Category: TV (Page 145 of 595)

Sons of Anarchy 2.11 – Service

If last week’s episode was the big turning point of the season, then tonight was the build-up to the final stretch. Obviously, Gemma’s confession played a major role in getting us this far, because now Jax has squashed his plans to go nomad in favor of putting a hurting on Ethan Zobelle and his men. Though Jax and Clay relay the news of Gemma’s rape to the rest of the club, they warn them not to do anything until they’re at full power. That means getting plenty of guns, and for the time being, they’re a little short on firepower. Clay suggests they meet with Jimmy O and rekindle their business relationship, but even though Jimmy promises to no longer sell to LOAN (even offering Zobelle’s next shipment to the Sons for free), it’s not going to matter much if their Russian pipeline is as dried up as Cameron suggests. The Sons don’t know that, however, and to be completely honest, I’m not exactly sure Jimmy O knows about it either.

In what could easily be considered the biggest reveal of the night (if not the season), Tig completely breaks down in front of Opie about Donna’s death. He takes his share of the blame and even sends a little Clay’s way as well, but he’s quick to mention that if Stahl had never set him up to look like a rat, Donna would have never been killed. Fair enough, but that doesn’t stop Opie from kicking his ass before he leaves to confront Stahl. He doesn’t shoot her, though, but rather waves a gun in her face before handing her the clip and saying, “The outlaw had mercy. You remember that the next time you try to twist the truth.” Yet again, Opie proves why he’s one of the coolest characters on the show. It’s also good to see him back on Jax’s side, because if Jax is ever going to take over the club, he’s going to need a right-hand man like Opie to help him push the Sons in a new direction. Plus, now that Opie’s forgiven Clay and Tig for the good of the club, I think he’s going to have a lot more say in what goes on.

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In fact, you can already begin to see the effect he’s having on Clay. Not only did he manage to prevent him from overreacting to Chibbs’ confession about his deal with ATF, but after Piney stormed in and tried to kill Clay, he defused the situation in a matter of minutes. Frankly, I’m a little surprised Clay let Piney off so easily, but I guess he just figures it’s the least he can do to put Donna’s death behind him. Still, it’ll be interesting to see how much Opie plays the guilt card in the future, because it could come in real handy later down the road. For the time being, though, everyone is focused on bringing down Zobelle, and when Jax discovers that he’s doing business with the Mayans behind Weston’s back, they realize they have an ace up their sleeve. My guess is that they’ll turn LOAN against one another without so much as raising a gun, but with Chief Wayne seemingly on his way out, it makes sense that they might need his help one more time.

As for Gemma, well, she may not think that coming clean was the best thing for her (she tells Tara that Clay won’t want her anymore because she’s “damaged goods”), but after an odd sexual encounter with Tig that thankfully didn’t come to anything, she’s even more demoralized. Of course, Tig knows exactly what’s going on, and before everyone departs for the night, he advises Clay to show Gemma that he still loves her. It might have just been sex on an office desk, but that final scene between Clay and Gemma was a lot sweeter than it sounds. It’s moments like these that make “Sons of Anarchy” one of the best shows on TV.

Dancing with the Stars 9.18 — Round Nine

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We are down to the final four couples and I’m already fantasizing about how I’ll spend my Monday nights after they crown a champion. Will I take up bowling? Will I go on a weekly jog? Will I practice more guitar scales? Or will I just go to bed earlier? These are my fantasies.

To the delight of millions, a new season of “Dancing with the Stars” will probably begin shortly after this one. With my luck, next season will have twenty “stars.”

Each of the four remaining couples will perform three dances tonight. This has never been done in the history of the show. Kelly, Mya, and Joanna should be fine given their ages. I’m just concerned about Donny. He always looks exhausted after one dance — I don’t know how he can handle three. He’ll be able to memorize the routines, but his execution might be a tad grueling during his final dance.

Dance #1

Donny Osmond with Kym Johnson (tango)

Donny is unable to make a dance serious. Every time he tires to play up the masculinity, his footwork suffers. This dance was all over the place. Sorry to say, Chuck Liddell could have done better.

Joanna Krupa with Derek Hough (Viennese waltz)

I want to know who does this song. It reminds me of Gram Parsons in a weird way.

Yep, they did a great job. It wasn’t very romantic or anything — it just seemed “standard” and sometimes that’s all the judges want. Also, they’re finally starting to seem like a team.

What? The Bee Gees are going to be on tomorrow? I don’t care who wins anymore. I just want to see the Gibbs!

Kelly Osbourne with Louis Van Amstel (rumba)

Kelly’s routines always feel as though they’re dipped in tar. Focusing tremendously on the steps, she moves a bit slower than the other performers. Still, unlike Len Goodman, I think this was her best dance of the season. She moved with grace and brought a sense of character to this rumba.

Mya with Dmitry Chaplin (waltz)

Honestly, I can never find any of Mya’s mistakes. The judges are even on her side now. She’ll probably face Joanna in the finals, but Mya deserves praise for her performance over the entire season. As far as I’m concerned, she steals the show every week.

Dance #2

Donny Osmond with Kym Johnson (samba)

This dance of theirs definitely of topped the one from earlier. When Donny finds a groove, it’s almost impossible for him to make a mistake.

At this point, I’m not positive whether or not Donny can astound the judges with his final dance of the night. He should choose a faster dance, even if he’s tired.

Joanna Krupa with Derek Hough (cha cha cha)

Joanna’s sister, Marta, is a babe. I just wanted to get that out of the way. Come to think of it, the producer should nab her for next season.

Why do the celebrities sometimes mouth the song’s lyrics when they perform? Is it to help them keep time? The pros never do it. It’s just distracting.

Anyway, this routine must have only been 30 seconds. She seems very confident out there. Also, she uses her face in a way the other dancers have yet to master. Joanna looks at the camera and smirks, drawing the attention away from her footwork. It’s a smart tactic.

Kelly Osbourne with Louis Van Amstel (quick step)

Has Kelly lost 15 pounds over the last three months? She wasn’t even chubby to begin with, but she’s is in tremendous shape now.

I like this song, “99 Red Balloons.” I forget who sang it originally, but I’ve heard a bunch of cover versions.

Wow. Kelly actually got technical with this one. Louis almost dropped her at the end, but that was a minor blip.

Mya with Dmitry Chaplin (salsa)

There are numerous reasons why Mya should make it to the finals, but I often forget to watch how well the she works with her partner. Mya and Dmitry are constantly on the same wavelength. It’s almost as if Mya will never stumble or fall out of rhythm because Dmitry can anticipate her every step.

Len Goodman, you horny bastard. Here’s what he just said:

“I was mesmerized by your buttocks. I couldn’t stop looking — I’ve gotta be honest here.”

Ha!

Dance #3

These are the couples’ “knockout dances.” Each of the teams chose their own music and genre. Thus, they should nail their performance.

Donny Osmond with Kym Johnson (jitterbug)

Carrie Ann is right — Donny needed this dance to be good. I thought Donny was going to bomb, but he came through. The choreography was interesting as well.

Joanna Krupa with Derek Hough (salsa)

They should have picked a slower dance. The judges are probably tired of all the shaking and jumping (I still appreciate it).

Actually, they’ll be fine. This dance was excellent. Kelly is really going to have to blow us away if she wants to find herself in the finals. As of right now, it’s Mya and Joanna, no question.

Kelly Osbourne with Louis Van Amstel (cha cha cha)

Did they only dance for three seconds? She was really sharp and smiled the whole way through. She actually might make it the finals. If she does, she can thank the voters at home.

Mya with Dmitry Chaplin (cha cha cha)

Obviously, they killed it. That flip thing Dmitry did at the end was cool.

I guess three couples make it to the finals, which doesn’t quite make sense. I think Donny is done.

RIP Edward Woodward

Edward WoodwardI was very sorry to hear earlier this morning of the death at age 79 of a personal favorite of mine, Edward Woodward.  Although he may still be best known for his roles in the acclaimed fact-based war drama, “Breaker Morant,” the espionage/crime-vigilante TV series, “The Equalizer,” and by our friends in England as the cynical, super-tough spy “Callan,” his role in what was once a fairly obscure cult film all but buried by its studio, the 1973 “The Wicker Man,” is getting the lion’s share of attention in most of his  press obituaries, that’s including the very touching one issued by the BBC this morning.

“The Wicker Man” has been one of my favorite movies since I was teenager and remains so now — not even the worst imaginable remake can touch that film, and that proposition has now been tested.  Still, my admiration of the actor Woodward goes well beyond one single role. He was the kind of performer you could rely on to be great in anything and so he was on countless television programs.  A master of understatement who knew when and how to go big (the oft-spoiled ending of “The Wicker Man” being a case in point), he was a real virtuoso whose un-showy approach probably doomed him to being underrated to a certain degree. Still, he didn’t seem to mind and judging from the press accounts I’ve been reading, he was a real gentleman and as fun to be around as his best known characters were definitely not. He was also, by the way, an accomplished Shakespearian stage actor and a fair-to-middling pop singer. It’s a shame he rarely got to do either on screen, though his voice can be heard to powerful effect during the final scene of “Breaker Morant.” (If you don’t mind learning the fate of his title character, or already know it from history, you can see the conclusion here.)

Two of his more devoted fans appear to have been Edgar Wright and Simon Pegg, who were smart enough to cast Woodward in “Hot Fuzz,” and you can read their thoughts at Wright’s blog and via a message board post by Pegg. (Big h/t to Beaks.) Wright’s piece is really lovely and I strongly recommend you read all of if . However, here’s one line that tickled me, in the spirit of “it’s funny because it’s true.”

I also remember telling him that Quentin [Tarantino] was a huge fan of his film ‘Sitting Target’ (another great soundtrack – btw) and he looked shocked. I’m not sure anyone had ever complimented him on it. He replied “Well, you must tell your friend he is very strange indeed”.

And so it goes, another great lost. I do want to echo Edgar Wright’s entreaty that, especially you’ve never seen it, you watch the 1973 “The Wicker Man” as fast as possible and avoid any place where spoilers about the ending might be found, which seems to be about 99% of what’s been posted about it recently. (I tried to avoid giving too much away in my 2000 review linked to above.)  Woodward’s portrayal of a repressed, bitter, humorless, but also decent, principled, and compassionate man is, to me, very much what acting is all about.  So, why are we surprised to hear about what a funny and regular guy he was in real life? He was acting — extraordinarily well.

Greg of Cinema Styles has more. Highly recommended.

Food Network tries to transform hapless cooks into something on “Worst Cooks in America”

We’ve seen all sorts of new shows come down the Food Network pike lately, including the exciting “Chefs vs. City,” the hilarious “What Would Brian Boitano Make?” and now a show that tests the very mettle and reputation of two professional chefs, Anne Burrell and Beau MacMillan.

The show is called “Worst Cooks in America,” and it takes twelve of the country’s most hopeless cooks and puts them under the tutelage of Burrell and MacMillan, after which they compete in a weekly show on Food Network beginning January 3 at 10pm ET/PT/9pm central. There will be five episodes, each week with challenges to see who will move forward.

“Watching the Worst Cooks in America struggle to become great cooks, makes a show that is very funny, dramatic and moving,” said Bob Tuschman, Senior Vice President, Programming and Production, Food Network. “Ultimately, it offers hope for even the most kitchen-challenged of our viewers.”

The final two will compete in the finale on February 1, and for their final task they will have to create a 3-course meal which will be judged by restaurant critics. The catch? The critics believe the meals have been prepared by the tutors, which means reputations are clearly at stake. Also at stake for the winner is a $25,000 grand prize.

Now this is a show that is set up to be a train wreck from the start, but it also should be fun to see just how fast bad cooks can be transformed into good ones under the right supervision. Maybe it will give hope to many of you whose favorite cooking utensil is the telephone to order takeout.

Curb Your Enthusiasm 7.9 — The Table Read

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Larry David doesn’t care about transcending the real world for the sake of perverse comedy. (Note: I said perverse comedy. Larry is reaching into more unsavory realms this season.) Since the show is filmed like a home video and the characters speak like you and I, we as an audience often attempt to relate to the plots. Nevertheless, as much as we push to find the realism in “Curb Your Enthusiasm” — as close as we get to thinking, I would do the same thing! — Larry can effortlessly shatter the correlation.

So, when Larry’s casting director casually informs him that her daughter has “a rash on her pussy,” we know we’re visiting another universe. As the episode carries on, Larry repeatedly receives text message from Emma, the little girl. Try as he may to end the correspondence, Larry is deterred by her persistence and cuteness. When Larry visits his doctor (because of a rash he likely got from Emma), we fully appreciate our view from home.

Doctor: Well, do you have any idea how you may have gotten this rash?
Larry: I’ve been seeing this nine year-old girl and she kinda has a rash on her pussy. Uh, I took her to lunch the other day and we had a fight. We made up and we hugged. It’s gotta be her.
(Larry receives a text.)
Larry: Yeah, that’s her now.
Doctor: Her.
Larry: She’s so cute. We text all the time. For a while we weren’t but we’re back on now, so…

The doctor tells his assistant to call the police. Larry’s performance in the doctor’s office was perfect and will go down as one of my favorite scenes from “Curb.” His maniacal laughter at the end over the closing credits is priceless.

Thankfully, this episode of “Curb” finally gets the “Seinfeld” reunion off the ground. We watch as the cast rehearses the fictional reunion. This was a true joy as the script actually sounded really funny. Of course, there are some problems on the set — problems similar to the ones the real Larry David probably encountered while shooting his old show. Julia Louis-Dreyfus and Jason Alexander immediately question Cheryl’s acting credentials; Marty Funkhauser shows up uninvited and tells Jerry a filthy joke; during the table read, Jason Alexander molests a pen he borrowed from Larry. This all happens in the opening scene and unravels at a comfortable pace over the next 36 minutes. Yes, this episode is quite a bit longer than most. Since “The Table Read” is so focused on the construction of the reunion, the weaker storylines are excusable. This serves as a reminder that “Curb Your Enthusiasm” is indeed a show about Larry David. Thus, his disagreements with the maitre d’ and Emma were vital.

I’ve previously pointed out that Larry is in practically every scene from “Curb Your Enthusiasm.” I closely examine those rare instances when he’s absent as the show briefly takes a detour from Larry’s brilliantly preculiar point of view. Although the scenes feel unhinged without his presence, they’re a breath of fresh air. With that in mind, Michael Richards and Leon deserve a bulk of the credit for making “The Table Read” a great episode.

We suspected Larry David would incorporate Richards’ mistake from three years ago, when Richards insulted an African American heckler during his comedy routine. I don’t know why I never thought Leon would get involved.

But I’m happy he did as the results were hysterical. In the opening scene, Michael tells Larry that he’s contracted the fictional Groat’s Disease. He’s worried that it will affect his performance. In response, Larry tries to set up a meeting with an accountant named Danny Duberstein, a longtime Groat’s Disease sufferer. Unfortunately, Duberstein has died from Groat’s, so Larry looks to Leon for help. He wants Leon to visit Michael and pretend to be Duberstein.

Later in the episode, Leon, dressed more like Louis Farrakhan from the Nation of Islam than a Jewish accountant, manages to convince Michael that he’ll be fine. It doesn’t take too long for Michael to discover that Leon is full of crap. Confronting Leon, Michael has every right to be angry, but he stops short of using any harsh insults because of his past. As various onlookers remove their cell phones to capture a potential meltdown, Michael departs in a frenzy.

Shortly after Michael Richards’ real-life scandal, he apologized on “Letterman” and spent weeks groveling in front of the African American community. That’s all but forgotten now and I don’t really know how people currently feel about this talented actor. Nevertheless, last night’s episode of “Curb” gave audiences a glimpse at the repercussions of Richards’ outburst. He can never screw up again and must always be on his toes. Isn’t that punishment enough? Given his willingness to skewer his own troublesome past on “Curb,” he’s obviously moving in the right direction. He has Larry David to thank for that.

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