Tag: Fox (Page 28 of 31)

American Idol: Welcome to Randy Jacksonville

So last night in part five of eight of FOX’s “American Idol” audition rounds, the scene shifted to Jacksonville, Florida. And the producers of the show decided to have a little fun and give judge Randy Jackson some love due to the name of the city (that’s really a stretch, isn’t it?). They showed Jackson in his days performing with the rock band Journey, and basically paid tribute to him a bit. That’s okay, but still a stretch. Anyway, this city did not seem to have the talent level of other audition rounds, and it was obvious right from the start of the show last night. Here are the highlights and lowlights:

THE BAD

Dana Moreno was shouting a Chaka Khan song, and I do mean shouting. Next! 16 year old Kaneswa had been told her entire life by her mom what a great vocalist she was, but that is always the recipe for failure, isn’t it? Kaneswa sang Anita Baker’s “Caught Up in the Rapture,” complete with some of Anita’s vocal acrobatics. However, for Kaneswa, they were not acrobatics, but more like nasal inflections….Darren Darnell was the life of the party among contestants waiting to audition, so much so that I was thinking he could be the next Ryan Seacrest. But then when his buddy didn’t get a golden ticket, a switch went off and this guy looked depressed and started crying, right up through his own audition, which bombed anyway….A girl named Naomi sang Minnie Ripperton’s “Lovin’ You” and while she may have hit the high falsetto note at the end, it was the only note that was on key. Naomi brought along her friend who was semi-obsessed with Randy Jackson, and the friend got to sit on Randy’s lap. Anyway, Naomi was awful….George Ramirez, an 18 year old who sort of looked like a young Abe Lincoln, was a physics student who just happened to want to give singing a try, but it was more like a low rumble of off-key mess Continue reading »

TCA Tour, Jan. 2009: “Osbournes: Reloaded”

Oh, this looks so bad. So very, very, very bad. Like, “Rosie Live” bad.

The idea of giving the Osbournes their own comedy-variety show is not in and of itself a bad idea. When I first heard about “Osbournes: Reloaded,” I immediately had thoughts of my favorite cheesy, kitschy variety shows from the ’70s – see the collected works of Sonny & Cher, Donny & Marie, and, of course, “The Brady Bunch Hour” – and could totally imagine Ozzy, Sharon, Jack, and Kelly either turning the genre on its head or totally and utterly camping it up. Either way, I was actually kind of excited to see what might evolve out of this concept. But when they showed us clips from the show, I was horrified to see a mixture of in-studio shenanigans with audience members (they blindfold a guy, tell him he’s going to kiss the beautiful girl in front of him, then switch her out with a wrinkled old woman) and hidden-camera hijinks (the Osbournes working at a fast-food drive-thru). There was a sketch with little kids playing Sharon and Ozzy (cue the cursing 5-year-old), plus a brief clip of the Osbournes trying to guess who their mystery special guest for the week was. The one lone humorous concept came from a bit called “The Osbournes Meet The Osbournes,” where the gang goes around the country to meet other families who share their last name, but even that seems like it would get old really quickly.

More disappointing than this footage, however, was the fact that, as a family unit, the Osbournes remain just as entertaining and charismatic as they were in the days of their then-groundbreaking MTV reality series.

What a waste. What a bloody waste.

And, yet, I guess it was too hopeful to expect something like that from the Osbournes in the first place, particularly when you could see Kelly bristle at the mere mention of the term “variety show.”

“See, that frightens us,” she said. “The way that we see that it’s a variety show is that there’s a variety of different things. And with no disrespect to other variety shows from the past because, I mean, they made the TV of today. It’s just not what we do. We’re not going to be Sonny-and-Chering it.”

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American Idol runs for the roses

Thank you FOX for once again keeping the “American Idol” auditions show to one hour last night. I have a feeling I’ll be giving you those hours back, but it’s still nice to have a condensed version of these initial shows. Last night it was a trip to Churchill Downs in Louisville, Kentucky, and not a ton of trips to Hollywood. Here are the bad and good of what they showed….

THE BAD

Tiffany kicked things off, and she was a bleach-blond trailer trash looking thing whose parents had been telling her how great she was for years. Yikes. She sang Mariah Carey and was just awful, and apparently stunned that the judges thought she sucked. Welcome to the real world, Tiffany…..Mark Mudd was a real hill-jack and took on country legend George Jones. Dude was not very good, and when he was leaving the stage said to the judges, “Be careful.” Look, I live in the south and I know that people say that..it’s a form of sayingm “Take it easy,” but the judges took it as a threat to their safety…pretty funny….Ross, a self-proclaimed nerd who was trying to use mathematical formulas to learn how to sing, had a deep and horrible voice, and in the end just knew he wasn’t good enough….Aaron Williamson sang Creedence Clearwater’s “Have You Ever Seen the Rain” and was just too loud and emotive for this competition….and finally, Rebecca Garcia from Nashville sang Carrie Underwood and Paula had recognized her from being on the morning news while she waited on line for her audition. For some reason, we all thought Rebecca was going to be good, but she was just awful. Kara thought that her audition was a joke, literally, which made Rebecca cry…oops…..they also showed a medley of bad auditions, including this really large dude named Patrick who thought he was Michael Jackson, and a girl who sang in all weird vibrato.

THE GOOD

Joanna, a 23 year old from Los Angeles, who Kara recognized as a former recording artists for A&M Records, was somewhat humble and nervous, but as you might expect, was an awesome singer. She sang Pat Benatar’s “We Belong” and really belted it with great control…..Brent Keith Smith sang Bad Company’s “Can’t Get Enough” and while he had a great voice, did not have the fire Simon Cowell wanted to see. Still, he’s moving on…..Matt Giraud, a 23-year old dueling piano player, proved that he has probably better vocal skills than anything. I want you all to keep an eye on this one…..Alexis, a 21 year old from Memphis, was a pasty, blonde girl who took on Aretha Franklin and sounded way more soulful than you would expect from a white girl. She really has enormous potential too…..after another medley of yes’s (thank you again FOX), the last contestant was Laneshe, an 18 year old from Cincinnati, who had been growing up most of her life in homeless shelters with her mom and siblings. This was the sad/heartwarming story of the night, but there was nothing sad about this girl’s vocal chops. She even had the balls to sing one of her own songs, and it was very good, though not as good as her monstrous voice. Feel good story or not, this girl can sing and could really go far in this thing.

Next week the auditions move to Jacksonville, Florida. I’m relieved that these initial auditions are halfway through, and that Hollywood is beckoning. See you on Wednesday!

TCA Tour, Jan. 2009: “Sit Down, Shut Up”

Need a good reason to watch Fox’s upcoming new animated series, “Sit Down, Shut Up”? Hell, I’ll give you ten good reasons…with resumes that include “Pushing Daisies,” “SpongeBob Squarepants,” “Saturday Night Live,” “The Simpsons,” “Futurama,” “Arrested Development,” “Two and a Half Men,” and, uh, “Cavemen”…and they’re all labeled by name in the photograph below.

(L-R) Kristin Chenoweth, Tom Kenney, Nick Kroll, Will Arnett (who is standing in front of Cheri Oteri), Jason Bateman, and executive producers Josh Weinstein, Eric and Kim Tannenbaum and Mitch Hurwitz

Now, I ask you: how can you not want to watch “Sit Down, Shut Up”?

If you aren’t familiar with the concept of the show, it’s based on a live-action Australian sitcom about a bunch of cranky, obnoxious, irresponsible teachers but has, over the course of several years of evolution, found its way into an animated adaptation instead, albeit one with live-action backgrounds.

“It’s changed so much, I guess we’re really wondering why we are still paying royalties to Australia,” admitted Hurwitz. “But we’re in over our heads at this point. There is no getting out of it.”

But why did they decide to switch it from live-action to animated in the first place?

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TCA Tour, Jan. 2009: “Lie to Me”

Given how many iconic film roles Tim Roth has had over the years (Mr. Orange in “Reservoir Dogs,” Charles Ferry in “Everyone Says I Love You,” and Emil Blonsky in “The Incredible Hulk,” to name but three), it’s somehow weird to see him taking on the lead role in an American television series. But, hey, it’s Fox, and you can’t blame the guy for wanting to get in on a little bit of that Hugh Laurie action.

Plus, while the role of deception expert Cal Lightman in “Lie to Me” is a bit too close in feel to the character of Patrick Jane in “The Mentalist” for critics to avoid making the comparison, it’s nonetheless one that has the potential to serve Roth well…just as long as he can get past the nagging sensation that the show’s inspiration, Dr. Paul Ekman, sees right through him.

“I get really freaked out sometimes when I’m around Paul,” said Roth. “It’s like traveling with a critic from the New York Times, and wherever you go, there’s the guy going, ‘No, I don’t believe you. The performance was terrible.’ ‘I only said I’m going to go to the toilet.’ ‘Well, I don’t believe you. You betrayed the fact that you are completely piss-free at the moment.’ It’s an extraordinary feeling of of nakedness.”

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