Category: TV Dramas (Page 53 of 235)

TV in the 2000s: 15 Shows Canceled After Appearing in Bullz-Eye’s TV Power Rankings*

*Probably Coincidentally

Back in 2005, Bullz-Eye kicked off a regularly-recurring feature that’s become a staple of our site: the TV Power Rankings, which gives us a chance to offer up our opinions once every six months on the best that television has to offer. Now that we’re looking back at the entire decade in our TV in the 2000s feature, however, it gave us an opportunity to look back at all of the shows that have appeared within the Rankings over the course of its history, and when we did, it was a little eyebrow-raising to see how many of our favorite programs bit the dust almost immediately after receiving accolades from us. We’re pretty sure their cancellations weren’t our fault…or, at least, not entirely. Anyway, take a look back through the list with us, won’t you? If nothing else, it shows that we’ve got good taste, even if the average viewer doesn’t always share our opinions.

1. Arrested Development (Fox, 2003 – 2006) – “Even if this is indeed the end for one of Fox’s all time greatest shows, it is better to have loved and lost…oh, the hell with that, Fox is freaking nuts if they cancel this show.” So said David Medsker in February 2006. But did they listen to him? They did not. “We’re not ones to buy into the whole dumbing-down-of-society thing,” Medsker added, “but if this show gets canned while ‘According to Jim’ lives on, maybe there’s something to it after all.” Oh, yeah, there’s definitely something to it: “According to Jim” stayed on the air until June 2009.

2. Deadwood (HBO, 2004 – 2006) – When it was announced that Season 3 would be the last for the semi-historical look at the wild west, there was really only one name that John Paulsen could call the folks at HBO. We probably shouldn’t use it here, but if you need a hint, it starts with a “C” and rhymes with “sock pluckers.” “Everything about the show – the language, the acting, the story, the sets and the costumes – is colorful,” Paulsen observed in February 2007, “and whether or not HBO wants to admit it, they’re going to miss ‘Deadwood’ once it’s gone for good.” They must’ve been in some serious denial, then: creator David Milch reportedly agreed to do a proper wrap-up of the series through a pair of “Deadwood” movies” for the network, but things never really got beyond the discussion stage.

3. Invasion (ABC, 2005 – 2006) – The fall of 2005 was a good time in prime time for sci-fi fans, with each of the big three networks offering up an entry from the genre, but by the spring of 2006, their cheers had turned to tears. NBC’s “Surface” was permanently submerged after 15 episodes, while CBS’s “Threshold” crossed the point of no return after only nine episodes had aired. Give ABC some credit, however, for at least sticking with their entry for the full 22. “’Invasion’ started slowly, but has steadily ramped up the creepiness,” said John Paulsen in February ’06, acknowledging that, although it gave its audience lots of questions, at least it was providing them with more answers than “Lost” was. Unfortunately, there was still plenty to be answered when the show was canceled, and things got even more depressing when Tyler Labine talked to Bullz-Eye about what might’ve been. “(Creator Shaun Cassidy) had written this bible for the show, and he had written this amazing five-season arc,” said Labine. “We were just floored. Our jaws were literally on the floor after he explained it to us. We were, like, ‘Wow, we’re on for a really great ride!’” What a shame for us all that the ride ended as quickly as it did.

4. Studio 60 on the Sunset Strip (NBC, 2005 – 2006) – Well, you can’t say that we weren’t honest about offering up both the pros and the cons of Aaron Sorkin’s behind-the-scenes look into a late-night comedy series. “The show is pompous, unrealistic and ridiculously left-wing,” admitted Jason Zingale in February 2007, “but it also makes for some damn good television.” Unfortunately, with an awful lead-in – seriously, who thought that pairing the show with “Heroes” was a good idea? – “Studio 60” didn’t develop enough of a following to earn a second season.

5. Rome (HBO, 2005 – 2007) – In its first season, “Rome” turned up at #18 in the Power Rankings, but by the time Season 2 aired, it had leapt to #6. Not that such success earned the show a third season (it was apparently ridiculously expensive to produce, which you can absolutely believe if you’ve ever seen it, but at least the news of its cancellation came in time for John Paulsen to register his annoyance within the February 2007 Rankings. “As it turns out, ‘Rome’ isn’t the heir to the throne of ‘The Sopranos,’” he wrote. “Instead, sadly, it’s a bastard stepchild, just like ‘Deadwood.’” Creator Bruno Heller was probably even more pissed than Paulsen, having mapped out his vision of the series all the way through its fifth season, but as recently as December 2008, Heller was still sounding optimistic about the chances for a “Rome” movie. “I would love to round that show off,” he told the Hollywood Reporter. Hey, we’re behind you 100%, Bruno.

6. Four Kings (NBC, 2006) – If you don’t remember this sitcom, you’re forgiven, as it premiered in January 2006 and was gone by March. Still, it made enough of an impression to earn Honorable Mention status in the February 2006 rankings. “Four Kings” was created by David Kohan and Max Mutchnick, the duo behind “Will and Grace,” and featured Seth Green as one of its cast members, so you might think it surprising that it was off the air within seven episodes (and with a remaining six episodes still unaired). Looking back, however, the fact that the greatest praise Jason Zingale could heap upon the show in his write-up was that “it’s a worthy quick-fix until NBC finds a better alternative” should’ve given us a clue that it wasn’t long for this world.

7. Jericho (CBS, 2006 – 2008) – It was the little show that could, our “Jericho.” It started with an awesomely dark premise – a nuclear bomb goes off in the U.S., and we view the repercussions through the eyes of a small town in Kansas – and, after figuring out its direction (the attempts to meld some “Little House on the Prairie” aspects to the show were soon phased out), the series found its footing, kicked some creative ass, and was promptly canceled. But what’s this…? The show’s diehard fanbase made enough noise (and sent enough nuts) to get the show a 7-episode second season which lived up to everyone’s expectations and then some. Too bad the same couldn’t be said for the ratings, but those who actually tuned in for Season 2 know how many twists, turns, and outright shocks it included. There’s still talk of a possible “Jericho” movie. We can only hope.

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Sons of Anarchy 2.13 – Na Triobloidi

If you didn’t know Kurt Sutter worked on “The Shield” prior to last night’s episode, you probably figured it out by the time it was over. All I have to say is that Shawn Ryan taught him well, because the season finale was just as heart-wrenchingly upsetting as any hour of television Ryan produced in the past. Let me explain. I don’t mean it was upsetting in the sense that I didn’t enjoy it, but rather that when it ended, all I could think about was the fact that I’d have to wait nine long months for its conclusion. Many critics have argued in the past that shorter TV seasons improve the quality of the show (and I agree), but if there’s any downside to that model, it’s that you have to wait even longer for their return.

Though the season finale left quite a few cliffhangers for fans to dwell on during the winter months, there was at least some feeling of completion with the death of AJ Weston. After the sheriff’s department was forced to let him go because Chucky’s testimony didn’t hold up, Weston is warned to get the hell out Charming as fast as he can. Before he leaves, however, Weston convinces Hale to set up a supervised visit with his kid, and when Jax catches wind of the news, he intercepts him to deliver his revenge. At least Weston took it like a man, because the same can’t be said of Ethan Zobelle. Of course, that’s because Zobelle is a different kind of monster completely. In fact, it turns out he’s an FBI snitch, which forces Hale to cut him loose as well, only for Zobelle to go run to the Mayans for protection.

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While the Sons wait out a seemingly inevitable showdown with the Mayans in the middle of town, Zobelle plans his getaway to Budapest. His daughter wants to say her goodbyes to Edmond first, though, and it turns out to be an unwise decision, because Gemma follows her there and shoots her dead. What Gemma doesn’t realize is that Agent Stahl is also in the house – still trying to get her shit together after she killed Edmond during an attempted escape – and now Stahl has framed her for both murders. She’s nice enough to give Gemma a head start, but that doesn’t mean much in the grand scheme of things. After all, regardless of when he gets caught, it’s going to be pretty difficult to prove her innocence when the only other witness in the room is not only the real murderer, but a federal agent as well. Getting the Sons out of those gun charges is one thing, but how are they going to get Gemma out of this mess? You’ve got me, but for the time being, Wayne seems content with the idea of running away with her.

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Sons of Anarchy 2.12 – Culling

If there’s one complaint that I had about last year’s season finale, it’s that most of the good stuff happened the week before. That wasn’t the case last night, however, despite the fact that it sure seemed like it was headed that way. Instead, we got a good tease as to what might just happen when the Sons finally get a little alone time with Ethan Zobelle and AJ Weston. They’ve already started planning for it by gathering everyone’s families and friends at the clubhouse to provide protection, while Sons from all over the state are riding in to help end this thing once and for all. Most noteworthy is Kenny Johnson (late of “The Shield”) as the head (?) of the Tacoma chapter. Though we don’t even know his name yet, we do know that he and Tig have some kind of beef between them. And if our recent interview with Kurt Sutter is any indication, his character will play role in next season as well. (Hell, I’d love it if they brought him on full time).

Before I get any further into my discussion about SAMCRO, however, I need to address a few quick things. First, Chucky is alive and well, and he’s returned to the clubhouse after days of no one hearing from him with news about who burned down Caracara. Of course, the question on everyone’s mind is probably, “What the hell happened to him and Darby?,” but since word on the block is that the scene was cut from a previous episode for time, we might never know. That certainly leaves Darby’s fate up in the air, but now that he’s been screwed by Zobelle twice, I have a feeling he’s going to owe the Sons big time whenever he resurfaces.

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The other major non-SAMCRO talking point was undoubtedly Tara’s face-off with that nosy hospital administrator who seems to have it out for her. After weeks of being treated like shit, Tara finally snapped and put her in a choke hold. When the lady cried “assault,” Tara made the most of it by punching her in the face and then threatening her family if she doesn’t drop the bogus claim. It was certainly a cheer-worthy moment for those wondering just how much more abuse Tara would take from the lady, and though it probably wasn’t the best way to handle things, it was the only way she was ever going to get that lady off her back. After all, Tara’s just trying to her job, and her personal life shouldn’t affect that.

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Sons of Anarchy 2.11 – Service

If last week’s episode was the big turning point of the season, then tonight was the build-up to the final stretch. Obviously, Gemma’s confession played a major role in getting us this far, because now Jax has squashed his plans to go nomad in favor of putting a hurting on Ethan Zobelle and his men. Though Jax and Clay relay the news of Gemma’s rape to the rest of the club, they warn them not to do anything until they’re at full power. That means getting plenty of guns, and for the time being, they’re a little short on firepower. Clay suggests they meet with Jimmy O and rekindle their business relationship, but even though Jimmy promises to no longer sell to LOAN (even offering Zobelle’s next shipment to the Sons for free), it’s not going to matter much if their Russian pipeline is as dried up as Cameron suggests. The Sons don’t know that, however, and to be completely honest, I’m not exactly sure Jimmy O knows about it either.

In what could easily be considered the biggest reveal of the night (if not the season), Tig completely breaks down in front of Opie about Donna’s death. He takes his share of the blame and even sends a little Clay’s way as well, but he’s quick to mention that if Stahl had never set him up to look like a rat, Donna would have never been killed. Fair enough, but that doesn’t stop Opie from kicking his ass before he leaves to confront Stahl. He doesn’t shoot her, though, but rather waves a gun in her face before handing her the clip and saying, “The outlaw had mercy. You remember that the next time you try to twist the truth.” Yet again, Opie proves why he’s one of the coolest characters on the show. It’s also good to see him back on Jax’s side, because if Jax is ever going to take over the club, he’s going to need a right-hand man like Opie to help him push the Sons in a new direction. Plus, now that Opie’s forgiven Clay and Tig for the good of the club, I think he’s going to have a lot more say in what goes on.

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In fact, you can already begin to see the effect he’s having on Clay. Not only did he manage to prevent him from overreacting to Chibbs’ confession about his deal with ATF, but after Piney stormed in and tried to kill Clay, he defused the situation in a matter of minutes. Frankly, I’m a little surprised Clay let Piney off so easily, but I guess he just figures it’s the least he can do to put Donna’s death behind him. Still, it’ll be interesting to see how much Opie plays the guilt card in the future, because it could come in real handy later down the road. For the time being, though, everyone is focused on bringing down Zobelle, and when Jax discovers that he’s doing business with the Mayans behind Weston’s back, they realize they have an ace up their sleeve. My guess is that they’ll turn LOAN against one another without so much as raising a gun, but with Chief Wayne seemingly on his way out, it makes sense that they might need his help one more time.

As for Gemma, well, she may not think that coming clean was the best thing for her (she tells Tara that Clay won’t want her anymore because she’s “damaged goods”), but after an odd sexual encounter with Tig that thankfully didn’t come to anything, she’s even more demoralized. Of course, Tig knows exactly what’s going on, and before everyone departs for the night, he advises Clay to show Gemma that he still loves her. It might have just been sex on an office desk, but that final scene between Clay and Gemma was a lot sweeter than it sounds. It’s moments like these that make “Sons of Anarchy” one of the best shows on TV.

Blu Tuesday: Star Trek, Fight Club and Rome

The Blu-rays keep on rolling this week with more great titles making their debut. It’s actually gotten to the point where I wish I had more time to write, because there’s too much stuff coming out, especially compared to the last few months. That’s the domino effect of the holidays in full swing, but just because you don’t want to break your bank on all these Blu-rays doesn’t mean you can’t add them to your Christmas wish list.

“Star Trek” (Paramount)

If you were to ask any “Star Trek” fan a few years ago if they thought there would be another movie so soon, they’d probably laugh in your face. That’s because the film franchise was practically DOA until Paramount managed to lure J.J. Abrams into directing an origin story reboot. By introducing a time-traveling villain that allowed him to explore alternate storylines without tainting “Trek” canon, Abrams was able to create a film that appealed to longtime fans and newcomers alike. To say it was a success would be a major understatement, and that carries over to the film’s Blu-ray release as well, which is jam-packed with so many special features you’d swear they were Tribbles. The three-disc set includes everything from an audio commentary and deleted scenes to a whopping ten production featurettes on just about every aspect of the moviemaking process. It’s a great bang for your buck, although Trekkies will no doubt be tempted by Amazon’s limited edition gift set, which includes a replica U.S.S. Enterprise.

“Fight Club” (20th Century Fox)

It’s hard to believe that it’s already been ten years since David Fincher’s “Fight Club” was released, but Fox has made sure that you won’t forget about it any time soon with one of the best Blu-rays of the year. That may sound like a pretty bold statement, but between the new 1080p video transfer and the hours upon hours of special features, it’s one that would be pretty hard to argue against. Not only has Fox included all of the bonus material from the previous DVD releases (including four audio commentaries, deleted scenes, and several production featurettes), but they’ve also added some new extras as well. “A Hit in the Ear” is a cool featurette that allows you to remix four different scenes with the help of sound designer Ren Klyce, while “Flogging Fight Club” offers a behind-the-scenes look at Brad Pitt, Edward Norton and David Fincher’s acceptance speech for the film’s induction into the Guy Movie Hall of Fame. The piece de resistance, however, is “Insomniac Mode: I Am Jack’s Search Index,” an interactive database that allows you to search any part of the disc from a large glossary. This is truly a game-changing addition – especially for movies with as much bonus material as this one.

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