Category: External Movies (Page 265 of 336)

A Time for Quick Hits….

Things have been a bit crazy at Casa Westal, what with this new regular blog gig and attendant mishegas and other projects, plus this afternoon the kind folks at AT&T let my household Internet go bye-bye. (I’m writing this at the Coffee Bean & Tea Leaf nearest me, because the other guys’ “free” Internet deal sucks beyond all words, even if they’re egg sandwiches are good and I actually like very darkly roasted coffee.)

Nevertheless, there is stuff to tell you.

* I’ve been remiss in failing to mention that Sunday’s Bruno/Slim Shady rectal contretemps has been confirmed as a staged event, via the wondrous and personally very cool Anne Thompson. However, Sacha Baron Cohen has at least on potential serious problem — a lawsuit that is a lot more serious than the “Borat made me look stupid and racist, possibly because I really am stupid and racist” actions that were brought against him before. This time a woman alleges that Baron Cohen’s crew attacked her to get a reaction for the film and that she is disabled as a result. If true, I have to wonder why criminal charges weren’t filed, and as Matthew Belloni comments, the timing (just prior to the release of the “Bruno” movie) is worth noting.

* THR and Variety both have reviews of “Land of the Lost.” Neither cares for it. As for the original series, Variety‘s Brian Lowry refers to it as “campy” and Kirk Honeycutt refers to the show as being “fondly remembered (in some quarters).” Those quarters would belong to our own Ross Ruediger. Read on….

* And one more item from Anne Thompson. Something calling itself the Ultimate Movie Site is in beta. At first blush, I’m not feeling it. It’s definitely ambitious, but also strikes me as a little confusing and unfocused in its lay-out and in precisely what it’s trying to do. And, if something calling itself that doesn’t work for this mega-movie geek, will it work for others? Besides, I thought this was the ultimate movie site….

Fatal Attraction

Despite a premise that reads like a sci-fi film – Michael Douglas steps outside his marriage to Anne Archer with Glenn Close? In the peak of her “George Washington with a perm” phase, no less? – “Fatal Attraction” is actually a tremendously effective sexual thriller, one that remains not only a high point of the genre, but the apex of director Adrian Lyne’s career. Lyne, who has a tendency to get lost in his own fog machines, puts his visual brilliance to good use here, mixing in the usual stuff (billowing curtains, colored lights, smoke) with a delicately crafted, steadily building tension and a trio of excellent performances from Douglas, Close, and Archer. Misogynistic? Perhaps. Deserving of a Best Picture nomination? Doubtful. Two hours of sleek, (mostly) believable thrills? Absolutely.

The new Blu-ray transfer gives the movie a gorgeous 1080p facelift and a 5.1 Dolby TrueHD audio mix, but not much else; though “Fatal Attraction” comes with a healthy selection of bonus materials, including a commentary track from Lyne, an alternate ending, screen test footage, and some featurettes discussing the making of the film and its social impact, they’re all holdovers from the last DVD reissue, which is going for under $10 new at Amazon. What it boils down to – as seems to be the case all too often with these catalog Blu-ray titles – is whether you think it’s worth an extra $10-$15 to watch the movie in high-def. Unless you’ve always wanted to count the hairs on a boiled rabbit, your money is probably better spent elsewhere.

Click to buy “Fatal Attraction”

Gekko’s Pals, Pooh, and Cozzalio, Too

* Nikki Finke has some big casting news, and perhaps bit of minor spoilage, on Oliver Stone’s real-world news inspired sequel to his long ago hit, “Wall Street.” It seems that Shia LaBeouf and Javier Bardem will be helping Michael Douglas — as an ex-con Gordan Gekko — illustrate the updated fiscal morality play. No mention if Charlie and Martin Sheen are going to scream at each other in an elevator again. (The great Sheen family act-off of ’87, I calls it.) As usual with Finke’s posts, avoid the comments if you don’t feeling like saying “meow” under your breath every two seconds.

* Good news for fans of 2-D animation, and parents and kids, over at Disney. Per the Hollywood Reporter, a traditional style animated edition to the “Winnie the Pooh” franchise is in the works. Aside from the fact that a CGI Pooh would be an atrocity, this is good news because 2-D animation is simply more appropriate for some projects than others – especially considering that only Pixar seems to have the knack for computer animating humans at this point.

* Around the cinephile blogs…Sergio Leone and the Infield Fly Rule’s Dennis Cozzalio, who likes his horror at least as much as he likes his spaghetti western baseball, talks about “Drag Me to Hell” at length — and not only about his swell drive-in movie soiree last week — including some intriguing thoughts about that PG-13 rating (and an ensuing colloquy in comments, featuring…me).

Okay, I Think That Covers Everything….

I’m just about the last person to dismiss a movie at its inception. As Roger Ebert says, very correctly, movies are not what they’re about, but how they are about it. But still…well, here’s what Variety has to say:

Several studios were in on the search, but Universal and Illumination Entertainment were the ones who found “Where’s Waldo?”…Warner Bros. chased the property for Bob Shaye and Michael Lynne’s Unique Features banner…U and Illumination will seek to create a movie with strong global appeal.

Now, mind you this is not for a Saturday morning animated TV series (that’s already been done), but a feature length motion picture for which, presumably, people over six all over the world will be expected to buy tickets. I’m sorry, but I don’t really see a story here. In any case, I’m pretty sure next up the big screen rights will soon be gobbled up for Kilroy, the truck mud-flaps women, and perhaps the “Hang In There” kitten, last seen in “Drag Me to Hell.”

As for a writer and a director, well, now that “Inglourious Basterds” is complete, I’ve found the perfect poster concept.

Land of the Lost – Season One: “It’s Not Just for Kids Anymore”

If there’s one thing the upcoming “Land of the Lost” movie can be counted on to do, it’s generate some long overdue interest in the classic Sid and Marty Krofft series upon which it’s based. Viewers of the new film, starring Will Ferrell, will largely be made up of two groups: those who watched the show back in the seventies, and those who have no idea the movie is even based on a TV show. With a sweet new “Complete Series” box set currently in stores, there’s no better time than now to look back at the show that began scarring many a young psyche when it was unveiled in 1974.

The Kroffts unleashed all manner of trippy live action television fare on Saturday morning viewers back in the ‘70s, but the majority of their output was campy and comical. “Land of the Lost” really stood apart from most of their other productions with its far more serious themes and dramatic approach. The first season of “Land of the Lost” is oftentimes seriously thought-provoking science fiction, wrapped around a fair amount of fatherly advice, sibling friction, and heaping helpings of action & adventure and thrills & chills. Rick Marshall (Spencer Milligan) and his teenage children Will (Wesley Eure) and Holly (Kathy Coleman) are, as the famous theme song goes, on a routine expedition when they go over a waterfall and end up in a strange place populated by dinosaurs, monkey people, and a slew of lizard men that gave a generation of kids nightmares that lasted for years.

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