Category: TV Dramas (Page 63 of 235)

Sons of Anarchy 2.1 – Albification

Kurt Sutter’s “Sons of Anarchy” was hands-down my favorite new show of last year – not much of a surprise considering my undying loyalty to “The Shield” – but I never actually got around to watching the first episode until a few days after it aired, and as a result, I wasn’t able to blog the series like I had planned. This year is a little different, however, as FX has hooked us up with advance copies of the first few episodes. I probably still won’t be blogging every week, or even as in-depth as my other TV blogs, but I’m going to try to discuss the show in some aspect whenever I can, and tonight’s season premiere is the perfect jumping off point.

A lot went down at the end of Season One, but nothing quite as shocking as the death of Opie’s wife, Donna. Though Clay and Tig are still trying to play off the murder as retaliation from one of their rival gangs, Jax and Piney know the truth behind the botched assassination attempt. Piney wants to take action immediately, and rightfully so, but Jax warns against such hostility because it would only set Clay off and cause further damage. For the time being, they both have to accept Clay’s decision to pin the murder on some unsuspecting Mayan, and Jax even accompanies Opie to help kill the guy lest he learn the real truth. Obviously, this is going to play a huge part in the upcoming season, but I’m betting Sutter will let it just sit there and simmer for a while before acting on it. In fact, considering it’s a subplot that could prove to be a real game changer for the make-up of the series, I wouldn’t completely dismiss Sutter pushing it off until next season. After all, he has plenty to keep the Sons busy for the time being.

sons_of_anarchy_2-1

Not only do the Sons have to rethink their gun-running business now that they’re on ATF’s radar, but a new group of Neo-Nazis have arrived in town, and they don’t like that SAMCRO is selling guns to the black and Latino gangs around Charming. Though their attempt to win over the support of Deputy Hale doesn’t go over quite like they imagined (my guess is that he’ll end up helping the Sons more than he’d like), they’ve already stirred up trouble with Clay and Co. by crashing Bobby’s welcoming home soiree. Sure, the leader of the group, Ethan Zobelle (Adam Arkin), seems to be little more than a slimy, Aceveda-esque politician, but his right-hand man, AJ Weston (Henry Rollins), looks like a real force to be reckoned with.

It certainly helps that Rollins plays the guy like an emotionless pit bull that’s been restrained by a heavy-duty chain, but he eventually shows he has a mind of his own when he goes on a rant about how he pulled his son out of Tee Ball after he learned they were encouraging equality by giving trophies to everyone. He then follows that up by telling Darby to cover up his swastika tattoo – not because he should be ashamed of wearing it in front of his Latino workers, but because, get this, he hasn’t earned it yet. Talk about your hardcore skinheads, this guy is pure evil. And as if hasn’t already proven to be a thorn in Clay’s side, he’s about to really heat things up now that he’s kidnapped Gemma and gang-raped her. I’m still not exactly sure what the point of them wearing masks was (other than a cool shout-out to “Halloween”), since he eventually gave up his identity by telling Gemma to pass on a message to Clay, but one thing is for sure: these skinheads are definitely not leaving Charming in anything other than a body bag once Clay catches wind of what they’ve done. Are you paying attention Emmy voters? This is how you start a season off with a bang.

Mad Men 3.4 – Rage Against The Machine

First off, my thanks to Bob Westal for quite capably filling in for me last week. It’s not that I couldn’t have blogged both “True Blood” and “Mad Men,” it’s just that I really, really didn’t want to, so I greatly appreciated his assistance…and I hope he didn’t hate it so much that he’s considering backing out of doing the same thing next week while I’m tackling the “True Blood” season finale.

Wow, remember the good ol’ days when kids could get away with taking the wheel for awhile while their dad…or, in this case, their granddad…was sitting in the passenger seat? Actually, even *I* don’t remember the days when kids were doing it quite that young. Maybe it’s just because we lived in a pretty heavily populated area, but while I remember sitting in my father’s lap and handling the steering wheel, I don’t think he trusted me to drive like that on a public street until I was, like, 14. Maybe we can chalk it up to Gene’s increasing senility…? I spent the first part of the episode convinced that Gene was going to suddenly snap and scream at Sally, “You took my five dollars, you little shit,” but when he sat down with Betty to discuss his funeral arrangements, I sensed that we’d see them put into action sooner than later…and, of course, I was right. (As far as the disposition of his worldly goods, wow, isn’t it amazing how much has changed since the ’60s when it comes to the importance of fur as a status symbol?) If Gene had to depart the “Mad Man” universe, at least he got a lot of love in his final few episodes. This week’s tense discussion between him and Don over the merits of war was one of the moments which makes you nod as you take in the similarities to today’s world, though you rarely hear anyone today dismiss a suggestion that war might be bad by replying, “Maybe, but it makes a man out of you.” That whole sequence was great, particularly Jon Hamm’s acting with his eyebrows as Don listened to Gene giving Bobby a lesson on how to cut open a box properly, but, damn, I wanted to hear the story about how Gene got that fan!

Mad Men - Betty Draper sitting at table with man

Gene and Sally continued their bonding sessions – last week, it was The Decline and Fall of the Roman Empire; this week, it was ice cream – and grew closer, but as soon as he made that comment about the chocolate tasting like oranges, I immediately thought, “Uh-oh, that ain’t a good sign,” and promptly Googled the symptom. As a result, I was horrified…much as I suspect the rest of the viewing audience was…that we were going to see Gene suddenly slump against the wheel while driving his grandchildren to school. Thankfully, he at least made it to the A&P before he had his stroke or seizure or whatever it was that claimed his life. After the episode was over, I said to my wife, “You know, even in the ’60s, I just can’t believe that someone would arrive at the house and present the news to a very pregnant woman like Betty without first having her sit down.” She felt otherwise, suggesting that tact wasn’t necessarily first and foremost on the minds of those folks back then, but I’m still skeptical. Even so, however, the imagery of poor little Sally, sobbing against the front door in her ballerina outfit, was heartbreaking…even if it quickly slipped into annoyance at Betty. Seriously, is she the worst mother on this show…?

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ABC: What’s New for Fall 2009

V (Tues., Nov. 3 @ 8:00 PM, ABC)

The competition: “NCIS” (CBS) “The Biggest Loser” (NBC), “Hell’s Kitchen” (Fox), “90210” (The CW)

Starring: Elizabeth Mitchell, Morris Chestnut, Joel Gretsch, Lourdes Benedicto, Logan Huffman, Laura Vandervoort, Morena Baccarin, Scott Wolf
Producers: Scott Peters (“The 4400,” “The Outer Limits”), Jeffrey Bell (“Day Break,” “Alias”), Steve Pearlman (“Reunion,” “Related”), and Jace Hall (“The Jace Hall Show”)
Network’s Description: A re-imagining of the 1980’s miniseries about the world’s first encounter with an alien race. Simultaneously appearing over every major city in the world, the Visitors (or V’s) promote a message of peace. Through their generous offer to share advanced technology, the V’s build a following that may actually hide a more malevolent agenda, one that twists a very deep component of human nature: devotion. While the world quickly becomes fascinated with the V’s and their link to wonders just beyond the reach of human understanding, FBI Counter Terrorist Agent Erica Evans discovers a secret hidden beneath the skin of every V – a secret that may threaten the lives of everyone close to her. Yet for her teenage son, Tyler, the V’s are his ticket to something big and hopeful — a new chance for mankind to unite in common goals. To Chad Decker, a career-hungry news anchor, his exclusive interview with Anna, the leader of the V’s, is crucial to his dominating the airwaves. Also unsure about the Visitors is Father Jack, a priest questioning his faith in the wake of the Visitors’ arrival. Seeking answers outside the church, Father Jack discovers there are other dissidents who believe the Visitors are not who they say they are, including Ryan Nichols, who is faced with his own life-altering decision when the V’s show up. Never has there been more at stake — it truly is the dawning of a new day.
The Buzz: Like “Eastwick,” there’s a certain instinct to ask, “Why do we need to revisit a 20-year-old property?” In the case of “V,” though, most of those who remember the show fondly will probably nod their heads and consider that, yes, special effects technology has evolved to a point where a concept like this one deserves to reap the benefits. And although the purists will no doubt grimace and claim that it won’t be the same without original creator Kenneth Johnson working behind the scenes, they need look no farther than “Battlestar Galactica” to have a good reason to consider the possibilities for a new “V.”
Pilot Highlight: Personally, I dug the showdown between Anna and Chad when he refuses to offer an interview consisting solely of softball questions and she informs him that either it’ll be all queries that paint the Visitors in a positive light or the interview will be canceled, but the episode’s tie-ins to terrorism were damned intriguing.
Bottom Line: There’ll clearly be a “we’ve seen this” reaction from the generation who grew up with “Independence Day,” but it’s already clear that this is not your parents’ “V.” It may not prove to have any more legs than ABC’s last stab at alien infiltration (“Invasion”), but it’s going to come down to whether or not the viewers who come in for the curiosity factor, thinking, “Hey, I liked the old show, I wonder how the new one will be,” are going to given enough to sell them right off the bat.

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CBS: What’s New for Fall 2009

Accidentally On Purpose (Mon., Sept. 21 @ 8:30 PM, CBS)

The competition: “Dancing with the Stars” (ABC) “Heroes” (NBC), “House” (Fox), “One Tree Hill” (The CW)

Starring: Jenna Elfman, Grant Show, Jon Foster, Ashley Jensen, Lennon Parham, Nicolas Wright
Producers: Gail Berman (“Buffy the Vampire Slayer,” “Angel”), Gene Stein (“Less Than Perfect”), and Claudia Lonow (“The War at Home”)
Network’s Description: Billie is a single woman who finds herself “accidentally” pregnant after a one-night stand with a much younger guy, and decides to keep the baby… and the guy. A newspaper film critic, Billie is barely surviving a humiliating breakup with her charming boss, James, who’s still trying to resume their relationship. Suddenly expecting a child with her “boy toy,” Zack, Billie and Zack make an arrangement: to live together platonically. Billie’s party girl best friend Olivia, and Abby, her conventional, younger married sister, eagerly look forward to the new addition and offer their own brands of advice and encouragement. But when Zack and his freeloading friends, including Davis, start to turn her place into a frat house, Billie isn’t sure if she’s living with a boyfriend, a roommate, or if she just has another child to raise.
The Buzz: Elfman’s been trying to mount her post-“Dharma and Greg” comeback for some time now (2006’s “Courting Alex” only lasted 13 episodes), but CBS’s decision to place the comedy in the midst of its Monday night line-up – and between “How I Met Your Mother” and “Two and a Half Men,” no less – shows their confidence in it. Or is that desperation?
Pilot Highlight: Billie’s walk of shame after what, at the time, appears to be a one-night stand.
Bottom Line: The young man / older woman dynamic obviously has potential for comedy, but this is a painfully pedestrian affair, one which feels like it never would’ve been made if Elfman hadn’t been attached.

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