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Directors Hall of Fame movie moments #1: The dangerous allure of Roscoe’s Chicken and Waffles

In honor of the new class of fine filmmakers selected by the film writers of our mothership site, we start with a scene from the movie my colleague, Jason Zingale, accurately selected as Quentin Tarantino‘s most underrated.

Be forewarned that, typically enough for Mr. Tarantino, this scene — which features a brief appearance by the late Tony Curtis via TV — contains lots of NSFW language. In particular, Samuel L. Jackson as murderous arms dealer Ordell Robbie uses enough n-words here that some took umbrage — perhaps because it showed he hadn’t been dissuaded when Denzel Washington gave him a talking to about using the word on the set of 1995’s “Crimson Tide.” One difference: in Tarantino’s earlier films, he has low-life white criminals using the word, possibly accurate but definitely on the edge of acceptability in mainstream films, here he has low-life African-American crooks using the word, more or less de rigeur in the nineties.  Personally, I doubt I could justify changing a single word here in any case.

Come to think of it, I don’t think there’s been a single n-word in a Tarantino film since 97’s “Jackie Brown.” Denzel Washington, however, did use the word repeatedly (though with an “a” instead of an “er” on the end) as an unsavory copper, and won an Oscar for it, in 2001’s “Training Day.”

It’s the end of week movie news dump — now, with fewer items!

There really hasn’t been all that much interesting movie news this week, but things have definitely heated up just in the last few hours. Specifically…

* Via Quint at AICN, “The Hobbit” two-movie package has been officially greenlit, with Peter Jackson directing. It’s a good thing because I was really getting tired of those “it’s just about greenlit” “it’s almost greenlit” “no, it’s actually not quite greenlit because of MGM being on the block, nothing to see here” rinse-and-repeat stories. I don’t even care if Nikki Finke and Mike Fleming want to claim a “toldja” on this or how many casting rumors they’re repeating, just make the damn movies already.

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Oh, but first, they’ve got to solve the previously reported issues with SAG and AFTRA. As a good liberal I’m very pro-union and I think that anyone who thinks we’d be better off without unions should be immediately transported to a smokey factory in 19th century London and asked to work a 72 hour week without overtime pay. However, like all the other geeks, I nevertheless think SAG and AFTRA are probably overreaching here and are singling out the movie because of its high profile.

* A related story is also a classic example of an unpleasant news item arriving late on a Friday night in an attempt to bury it. The highly regarded executive Mary Parent — beloved of Joss Whedon fans for giving both the “Buffy” TV and the “Serenity” movie gigs — is officially out at MGM.

* The king of the world is supposedly flirting with making a movie about the queen of the world — not Oprah, but Cleopatra. Angelina Jolie is already set to star in a project that’s already sounding to me as bloated as the wildly over budget 1963 production, directed by Joseph L. Mankiewicz, that nearly bankrupted Fox — despite being the year’s most successful movie (despite being a movie that almost no one likes today).

* It always tempting to make jokes about the porn industry, but HIV is no joke and there’s been an outbreak of it, so far limited to one on-screen sex worker. Is the site of a condom really that much of a boner buzz-kill?

* David Chase is reuniting with musical genius Steven Van Zandt, who played helmet-haired Silvio Dante on “The Sopranos,” as his music supervisor and is taking on a cast of more-or-less unknowns on his planned feature musical drama. This one I’m looking forward to. Before getting his start writing some of the best episodes ever of “The Rockford Files,” Chase was and presumably still is influenced largely by European art films.

BTW, if you’ve never heard Van Zandt’s great radio show and you like rock and roll, you’re missing something. Also, Mr. Van Zandt should be remembered as a human rights hero for his involvement with this great piece of pop music protest.

Bullz-Eye’s Directors Hall of Fame

Legendary critic Andrew Sarris has his pantheon, our esteemed mothership site, Bullz-Eye.com, has its Directors Hall of Fame. Admittedly, as a men’s magazine with a youngish readership, our leanings are populist, relatively recent, and male-friendly, so super-cinephile Ozu, Dreyer, Sirk, Flaherty, Murnau, and Bresson fans may have a very long wait — especially as our prior group of inductees was way back on 2007.

Still, each of the four director and one great directorial brother-act we’ve selected have made the kind of hugely entertaining and involving movies that turn casual viewers into fans and fans into filmmakers, and all have even made films that I’d argue are genuine works of art — yes, I consider “A Fistful of Yen” from “Kentucky Fried Movie” a genuine work of art. This year’s class was selected via a painstaking process akin to a virtual group knife-fight as several highly opinionated film fans, myself definitely included, bandied names about. (John Ford, Billy Wilder, Akira Kurosawa, and Howard Hawks, you’ll have your day yet!)

So, who made our list? Well, there’s a clue above and the picture below may also provide a small clue about one of them. But you can see all of them right here.

Johnny Depp or John Cusack as Marty McFly? It could have happened…

With the release of “Back to the Future: The 25th Anniversary Trilogy” preparing to hit DVD and Blu-ray on October 26th, Bob Gale – co-writer and producer of the films – has been doing a lot of press, providing him not only with the opportunity to wax nostalgic but also the chance to dispel a few rumors, some of which are more ridiculous than others.

For instance, I can now confirm definitively that, despite what you may have read on Wikipedia, it seems very unlikely that Corey Hart, the man who made a career out of wearing his sunglasses at night, was ever really in the running to play Marty McFly.

“I don’t think so,” said Gale, chuckling. “I don’t have any memory of that. Somebody said that he was our first choice, but that’s insane. I don’t know where that one came from. C. Thomas Howell was the other finalist at the time. John Cusack was somebody we considered. Johnny Depp read for this, believe it or not. I don’t remember the screen test. I looked through the notes, and I said, ‘Geez, I don’t even remember that we read Johnny Depp!’ So whatever he did, it wasn’t all that memorable, I guess! And there was a kid called George Newbern who flew out from Chicago for an open casting call who was pretty good. I think he’s on some TV series now. I don’t remember what it is, but I remember him. But Corey Hart? Nope. Don’t think so.”

There have also been rumors that John Lithgow was in the running for the role of Doc Brown, but according to Gale, any such discussions didn’t get very far.

“That was just kind of in passing,” said Gale. “The only other guy we really seriously considered for Doc Brown was Jeff Goldblum. Jeff came in, and…I’m certain we talked about John Lithgow, but I don’t remember if he ever actually came in, or if we met him. But I vividly remember meeting Jeff and liking him.”

In regards to the long-unreleased Eric Stoltz footage that has finally emerged within one of the documentaries on the 25th anniversary set, one can’t help but notice that we never hear so much as a single line of dialogue uttered by Stoltz.

“It was Laurent Bouzereau, who directed and produced the documentaries, who really badgered us about putting that footage in,” said Gale. “So if you like seeing it, he’s the guy to give the credit to and the thanks to.”

“Look, we don’t bear any ill will to Eric at all,” Gale continued. “We don’t want to make him look bad. We don’t think this makes him look bad. We hope it doesn’t. We figured, ‘Let’s just soft-pedal it and not put a whole lot of that in there,’ because, you know, the story’s about how the movie got made, not about him. Maybe in the 35th or 45th anniversary edition, we’ll put the actual scenes in. We never destroyed that footage. We recognized at the time that there was historical significance to it, so the footage exists. But Eric’s a working actor. We don’t want him to have to answer questions about it…not unless he comes forward and says, ‘Hey, I wanted to talk about that!’”

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