Category: External TV (Page 192 of 419)

Watch NBC’s “Kings,” Or I’ll Shoot This Dog

Last Sunday, I pleaded with you, the readers of Premium Hollywood, to watch the premiere of NBC’s “Kings,” describing it as “an epic drama with the kind of scope that you rarely see on television in series form” and assuring you that “it needs to be a hit right out of the box, lest it be canceled without ever having a chance to build on its concept.”

How did that request pan out?

Well, I think the opening sentence of the Hollywood Reporter’s piece – “NBC’s ‘Kings’ had a devastating premiere Sunday night.” – says it all, doesn’t it? (Actually, the headline did a pretty good job in its own right: “NBC’s ‘Kings’ dethroned in ratings.”) To borrow a line from another great yet under-appreciated series, the facts were these: the premiere of “Kings” drew only 6 million viewers and was the lowest-rated program between 8 and 11 p.m. on a major broadcast network.

The ever-snarky but nonetheless generally well-informed Nikki Finke over at L.A. Weekly‘s Deadline Hollywood Daily wasn’t afraid to lay the blame for the series at the feet of NBC’s long-suffering executive, Ben Silverman:

I’m told NBC Universal spent a whopping $10 million on Sunday’s two-hour opener for ‘Kings’ and another $4 million per episode. That’s a staggering amount of money to lavish on any drama series, especially one that’s a bomb. Nor does Jeff Zucker have anyone to blame but himself for this disaster. Because I hear that Ben Silverman was hands-on. ‘Kings’ was supposed to move into the Thursday 10 PM ‘ER’ slot (once coveted when the network was still Must-See TV) but has now been banished to Sunday at 8 PM where it can’t do any harm since no one is watching NBC that night anyway. This latest failure follows NBC’s derivative restaurant reality series ‘The Chopping Block,’ also receiving a pathetic 4 share in 18-to-49 demos for its debut Wednesday. No wonder Ben has less and less to do with programming — which was why he was hired in the first place — and more and more to do with liaising with advertisers.

Y’know, I’d say, “Ouch,” but it’s not like this is anything even remotely close to the worst thing Ms. Frinke has had to say about Mr. Silverman.

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California Dreams: Seasons One & Two

Everyone has fond memories of spending Saturday mornings watching cartoons as a kid, but they often don’t remember that shows like “Saved by the Bell” were also part of the weekend festivities. With the characters of Bayside High gearing up for graduation in late 1992, however, producer Peter Engel was busy launching a worthy replacement. No doubt inspired by the “Saved by the Bell” rockumentary episode, “California Dreams” took the concept one step further by making the entire show about a group of friends – Matt Garrison (Brent Gore), Jenny Garrison (Heidi Lenhart), Tiffani Smith (Kelly Packard) and Tony Wicks (William James Jones) – who play in the eponymous pop/rock band and their unruly manager (Michael Cade).

Though not as popular as Zack Morris and Co., the guys and gals of “California Dreams” actually ran a season longer. Granted, the acting is a little worse (that’s what happens you cast musicians over actors), but the real standout of the series is Steve Tyrell’s original music. It may sound a bit dated now, but the soundtrack is what ultimately allowed “California Dreams” to distance itself from all the other shows just like it. The first two seasons are bit hit and miss (though Season Two features some major improvements like moving the action away from the Garrison household and the addition of new cast members), but fans will still get a kick out of the included reunion featurette. Hopefully, the five-disc box set does well enough to persuade Shout! Factory to release future seasons, because “California Dreams” doesn’t deserve to be judged solely on its early years.

Click to buy “California Dreams: Seasons One & Two”

Battlestar Galactica: What the frak happened in the series finale?

I thought about posting last night, but I’ve gotten into a rhythm this season with letting the episode marinate in my brain overnight and then posting on Saturday morning. I know a lot of people TiVo shows nowadays (myself included) and end up watching the episode later that night, the next day or the next week, so there isn’t a huge rush to get something up.

Was it a great finale? Absolutely. Was I blown away? Not entirely.

Let’s start at the beginning (which is always a good place to start) — more flashbacks of life on Caprica. Bill is thinking about retiring and entering the private sector, Roslin has a blind date with a former student, Lee gets to know Kara. Great, let’s move on.

Back in the future, Baltar’s vision tells him that he will “take mankind’s remnants and guide them to their end.” Last week, after watching him struggle with the decision in the hanger, I wondered whether or not Gaius would in fact volunteer to go along with the rescue mission. The truth is that it should have been obvious that he would. Creator Ronald D. Moore wasn’t about to take one of the main players out of the game in crunch time.

After an emotional scene between Roslin and Doc Coddle, Laura had a great line:

“Don’t spoil your image. Just light a cigarette and go and grumble.”

Then the planning began for the assault on the colony — that’s when the episode really got going. The final four move Sam to the CIC (more on this later) and Galactica prepares to jump.

Like just about every battle scene in the entire series, this one rocked. Galactica jumps in and immediately starts to get pummeled by the colony’s weapons. After the terrific rescue mission on New Caprica, the show had a lot to live up to, and once the birds were away and Bill ordered his crew to ram the colony, Moore and Co. had cleared the bar. It was very cool to see Lee leading a group of Centurions into the colony. Even when they’re on “our” side, they still scare the ever-loving crap out of me.

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Hell’s Kitchen: get out!!

Last night on “Hell’s Kitchen,” there was a first. I’m pretty sure it was done for effect, but more on that in a bit. The episode began showing that the red team is divided…Carol and Andrea and L.A. are all not getting along and it’s making it difficult for them to work as a team. So as the teams are uneven now, Gordon Ramsay sends Giovanni over to the red team. If he really wanted to make for some exciting TV, he would have sent Lacey back there, but instead he gave the red team the blue team’s best chef.

The initial challenge started with Ramsay wheeling in some salmon tapas dishes that he created, and the contestants all were oohing and aahing over his cooking. Then he declared that the menu for the day would be a tapas menu, and he asked each team to create a tapas menu with leftover food in the kitchen then and there in 20 minutes. He liked most of the dishes, except for L.A.’s asparagus soup, which he likened to dirty dishwater. Yuck. In the end, Giovanni edged out Ben and the red team won. The blue team had to prep both kitchens and the red team won a day at the horse racing track in Hollywood.

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