Category: External TV (Page 191 of 419)

American Idol: live TV can be painful to watch

Last night on “American Idol’s” results show, there was more proof that live TV can be awkward and extremely difficult to watch at times. Reality TV is sometimes too much of a reality check.
But more on that in a minute.

After the recap, a Motown medley and the obligatory Ford video (I confess to reading the sports page during all of this), Season 2 champ Ruben Studdard peformed his new single, “Together.” And judging by how big dude is, I think he may have been singing about his relationship with a cheeseburger. But that’s okay, because after the song as he was talking to Ryan Seacrest, Ruben lost about 10 pounds of sweat. Ewwwww.

On to the results. Adam Lambert, safe. Matt Giraud, bottom 3. Yikes…what the hell was America thinking? Admittedly, I didn’t think singing Marvin Gaye was smart, but Matt did a decent job with the song. Kris Allen and Lil Rounds, both safe. Michael Sarver, bottom 3.

Then came a creepy duet for the second straight week….Smokey Robinson and the hot and much younger Joss Stone. They sang “You’re the One For Me” and if you thought Randy Travis ogling Carrie Underwood was creepy, go watch this one again.

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American Idol: Motown week challenges top 10

“American Idol” just gets more full of itself. From the way they that “Tell them what they’ve won, Don Pardo” announcer that brings out the judges and perpetually peppy Ryan Seacrest, to Simon drawing a mustache on Paula and laughing so much that he can’t deliver a fair critique of Allison. Just get over yourselves, people! It’s about the singers, or at least should be.

What follows is a recap of last night’s Motown performances, with the great Smokey Robinson coaching the finalists, and the great Berry Gordy in attendance. Keep in mind these are grouped into the good, in-between and bad based on my opinion, not the judges.

THE REALLY GOOD

Allison Iraheta was in the pimp spot last night, and she hit a long fly ball that would have cleared two baseball fields. She sang “Papa Was a Rolling Stone” and I think we all keep forgetting Allison is just 16, because she has ridiculous pipes, and shows almost no signs of being nervous. Randy said it was “blazing hot,” Kara said “wow,” Paula said she looked fantastic and sounded awesome, through her Crayola mustache, and Simon said, through giggles, that it was one of Allison’s best performances yet. No, it WAS her best Simon…you were too busy acting like a 5 year old to notice. How in the world was Allison in the bottom 3 last week? Well, she shouldn’t be tonight.

THE PRETTY GOOD

Matt Giraud took on Marvin Gaye’s “Let’s Get It On.” Look, this is the exact song I was quoted in a Fox News article on, saying that no Idol hopeful should attempt it. But Matt actually did the song justice. I kept thinking he is no Marvin Gaye, but he did the best he could. Randy said it was challenging but that Matt did a nice job, Kara said she thinks all the girls watching liked it and that Matt is coming out of his shell, Paula said it was a nice job and Simon said it was a brilliant choice and a cool performance. Considering Matt went first, that’s pretty damn good.

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Lost 5.10 – He’s Our You

“A 12-year-old Ben Linus just brought me a chicken salad sandwich. How do you think I’m doing?”

It seems like forever since we’ve had a Sayid-centric story, so I was really excited to discover that tonight’s episode was all about everyone’s favorite Iraqi torture specialist. Unfortunately, for as many great lines as there were, it actually ended up being one of the flatter episodes of the season. That probably had something to do with the strange collection of flashbacks and flash forwards that accompanied the present day (or new present, anyway) storyline, because with the exception of Sayid’s introduction to Ilana – who doesn’t appear to be a federal marshal at all, but rather some sort of bounty hunter – we didn’t really learn anything new about the time between his rescue and return.

Even the action on the island was pretty dull. Well, not dull so much as just really thin. I mean, how many different times did we really need to see Sawyer trying to convince Sayid to cooperate with the Dharminians? And why didn’t Sayid want to take the easy way out by telling them that he was just trying to escape from the Others? I brought this up last week because it didn’t make any sense for Sayid to want to remain silent, and now it makes just as much sense after declining Sawyer’s offer to become one of them. If all he cared about was killing young Ben Linus, wouldn’t it have been easier to do so from within that circle of trust?

Apparently not, because Sayid didn’t budge one bit, and as a result, Horace took him to go see Oldham (William Sanderson of “Deadwood” fame) in order to get some answers. It was pretty obvious that Oldham was Dharma’s torture specialist the moment his name was brought up, but Sayid asked Sawyer who Oldham was nonetheless, to which Sawyer replied “He’s our you.” Now, if that didn’t send chills down your back, I don’t know what will, because that has to be one of the best episode titles in the history of the series; and even more so because of the way it was worked into the story. I would have liked to have found just what it was that Oldham stuck in Sayid’s mouth, though, because while it seemed to initially operate as a truth serum, the later effects made me think it was some kind of psychedelic drug instead. Whatever it was, it worked, but while it looked like Sayid would blow Sawyer’s cover by spilling the beans, the moment he mentioned he was from the past, Horace seemed unconvinced that the drug had worked.

After Dharma’s council votes to kill him, however, Sayid’s Christ-like sacrifice (which he seems to believe will atone for all his sins) is interrupted when he’s sprung from jail while everyone else is trying to deal with a flaming Dharma van that has randomly rolled into camp. (Even during times of stress, Sawyer’s wit is spot on: “Three years, no burning buses. You’re all back for one day…”). Curiously enough, it’s young Ben who’s responsible for saving Sayid, who does so under the condition that he can join him on his way back to the Others’ camp. I don’t know if that’s where Sayid plans to go (it seems to be his only option at this point), but he definitely doesn’t intend on bringing Ben with him. Granted, I didn’t expect Sayid to kill a child in cold blood, but then again, who’s to say Ben is really dead? Faraday has already stated that the past can’t be changed, so it’s probably more likely that Ben will be saved/revived by the Others and eventually made their leader. After all, Ben’s spinal condition had to be a result of something, so why not an old gunshot wound that he received as a kid?

The Biggest Loser: Are you as annoyed as I am?

NBC loves to mess with us when it comes to “The Biggest Loser.” Once again, the teams were broken up and it is now an individual competition again, as the show began with host Alison Sweeney giving each contestant the color t-shirt they began this season with, and then having them pick which trainer they wanted to work with the rest of the way. That is, until she threw another twist at them. This season is “The Biggest Loser: Couples,” but the show never gives you what it promises. Okay, so it’s an individual competition again. But next week they will change it up again. It’s maddening, and if I wasn’t asked to write this blog, I probably wouldn’t watch the show anymore.

Anyway, the contestants went through the process of choosing their trainer as if it was a life and death decision. At least that’s what these lovely producers of the show wanted to portray. I realize Jillian has a winning track record and Bob is the nice guy, but come on. Tara, Mike, Laura and Helen all chose Jillian while Kristin, Filipe, Sione, Ron and Aubrey chose Bob.

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Heroes 3.20 – Welcome Back, Bryan

Cue up the John Sebastian, people, ’cause it’s time to formally offer a hearty “welcome back” to Bryan Fuller. Tonight’s episode is the first time we’ve seen the man’s name in the writing credits since the glory days of “Heroes,” i.e. Season 1, and although his return comes at the expense of “Pushing Daisies,” you have to respect the guy for trying to do his part of save the series that he helped to make. And, yeah, I know, it’s not like he created the show, but given how many times Fuller’s “Company Man” has been held up as the series’ definitive episode, you can’t deny that his contributions helped make “Heroes” appointment television during the 2007 – 2008 TV season.

It was clear from the opening sequence, with Zeljko literally being handed a gift-wrapped Puppet Master, that we were finally going to get something we hadn’t seen in forever: a “Heroes” episode that actually felt like it was taken from a comic book. You wouldn’t think it’d be so hard to accomplish that in a show about people with superhuman abilities…and, apparently, it isn’t hard for Fuller, since he’s proven time and time again that he can manage it. Watching Zeljko turn the tables on Mohinder was awesome (“Why did you bring me here?” “I thought it’d be a whole lot easier than carrying you.”), and his typically tense conversations with HRG were typically solid, as was the HRG / Mama Petrelli chat at the beginning.

I don’t think there was anything that came out of Hiro’s mouth tonight that wasn’t genius, whether it was his addressing of Matt Parkman, Jr. (“Baby Matt Parkman, we will save you; if you understand, shake rattle once for ‘yes’ and twice for ‘no'”), his using a “Star Trek: The Next Generation” episode to rationalize how a de-aging process might’ve occurred and offering up a “Wrath of Khan” reference (“Life from lifelessness!”), or his asking Ando, “What are we saving the baby from? Lead-based toys?” I thought it was a great touch that, despite the TV being turned on and off repeatedly, Hiro and Ando still never once noticed that it was actually the baby’s daddy on the screen. The sequence where Hiro finally addressed having witnessed his mother’s death in the past and had an emotional bonding moment with Ando was unexpectedly effective (sometimes you forget that those guys can work together in drama as well as comedy), but then it was back to the comedy with the “E.T.” homage. And once the men in black busted in to take Li’l Parkman and Matt’s ex into custody…words fail me. Hiro’s powers are back! Thank you, Toddler Touch and Go! Except they’re not entirely, which means he can stop time again but still can’t teleport. Oh, well, so the kid’s not perfect. Anyone else do a spit take when Hiro rolled Ando out in a wheelbarrow?

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