session

Nina Tassler, President of CBS Entertainment, has honored us with her presence this morning at CBS’s TCA day, and during her executive session, she provided us with the following tidbits:

* When word leaked out – that’s hardly the right phrase, since it was actually included in a network-provided schedule, but we’ll go with it, anyway – that there would be a “Mystery Panel” today, hopeful (perhaps overly optimistic) critics began theorizing that it would be for “The Late Show with David Letterman.” As it turns out, it’s actually for CBS’s upcoming revival of “Let’s Make A Deal,” which Nina briefly detailed for us. It’ll be hosted by Wayne Brady and will premiere on October 5th. And, yes, Monty Hall is involved, but only as an executive producer. Come on, though: an old pro like that surely won’t be able to resist rearing his head onscreen once in awhile. I think we can count on him to show up during Sweeps Week, at the very least.

* Of NBC’s great Jay Leno experiment, she says, “Whatever ratings they get, they’re going to declare victory, so it really doesn’t matter.” As far as CBS goes, however, they’re going to stick with the successes of their 10 PM dramas. (Good plan.) She also got a laugh when she admitted that she thought that NBC’s announcement that Conan O’Brien was the new king of late night “seemed premature.”

* Rocky Carroll will be a recurring character on the new “NCIS: Los Angeles,” but Pauley Perrette will be guesting in the show’s second episode.

* There are nine more “Flashpoint” episodes yet to be aired, and they’re still happy with the way the arrangement of airing a Canadian-produced series on American TV. As such, “The Bridge” will be turning up on CBS in the near future as well. But there are no plans yet to produce any further “Flashpoint” episode, although she says they reserve the right to do so.

* As far as “Harper’s Island” goes, it had some online traction and appealed to a niche audience. “The challenge is to find something that can appeal to niche but that has a broader appeal as well,” she said. She was happy with the series, but “it just didn’t grab on to a bigger audience.”

* Apparently, “CSI” fans’ biggest issue with Laurence Fishburne was that he needed to look “more comfortable in his clothes.” You will be pleased to learn that this is being taken care of.

* No plans for any more “Million Dollar Password” at the moment.

* Her one-liner about Ben Silverman’s departure from NBC: “”I’m really just a D girl, so I wouldn’t comment.”

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