It’s certainly not resting this very busy weekend when the return of Mr. “Greed is Good” himself and a bunch of 3-D fantasy owls will battle for the #1 spot, with any number of other interesting things happening on the sidelines.
The smart money seems to be pretty positive that “Wall Street: Money Never Sleeps” will earn in the neighborhood of $20 million and so may end up winning the weekend. At least that’s what I’m reading via jolly Carl DiOrio and the more circumspect Ben Fritz.
The audience for the latest from Oliver Stone skews fairly older, not only because it’s a topical thriller from the bombastic but literate Stone, but because it’s a sequel to a hit movie that is — shockingly for some of us — old enough that 24 year-old co-star Shia LaBeouf was barely a toddler when it first came out. That may help with the film’s longevity since older audiences tend to take their time seeing a new movie. Also, a bit of extra publicity from Gekko-man Michael Douglas‘s well-publicized upbeat battle with cancer might add to awareness over the long term. The reviews, which also have a somewhat stronger effect on older viewers, are only meh-to-okay with somewhat better response from more blue-state-centric “top critics.”
You’re pre-weekend box-offfice preview will be up bright and early tomorrow morning, but first I have a couple of what Rachel Maddow calls “Holy Mackeral stories.” Both of them involve old movie reliables trying new stuff, and somehow Matt Damon is involved in both movies.
* Back in 1955, Clint Eastwood had uncredited bit parts in two sci-fi monster/horror flicks from director Jack Arnold, “Revenge of the Creature” (the sequel to the 3-D hit, “Creature from the Black Lagoon”) and “Tarantula.” Since then, he’s somehow managed to steer clear of anything remotely fantastical either as an actor or a director — until now. “Hereafter” is being kept under wraps but the story is said to be in the same general ballpark as “The Sixth Sense.” It’s being written by Peter Morgan, also a first-timer in tales of the supernatural, though the playwright/screenwriter of “Frost/Nixon” and “The Queen” is also branching out genre wise with the 23rd James Bond movie. As suggested above, the star will be Matt Damon, who has been around the supernatural before. However, I suspect this film won’t have a whole lot in common either with Terry Gilliam’s ill-fated “The Brothers Grimm” or Kevin Smith’s “Dogma.”
All of this is not to say that director Eastwood can’t do scary. His 1971 directorial debut, the witty and suspenseful “Play Misty for Me,” was pretty thoroughly grounded in our reality but had some definite terror elements.
* Now, Michael Douglas found himself in a pretty similar predicament to Eastwood’s “Misty,” character in the 1987 hit, “Fatal Attraction,” but there’s pretty much no similarities in anything he’s done before with his next project. I don’t know how I’ve missed it, but the actor commonly associated with such super-macho characters as Gordan Gekko (soon to be reprised in the upcoming “Wall Street” sequel) and ultra-horny cop Nick Curran of “Basic Instinct” will be playing Liberace, the glitzy pop-classical concert pianist for whom the word “flamboyant” might have been coined. Directing the film will be Steven Soderbergh, returning to his nonfiction well that earned him one of his biggest commercial successes with “Erin Brokovich” and, he hopes again, with this week’s wide release of the fact-based comedy, “The Informant.”
Just to tie things up in a nice ribbon, as reported by People — who somehow found a picture of Michael Douglas looking oddly like Liberace might have looked later in life — “Informant” star Matt Damon will play Liberace’s longtime partner who ultimately sued the Las Vegas star in a palimony suit. I’m not sure it’s fair to say he “outed” Liberace. This will not, of course, be the first time that Matt Damon has played a gay character. That would be “The Talented Mr. Ripley.”
And, now, a moment of vintage Liberace. Definitely not with Matt Damon.
* Nikki Finke has some big casting news, and perhaps bit of minor spoilage, on Oliver Stone’s real-world news inspired sequel to his long ago hit, “Wall Street.” It seems that Shia LaBeouf and Javier Bardem will be helping Michael Douglas — as an ex-con Gordan Gekko — illustrate the updated fiscal morality play. No mention if Charlie and Martin Sheen are going to scream at each other in an elevator again. (The great Sheen family act-off of ’87, I calls it.) As usual with Finke’s posts, avoid the comments if you don’t feeling like saying “meow” under your breath every two seconds.
* Good news for fans of 2-D animation, and parents and kids, over at Disney. Per the Hollywood Reporter, a traditional style animated edition to the “Winnie the Pooh” franchise is in the works. Aside from the fact that a CGI Pooh would be an atrocity, this is good news because 2-D animation is simply more appropriate for some projects than others – especially considering that only Pixar seems to have the knack for computer animating humans at this point.
* Around the cinephile blogs…Sergio Leone and the Infield Fly Rule’s Dennis Cozzalio, who likes his horror at least as much as he likes his spaghetti western baseball, talks about “Drag Me to Hell” at length — and not only about his swell drive-in movie soiree last week — including some intriguing thoughts about that PG-13 rating (and an ensuing colloquy in comments, featuring…me).