Category: TV DVDs (Page 12 of 54)

Blu Tuesday: Duplicity, Rudo Y Cursi and Adventureland

It’s been awhile since I posted a proper Blu Tuesday column due to a combination of things – slow release weeks, busy work weeks, and even a sudden interest in writing up a few title-specific entries – but I plan on remedying that today. This week’s selection doesn’t contain any really major titles, nor is there anything that could be considered particularly must-buy, but you will find a couple of films that, if given the chance, might just earn a place in your collection.

“Duplicity” (Universal)

If Tony Gilroy’s “Duplicity” taught us anything, it’s that moviegoers won’t see a film just because of the people involved. That, or Julia Roberts simply isn’t the A-list star she once was. Whatever the reason, it’s the perfect example of movie stars who make way too much. Case in point: Roberts was paid $15 million for her role in the film, while the movie only managed to rake in $40 million at the box office – a staggering $20 million less than its reported budget. While just about everyone can agree that inflated actor salaries need to be policed, reactions to the film itself haven’t been quite as cut and dry. Personally, I can understand why some might find “Duplicity” a little boring – it’s slow, repetitive, and the characters never seem to shut up – but we don’t get that many adult-oriented films these days, and though it isn’t perfect, Gilroy’s follow-up to the much better “Michael Clayton” is still worth a look. At the very least, it delivers some great dialogue and yet another solid performance from Clive Owen.

null“Rudo Y Cursi” (Sony Classics)

Billed as the onscreen reunion of “Y Tu Mamá También” stars Diego Luna and Gael García Bernal (not to mention produced by Alfonso Cuarón and directed by his brother, Carlos), “Rudo Y Cursi” tells the story of two brothers from a small town who are recruited to play for rival teams in the Mexican Soccer League. Those expecting a straight-up soccer drama will find themselves severely disappointed, however, as it’s pretty obvious from the few times the actors are forced to play that they’re not very good. The lack of soccer action aside, “Rudo Y Cursi” is a fun little movie about two men who are practically handed the American dream, only to squander it on their respective vices. For Luna’s character, it’s compulsive gambling, and for Bernal, it’s the chance to use his newfound success to become a music superstar. The latter results in some pretty funny moments — including an accordion-led rendition of Cheap Trick’s “I Want You to Want Me” — but the real humor comes from the interactions between its two stars. That alone is worth the price of the ticket, although you could just as easily find some entertainment in their poor soccer skills as well.

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RIP Budd Schulberg

The ending of Budd Schulberg‘s extraordinary life at age 95 last night was just a little strange for me personally. By a very odd coincidence, just the night before I finished watching the 1959 TV production of “What Makes Sammy Run?,” Schulberg’s great and possibly never-to-be-filmed 1941 novel about Hollywood careerist dehumanization (yes, it goes back that far, at least). The DVD included an interview he gave just last year. Given his age and fairly obvious frailty, I wondered how long it would be before I’d be writing one of these posts on him. He was not a young man, but this is still too soon.

Anyhow, what can you say about the writer of “On the Waterfront” and “A Face in the Crowd” — two of the most acclaimed screenplays ever written — and the nastily on-point movie business novel which was so effective it is supposed to have driven the usually jovial John Wayne to physical violence? Of course, Schulberg got it from all sides, though for differing reasons.

Like most liberals, I have serious complaints with how Schulberg and his more famous directing collaborator, Elia Kazan, comported themselves during the McCarthy era, and certain lines in both of their most famous films stick in my craw. While Budd Schulberg never abandoned his liberalism, it’s clear to me that his entirely justified anticommunism took a form that helped that American extreme-right, harmed the first amendment, and bolstered the most vicious aspects of U.S. foreign policy. Still, there’s no denying the power and clarity of his writing or the moral values they expressed at their best.

As it happens, I posted one great scene from “A Face in the Crowd” just last week. I’m posting more after the flip, starting with a scene with Andy Griffith and Patricia Neal that should knock your socks off.

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Blu Tuesday: Battlestar Galactica, Fast & Furious and Green Lantern

After last week’s fantastic selection of Blu-ray titles, you’d think that we’d have to wait another month or two before getting anything even remotely as good, but for fans of sci-fi, you really can’t do much better than today’s offering. There are no less than six geek-worthy Blu-rays this week, as well as a few other major titles definitely worthy of a spot in your collection.

“Battlestar Galactica: The Complete Series” (Universal)

Okay, so I may have never actually watched “Battlestar Galactica” (save for the pilot/miniseries), but it’s one of those shows that I’ve been meaning to check out for quite awhile. And with the release of the complete series box set, what better time than now? This is the first time the show has been available on Blu-ray, and thanks to the fact that it’s actually shot in HD (though not broadcast that way, curiously enough) old and new fans alike can finally enjoy the show as it was meant to be seen. The included extras are mostly a retread of previously released bonus material, but Blu-ray owners do get a few exclusives, like picture-in-picture video and a pop-up encyclopedia. The series is housed in a sweet metallic cube that expands to reveal all four seasons and includes your very own frakkin’ toaster figurine. Even if you’re not a fan of the series, that’s pretty hard to resist.

“Fast & Furious” (Universal)

I don’t care how you may feel about the fourth installment of the popular car porn franchise, or even the series as a whole, because Universal has delivered yet another fine Blu-ray packed with just about everything you could hope for. Personally, I thought the movie was good mindless fund, but I know that a lot of people found it silly and contrived. Fair enough, but for those of you who did enjoy it, the double-disc effort includes a director commentary, stunt featurettes and even a cool Vin Diesel-directed short film that acts as a prequel to the movie. Of course, the real highlight is the Take Control feature, which offers an in-depth look at the film hosted by Justin Lin and Paul Walker. Though it’s only activated for the bigger sequences, it enables the filmmakers to go into further detail than the typical commentary track. Lin pauses, rewinds and fast-forwards his way through key moments, highlighting things with the help of storyboards and behind-the-scenes footage. Zack Snyder may have technically beaten everyone to the punch with a similar feature on the “Watchmen” Blu-ray, but it’s just good to see that Warner Bros. isn’t the only studio looking ahead. This is the future of the HD format.

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One Piece: Season Two, First Voyage

Call me a cynic, but “One Piece” is the most inconsistent anime ever made. When the show brings its A-game, there’s not another series around that can match its harmonious mixture of action and comedy. Unfortunately, the series also has a tendency to slip into mediocrity time and again, and in the case of the first volume of Season Two, it happens more often than you’d care to see from a show with so much potential. With only 14 episodes included on the two-disc set, it’s disappointing to discover that the first eight are wasted on a stupid story arc involving a little girl named Apis and the millennial dragon she’s promised to protect. There isn’t any real progress made other than the fact that the Straw Hats’ detour eventually puts them back on course, and in fact, most of the crew members are relegated to background duty for many of the episodes. When they finally do reach the Grand Line, however, the series kicks back into high gear. The ship (along with its crew) is swallowed whole by a giant whale, and after Luffy figures out a way to escape, he’s lured into another trap set by a group of bounty hunters posing as pirate-friendly vendors. It’s this introduction to the Baroque Works crime syndicate that hints at “One Piece” returning to its winning ways in the next volume, but it’s just a shame we had to sit through this uneven batch of episodes to get there.

Click to buy “One Piece: Season Two, First Voyage”

Blu Tuesday: Watchmen, Coraline and 300

Due to the lack of options that Blu-ray enthusiasts were presented with over the last few weeks, it’s been a while since I’ve written a proper column. Though I had originally planned to combine two weeks’ worth of HD titles into one write-up, I ultimately decided against it because, well, even that selection wasn’t very inspiring. It’s a different story today, however, with three must-buy titles and several more worth checking out.

“Watchmen” (Warner Bros.)

The Blu-ray release of “Watchmen” has been the subject of attention since before the movie even arrived in theaters, but that’s what happens when you adapt something as popular as Alan Moore and Dave Gibbons’ groundbreaking graphic novel. The good news is that after all the legal issues with 20th Century Fox and the film’s less-than-stellar box office performance, Warner Bros. has still come through with one of the coolest Blu-rays of the year. Not only does it feature a director’s cut with over 20 minutes of additional footage, but the three-disc set also introduces the much-publicized Maximum Movie Mode, which is kind of like Universal’s U-Control feature on steroids. Quite simply, this is the future of Blu-ray, with Zack Snyder hosting an in-depth look at key sequences (often pausing the movie to discuss certain details), while other extras — like a timeline comparing historical events from Our World to Their World, picture-in-picture interviews with the cast and crew, and storyboards and comic book comparisons — supplement the experience. Also included are a series of video diaries that you can hop over to while watching the film, as well as a second disc packed with featurettes on the graphic novel, the psychology of vigilantes, and the science of “Watchmen.” If there’s one release that should help convince consumers why Blu-ray is better than DVD, this is it.

“Coraline” (Universal)

“The Nightmare Before Christmas” might have the bigger fanbase, but Henry Selick’s latest stop-motion adventure, “Coraline,” is by far the better of the two films. Then again, when you consider that the source material was written by Neil Gaiman, it isn’t at all surprising that the movie would turn out as good as it did. Though it’s debatable whether or not “Coraline” will scare the younger crowds, the film is unequivocally a must-see for any fan of Selick’s past work. The Blu-ray release makes the experience even better, too, with the option to watch the film in 2-D or 3-D (glasses included), as well as a host of awesome extras ranging from a director commentary to an in-depth making-of featurette that might as well have been called Stop-Motion 101. The two-disc set also includes Universal’s standard U-Control feature with a picture-in-picture video track filled with behind-the-scenes footage, interviews, and the ability to watch the full-length animatic alongside the movie. Were it not for the fact that Warner Bros. was releasing “Watchmen” on the same day, this easily would have been the best release of the week, and possibly the month.

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