Category: TV Dramas (Page 88 of 235)

Star Trek: The Motion Pictures – The Cinematic Voyages of the Starship Enterprise

The new “Star Trek” movie is almost here, my friends, and the excitement is palpable. What has J.J. Abrams done to Kirk and company, and will his efforts live up to the high expectations of the notoriously-picky “Trek” fans? We’ll all know the answer on May 8th, but in the meantime, the anticipation has led many to take a step back and revisit the previous films in the franchise…which, as it happens, is exactly what yours truly has done. In addition to the motion pictures, your trusty Bullz-Eye contributor has also gone back and re-read the novelizations for each film, and you might be surprised to find just how much good stuff never actually made it past the printed page…even if it probably should have.

Check out the piece by clicking right here…or, of course, you could click on the big ol’ graphic directly below.

Just in case you’re still on the fence about clicking over, here’s an excerpt from the feature to give you an idea what to expect…

Star Trek: The Motion Picture (1979)

Storyline: When an alien force of inconceivable power sets its sights on Earth, Admiral James T. Kirk emerges from retirement, swipes the refurbished U.S.S. Enterprise from its new commander, Willard Decker, and sets off to save the planet. Spock, who had left Starfleet in favor of purging his emotions on his home planet of Vulcan, decides that the answers to his spiritual quest may be found with this alien and rejoins his former crewmates. Oh, and there’s also this bald chick…
Villain: V’ger. That’s short for Voyager 6, a space probe launched from Earth way back yonder in the 20th century. The probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. Unfortunately, it can’t imagine that its creator can possibly be a “carbon unit,” a skepticism which proves highly problematic for the human race.
What’s good: At the time of its release, the best part was simply seeing the cast together again for the first time since the series’ cancellation, and having a noticeably bigger budget to work with. Nowadays, however, the film is driven by the interaction between the eternal trifecta of Kirk, Spock, and McCoy, whether it’s Spock’s pure logic battling against McCoy’s emotions or Kirk’s inability to accept that Decker might actually know something that he doesn’t.
What’s bad: ven Robert Wise’s Director’s Cut of the film still contains some seriously interminable shots, most notably as Admiral Kirk sees the refurbished Enterprise for the first time. There’s a reason my friend Donnie found it more interesting to count the tiles on the movie theater ceiling than watch the film…but, then, he always was more of a “Star Wars” guy. “Trek” fans, meanwhile, have long groused – and rightfully so – that the first big-screen adventure for Kirk and company was, at its heart, little more than an expanded version of an original episode, “The Changeling.”

Most surprising cast member: Stephen Collins as Commander Willard Decker. Collins went on to starring roles in “Tales of the Gold Monkey” and “Tattinger’s,” then followed it up with a recurring role on “Sisters,” but his most memorable role is almost certainly that of Rev. Eric Camden, the patriarch on “7th Heaven.”
“Yeah, but the book was better.” – The novelization of “Star Trek: The Motion Picture” was actually written by “Trek” creator Gene Roddenberry, and it provides several details which, though they aren’t actually in the movie itself, have nonetheless become accepted as fact throughout the “Trek” universe. Most notable is that the character of Willard Decker is actually the son of the late Captain Matt Decker, from “The Doomsday Machine,” an episode of the original series. One that hasn’t taken off, however, is the suggestion that Kirk had a significant romantic relationship with a woman named Lori Ciani during the so-called “lost years” between the series and the movie. Oh, and you really need to read the book’s footnotes. Roddenberry treats the novel like it’s a historical record, and when Spock refers to Kirk as his “t’hy’la,” a Vulcan word which apparently can mean either “brother” or “lover,” it results in a response from Kirk that has spawned one hell of a website.

Now are you tempted? C’mon, just click right here. Go on, you know you want to…

A Chat with “Harper’s Island” Victim #5

So who remembered to tune in to the show on Saturday night this week? If you were confused on Thursday night when you flipped over to CBS after “30 Rock” to find something other than “Harper’s Island,” then you must not have gotten the briefing about the network’s decision to give up on the series on Thursday nights and movie it into one of their Saturday night death slots. It’s not exactly as optimistic a move as the official CBS press release on the matter would have you believe, but as this week’s victim observes, it’s at least going to prove to be an interesting experiment, particularly if the show’s DVR / TiVo ratings stay strong nonetheless.

Speaking of that victim, let’s check in with the poor soul and see how they feel about the way they met their demise, which was, in its own way, as surprising as anything we’ve seen thus far on the series.

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NBC releases fall schedule, no mention of “Chuck” or “Medium”

It looks like we’re not going to find out the fates of “Chuck” and “Medium” until May 19.

NBC unveiled its fall lineup this morning, but conspicuously missing was any mention of bubble shows Chuck, Law & Order, Medium, Life, or My Name is Earl. According to a Peacock insider, a final ruling on the fate of all five shows will come on May 19. (Medium and Law & Order are both expected back; insiders say NBC execs are just finalizing the episode counts.)

The network gave the go-ahead to four new dramas: “Parenthood” (a re-imagining of the film starring Peter Krause), “Trauma” (which follows first-responder paramedics), “Mercy” (a hospital drama that focuses on the nurses) and “Day One” (a post-apocalyptic tale of survival). Of the four, I’m most interested in “Day One.” (After all, is the world really clamoring for more medical dramas?) Here’s the pitch:

From executive producer/writer Jesse Alexander (Heroes, Lost, Alias) and director Alex Graves (Fringe, Journeyman), Day One tells the story of life on earth following a global catastrophe that has devastated the world’s infrastructures. Beginning with the immediate aftermath of the cataclysmic event, an eclectic band of survivors — played by Adam Campbell (Date Movie), Catherine Dent (The Shield), Julie Gonzalo (Eli Stone), David Lyons (ER), Derek Mio (Greek), Carly Pope (24), Thekla Reuten (Sleeper Cell) and Addison Timlin (Cashmere Mafia) — strives to rebuild society as they unravel the mysteries of what happened and face their uncertain future. The group, all residents of one apartment building in suburban Van Nuys, Calif., embarks on a quest for survival and discovers that hope is found in small victories — and heroes are born every day.

Sounds interesting.

The network also greenlighted the sitcom “Community,” which stars “The Soup” host Joel McHale and focuses on a group of community college students.

Nikki’s Believe It Or Don’t: “Chuck,” “Medium,” and “Law & Order” renewed?

Yep, that’s what Nikki Finke is saying over at Deadline Hollywood Daily. I haven’t done the math to figure out if her stats for accuracy are on par with Ausiello’s at Entertainment Weekly, but they’re solid enough that I’m hopeful. Looks like we’ll know for sure on Monday, though.

Prison Break 4.19: “S.O.B.”

I’ve been starting the last few blog entries by examining the name of the episode and how it relates to what went on. This week we have “S.O.B.,” which I believe is aimed at the fact that Mama Scofield is a stone cold bitch.

She was pretty evil this episode, setting up her (adopted?) son Lincoln for the assassination of what’s-his-name. It seems like an awfully elaborate and risky plan when it appears that her goal was to simply get out of the city with Scylla. Why go to all this trouble to frame Lincoln and his cohorts for what’s-his-name’s assassination? She has the secret to unlimited, renewable energy in her pocket and she’s worried about these schmucks?

Midway through Mama’s conversation with Michael, after she dropped the adoption bomb, his focus went from finding Scylla to finding Linc, and I have no Earthly idea why. What’s he going to do, give him one of those Robin Williams/Will Hunting hugs and tell him — “it’s not your fault” — over and over?

“Please, just scratch out my eyes so I don’t have to watch this show anymore.”

It’s nice to have T-Bag back on the opposing team again. He’s just too dastardly to ever be a “good guy,” so this whole audition-to-be-a-Company-liason bit should keep him busy for the rest of the series run. I’m guessing that, at some point, he’ll have an opportunity to redeem himself and will have to make a choice — help himself, or do something positive in this world.

Sara needs to go ahead and tell Michael she’s pregnant. I doubt anyone really thought that Mama was going to shoot her in the back of the head after she went to the trouble of duct taping her hands together. I mean, if you’re going to execute someone, does it really matter if their hands are free?

Anyway, I almost fell asleep during the 15-minute chase scene where Lincoln, Mahone and Don were driving (then jogging) after Mama’s right hand man. It’s amazing that they weren’t able to catch up to him that entire time. After all, the guy was carrying a giant metal briefcase. I stayed awake long enough to see that Mahone called it as a setup, so I’m guessing the next episode or two will be about getting Lincoln out of this jam. We were treated to a few long shots of the bullet casing, so I’m sure that will be the key. (By the way, Linc was right there when the guy placed the casing next to the gun, wouldn’t it occur to him that maybe the sniper was setting him up? Forget about the fact that neither Don nor Mahone elected to call Linc after they figured out the whole thing was a set up. That would be too simple.)

Anything else to cover? I don’t think so. See you next week.

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