Category: TV Dramas (Page 87 of 235)

Battlestar Galactica: The Last of the Best

I’m probably the last person who should be offering up a post about “Battlestar Galactica,” since I’m probably also the last person who still hasn’t watched “Battlestar Galactica.” (If it helps any, I am extremely excited about the prospect of diving into the complete-series set that’s being released in July.) When I received a copy of the catalog for the upcoming BSG auction, however, I couldn’t resist at least making a brief mention of it.

They’ve done auctions before, as the show’s fans undoubtedly already know, but beginning on May 8th and continuing through May 10th, they’ll be holding the final BSG auction, hence the subtitle, “The Last of the Best.” It’s being held both live and online, so you can head over to the Auction Network website and either watch quietly or, if you’re feeling bold, actually dare to bid on something.

Though it won’t do the contents of this big-ass catalog justice – it’s 375 pages and printed on thick stock – you can see what’s up for grabs at BattlestarProps.com. There’s some pretty cool stuff to be had. Whether you can afford it, however, is quite another story.

Fallen Angel

Based on the Roth Trilogy of novels by Andrew Taylor, “Fallen Angel” stars Emilia Fox – late of “The Pianist” – as one of the most evil characters ever seen on British television. This may sound like hyperbole, but given that the ironically-named Angel Wharton (Fox) is seen to assist a pedophile in obtaining his latest victims in the first of this miniseries’ three episodes, be assured that it isn’t as far off a claim as it may sound. “Fallen Angel” opts for an intriguing method of storytelling, offering up Angel’s horrific activities in the present before taking one step back, then another, to show how she came to be the person that committed the atrocities in Episode 1. Though it’s a fascinating character study, it must be said that the miniseries has one fatal flaw that must, in the name of fair warning, be acknowledged: its first episode is its best episode. That’s not to say that the other two episodes aren’t strong in their own right, given that the reveal the psychological motives behind Angel’s actions, but…well, when you already know how the story’s going to end, it’s hard to stay excited when you’re watching the beginning.

Click to buy “Fallen Angel”

Great Actors: Callie Thorne

A couple of years ago, when I wrote a post entitled “Bad Actors: Tina DiJoseph,” which was dedicated to the “Medium” actress who plays Lynn DiNovi, a few readers (mostly her friends and family) said I was “negative” and “cruel,” but I just call ’em like I see ’em.

And when I watched this week’s episode of “Rescue Me,” I saw one of the best performances I’ve seen in a long time. I’ve admired Callie Thorne’s work on the show since the start, and now that her (wonderfully nutty) character, Sheila, is no longer dating and/or sleeping with Tommy Gavin, she hasn’t gotten as much screen time over the past couple of seasons, and the show has suffered because of it. (Don’t get me wrong — this season has been great, but there was a stretch there when I was wondering if the creators had a plan to wrap things up.)

Anyway, on this week’s episode, appropriately titled “Sheila,” Thorne is a tour de force. Her first scene is with her son, Damien (played by Michael Zegen), and the two are having lunch in a restaurant discussing Damien’s decision to become a fireman instead of finishing his studies at NYU. Sheila is understandably concerned and frustrated with this decision, and she hides those emotions for a while under the guise of “new Sheila.” But when Damien insists that Tommy guide him through the academy (instead of Mike the Probie), she flips out and goes on a minute-long rant about how spoiled and ungrateful he is.

Later on, she’s at the firehouse and runs into Tommy. She starts off by not speaking to him (because she’s angry about his failure to tell her about the news footage that proved that her husband died in the second tower, not the first), but with Tommy being Tommy the two start to argue. She goes off on him for being a closed-off prick and punctuates the scene by kneeing him in the balls.

Finally — and this scene is really the kicker — Sheila does an interview for a French journalist about what was going through her mind on 9/11. The revelation that her husband died in the second tower almost has a calming effect on her, and she dives into a four-minute monologue that is as touching, emotional and well-acted as any four minutes that I’ve seen in a long time.

For the first few seasons, I was rooting for Tommy and Sheila to end up together, mainly because I wanted to see her character find happiness, but now I hope she finds it somewhere else. It’s clear that Tommy just isn’t loyal or dependable enough for her, and her story arc this season has been about her exploration into why she is (or was?) so obsessed with him. Yes, Sheila has her flaws — after all, she drugged and (pretty much) raped Tommy and almost killed him in the house fire — but, hey, she just has a lot of love to give, right?

Unfortunately, the episode isn’t up on Hulu yet, but it’s an Emmy worthy performance, so catch it if you can.

Lost 5.15 – Follow the Leader

Typically, the second-to-last episode of every season of “Lost” has never really been the calm before the storm, but rather the storm before the storm, which makes tonight’s episode difficult to write about. It’s not that it wasn’t good, but that when compared to past seasons, it just wasn’t quite as spectacular. Carlton Cuse and Damon Lindelof have always done a great job with getting all of their ducks in a row before the big two-hour finale, but while they’ve done that here again, it was unusually mediocre.

I mean, sure, we now know that Faraday is officially dead, but couldn’t they have at least pretended to try and revive him? I find it hard to believe that a little kid that was shot twice by a trained soldier can be miraculously resurrected hours later, and yet Faraday dies within seconds of being shot once in the back. Perhaps it’s just my disappointment over his death, but for a show that has done a relatively good job with logic, that has got to be one of the most illogical things that has ever happened. Obviously, it had to happen or Eloise would have never agreed to help Jack blow up the island’s electromagnetic power source, but it sucks nonetheless.

Thankfully, the episode had some really cool moments as well, the best of which included the return of Sayid when he popped out of the bushes to save Jack and Kate from a mob of angry Others with guns. Sayid’s been gone in the wild for so many weeks that I nearly forgot he was even absent in the first place, but it’s nice to have him back. And if anyone was going to help Jack detonate Jughead, you can bet your ass it was going to be Sayid. Aside from Jack during the early years, Sayid has been the number one supporter of all things anti-island, so it isn’t at all surprising that he’d jump at the chance for a clean slate. Of course, the chance that it’s actually going to work is pretty doubtful because, well, there’s a whole another season left to go. (Then again, wouldn’t it be brilliant on the part of Carlton Cuse and Damon Lindelof to end the show a year earlier than expected?)

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Producers of “The Wire” focus on New Orleans

HBO is ironing out the details on a deal for “Treme,” the latest project by “The Wire” producers David Simon and Eric Overmyer.

“Treme” centers on New Orleans residents – including musicians and a restauranteur – living in the city’s Treme district. Show follows the characters as they look to reclaim their lives as the city continues to rebuild.

Simon said he and Overmyer, who lives in New Orleans, had been in love with the city long before the storm — but post-Katrina, knew there was a story to be told.

But, he warned, “Treme” is not “The Wire: New Orleans.”

“We don’t intend to make ‘The Wire’ twice,” Simon said. “This is about people reconstituting their lives after their town was mostly, effectively destroyed… It’s not entirely a political show. We’re trying to be very intimate with people. And New Orleans is completely unique, there’s nothing in the world like it.”

While I’d love to see “The Wire: New Orleans,” I’d be almost as excited about anything this duo produces, especially if it’s on HBO. Production won’t begin until fall, so the network is targeting a spring premiere.

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