Cue up the John Sebastian, people, ’cause it’s time to formally offer a hearty “welcome back” to Bryan Fuller. Tonight’s episode is the first time we’ve seen the man’s name in the writing credits since the glory days of “Heroes,” i.e. Season 1, and although his return comes at the expense of “Pushing Daisies,” you have to respect the guy for trying to do his part of save the series that he helped to make. And, yeah, I know, it’s not like he created the show, but given how many times Fuller’s “Company Man” has been held up as the series’ definitive episode, you can’t deny that his contributions helped make “Heroes” appointment television during the 2007 – 2008 TV season.
It was clear from the opening sequence, with Zeljko literally being handed a gift-wrapped Puppet Master, that we were finally going to get something we hadn’t seen in forever: a “Heroes” episode that actually felt like it was taken from a comic book. You wouldn’t think it’d be so hard to accomplish that in a show about people with superhuman abilities…and, apparently, it isn’t hard for Fuller, since he’s proven time and time again that he can manage it. Watching Zeljko turn the tables on Mohinder was awesome (“Why did you bring me here?” “I thought it’d be a whole lot easier than carrying you.”), and his typically tense conversations with HRG were typically solid, as was the HRG / Mama Petrelli chat at the beginning.
I don’t think there was anything that came out of Hiro’s mouth tonight that wasn’t genius, whether it was his addressing of Matt Parkman, Jr. (“Baby Matt Parkman, we will save you; if you understand, shake rattle once for ‘yes’ and twice for ‘no'”), his using a “Star Trek: The Next Generation” episode to rationalize how a de-aging process might’ve occurred and offering up a “Wrath of Khan” reference (“Life from lifelessness!”), or his asking Ando, “What are we saving the baby from? Lead-based toys?” I thought it was a great touch that, despite the TV being turned on and off repeatedly, Hiro and Ando still never once noticed that it was actually the baby’s daddy on the screen. The sequence where Hiro finally addressed having witnessed his mother’s death in the past and had an emotional bonding moment with Ando was unexpectedly effective (sometimes you forget that those guys can work together in drama as well as comedy), but then it was back to the comedy with the “E.T.” homage. And once the men in black busted in to take Li’l Parkman and Matt’s ex into custody…words fail me. Hiro’s powers are back! Thank you, Toddler Touch and Go! Except they’re not entirely, which means he can stop time again but still can’t teleport. Oh, well, so the kid’s not perfect. Anyone else do a spit take when Hiro rolled Ando out in a wheelbarrow?