Category: External TV (Page 162 of 419)

Is Charlie coming back for more “Lost”?

That seems to be the new rumor going around the ‘net today following the release of a new ABC promo featuring Patrick Dempsey, Ed O’Neill, Courtney Cox-Arquette and ex-Lostie Dominic Monaghan. While TV spoiler guru Michael Ausiello has received word from a network insider that “There’s obviously a lot of ABC talent in the promo… It doesn’t necessarily mean that Dominic is returning to Lost,” it’s hard to argue otherwise considering the promo ends with Dempsey telling Monaghan “You’re so dead,” and Monaghan coyly replying, “Actually, I was.”

The fact that fellow cast member Emilie de Ravin was just announced as returning to series regular status for the final season, it would certainly open up the opportunity for Monaghan to return as well. Whether it’s as a ghost or a real person (what if Juliet really did change the past?) is uncertain, but whatever the case, I know that lots of fans (myself included) would just be happy to have him back. We’ll have to wait until January 2010 to find out, but for the time being, it’s definitely worth speculating about.

UPDATED: As it turns out, the rumor was just that — an unfortunately untrue rumor. Mr. Ausiello has gotten the real scoop, and it involves Monaghan joining another hour-long show on ABC. Any guesses? Ausiello’s comment section is already filling up with suggestions, including one I like (“V”) and one I don’t (“Grey’s Anatomy”).

Land of the Lost – Season Three: Enik the Dick

The third and final season of “Land of the Lost” is often considered the ugly, misshapen, redheaded bastard stepchild of the series. Indeed, if the 13 episodes of which it consists were the only “Land of the Lost” ever created, the show would have been long since forgotten. But it’s worth mentioning that the initial impetus for doing this three part retrospective came from the desire to come to the defense of Season Three, and try to give a little bit of respect to the episodes that are routinely shunned even by the people who display their love of this show as a badge of honor.

Season Three again saw shifts in the production team, and even more noticeably, in front of the camera. As I understand it, Spencer Milligan couldn’t reach an amicable contract agreement and so he abruptly left the show. With his departure came new lyrics for the opening credits:

Will and Holly Marshall
As the earth beneath them trembled
Lost their father through the door of time
Uncle Jack went searching
And found those kids at last
Looking for a way to escape
From the Land of the Lost

Uncle Jack replaced Ranger Rick, and he was played by Ron Harper, best known to genre fans as astronaut Alan Virdon in the TV series incarnation of “Planet of the Apes.” He was a true uncle, rather than a father – instead of being preachy and bestowing wisdom, he was more often than not a man of action; a guy trying to get things done. I like Ron Harper, and if there’s a reason I’ve got some love for Season Three, much of it’s due to his presence. Would Spencer Milligan’s Rick have been as believable in many of these situations? Likely not. He’d accrued too much info during his time in the Land for these stories to work. In contrast, Uncle Jack was experiencing this madness through fresh eyes, and so he was more accepting.

Behind the scenes, Jon Kubichan and Sam Roeca took over as producer and story editor respectively, and between the two of them, they scripted the majority of the season. Their vision of the series was quite the departure from the two seasons that came before. Nearly everything – including the iconic elements such as the Sleestak, the Pakuni and the ubiquitous dinosaurs – got a major overhaul.

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Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Kwai Chang Caine has gone to meet his Master

Sad news to report: actor David Carradine has died.

I’d be depressed about this news no matter what, given Carradine’s impressive body of work, which includes the classic TV series, “Kung Fu,” as well as such films as “Death Race 2000,” “Bound for Glory” (where he played Woody Guthrie), “Q: The Winged Serpent” (one of my favorite cult sci-fi/horror flicks), and, most recently, Quentin Tarantino’s “Kill Bill” films. But what really hits home is that I actually interviewed Carradine last year, when he was doing the promotional rounds for “Kung Fu Killer,” the miniseries which reunited him with his “Kill Bill” co-star, Daryl Hannah.

When I heard the news, I immediately thought back to these particular comments, which came about after I asked him how much longer he thought he could get away with playing a bad-ass:

Well, it’s almost a vanity of mine that I can still do this stuff when I’m 70. I think I can probably still do it when I’m in my 80s, but we’ll have to see. But I don’t really feel like I’m getting any older. I don’t know what that’s about…but I’m happy about it! I don’t hurt, I don’t much get tired, there doesn’t seem to be much that I can’t still do, and there are even some things that I didn’t used to be able to do that I can do now. I actually seem to be getting stronger, and I have more endurance and everything. I don’t know, I can’t explain it.

Wow, that makes me sad.

It also makes me very skeptical of the current reports that he may have taken his own life. (As of this writing, they’re still unconfirmed.) Suicide would go against not only the things he said during our conversation but, indeed, that he’s said in just about every interview I’ve ever read or seen with the guy. He always seemed to be as inherently spiritual as the character who brought him his greatest fame. I’m sure he’d be at peace with himself at the moment of his passing, but it just feels unlikely to me that he’d opt to be the one who chose that moment.

By the way, I think this is the first time someone I’ve interviewed for Bullz-Eye has died. Let’s hope that, despite our editor-in-chief’s comment when I mentioned this fact, it does not signify the beginning of “the Bullz-Eye curse.”

Rest in peace, grasshopper. At least we’ve got a lot of great work to remember you by…

And, of course, we’d be remiss if we didn’t offer up what’s arguably Carradine’s signature scene within the “Kill Bill” films:

Land of the Lost – Season Two: “Mysterious Forces”

Before jumping into Season Two, allow me to discuss the “Land of the Lost” movie for a bit. As you might glean, I’m a pretty hardcore fan of this show. Yes, believe it or not, we do exist; “Land of the Lost” has a small, but fervent cult following. The last thing fans of this series ever wanted to see was a comedy send-up of the premise. No, most fans had minor dreams of someday seeing a big-budget, sci-fi movie created by people that took the concept as seriously as David Gerrold did back in the day. But, alas, that did not happen, and instead we’re getting a movie that’s likely closer in tone to some of the other Krofft properties, rather than the one it’s actually based on.

All that said, any amount of money that can be made by this movie must be positive for “Land of the Lost” as a brand name, and if the movie does well, you never know what the future might hold. Personally, I’d like to see the movie do so well that somebody decides to greenlight a new version of the series for Sci Fi, which would be the obvious network for it to end up on (indeed, Sci Fi has even been running “Land of the Lost” marathons as of late). I mean, really, how many steps away from “Primeval” – an enormous success for ITV in England, as well as here in the States on BBC America – is a serious version of this concept? So if you’re a fan of the series, don’t be so quick to skip the movie, simply because it isn’t what you envisioned. Grab some friends and a few beers and head out to the movie theatre this weekend, because the future of “Land of the Lost” probably rests in the obnoxious antics of Will Ferrell. (That is, admittedly, a sentence I never in my life thought I’d have to type.)

Now back to your regularly scheduled breakdown of Season Two of “Land of the Lost…”

David Gerrold left the series after the first season, and so a new story editor was hired in the form of Dick Morgan, who’d written such Season One offerings as “Album” and “Follow That Dinosaur.” Clearly Morgan had a lot of respect for what Gerrold had laid down, but it seems that he perhaps didn’t have a big vision of his own. (In all fairness, this is an unfair supposition on my part; as with any TV show there are many fingers in the pie, and who’s to say who’s to blame?) Part of the problem with Season Two is that it frequently tries to expand on ideas from the first season, often without success. This isn’t to say that the season isn’t any good; in fact, you’ve got to be a bit obsessive about the show in order to notice a big difference from the first season…but, then again, that’s why I’m here sharing my insights with anyone who cares to listen.

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