Category: TV Dramas (Page 61 of 235)

Old Show, New Season: “House”

One thing I’ve always loved and admired about “House” is its ability to reinvent itself season after season, tweaking the formula just enough to keep things interesting. With the premiere of Season 6, however, what we’re given is a two-hour episode that throws away the format, offers only the briefest appearance by any other cast member, and is not only strong enough to warrant giving Hugh Laurie an Emmy nomination no matter what else he may do on the show during the course of the season’s subsequent episodes, but, indeed, could’ve been released as a theatrical film during the summer, a la “The X-Files: Fight the Future” from back in the day.

Seriously, it’s that good.

Season 6 of “House” kicks off where Season 5 of “House” left off: with its title character, Dr. Gregory House, within the walls of the Mayfield Psychiatric Hospital. The decision to enter Mayfield came via House himself, however, so as anyone who’s watched their fair share of medical dramas knows, that allows him the option to check himself out at any time…which, following an appropriately harsh opening sequence (set to Radiohead’s “No Surprises”) that details what he’s suffered through duriing his cleansing process, is exactly what he attempts to do.

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Mad Men 3.6 – Mow ‘Em Down

Well, I’ll say this for tonight’s episode of “Mad Men”: it might have had to suffer the indignity of airing opposite the Emmy Awards (where the series ultimately took home its second win for Outstanding Drama Series, thank you very much), but that didn’t mean that it had to offer up a throwaway episode. Not that anyone would’ve expected Matthew Weiner to turn in anything less than another outstanding chapter in this season’s stellar saga of the folks at Sterling-Cooper, but, wow, I don’t think anyone could’ve anticipated the turn of events that we ended up getting. There was so much going on in this episode that I know I’ll end up missing some of it, but here goes…

Things started and ended this evening with Sally Draper. The addition of a new child to a household is always difficult for the existing siblings, but it was definitely a bit different for Sally. First, she was afraid of what was to happen when Don turned off her light, but as the episode progressed, she basically began to believe that perhaps she was being haunted by the spirit of her late grandpa. You can kind of understand her concern, given that -as she observed – the new baby is named Gene, sleeps in Grandpa’s old room, and even looks a little bit like him. Fortunately, Don got her all straightened out by episode’s end…with virtually no help from Betty! Seriously, if she’s not one of the worst mothers in TV history, she’s got to be right up there. How anyone can have three kids and still end up as cold and detached from them as she always seems to be is beyond me.

Let’s be honest, though: Sally’s story, while serving as a very nice way of book-ending the episode, paled in significance to the shake-up within the offices of Sterling-Cooper this week.

Mad Men - Don draper sitting on green couch

First, there was the big meeting of all Sterling-Cooper employees, so that the announcement could be made that the board of directors from Putnam Powell Lowe would be arriving for a friendly chat and to evaluate the office’s performance, with the added bonus that their visit would be totally screwing up everyone’s 4th of July holiday, not to mention putting a wrench in the plans for Joan’s last day at the office. John Hooker got in a good joke at Paul’s expense, telling him that he’d be expected to shave his beard, thereby resulting in an indignant Mr. Kinsey demanding to know, “Who the hell are you people?” Settle down, Paul, settle down. Despite Sterling’s suspicions that the Brits might be flying across the ocean for the sole purpose of getting their knobs polished, Cooper’s theory is that they’re coming to see Don in an attempt to study him and determine his specific American genius, and Cooper floats the idea that they’re going to offer Don a dual position in both New York and London. It’s a tempting enough concept for Don to ask Betty what she thinks of the idea of living in London, so you can imagine his disappointment when it later turns out that Cooper’s just had an overactive imagination.

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Loose ends

Carlito's Way -- Al Pacino and Sean Penn

I haven’t been paying quite as much attention to the cinephile end of the movie blogosphere as I should lately, so we’ll start there.

*  It’s never too late to check out the Brian DePalma blogathon that wrapped up yesterday at Tony Dayoub’s Cinema Viewfinder.  I’m actually not a member of the DePalma cult that includes everyone from the late uber-critic Pauline Kael to Quentin Tarantino and probably 70% of the male cinephile population. I dig a few of his movies a great deal and the oddball horror/suspense musical satire, “Phantom of the Paradise” has a special place in my heart. On the other hand, I have serious problems with even some of his most well-regarded films including, or perhaps especially, especially “Blow-Out.” There’s a cheapness to his films and tendency to wallow in despair that I can’t support.

Of course, that’s just me and Dayoub wrapped up yesterday in grand style with a fairly personal piece about “Scarface” (vastly overrated by many; I’ll take the Howard Hawks “Scarface” over it any day) and “Carlito’s Way” (which I think is underrated and overall just a solidly good movie). Anyhow, stroll around the site and you’ll see pieces by some of the true superstars of cinephilia.

* Speaking of great film lovers, you won’t find detailed appreciations of DePalma coming from The Self-Styled Siren — nor of Michael Mann or Sam Peckinpah.  Her bailiwick is classic era films (ending roughly around 1965) with an eye towards melodrama and comedy. Though her identity remains a secret, her fans are legion and definitely includes your humble host.

Her latest post is an attention grabber: “Ten Melos the Siren Would Watch Instead of Mad Men” which is exactly what it sounds like. It’s a fascinating list that males who want to expand their minds beyond the usual guy movie obsessions should definitely contemplate. And, yes, there’s a vigorous debate over “Mad Men” in comments, as well as an unsolicited cocktail recipe from me. If you’ve been looking for the inevitable backlash over the acclaimed series, which I personally love as much as anyone, there’ll be no more enjoyable place to find it.

Some news after the flip….

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Sons of Anarchy 2.2 – Small Tears

After the events of last week’s episode, it didn’t seem like Kurt Sutter was going to waste any time in getting to the showdown between the Sons of Anarchy and the Neo-Nazis, but when I actually had the time to sit down and think about it, I wondered if Gemma would actually tell Clay about what happened to her. Fast-forward a couple of days to tonight’s episode, and sure enough, Gemma is keeping mum on the subject. For the time being, the only people that know about Gemma’s attack are Wayne and Tara, and even they don’t know who was responsible. She’s made them swear not to tell anyone else, either, and in order to cover it up, Wayne wrecks Gemma’s car to make it look like she was in a crash. It’s only a matter of time before Clay finds out, however, because she’s acting really vulnerable around him, and he’s gotta know that someone as headstrong as Gemma wouldn’t be that shaken up over something like a car crash.

If nothing else, Gemma has certainly succeeded in pissing off Charming’s newest residents – namely AJ, who can’t believe that Gemma hasn’t told Clay the truth. When he runs back to tell Ethan (henceforth known as Mr. White) the bad news, Mr. White suggests they might have underestimated Gemma. Whether that means they’re going to attack her again remains unseen, but they’re definitely not about to give up after one failed attempt. In fact, Mr. White already has another plan in play (providing intel to the Mayans about a gun deal going down between the Sons and the One-Niners), though I have to think that goes against everything he believes in. After all, he didn’t tell AJ that he was working with them, and we already know his feelings on that subject matter.

sons_of_anarchy_2-2

The shootout at the aforementioned gun deal happened as a result of Jax’s decision to pin the Mayan murder on the One-Niners, and though Clay wasn’t happy about it to begin with, he was doubly pissed when it resulted in Bobby taking a bullet to the shoulder. Jax’s reasoning for the frame-up was great (“Spur of the moment, seemed like the right thing. Sure you can understand.”), but I can’t help but feel like Clay still came out on top when it was all over. He really does seem to know what he’s doing when it comes to running the club, and though Jax is going to continue to crucify him for Donna’s death, he still needs to learn a few things before he takes over. Then again, it was going to end up badly for the Sons no matter what Jax did with the body, so he really had no choice.

Plus, he quickly redeemed himself by coming up with a new way for the club to make some extra cash. When Otto’s wife, Luanne, has to shut down her porn studio due to an investigation by ATF (no doubt ordered by Agent Stahl out of spite), a rival producer known for the sleazy treatment of his female stars (Tom Arnold) tries to steal Luanne’s girls. Jax and Co. effectively persuade him to back off with the help of some baseball bats, and in return, the Sons get a 50% stake in everything Luanne earns. It’s kind of a shit deal for her, but it’s better than what she was expecting when she agreed to meet Jax at the abandoned warehouse, to which he replied, “You think I brought you here to Adrianna you?”

Comparisons to “The Sopranos” be damned, it’s nice to see the writers have finally begun to embrace the similarities between their show and the former HBO hit. Casting Drea de Matteo was certainly a coup from the start, but this easily trumps her guest appearance any day of the week.

Blu Tuesday: X-Men Origins: Wolverine, Army of Darkness and The Ultimate Force of Four

It’s been several weeks since we’ve seen any high-def titles really worth talking about. The average moviegoer could even say the same for today’s releases, but despite there being only one major title hitting stores, there’s a small niche of cinephiles (myself included) that will likely pick up more than a few great films making their Blu-ray debut.

“X-Men Origins: Wolverine” (20th Century Fox)

Fox’s highly anticipated spin-off doesn’t exactly qualify as one of those films, but it’s a movie that a lot of fanboys are going to want in their collections anyway. That’s not to say that “X-Men Origins: Wolverine” is necessarily bad, but it certainly isn’t as good as a lot of people were expecting. Part of the problem is that the movie is supposed to be about the origin of Wolverine, and yet that’s the least interesting part of the film. For all intents and purposes, this is just another X-Men movie, because it features a slew of mutant characters we’ve been dying to see onscreen for while. In fact, the number of mutant cameos in this film alone is almost as large as the entire cast of the X-Men franchise, which only begs to ask the question: why not just make another X-Men movie instead? That was clearly the idea behind “X-Men Origins: Wolverine,” because although the filmmakers severely botched it up (characters are haphazardly killed off, while others stray from their comic book roots), your X-Men collection wouldn’t feel complete without it.

“Army of Darkness” (Universal)

By far one of my favorite movies of all time, Sam Raimi’s semi-sequel to “The Evil Dead” and “Evil Dead 2” trades in scares for laughs as Ash is transported back to the Middle Ages to lead its people against an army of dead. Though the movie was a certifiable box office dud when it was released in theaters, it’s earned a huge cult following over the years and features B-movie actor extraordinaire, Bruce Campbell, at his absolute best. Though the HD transfer isn’t quite as good as we’ve come to expect from Universal’s past releases, it’s still better than the shoddy video quality that fans of the movie are used to. Sadly, the new Screwhead Edition only comes with one new bonus feature (a visual effects featurette called “Creating the Deadites”), and it’s one that I could have easily gone without had they included all of the extras from the numerous DVD editions. As it stands, only the alternate ending and some production photos have survived the jump to Blu-ray, so you might want to wait until a more ultimate version is released before you pick this up. Those that consider themselves diehard fans, however, probably own more than a few versions of this already, and so buying this one will only come naturally.

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