Category: Movie Dramas (Page 163 of 188)

Once more, for the record: Nestor Carbonell does NOT wear eye make-up!

During the panel for ABC’s “Lost” at the TCA Press Tour a few weeks ago, executive producer Carlton Cuse said that the true mystery of the series is, “Is Nestor Carbonell wearing make-up?”

Those familiar with the man who plays Richard Alpert, advisor to the inscrutable Benjamin Linus, have pondered this question for quite some time, and millions more wondered about it after seeing Carbonell playing the Mayor of Gotham City in “The Dark Knight,” but Cuse’s fellow “Lost” producer, Damon Lindelof, swore to an audience of TV critics that Carbonell is not guilty on all charges.

“When we first saw dailies of Nestor, we were, like, ‘Someone’s gotta talk to him about the eyeliner situation,’” Lindelof said. “And he does not wear any mascara, no eyeliner, nothing. He is completely 100 percent sans makeup. That’s the God’s honest truth.”

And, yet, there are those who still refuse to believe it.

Therefore, when I was given the opportunity to talk with Carbonell in connection with the DVD release of “Killer Movie” (he has a small but hilarious part as a Hollywood agent), I figured that this was the perfect opportunity to get confirmation straight from the horse’s mouth. Word of the TCA tour had clearly gotten back to Carbonell, however, since the mere mention of the event led him to start laughing (“My brother told me about it,” he explained), and the laughter increased dramatically, however, when I told him that the changing of my status to indicate my impending interview with him had immediately resulted in one of my friends – okay, it was Mekeisha Madden Toby, who writes for The Detroit News’ TV blog – replying, “OOOH! Ask him if he uses eyeliner!”

So I asked him.

Continue reading »

The Lucky Ones

Neil Burger’s “The Illusionist” was one of the most underrated films of 2006, so it’s a bit disheartening to see his latest movie, the post-9/11 war drama “The Lucky Ones,” suffer a similar fate. Though it’s not nearly as good as his previous effort, the film is still better than a majority of the movies just like it, mostly thanks to its talented cast. Tim Robbins, Michael Peña and Rachel McAdams star as three U.S. Army soldiers who have just returned to the country after their latest tour in Iraq. When a blackout grounds all the flights out of New York, however, the trio decides to rent a car and make the cross-country trip back home together, despite having just met hours before. What follows is a journey of self-discovery, as they must all come to terms with the way the war has changed their lives. Unfortunately, the average moviegoer got so burned out with post-9/11 fatigue that “The Lucky Ones” never got a proper theatrical release. It only seems fitting, because “Grace Is Gone,” the movie it’s most like, received the exact same treatment. Still, if pro-solider embarrassments like “Home of the Brave” and “Stop-Loss” can find an audience, then surely “The Lucky Ones” deserves one too.

Click to buy “The Lucky Ones”

What Else Ya Got? “Pride and Glory”

It isn’t all that rare these days for a studio to release a movie on DVD with little or no special features, but many Blu-ray owners feel that they should at least be rewarded with something other than enhanced video and sound for spending the extra cash. Unfortunately, Warner Bros. doesn’t feel the same way, because the Blu-ray release of “Pride and Glory” contains the same extras as its DVD counterpart. Even worse, the studio is apparently so ashamed of the lack of bonus material that it actually tries to hide it by having the movie start the minute you stick the disc in your player. No trailers to fast-forward through or menus to navigate.

Pride & Glory

How disappointing, because while there may only be one special feature to speak of, it’s better than the movie itself. Running just over an hour long, “Source of Pride” takes the traditional making-of featurette to a whole another level with a documentary that showcases the struggle director Gavin O’Connor went through in order to get his film made. From holding unconventional rehearsals (which co-star Noah Emmerich dubs “rewritings”) and casting bit roles days before they’re ready to shoot, the pre-production portion is so stressful that when filming begins, things really go to hell.

The script is in a constant state of flux, Nick Nolte must be recast at the last possible second with Jon Voight, and yes, Edward Norton is extremely difficult to work with. Apparently, all those stories about Norton being a pain in the ass were true – though O’Connor downplays the situation considerably by noting that his star actor is just really dedicated to the job. Meanwhile, an ending to the movie still hasn’t been written, and in fact isn’t written until the night before they’re scheduled to film the scene. Anyone that thinks making movies is easy, or wonders why “Pride and Glory” turned out so bad, needs to watch this documentary right away. It would have been nice to have some additional material to go along with it, but considering all of the trouble that the studio was put through during the making of the film, it isn’t at all surprising that they weren’t willing to front the cash to do so.

Academy Awards recap: Oscar loves Nazis, hates robots, superheroes

Wow. Just…wow. Do you ever wonder just what movies the Academy voters are watching, and if they’re seeing the same movies the rest of us are? I certainly had that thought after scouring through the list of nominees for the 81st Academy Awards, when I saw that most of my favorite movies – one of which made over half a billion dollars – were discarded in favor of an overripe Nazi legal drama. And, just to have some fun with how far off some of these selections are, I’m going to include the Rotten Tomatoes freshness ratings. Let’s start at the top:

Best Picture
The Curious Case of Benjamin Button (72%)
Frost/Nixon (91%)
Milk (92%)
The Reader (60%)
Slumdog Millionaire (95%)

Now, fellow BE movie critic Jason Zingale and I admit that we are in the minority on “Milk” – it’s a fine movie, but neither of us understands what people think is so wonderful about it – but I’m not surprised to see it here. It’s about a gay California poilitician in the year that Prop 8 passed. Of course Hollywood’s going to get behind this one. But “The Reader” for Best Picture? You have got to be kidding me. Look again at that freshness rating. Sixty percent, which means only three out of every five people liked it. Granted, “Benjamin Button” isn’t rated much higher, but movies with that kind of scope and reach always have their detractors. (Indeed, in our local film critics’ poll, “Benjamin Button” finished ninth.) Simply put, “The Reader” has no business whatsoever being nominated for Best Picture, not in the same year that saw the release of “The Dark Knight” (94%) and “WALL-E” (96%).

So why is it here? My personal theory: because Hollywood’s liberal populace sees Kate Winslet’s character getting tried for war crimes, and fantasizes about doing the same to George W. Bush. Get over yourselves, people. “The Reader” isn’t about you, or us, or now. It’s overdone melodrama, nothing more.

Best Actor
Richard Jenkins, The Visitor
Frank Langella, Frost/Nixon
Sean Penn, Milk
Brad Pitt, The Curious Case of Benjamin Button
Mickey Rourke, The Wrestler

Man, I’m torn here. On the one hand, I’m thrilled for Richard Jenkins that he finally got a lead role, and earned an Oscar nomination for his efforts. On the other hand, Clint freaking Eastwood just gave his final acting performance, and it was unforgettable. Again, I don’t think Sean Penn belongs here, but I’m starting to think Jason is right when he says he’s going to win. Damn. I’m totally pulling for Mickey Rourke.

Best Actress
Anne Hathaway, Rachel Getting Married
Angelina Jolie, Changeling
Melissa Leo, Frozen River
Meryl Streep, Doubt
Kate Winslet, The Reader

Kate was far better in “Revolutionary Road,” for my money, and for the life of me I can’t understand why the Academy is throwing that movie under the bus. This is not a strong list of nominees, if you ask me. My money’s on Melissa Leo to surprise the world.

Best Supporting Actor
Please. Does it even matter who else is nominated here? This is Heath Ledger’s to lose, and he’s not going to lose. Bonus points for nominating Robert Downey Jr. for “Tropic Thunder,” though.

Best Supporting Actress
Both Amy Adams and Viola Davis from “Doubt” were nominated, and will surely split the vote. I’d like to see Marisa Tomei (“The Wrestler”) or Taraji P. Henson (“Benjamin Button”) win, but my gut tells me Penelope Cruz (“Vicky Cristina Barcelona”) will be the winner.

Best Director
Danny Boyle, Danny Boyle, Danny Boyle. Again, Stephen Daldry is here for “The Reader,” while Christopher Nolan (“Dark Knight”) and Andrew Stanton (“WALL-E”) watch from the cheap seats. Absurd.

Best Animated Feature
Here’s your bone, “WALL-E.”

Best Foreign Language Film
Where the hell is “Let the Right One In”? Inexcusable oversight, that.

Best Song
Where the hell is “The Wrestler”? They know that Springsteen wrote it, right? Wouldn’t that alone guarantee it a nod? Ugh.

Best Documentary
God help them if something other than “Man on Wire” wins this.

Come Oscar night, I’m going to make sure I don’t have anything heavy in my hands when they announce the Best Picture winner. Because, if for some ungodly reason “The Reader” wins, I will kill my television, then fly to Hollywood and burn the place to the ground. Academy, you’ve been warned. Do the right thing.

“Veronica Mars” movie on the way?

Good news, “Veronica Mars” fans — it looks like there may be a movie in the works.

Fans of the CW drama were absolutely crushed when the network didn’t renew the show in 2007, and talk immediately turned to giving the series a proper two-hour Cineplex sendoff. Now, creator Rob Thomas has divulged the first solid details of the project, which is closer than ever to becoming reality.

Speaking to reporters at the TCAs in Los Angeles, Thomas (on hand to promote his new ABC show Cupid) confirmed that he is writing a Veronica Mars movie, according to iFMagazine.com.

Thomas says he has the movie “70 percent” down in his head, and is struggling with one crucial plot point. However, he also feels he is “on the right track now” and will clear that hurdle soon enough.

The movie is not going to take place where Veronica Mars’ would-be fourth season would have (Thomas made a presentation for network execs that proposed jumping forward in time to Veronica in the FBI). Instead, the movie is set to start just days before Veronica graduates from Hearst College.

According to the article, the cast is interested and financing shouldn’t be a problem, so this is looking very good at the moment. This comes on the heels of the news that there is also a “Jericho” movie in the works.

Count this writer amongst the fans of the show that were sorely disappointed when the CW elected not to renew it. In that final season, “Veronica Mars” was every bit as good as it ever was, and it felt like there were plenty more stories to tell. I was intrigued by the possibility of her ending up at the FBI, but I’ll take any of Ms. Mars that I can get at this point.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑