Category: External Movies (Page 264 of 336)

Expansions

Just a couple of items where some more information might be of interest.

* I linked yesterday to a Variety story reporting that James Cameron had signed with mega-agency CAA. Last night, however, ace gadfly muckraker Nikki Finke reported that it was merely a new camera technology developed for Cameron’s upcoming “Avatar” 3-D extravaganza, not Cameron himself, that the agency will be repping. In true Finkean style, she can’t resist taking a swipe at Variety in the process, though I guess it might be earned in this case.

Sigourney Weaver* On a more pleasant and actually interesting note, we have some news about Sigourney Weaver‘s upcoming projects, after discussing her — well, actually, Ellen Ripley — topping Total Sci-Fi’s list of female science fiction icons yesterday. For one thing, I didn’t realize until now Ms. Weaver is one of the stars of the aforementioned “Avatar” (as is Will Harris’s talented Facebook buddy Dileep Rao).

But that’s far from all, JA at The Film Experience is waxing enthusiastic over her possible casting (it’s not truly confirmed yet, I gather) in another sci-fi film, of sorts. “Paul” is to be directed by Greg Mottola of “Superbad” and “Adventureland” and written by and starring Simon Pegg and Nick Frost of “Shaun of the Dead,” “Hot Fuzz,” and “Spaced” fame. Apparently the film has something to do with a couple of British comic book geeks (Pegg and Frost) traveling cross-country from Comic-Con who meet up with Seth Rogen — I gather possibly animated or CGI’d or something — as an alien named, naturally, Paul at Nevada’s Area 51 (at least that’s how SlashFilm’s Paul Sciretta has it). It will also feature Bill Hader, Jane Lynch, Jason Bateman and Kristen Wiig.

Sounds pretty good, but JA was also good enough to mention another comedy casting for Ms. Weaver, this in “You Again,” which will star Kristin Bell, a particular favorite over here. As JA points out, it will re-team the high talented, geek-friendly Bell with director Andy Fickman, who elicited one of her most interesting performances in “Reefer Madness: The Movie Musical” back in 2005. At the risk of going off on a bit of tangent (and, by the way, just happening to mention my lengthy 2007 blog post on Fickman’s entertaining, though highly imperfect, movie), did you know that the former Veronica Mars can, as the Western codgers say, sing purty?

Don’t worry, she gets a lot less wholesome later on

Box Office Preview of the “Lost” Weekend

So, there I was, thinking about what I was going to post tomorrow when it suddenly occurred to me: it’s not Wednesday, it’s Thursday, which means you’re reading this on Friday morning and, damnit, you need your box office preview.

This weekend sees the release of passel of comedies and comedy dramas, and the smart money at both Variety and The Hollywood Reporter agrees that “Up,” which is just about ready to receive the first Nobel Prize for animation and become the basis for a new religion, will likely defeat both of the newcomers. It gets more intriguing become it’s not impossible that the film starring a bonafide comedy superstar could come in at the #3 spot.

I speak, of course, of “Land of the Lost” starring Will Ferrell, which our own Will Harris gave a mere 1.5 stars to on the grounds of being unfunny and raunchily disconnected from it’s own youngster appeal. Rotten Tomatoes has given the film a sad 20% “Fresh” rating (even if Roger Ebert wrote another of his very, very many utterly winning defenses of films I would never spend my own money to see). I’m sure the elaborate comedy will do a certain amount of business based on Ferrell’s appeal and its special effects, but unless audiences like this one vastly more than critics, there may be long faces at Universal on Monday. At least it’s gotten the original TV series reissued, much to the delight of my fellow PH-er, Ross Ruediger.

Ed Helms and a feathered friendOn the other hand, the megastar-free “The Hangover,” which sort of sounds like a retread of the premise of “Very Bad Things,” is apparently a vastly more upbeat affair. My film review overseer, Jason Zingale, gave it a solid 3.5 stars and in general it is being received as a very good thing by RT critics, and may well do very good things for the careers of its up-and-coming cast. An upset at the #2 spot is not impossible.

Other than that, we have a new romantic comedy vehicle from Nia Vardolos (“My Big Fat Greek Wedding”), “My Life in Ruins.” Despite being written by the very talented comedy writer, Mike Reiss, this film keeps alive director Donald Petrie’s career long record of never making a single well reviewed featured, receiving a truly dismal 7% at RT. I wouldn’t expect another sleeper from this one. Bullz-Eye’s Dave Medsker gave it 2.5 stars, definitely more in sorrow than in anger.

That’s pretty much it, but in very limited release is a new film from Sam Mendes (“American Beauty”, “Road to Perdition”) and literary power couple Dave Eggers and Vendela Vida, which we’ll talk about when it’s in more than four theaters. Also, speaking of director’s named “Sam,” please consider giving Mr. Raimi’s “Drag Me to Hell” a chance this weekend. It’s that or the only horror films the studios will be greenlighting will be “The Grudge 15” or such upcoming torture-porn classics as “I Digest Your Eyeballs” and “The Scrotum Stretchers.” Keep horror sane, see the darn thing. (Also check out Will Harris’s interview with the very cool actor, Dileep Rao.)

BadAzz Mofo Geeky Quick Hits

Other than the very sad and disturbing passing of David Carradine, very well noted by Will Harris a bit earlier (I’ve got more at my own bloggy digs, Forward to Yesterday), it’s kind of a slow news day in the movie world…

* In a bit of very inside baseball, with his upcoming “Avatar” 3-D extravaganza already getting a lot of ink many months before its X-Mas release, James Cameron has broken with his past practice and has signed with an agency. And not just any agency, but the mighty CAA. I know, your life will never be the same. Variety has the scoop, such as it is.

* 79-year-old lifelong cinema enfant terrible Jean-Luc Godard (“Breathless,” “Contempt” — a great film you really ought to see) is looking to do a film inspired by a Holocaust memoir, says THR. I know, your life will really never be the same, but this is interesting. Godard, a truly radical leftist, criticized Israel implicitly in his 1967 comic masterpiece, “Weekend,” when the middle-east nation’s battles were still very much a liberal cause. I’m not at all one to equate anti-Zionism with anti-Semitism, but the film itself, and the worldwide response from Jewish groups, should be worth watching for those of us interested in this kind of thing.

* And finally, Nikki Finke devoted all of 24 words this morning to the passing of David Carradine (and turned off comments for some reason), but after adding that she doesn’t “do geek,” she did find time to devote some space to covering Total Sci-Fi‘s “25 Women Who Shook Sci-Fi” list, with a definite emphasis on bad-ass mofo type females. It was topped by Sigourney Weaver‘s Ripley from the “Alien” franchise (including “Aliens” from the aforementioned J. Cameron). The list also covered fantasy for whatever reason and #2 on the list was Buffy Summers (Sarah Michelle Geller) of “Buffy” fame. (My personal Buffsession, Willow Rosenberg, aka Alyson Hannigan, came in at #21.) With the possible exception of the first choice, which I really can’t argue with as long as you’re talking about actresses and not, say, writers, my list would be entirely different — if I didn’t tend to avoid lists. Since we really do “do geek” here at Premium Hollywood, allow me to link to fan site Whedonesque‘s comment thread on the topic, where the discussion eventually includes the terrific SF (not “sci-fi”!) writer, Roger Zelazny. Now that’s geek.

Kwai Chang Caine has gone to meet his Master

Sad news to report: actor David Carradine has died.

I’d be depressed about this news no matter what, given Carradine’s impressive body of work, which includes the classic TV series, “Kung Fu,” as well as such films as “Death Race 2000,” “Bound for Glory” (where he played Woody Guthrie), “Q: The Winged Serpent” (one of my favorite cult sci-fi/horror flicks), and, most recently, Quentin Tarantino’s “Kill Bill” films. But what really hits home is that I actually interviewed Carradine last year, when he was doing the promotional rounds for “Kung Fu Killer,” the miniseries which reunited him with his “Kill Bill” co-star, Daryl Hannah.

When I heard the news, I immediately thought back to these particular comments, which came about after I asked him how much longer he thought he could get away with playing a bad-ass:

Well, it’s almost a vanity of mine that I can still do this stuff when I’m 70. I think I can probably still do it when I’m in my 80s, but we’ll have to see. But I don’t really feel like I’m getting any older. I don’t know what that’s about…but I’m happy about it! I don’t hurt, I don’t much get tired, there doesn’t seem to be much that I can’t still do, and there are even some things that I didn’t used to be able to do that I can do now. I actually seem to be getting stronger, and I have more endurance and everything. I don’t know, I can’t explain it.

Wow, that makes me sad.

It also makes me very skeptical of the current reports that he may have taken his own life. (As of this writing, they’re still unconfirmed.) Suicide would go against not only the things he said during our conversation but, indeed, that he’s said in just about every interview I’ve ever read or seen with the guy. He always seemed to be as inherently spiritual as the character who brought him his greatest fame. I’m sure he’d be at peace with himself at the moment of his passing, but it just feels unlikely to me that he’d opt to be the one who chose that moment.

By the way, I think this is the first time someone I’ve interviewed for Bullz-Eye has died. Let’s hope that, despite our editor-in-chief’s comment when I mentioned this fact, it does not signify the beginning of “the Bullz-Eye curse.”

Rest in peace, grasshopper. At least we’ve got a lot of great work to remember you by…

And, of course, we’d be remiss if we didn’t offer up what’s arguably Carradine’s signature scene within the “Kill Bill” films:

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