Category: TV Dramas (Page 62 of 235)

Remembering Patrick Swayze

Those who read Premium Hollywood know that I have a tendency to discuss the deaths of celebrities by remembering what they meant to me, and when I heard that Patrick Swayze died, my mind immediately went back to January 2009. Obviously, Swayze’s cancer diagnosis had led everyone to fear the worst about him, but I think I’m safe in saying that most of were rooting for him to beat the disease, and when it was announced that he was going to be starring in A&E’s new crime drama, “The Beast,” I don’t know about you, but that was a moment where I was, like, “Yeah! That’s so Swayze of him to say, ‘Screw the cancer, it’s time to get to work.”

I’d hoped to get a phoner with him in the midst of the press blitz for “The Beast,” but due to his treatment, he’d limited the majority of his media time to E-mail interviews and the one-off Barbara Walters conversation, so I immediately sat down and tried to come up with a list of 15 thoughtful, intelligent questions which covered his entire career rather than just shit like, “Could Dalton kick Bodhi’s ass?” I was damned proud of what I came up with, and I promptly sent them off to the publicist. Not long after that, I learned that Swayze was going to be attending the TCA press tour in order to help promote the show, and since I still hadn’t gotten my responses back, I found myself venturing into my usual naive optimism, thinking, “Hey, maybe I can get the answers to these questions in person!” Instead, we arrived at the panel to find ourselves with an unfortunate scoop: Swayze would not be in attendance, owing to the fact that he had checked himself into the hospital for observation after having contracted pneumonia. Rumors immediately circulated that Swayze was on death’s door, that the end was nigh. Me, I immediately felt like an asshole, because – for better or worse – the first thought that came to my mind was the incredibly selfish, “Oh, man, now I’ll never get those questions answered…”

And I didn’t. But it’s a testament to Swayze’s reputation as a tough guy that he managed to battle back from the pneumonia and fight the cancer for another nine months, and anyone who’s lost someone to cancer knows that, after a fight that long and hard, his departure was one well earned.

As I looked back over Swayze’s work to put together this piece, I realized that the reason I’d had that selfish thought upon learning that he wouldn’t be making it to the TCA panel was that I really, really liked Patrick Swayze. I didn’t necessarily love every movie he ever made, but there was just something about the guy that was cool and likable and yet still pretty damned bad-ass, but…well, I don’t believe that the term “big-brothery” actually appears in the dictionary, but that’s how I saw the guy. (It probably stems back to my having seen “The Outsiders” during my formative years.) And if truth be told, I don’t think Swayze ever actually saw my questions. He always seemed like the kind of guy who, if he had read them, would’ve written back and said, “Say, buddy, you actually put a lot of thought into these, didn’t you? You know, I really appreciate that!”

Damn, now I’m starting to get depressed…and if you’re a Swayze fan, too, then you’re probably already there with me, so let’s look back at ten classic quotes from ten of the man’s most memorable films and just think about the legacy he left us.

10. “Boy, you just discovered the oldest sexual position in the book: the foolish position. You just got to remember, your brains are between your ears and not your legs.”Ernie “Slam” Webster, “Grandview U.S.A.”

9. “I don’t give a shit where I play as long as I go number one in the draft and I sign the biggest contract I can. I’ve been busting my ass in this league for four years, and I’m gonna get what’s coming to me.”Derek Sutton, “Youngblood”

8. “Son, it breaks my heart to say this, but I believe you are a very troubled and confused young man. I believe you are searching for the answers in all the wrong places.”Jim Cunningham, “Donnie Darko”

7. “Well, pumpkins, it comes down to that age-old decision: style…or substance?”Veda Boheme, “To Wong Foo, Thanks For Everything, Julie Newmar”

6. “I love you, Molly. I’ve always loved you.”Sam Wheat, “Ghost”

5. “It’s kind of strange, isn’t it? How the mountains pay us no attention at all. You laugh or you cry, the wind just keeps on blowing.”Jed Eckert, “Red Dawn”

4. “Listen, with your brains and grades, you could get a scholarship, and we could put you through college, ain’t that right, Soda? But you’re livin’ in a vaccuum, Pony, and you’re gonna have to cut it out. You just don’t stop living because you lose somebody. I thought you knew that. And anytime you don’t like the way I’m running things around here, you can just get out, all right?”Darrel Curtis, “The Outsiders”

3. “I’m gonna do my kind of dancin’ with a great partner, who’s not only a terrific dancer; somebody who’s taught me that there are people willing to stand up for other people no matter what it costs them; somebody who’s taught me about the kind of person I wanna be.”Johnny Castle, “Dirty Dancing”

2. “All you have to do is follow three simple rules. One, never underestimate your opponent. Expect the unexpected. Two, take it outside. Never start anything inside the bar unless it’s absolutely necessary. And three, be nice.”Dalton, “Road House”

1. “If you want the ultimate, you’ve got to be willing to pay the ultimate price. It’s not tragic to die doing what you love.”Bodhi, “Point Break”

So long, Mr. Swayze…

Mad Men 3.5 – You can’t kill an idea (updated)

First, I have to comment on the irony that real-life father Will Harris is busy documenting tonight’s season finale of “True Blood,” while non-family guy me gets to write-up the episode where Don and Betty Draper finally have their third child.

Of course, that’s only one of the key events on tonight’s show. We also witness a financial squeeze from the new British overlords of Sterling Cooper while a mercenary variation of civil rights awareness descends on Pete Campbell. Also, Herman “Duck” Phillips returns to attack from the outside and prompts some proactive behavior from cash-deficient Peggy Olson.

peggy-ep5

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“The Fog” opens as Don and the extremely pregnant Betty have a conference with Sally’s teacher prompted by a nasty fight with a schoolmate. Betty’s revelation of the sudden passing of Grandpa Gene last episode, however, causes the teacher to become upset and cut the meeting short. She mentions, however, that the death might explain Sally’s unusual interest in the murder of African-American civil rights leader Medger Evers.

Things aren’t too smooth at work, either. Don walks in late to a meeting in which Sal Romano is being grilled about the details of his expense account on his and Don’s nearly fateful trip a couple of episodes back. When he realizes that British honcho Lane Pryce is going to be discussing excess spending on pencils, he leaves abruptly. Later, Pryce appears in his office and, after some brief snippiness, complains about people drinking at work — reasonable enough by today’s standards. Don responds that creative people tend to be nonproductive, until they are productive, which is equally reasonable to anyone who knows anything about creative people.

Don pours a couple of Scotches and suggests a more proactive stance towards making money by working with Bert Cooper and Roger Sterling, rather than harming morale by cutting back on expense accounts. The meeting ends on a surprisingly cordial note.

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True Blood 2.12 – If A Tree Falls In The Woods, It’s Still A Tree, Ain’t It?

Was it just me, or did the conclusion of tonight’s “True Blood” season finale feel somehow…anticlimactic? After spending the majority of the season waiting for the grand conclusion of the great and powerful Maryann’s storyline, only to have those matters wrapped up by the time the episode reached its halfway point, I felt a little cheated. Not that it necessarily needed to be dragged out any longer than it already had been, but, still, it felt like things ended not with a bang but a whisper, which is exactly what we haven’t come to expect from this series.

After Sookie was forced by Lafayette to slip into a bridesmaid dress but before all Hell broke loose, we found out from Maryann that Sookie is “beyond human,” though we didn’t make any particular headway in discovering what that actually means. Sookie did, however, finally break down and ask the question that the majority of the viewers had been wondering since last week: “Okay, what is with the egg? Did you lay it?” Nope, it’s an ostrich egg, and it represents fertility. Fair enough.

Jason and Andy once again scored a couple of classic comedic moments, with the best being Jason’s recitation of great movie quotes, concluding with, “I love the smell of nail polish in the morning.” I was surprised, however, to see both of them quickly slip over to the dark side. (I really thought that Andy was immune to Maryann’s powers, and that we were going to find out this week why he hadn’t ended up as one of her minions.)

As for Maryann’s marriage ceremony, I dug the off-kilter wedding march, but the nuptials themselves were a letdown. After Sam and Bill had their discussion at Merlotte’s, we knew that Bill wouldn’t just give Sam over to Maryann, so it was obvious that the two of them had concocted a plan of some sort. I admit to being surprised that Sam was actually stabbed…I didn’t know what their plan was, but I figured it would kick off before the knife hit flesh…but when the ox (I guess that’s what it was) turned up, my immediate thought was, “Okay, I’m not sure how, but that’s got to be Sam.” And it was, thanks to Bill having provided him with enough vamp blood to kickstart his healing process. I question the expediency of the healing, but, hey, Maryann and her mole claws (that’s what they looked like to me, anyway) got their just desserts, and the actual moment of impact, as it were, looked good and probably earned a few cheers from various viewers. Too bad it happened at the 27-minute mark of the episode, leaving us with way too much time to wrap up loose ends and throw out a few new threads to linger ’til Season 3 kicks off.

But, okay, fair enough, let’s talk about what happened in the post-Maryann portion of the episode.

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Sam Trammell talks “True Blood”

If you’re a regular reader of Premium Hollywood’s “True Blood” blog (and I’m pretty sure there are at least three or four of you out there), then you already know that, when I was out in California for the TCA Press Tour, I had a chance to mingle with some of the members of the show’s cast after the series took home the TCA’s award for Outstanding New Program. Not everyone from the cast was present, and you can imagine that the ones who were there had a tendency to be surrounded by critics doubling as fans, but as the evening progressed and various folks departed the festivities, at least one man stuck it out for the long haul: Sam Trammell, a.k.a. the resident shape-shifter of Bon Temps, Louisiana. My wife and I ended up chatting with him for an extended period, and though we actually talked more about music – he’s a big Psychedelic Furs fan – than we did the show that had brought him to the function, I was able to set up a proper interview when I made it back to Virginia.

In other words, I had…

Now, if you’re going to play a shapeshifter, then you’ve quickly got to get over any issues of modesty that you may have. Fortunately, when it comes to getting naked, Trammell is a professional, having done theater work which necessitated the wearing of limited amounts of clothing, but that doesn’t make it any easier.

You know, the thing is, most of the time when people have to get naked, it’s for a sex scene or it’s post-coital, and they’re in a bedroom and it’s kind of a closed set. But with Sam, it always seems to be because he’s turning back into himself from being an animal, so I’m always outside. Like, way out. Like, out for everybody to see. There’s no way you can close the set, really, and it’s just…it’s bizarre. I just feel very vulnerable, standing around naked. But with HBO, of course, before you even sign up, they’re, like, ‘Are you willing to take your clothes off? Because this is HBO.’ And, of course, I’m, like, ‘I’ll do anything to be on the show.’

Sam’s not just one of the stars of “True Blood.” He’s also a fan…although there have been moments during Season 2 which have even been a little rough for him to watch.

That heart soufflé was pretty intense. Also, when Jane Bodehouse cut her finger off, that was pretty hardcore, too. That whole scene was really weird. And the guy sitting in the sink…? Really creepy. I know there’s some other stuff, too, that I’m not thinking about. and I know there’s some stuff coming up in the finale that’s really harsh and shocking. Yeah, there’ll be a little gore in the last one, too.

To read more of the interview — including lots more “True Blood” talk, as well as his thoughts on being eaten in “Alien vs. Predator: Requiem” and having appeared in “Law & Order: Criminal Intent” — click on the image above or follow this link!

Five “must-see” new shows of the fall season

Our lead TV writer, Will Harris, is doing a bang up job of previewing the fall season as it grows closer, but I thought I’d throw in my $0.02 by mentioning the five new series that have me pumped about the fall lineup.

In order of premiere date…

1. “Community” (NBC), 9/17/09
Anyone that is a fan of Joel McHale on “The Soup” already knows about his foray into scripted comedy this fall. IMDB describes the plot this way

Jeff (Joel McHale) used to be a lawyer. When the state bar association revokes his license for having fake college credentials — he floated by on his degree from Colombia, but is legally obligated to earn one in America — Jeff enrolls at Greendale Community College. Intent on taking the easy way out, he forms a study group in a half-assed attempt seduce a pretty girl (Gillian Jacobs) and tries to coast on through. What he soon ends up with, aside from a coffee klatch of sad clowns, is a second chance at an honest life.

The trailer looks great…

The series seems to be going for a feel like that of “The Office,” though obviously that’s a tough standard to live up to. McHale has star potential, and he should bring a significant fan base over from “The Soup,” which he is going to continue hosting for the time being.

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