Category: Movies (Page 362 of 498)

What Else Ya Got? “Body of Lies”

Movies starring Leonardo DiCaprio and Russell Crowe are usually expected to do big business at the box office, so how did “Body of Lies” only manage to earn $40 million during its domestic release? Chalk it up to post-9/11 fatigue, as Ridley Scott was clearly late to the party when choosing a political thriller set in the Middle East as his next project. Still, even though the movie didn’t do well stateside, it made nearly twice as much overseas, proving that both actors still have major star appeal. And as a result of its overall performance, Warner Bros. has produced a well-balanced collection of special features for the film’s Blu-ray release.

Body of Lies

Audio Commentary

Director Ridley Scott, screenwriter William Monahan and author David Ignatius all sit in on this audio commentary to discuss the film, but unlike your typical track, each participant has recorded their thoughts separately. At first, it may seem a little strange to have the commentary jump back and forth between those involved, but it actually works better than most tracks because you don’t have to worry about people getting cut off or having the discussion pushed in another direction. Scott ends up dominating a majority of the commentary anyway, but sadly, he has very little to say about the actual making of the film, and instead just explains everything that’s happening on screen.

Actionable Intelligence

The Blu-ray version allows you to access this collection of nine mini-featurettes as you watch the film, but they can also be viewed individually via the special features menu. Running 79 minutes in total, this is the closest you’re going to get to a making-of featurette, including a behind-the-scenes look at production and costume design, stunts and special effects, and profiles on the lead actors. The best of the bunch, however, are two in-depth featurettes dubbed “Field Operation” that go into greater detail about the making of two crucial action sequences.

Interactive Debriefing

Scott, DiCaprio and Crowe sit down to discuss their thoughts on the film’s story, collaborating with one another, and the CIA. I’m not exactly sure what’s “interactive” about the feature aside from the ability to choose what order you view the interviews, but they do provide great insight into the film. Crowe’s interviews, in particular, are worth checking out, as it’s the only time he appears anywhere in the bonus material.

Deleted Scenes

Of the five deleted scenes included, only one is worth checking out – a lengthy sequence where Golshifteh Farahani’s character discovers what Roger Ferris really does for a living – while Scott’s optional commentary proves just as frustrating as the movie track. The fact that none was recorded for the alternate ending is only more maddening – especially because it’s superior to the one that appears in the theatrical version.

That may not seem like a lot, but trust me, by the time you’re finished with the single-disc release of “Body of Lies,” there’s nothing more you’ll want to know. Plus, as always, a digital copy of the film has also been included for your convenience. Just a quick note to Warner Brothers: you guys have done a great job on your Blu-rays, but in the future, can you please take us to a static menu instead of auto-playing the movie? It’s pretty annoying.

Soul Men

Considering just how little soul Malcolm D. Lee’s “Soul Men” has for a movie starring two of the industry’s most charismatic actors, it probably should have been called something else instead. Perhaps a more appropriate title would be “Motherfuckers,” because co-stars Bernie Mac and Samuel L. Jackson utter the word at least a hundred times throughout the course of the film. Now, I’m all for Jackson channeling his inner badass, but it doesn’t have the same comedic punch when everyone around him joins in on the fun. Mac and Jackson probably had the time of their lives playing two has-been back-up singers who agree to participate in a reunion performance honoring the death of their former frontman, but the audience wouldn’t know it from watching the film, which is littered with old fart jokes circa 2002. An all-too-familiar buddy comedy that hinges entirely on the chemistry of its two stars, “Soul Men” is mediocre at best, and I shudder to think at how bad it would have been had neither actor been involved. God rest Bernie Mac’s soul, because while he wasn’t exactly what you’d call a great actor, he certainly deserved a better sending off than this.

Click to buy “Soul Men”

New York Comic-Con 2009: The Wrap-Up

You know you’re on the right bus for Comic-Con when a guy comes aboard wearing a Flash t-shirt…and he’s followed a guy toting two enormous bags in which to carry swag…and then that guy is followed by Darth Vader.

Actually, now that I think about it, maybe Lord Vader wasn’t actually on the bus with me, but he was most certainly present – and in various heights, weights, shapes, and sizes, no less – during the course of the New York Comic-Con, which took place at New York’s Javitz Center from February 6th through the 8th.

Our man Jason Zingale has been our resident San Diego Comic-Con attendee for the past couple of years, but Bullz-Eye was also in the house for last year’s NYCC, thanks to our man in New York, Jonathan Flax. (Granted, he’s often a quiet man, but he’s still there for us when we need him.) This year, however, I couldn’t resist the chance to take in Comic-Con for myself. The San Diego event takes place immediately after I’ve already spent two-and-a-half weeks in L.A. for the July TCA Press Tour, and by that point, I just can’t be away from my wife and daughter any longer; fortunately, the NYCC takes place long enough after the January TCA tour that I was able to feel comfortable heading out of town to attend. It was disappointing that I had to take in all of the sights, sounds, and events all by my lonesome, but lord knows there were plenty of other people with whom I was sharing the experience. I might’ve come by myself, but I was in no way alone.

Day 1:

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Could “G.I. Joe” actually be good?

Go ahead and file this under Extremely Late to the Party, but after catching Paramount’s “G.I. Joe” trailer during the Super Bowl, I couldn’t help but think “is it possible that the movie won’t completely suck?” It sure looks a helluva lot better than what the first batch of promotional images suggested, but keep a few things in mind:

1) It’s based on a toy line. Sure, “Transformers” kicked some serious ass, but it was also directed by Michael Bay, who’s been known to make a good action film in his time. Which brings me to my next point…

2) It’s directed by Stephen Sommers. As in “The Mummy Returns” and “Van Helsing” Stephen Sommers. The CGI showcased in the trailer already looks far better than anything that appeared in either of those films, but that hardly means the story won’t feel like a six-year-old wrote it. Plus…

3) The trailer is only 30 seconds long. It’s not very difficult to find 30 seconds worth of good footage from a two hour movie, even if you’re a hack like Stephen Sommers.

With that said, however, the film doesn’t look quite as bad as most fanboys imagined. Sienna Miller looks great as The Baroness, and that short glimpse of Snake Eyes facing off against Storm Shadow promises at least some good action. Still, Destro looks pretty dumb without his trademark helmet (though he might look ever worse with it on), and why is Cobra Commander being kept such a big secret? Check out the trailer below and then head over to Bullz-Eye.com to see more movie trailers.

Gospel According to Al Green

Al Green’s angelically seductive voice is unequaled in R&B, and perhaps all of popular music, and the hits he made with legendary producer Willie Mitchell include some of the most evocative songwriting of the early seventies. He might have reached the same heights of mass acclaim as such R&B contemporaries as Stevie Wonder, Marvin Gaye, and Smokey Robinson were it not for a disturbing incident in which an obsessed girlfriend badly scalded him with boiling grits and then committed suicide. Within a few years, the singer became the Reverend Al Green, bought his own church, and for a time abandoned secular pop music entirely.

This fascinating 1984 documentary details the period in which Green became a deliberately obscure figure, allowing the singer to tell his own story in addition to performing some astonishingly good gospel and also preaching at his Memphis Full Gospel Tabernacle. He even deigns to break his own no-secular-music rule and performs a transcendent version of his love song supreme, “Let’s Stay Together” – a performance strong enough to almost make us forget “Pulp Fiction” and that bandage on the back of Ving Rhames neck. Director Robert Mugge’s film captures Green at his musical best – still only in his late thirties and absolutely at the top of his game. A must for fans of both classic soul and gospel music, “Gospel According to Al Green” reveals a conflicted, slightly eccentric, but always utterly sincere performer, while presenting an awe-inspiring reminder of the musical and emotional power of the African-American church.

Click to buy “Gospel According to Al Green”

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