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Johnny Depp or John Cusack as Marty McFly? It could have happened…

With the release of “Back to the Future: The 25th Anniversary Trilogy” preparing to hit DVD and Blu-ray on October 26th, Bob Gale – co-writer and producer of the films – has been doing a lot of press, providing him not only with the opportunity to wax nostalgic but also the chance to dispel a few rumors, some of which are more ridiculous than others.

For instance, I can now confirm definitively that, despite what you may have read on Wikipedia, it seems very unlikely that Corey Hart, the man who made a career out of wearing his sunglasses at night, was ever really in the running to play Marty McFly.

“I don’t think so,” said Gale, chuckling. “I don’t have any memory of that. Somebody said that he was our first choice, but that’s insane. I don’t know where that one came from. C. Thomas Howell was the other finalist at the time. John Cusack was somebody we considered. Johnny Depp read for this, believe it or not. I don’t remember the screen test. I looked through the notes, and I said, ‘Geez, I don’t even remember that we read Johnny Depp!’ So whatever he did, it wasn’t all that memorable, I guess! And there was a kid called George Newbern who flew out from Chicago for an open casting call who was pretty good. I think he’s on some TV series now. I don’t remember what it is, but I remember him. But Corey Hart? Nope. Don’t think so.”

There have also been rumors that John Lithgow was in the running for the role of Doc Brown, but according to Gale, any such discussions didn’t get very far.

“That was just kind of in passing,” said Gale. “The only other guy we really seriously considered for Doc Brown was Jeff Goldblum. Jeff came in, and…I’m certain we talked about John Lithgow, but I don’t remember if he ever actually came in, or if we met him. But I vividly remember meeting Jeff and liking him.”

In regards to the long-unreleased Eric Stoltz footage that has finally emerged within one of the documentaries on the 25th anniversary set, one can’t help but notice that we never hear so much as a single line of dialogue uttered by Stoltz.

“It was Laurent Bouzereau, who directed and produced the documentaries, who really badgered us about putting that footage in,” said Gale. “So if you like seeing it, he’s the guy to give the credit to and the thanks to.”

“Look, we don’t bear any ill will to Eric at all,” Gale continued. “We don’t want to make him look bad. We don’t think this makes him look bad. We hope it doesn’t. We figured, ‘Let’s just soft-pedal it and not put a whole lot of that in there,’ because, you know, the story’s about how the movie got made, not about him. Maybe in the 35th or 45th anniversary edition, we’ll put the actual scenes in. We never destroyed that footage. We recognized at the time that there was historical significance to it, so the footage exists. But Eric’s a working actor. We don’t want him to have to answer questions about it…not unless he comes forward and says, ‘Hey, I wanted to talk about that!’”

It’s weekend box office preview time: It’s “Jackass 3D” vs. Helen Mirren with a gun.

Guess which movie I’m rooting for? As usual, however, I won’t get what I want. It’s hard to imagine that the audience for “Jackass 3D” will accept seeing the gross-out-a-thon in any other format and for that reason alone the docu-comedy is expected to outgross the very strong competition from the comic book adaptation, “RED” (as in “Retired, Extremely Dangerous”) which stars Bruce Willis, Morgan Freeman, John Malkovich, Mary Louise-Parker, Karl Urban, and Fred Grandy as Gopher, I think.

Helen Mirren and John Malkovich are

Both the L.A. TimesBen Fritz and THR’s ever-jolly (despite his lousy new theme music) Carl DiOrio agree that the cleverly pitched comedy thriller, putting mostly older actors in the traditionally young-skewing over-the-top action genre, should net about $25 million. The even more cleverly framed “Jackass 3D” should, however, ride those expensive tickets, the spectacle of three dimensional bodily by-products, and the tendency of young males to see movies opening weekend, to about $30 million or more. “RED” should have the longer legs, but presumably “Jackass” has the smaller budget (medical insurance bills for the cast notwithstanding). Both will do fine.

It’s a very busy weekend in limited release. Artistically speaking, the most important films of the bunch will likely turn out to be Olivier Assayas’s mega massive and hugely praised true-life political thriller, “Carlos,” about the notorious far-left terrorist of the 1970s which you can watch all 330 minutes of this weekend in a few showings at the American Cinematheque’s Egyptian Theater in Los Angeles, and I’m tempted to. A shorter 2.5 hour cut is also available for people with less stout buttocks and/or lives to lead. On the other hand, one can never sneeze at a new movie by Clint Eastwood, and “Hereafter,” his second movie to star Matt Damon, begins to appear. This time, the octogenarian Mr. Eastwood takes on the topic of death itself.

Meanwhile, 542 theaters are going to be empty save for a few hardcore tea parties, I predict, this weekend as “I Want Your Money” opens. I’m actually sitting on an interview with director and would-be conservative answer to Michael Moore, Ray Griggs, from Comicon which will likely never see the light of day because it’s mostly quite dull and he had really nothing to say of interest to say about the movie we were actually supposed to talk about. It only got interesting when he mentioned this movie, which he dishonestly tried to pitch to me as nonpartisan. I smelled a cinema rat and, as I now know, the cast is dominated by famed Republican pols like Mike Huckabee and Newt Gringrich. However, a PR person ended the interview before I could try and figure out what the story really was.

Most conservatives would never believe me, but I don’t assume “I Want Your Money” is extremely bad because I disagree with its politics, I assume it’s extremely bad because Griggs last (apolitical) movie got a rare 0% from Rotten Tomatoes, including being slammed by the New York Post’s conservative Kyle Smith. He also couldn’t discuss “I Want Your Money” — or the other movie — with me in a straightforward fashion which doesn’t speak well for him or either movie.  To quote the old rock and roll song, sometimes bad is bad.

Thursday night trailer time: “Drive Angry” (updated)

Aka “Just Another Wednesday Night on the 405” as Nicholas Cage gets himself a few days off from hell to rescue his baby daughter from the no-doubt Satanic cult that killed his wife.

And now we know what happened to the brutal rapist, Zed (Peter Green), after Bruce Willis dispatched him in “Pulp Fiction.” He went to hell, worked hard, networked appropriately, got promoted to an executive position of some responsibility. Nice to see a guy do well. Or, maybe that’s what happened to Green’s creepy Amway selling policeman from “Go.” UPDATE: Comment deleted due to a serious case of vaguely similar looking actor confusion between the very talented and similarly creepy Peter Green and William Fichtner, as pointed out by my colleague, Jason Zingale in comments below.

H/t Bloody Disgusting.

“Hey, did you hear Obama’s gonna kill our grandmas?”

Jack Black is…Nathan Spewman, Professional Mis-Informant!

Or, at least, that’s the role he’s playing in a new series of videos that he and America Ferrera have filmed in order to show their support for HCAN (Healthcare For America NOW).

I’m very much of the “politics, schmolitics: funny is funny” mindset, so I’d laugh at these videos whether I agreed with the message it’s spreading or not, but the fact that they’re arguably the funniest thing Jack Black’s done since “Tropic Thunder” doesn’t hurt, either. Unsurprisingly, though, many are too busy grousing about the overall message of the videos to acknowledge their value as entertainment.

In an article on FoxNews.com, Patrick Dorinson, GOP communications strategist and founder/CEO of Dorinson Communications, was quoted as saying, “In 20 years, no one will remember these two ‘stars’ ever existed, but the debt we will pay for ObamaCare will still be here.” Having never really watched “Ugly Betty,” I can’t speak to Ferrara’s chances at career longevity, but given that Black has already been in the business for two decades, I think it’s fair to say that Dorison was really just scrambling to come up with something that would grab people’s attention.

Yeah, I know, there are people out there who really are stupid enough to vote for or against something just because Jack Black says they should. I’m not one of them, though. I’m just enjoying the laughs.

P.S. Don’t tell anybody, but Obama’s the Devil.

Hell’s Kitchen: one crazy left

“Hell’s Kitchen” is barreling toward the finale already, but wait….now there will be a 2-3 week break for playoff baseball. Anyway, when they resume in early November there will be 8 contestants left and they will probably keep up with the two-episodes-in-one thing until just after Thanksgiving. Either way, here is our rapid-fire recap of last night’s doubleheader:

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