Category: TV (Page 85 of 595)

Breaking Bad 3.11 – I Don’t Understand How The Last Card Is Played (But Somehow The Vital Connection Is Made)

I said this on Facebook this morning after watching my screener of this week’s episode, and I’m saying it again now for all of the readers of this blog: not only is “Breaking Bad” the best show on AMC (which is a hell of an accomplishment, given how much I enjoy “Mad Men”), but it is now officially my favorite show on television, period. Not even having to blog it every week can kill my love for it…and that’s saying something. Watching this week’s episode, though, really served as a turning point for me. I’m someone who, when faced with a plot development which involves a ridiculous amount of coincidence, often finds himself whispering under his breath, “Oh, give me a break…” Tonight’s episode effectively tied new characters from this season into events from last season in a way that, on another show, might have left me feeling the same way. Instead, I was left in awe.

Let us begin, however, at the beginning, with a flashback that allowed Krysten Ritter to return from the dead and play Jane once again. That Jesse was left less than impressed by a trip to an art gallery is hardly surprising, but being reintroduced to Jane after so long served to remind me of a question that occurred to me a few times last season: why is a girl as deep as this involved with a tool like Jesse? Her rap about how “sometimes you get fixated on something and you might not even get why” struck me as a suspiciously on-the-nose callback to Walt’s obsession with the fly, but I could watch Ritter recite from the phone book, so I have no real complaints about that. Besides, if nothing else, the scene provided us with the origin of the lipstick-encrusted cigarette in the car’s ashtray.

Hank didn’t have a huge amount of screen time this week, but his brief appearances in the episode nonetheless served to underline how much he’s struggling with his recovery…and by “struggling,” I mean that he’s kind of stuck between a rock and a hard place: he refuses to leave the hospital until he can do so on his own two feet, but he’s barely willing to participate in the physical therapy that’s being provided. I loved his back and forth with Marie on the matter of pain (“Pain is weakness leaving your body.” “Pain is my foot in your ass, Marie!”), but it shows the depths of his anger about his situation that he should be giving shit to Walt, Jr., a kid who has to use his own crutches to walk out of the room. Gee, you don’t suppose his nephew’s condition serves as a constant reminder about his own physical limitations, do you? Nahhhhhhh…

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Why did “FlashForward” fail?

The world blacks out and sees a glimpse of its near future. It was a good premise, yet here we are a few months later and “FlashForward” has been canceled. What happened?

Ratings were strong in the beginning and kept falling throughout the series run. ABC shelved the show for a while during the Olympics, but ratings continued to plummet when it returned.

Generally, I enjoyed the show, but grew a bit weary at times, largely because I really didn’t feel that there were any characters worth rooting for. Mark Benford (Joseph Fiennes) was supposed to be the hero, but he was always so angry and serious all the time that it was hard to like the guy. Everyone was so weighted down by the emotions surrounding their flashforwards that no one was happy. Moreover, no one was funny.

“FlashForward” made me realize just how important it is for any show, even a drama, to have a good sense of humor. Think about the last few great dramas — “Lost,” “The Shield,” “Mad Men,” “Breaking Bad,” “Battlestar Galactica,” “The Sopranos,” hell, even “The Wire” — they all had moments of hilarity. Can we say the same about “FlashForward”? I can list several funny moments for each of those aforementioned shows, but I can’t think of a single funny moment in “FlashForward.”

That said, I gave up on “V” but stood by “FlashForward,” yet the former has been renewed while the latter has been canceled. I thought the storytelling in “FlashForward” was far superior to “V,” but that’s not saying a whole lot. “V” doesn’t have a sense of humor, either, which is why I deleted my season pass.

With the departure of “Lost” and “Battlestar Galactica” and the failure of “FlashForward,” sci-fi television is struggling.

It’s your barely pre-Memorial Day weekend end of week movie news dump (updated)

And that’s only “pre” on the West coast. Anyhow, thing are going to get a lot less verbose from me over the next few days and I’m in a relatively laconic mood tonight, so enjoy the relative brevity to come.

*  “The Hobbit” remains in suspended animation because of MGM’s fiscal limbo, says Guillermo del Toro. Anne Thompson has some added details on the possible future of MGM, such as it is.

Alice in Wonderland” just crossed the $1 billion mark. Mike Fleming speculates that this might might make Johnny Depp — say it like Dana Carvey’s impression of Mickey Rooney now — the biggest star in the wooorld. If true, the questionable virtues of playing it artistically safe look ever more questionable.

* Interviews with remarkable men: Michael Caine and an extremely funny George Romero in Vanity Fair plugging his new “Survival of the Dead” which is a very limited release right now. Definitely read the Romero whose zombies, we must repeat, never ate brains and, since everyone else is doing it anyway, is working on his own zombie novel. And, yeah, someone is working on “Night of the Living Dead” musical for Broadway, but Romero’s smart enough to stay off of that particular gravy train.

* I’ve never seen them, and they’re not available on DVD, but the autobiographical dramas by Terrence Davies, “Distant Voices, Still Lives” and “The Long Day Closes” have an incredible reputation among critics and others. Davies is coming back with an adaptation of a play by Terrence Rattigan, “The Deep Blue Sea.”  This will be the first movie adaptation of a play by the English writer since David Mamet’s perfectly swell — and, believe it or not G-rated — 1999 version of “The Winslow Boy.”

* “Lost Boys 3” starring the late Corey Feldman doing a Batman-style raspy voice. I don’t even begin to know what to think. [Update: I obviously made a mistake here last night. Mr. Feldman is still, I’m happy to say, very much with us. See comments.]

* He didn’t make many movies, but RIP Gary Coleman anyway. Be sure and check out Will Harris’s terrific remembrance a couple of posts below this one.

* Action-meister Luc Besson is letting members of the French-speaking public become “producers” of an upcoming movie. The first ten-thousand participants will have their names in the credits. Talk about film-making by committee.

* It’s TV but this is too close to home to ignore…the cast of the upcoming HBO TV show starring Diane Keaton and directed by Bill Condon which is not about Nikki Finke just keeps getting better. Recent additions include Ellen Page and Wes Bentley.

* As part of a lame maneuver to try and do and end-run around critics on behalf of what surely seems to be a lame movie, alleged actor Ashton Kutcher is claiming that he’ll pirate and release — all on his own of course — the first ten minutes of his upcoming and pretty lame looking “Killers.” Spare me. Truly.

* If you live in the movie capital, things tend to get a bit quiet over holiday weekends like Memorial Day. It can be kind of nice. Not like the beautiful short below by Ross Ching, but not completely removed from it either. Strangely enough given the impossibility of what’s being shown, this, by the way, is one of the closer depictions of how L.A. actually looks to a native like me.

The world no longer moves to the beat of one particular drum…

I rather suspect that Gary Coleman had long ago resigned himself to the fact that, on the event of his death, he would be forced to endure a series of obituaries which liberally utilized the adjectives “diminutive” and/or “pint-sized,” used the phrase “child star” as an obscenity, and found some way, no matter how desperately, to incorporate the words “whatchu talkin’ ’bout” into their text. Fair enough: the man had a legacy, and that legacy – for better or worse – inextricably revolved around his work as Arnold Jackson on the fondly-remembered-almost-exclusively-by-those-who-lived-through-the-’80s sitcom, “Diff’rent Strokes.” In that I resemble that remark, however, I do not deny that I mourn Coleman’s death.

Coleman, who died today at the age of 42 after suffering an intercranial hemorrhage, was as much a part of my childhood as any other pop culture icon. Despite the fact that my father hated “Diff’rent Strokes,” my sister and I forced him to endure it week after week, much as NBC forced me to endure a crossover with “Hello, Larry” just so that I could see how the crossover between the two series panned out. The character of Arnold Jackson was the classic example of the kid who was ostensibly saying everything that we were thinking, and Coleman played the role to perfection…so much so, in fact, that he parleyed the same characteristics into every other character he played for the next several years, be it a boy scout (“Scout’s Honor”), a baseball player (“The Kid from Left Field”), a brain (“The Kid with the 200 I.Q.”), or even an angel (“The Kid with the Broken Halo,” which was spun off into an animated series simply entitled “The Gary Coleman Show“). This served him well during the ’80s, but once “Diff’rent Strokes” ended, so for all practical purposes did Coleman’s career.

Oh, sure, he continued to make guest appearances in films and on television series, generally as himself…or, at the very least, someone who had a tendency to demand to know what people were talkin’ ’bout. Once reality television took off, he was able to pick up even more work, courtesy of shows like “Star Dates” and “The Surreal Life” (and, unfortunately for him, “Divorce Court”), and, lest we forget, he made a few memorable voiceover appearances on “The Simpsons,” too. For the most part, though, you tended to feel bad for him. His financial battles, many of which could be traced back to when his parents wreaked havoc on his “Diff’rent Strokes” money while he was still a minor, were almost as legendary as the health battles which kept him trapped at a height of 4’8″ into adulthood.

In the wake of Gary Coleman’s death, better we should forget all of the years we spent watching him painfully trying to wring a few more moments of fame (and, in turn, a few more paychecks) out of his past and, instead, focus on what made him famous in the first place. It might’ve been an albatross around his neck as often as not, but when I was 10 years old, I thought it was the funniest thing on earth to hear him say his signature line, so I think I’ll listen to it one more time and remember how much laughter he gave me back then.

Excerpts from an interview with Michael Ventrella, the new Biggest Loser

We were fortunate to be asked to join a conference call this past Wednesday with Michael Ventrella, who was crowned The Biggest Loser on NBC’s hit reality show on Tuesday night. Michael began the season at 526 pounds and lost 264 for a final weight of 262. In other words, he lost more than 50% of his body weight, in just a few months time. It’s an incredible feat, and since we were on a call with many other journalists, we chose a few of the questions at random and Michael’s answer. Our question is in bold. Enjoy!

Question: Going into this experience did you ever think you’d make it to the end? Did you think that game play would get in the way or did you think you’d have any kind of major struggles that would stop you?

Michael Ventrella: I thought there was going to be a lot of different things that might interfere with my journey. You know, it is a game show. I mean at the end of the day that’s what it is. And on top of it, you know, being at 526 you have no hope for a future. You have no hope. I mean I knew that I was going to give it my all and I knew that I would be relentless at my efforts of, you know, healthy but I surpassed my wildest dreams.

Q: So what are some of the challenges that you faced when you transitioned home? And how do you plan on dealing with those challenges moving forward in maintaining your weight?

MV: Surprisingly enough I thought the biggest challenges when I went home was, you know, like putting in my workout regimen and my new eating habits, surprisingly enough, it wasn’t that because I’m not that person at 526 anymore. I don’t think that way. I don’t eat that way. I don’t live that way. The biggest challenges I’ve experienced being at home was having everybody understand what I’m going through, what I’m trying to do. You know, I have friends who are (unintelligible) and they don’t know like the commitment at I’m – and the hard work that I’m putting towards doing this. And then I have friends and family who are overweight and never even attempted to try to lose weight and they don’t understand what I’m going through.

Q: I know that love – finding love was a big theme this season on the show. So I want to know are you dating. Are you seeing anyone? What’s your love life like now?

MV: My love life is nonexistent. The only thing that I’m learning to love is myself and that’s the only thing I have time for right now because I haven’t done that ever. I never learned how to respect myself, respect my body and take care of me. So before I learn to love somebody else I need to learn how to love myself. And I’m not completely there yet because I’m still not done with my journey. You know, the finale for Biggest Loser was last night but the finale for my weight loss is yet to come.

Q: So now what are you planning to do with your prize money?

MV: Get out of debt, at least try to. We’ll see what happens – we’ll see what I get after Uncle Sam gets a hold of me. But that’s first and foremost because, you know, being in debt you feel like all that (weight) on your shoulders and, you know, that just weighs you down along with the fat on your body. So as I’m losing weight I’m getting things sorted out and I’m really cleaning up my life in every angle.

Q: Coming from a family of big Chicagoans, I know we love our deep dish pizza and our (unintelligible) and Chicago dogs. Is there room for that in your new life or are there different ways of enjoying those kinds of Chicago foods?

MV: Oh, most definitely. I try to be as creative as possible to recreate these, you know, dishes and flavors that I love so much, that I grew up on. But of course there’s going to be some things that I can’t imitate, you know, in a healthy way. So I mean it’s inevitable that I’ll have it one day or another but I’m going to work for it. Just like a person that wants to buy a house, you don’t buy a house and then get a job. You get a job, you work hard for your money, you earn, you save and then you get what you want. And that’s exactly how I look at, you know, these different foods that might be – I might not be able to recreate. So I’ll plan ahead and be like, “Oh, Sunday’s coming around. I’m going to go get myself some deep dish pizza. So to work towards that I’m going to do an extra mile a day on the bike.” Or you know, Sunday before I go, I’ll ride my bike to the restaurant and back that way my metabolism is at its highest and I burn it off and it will just completely wash through. And so it’s a treat but I’ve got to work for that treat. It’s not going to – you know, so many Americans these days we like to play then pay and we’ve got to switch that around.

Q: You seem to have kind of a kinship with Ashley given that you both made it to the final. Did it – did you have to struggle to stay in that competitive mode given that you were facing off with somebody you grew close to?

MV: Yes and no. I mean Ashley and I’s relationship is just phenomenal. She’s like my twin, not evil twin, but my twin, you know. And we encourage each other and push each other to our limits and see what we’re possibly capable of and we’re always, you know, comforting each other because deep down to the root of things we started off this whole journey feeling the same things, going through the same things. We were both overweight throughout our whole lives. We never knew any different. And it seemed like every time she’d face a problem I would face it a day before or day later or at the same time. So all through it we knew that we were each other’s competitors but we wanted the best for one another because we are friends. And that’s – at the end of the day that’s pretty much it is that we all have witnessed such a great portion of one of the most life-changing moments. And no matter how articulately capable we can be of explaining to another person what we felt, what we went through, what we did, you know, what we were thinking, nobody will ever get it unless they were there. And me and Ashley totally (unintelligible) as far as what we went through and the whole experience together. So it’s hard not to bond after that or through that and want to see each other succeed, you know, because that’s who we are. We want (to) better for everybody.

Q: And I know you watched the show in the past, so what’s the biggest difference between watching it on TV and then actually being there?

MV: Oh, good question. You know what, when I studied it before I auditioned for the show I was just watching all the episodes and, you know, like how is everybody’s relationship? How do they react to one another? You know, how do they react to the challenges and everything like that? I told myself, “Oh, this is something I’ll never do. I’ll never partake in an eating challenge. I’ll never do this challenge. I’ll never do that.” Because it’s kind of got a standard theme throughout all the seasons. And when you’re there all that goes out the window. When you’re there you’re – I was in survival mode. I was like, “All right. I got to do this.” Because the old Michael would put so much of his fate in other people’s hands and that made me so unhappy and that’s what brought me pretty much, you know, contributed to me being at 526. So I really had to get over it and say, “I am going to play the game because my livelihood depends on it.”

Q: I just have to ask, is there something that you’re really looking forward to doing now that you felt you couldn’t do or didn’t want to do when you were heavier?

MV: Yeah. I’d love to go to a theme park with all my cousins and ride a roller coaster and be a kid for the first time in my life. You know, I am thinner now and have a smaller waist at 31 than I did when I was like 13 or 14. So I never got to experience what being a kid really was and I want to do that. I want to live that out, you know. And I love kids. I love to be around them. I like to be playful and I love my family. And so I’m definitely so excited to spend a couple days at a theme park, you know, and take all my little cousins out and just live it up.

Q: My question is, do you have a specific goal weight to reach and do you have a timeline and plan to reach that?

MV: Now that the Biggest Loser finale is over I can really rearrange my workout routines. And I can start incorporating, you know, lifting and muscle gain into my workouts now, which is great because it’s going to make losing weight a hell of a lot easier. So my – as far as losing fat mass. I’m going to start gaining muscle and losing fat. So you know, might weight might go up a little bit, it might go down, it should stay around the same but it’s the inches that are definitely going to change. You know, my arms will get bigger and my waist will get smaller and my legs will get toner and I’m really excited about that because I’m going to see how far I can exercise and push my body to the healthiest I can possibly be. And so overall that’s the biggest difference because now I feel that my body’s probably gotten used to all the cardio that I’ve been doing plus it’s taxing on my knees. I’m excited definitely because I can’t wait to just get my arms ripped up.

Q: If you had to pin down the biggest lesson that you learned on the ranch, what would it be?

MV: The biggest lesson is to really understand in order to help other people I need to help myself. You know, as a natural caring individual I was always putting other people before me because I thought, “Oh, well they need help more than I do.” Well I couldn’t really help anybody if I was sick or if I was, you know, dead. So the minute that I learned how to focus on me and what my body needed and what I needed to sustain life and live happily is a perfect example. Look at all the other people that have changed their lives. I meet countless people every day that email me, call me, salute me in the street, you know, shake my hand and say, “Ever since I saw you on Biggest Loser run the five miles, I’ve been able to walk one mile and I can’t wait to do what you just did.” And I’m sitting there like, “I never even had that intention. I’ve never even known this person. And look what happened just from me focusing on myself and setting an example.” So it’s honoring. I can’t even (unintelligible) to say how amazing it feels to be able to get that return even on top of everything I’ve done for myself I’ve been able to help other people.

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