Category: External Movie DVDs (Page 28 of 74)

Today in geek film second guessing (updated)

Something is in the air right now that’s just making movie people a bit whiny, maybe it’s pre-Comic Con jitters impacting today’s perhaps over geekified (even for me) film world. To wit:

— Via Screenrant comes word of Todd Gilchrist‘s post on producer Joel Silver’s reminiscences on the “Watchmen” script he spent years developing, which for a time was attached to San Fernando Valley-bred American Python and genuine auteur Terry Gilliam. Basically, he argues that his version was better and more audience friendly. That’s easy to say now and, especially based on Joel Silver’s legendary rep, one expects exaggeration. Though I had seriously mixed feelings about the Zack Snyder’s version, it’s important to remember that Gilliam abandoned the project as unfilmable at any reasonable movie-length. My feeling is that the recent film, despite some truly brilliant visuals, a clever rewrite of the problematic ending of the original, and a number of really terrific flourishes, largely bears this out, though I’m looking forward to seeing the expanded version. (I kind of hated “300” by the way, but that’s probably less Snyder’s fault than his source material, I’m guessing.)

Continue reading »

Blu Tuesday: Watchmen, Coraline and 300

Due to the lack of options that Blu-ray enthusiasts were presented with over the last few weeks, it’s been a while since I’ve written a proper column. Though I had originally planned to combine two weeks’ worth of HD titles into one write-up, I ultimately decided against it because, well, even that selection wasn’t very inspiring. It’s a different story today, however, with three must-buy titles and several more worth checking out.

“Watchmen” (Warner Bros.)

The Blu-ray release of “Watchmen” has been the subject of attention since before the movie even arrived in theaters, but that’s what happens when you adapt something as popular as Alan Moore and Dave Gibbons’ groundbreaking graphic novel. The good news is that after all the legal issues with 20th Century Fox and the film’s less-than-stellar box office performance, Warner Bros. has still come through with one of the coolest Blu-rays of the year. Not only does it feature a director’s cut with over 20 minutes of additional footage, but the three-disc set also introduces the much-publicized Maximum Movie Mode, which is kind of like Universal’s U-Control feature on steroids. Quite simply, this is the future of Blu-ray, with Zack Snyder hosting an in-depth look at key sequences (often pausing the movie to discuss certain details), while other extras — like a timeline comparing historical events from Our World to Their World, picture-in-picture interviews with the cast and crew, and storyboards and comic book comparisons — supplement the experience. Also included are a series of video diaries that you can hop over to while watching the film, as well as a second disc packed with featurettes on the graphic novel, the psychology of vigilantes, and the science of “Watchmen.” If there’s one release that should help convince consumers why Blu-ray is better than DVD, this is it.

“Coraline” (Universal)

“The Nightmare Before Christmas” might have the bigger fanbase, but Henry Selick’s latest stop-motion adventure, “Coraline,” is by far the better of the two films. Then again, when you consider that the source material was written by Neil Gaiman, it isn’t at all surprising that the movie would turn out as good as it did. Though it’s debatable whether or not “Coraline” will scare the younger crowds, the film is unequivocally a must-see for any fan of Selick’s past work. The Blu-ray release makes the experience even better, too, with the option to watch the film in 2-D or 3-D (glasses included), as well as a host of awesome extras ranging from a director commentary to an in-depth making-of featurette that might as well have been called Stop-Motion 101. The two-disc set also includes Universal’s standard U-Control feature with a picture-in-picture video track filled with behind-the-scenes footage, interviews, and the ability to watch the full-length animatic alongside the movie. Were it not for the fact that Warner Bros. was releasing “Watchmen” on the same day, this easily would have been the best release of the week, and possibly the month.

Continue reading »

Nickelodeon/The Last Picture Show

This two-disc set is basically the agony and the ecstasy from the collected works of film critic/scholar turned boy wonder writer-director-actor Peter Bogdanovich. Placed in reverse chronological and quality order, Disc One is 1975’s agonizing “Nickelodeon,” one of a series of box office and/or critical failures that ended the young director’s early career hot streak. A forced slapstick comedy drawn very loosely from the silent era reminiscences of Hollywood greats Leo McCarey, Raoul Walsh and Allan Dwan, it’s a good-natured but entirely unfocused bore despite the strong efforts of an all-star cast led by Burt Reynolds and Ryan O’Neal, and featuring Tatum O’Neal (“Paper Moon”) and John Ritter (“Three’s Company”), among many others. The disc includes both a brand new black and white director’s cut alongside the original color theatrical version, but it will take more than the majesty of monochrome to save this one. Bogdanovich’s DVD commentary provides better movie history and better entertainment.

“The Last Picture Show” is, of course, something completely different. On his second feature, Bogdanovich blew the 1971’s cinema world’s collective mind and drew comparisons to his friend and mentor, Orson Welles, with this crisply wrought black and white adaptation of an early Larry McMurtry novel. Nominated for eight Academy Awards, it details the late teen years of two high school football players (Timothy Bottoms and Jeff Bridges) and a manipulative beauty (Cybill Shepherd) following in the footsteps of her unfaithful mother (Ellen Burstyn) in a rapidly dying Texas town. A minor cause celebre at the time because of its nudity and blunt sexuality, its glory is its acute visual storytelling and Robert Surtees’ masterful photography, a biting and heartbreaking script, and a large number of genuinely tremendous supporting performances. In particular, Cloris Leachman as a deeply lonely housewife who falls for a high school boy and Western mainstay Ben Johnson (“The Wild Bunch,” “Wagon Master”) as the charismatic walking embodiment of the town, Sam the Lion, won entirely deserved supporting acting awards. A sardonic yet humanistic exploration of fractured relationships and poor choices, it remains a riveting and moving work of cutting edge movie-making from a true cinematic reactionary.

Blu Tuesday: Greedy Studio, Hidden Agenda

In lieu of my weekly Blu-ray column, I wanted to take the opportunity to take a closer look at one of this week’s higher profile releases. Fans of Ang Lee’s martial arts epic, “Crouching Tiger, Hidden Dragon,” have been waiting for an HD version of the film for quite some time now, but no one could have imagined it would happen like this. Instead of being given the update it deserves – complete with new bonus material and a silly subtitle like The Green Dynasty Edition – the film limps onto Blu-ray as part of a three-pack with two other movies it has nothing in common with other than falling under the wuxia subgenre. That’s not a slight against the included Zhang Yimou films (both “House of Flying Daggers” and “The Curse of the Golden Flower” are quite good in their own right), but rather the studio for thinking they could get away with such a heartless scam.

While most fans of “Crouching Tiger” will likely enjoy the other two movies (no doubt Sony’s big selling point), what the studio has failed to consider is that those same people probably bought them on Blu-ray the first time around. An unfortunate oversight or a crafty scheme to force consumers to pay for an added value they don’t want? I’m going to lean towards the latter, especially when the “Crouching Tiger” disc has been treated so poorly. True, the movie looks absolutely stunning in high definition, but there isn’t a single new thing about the release other than the upgraded video and audio. The same three special features have been imported from the DVD, while the addition of access to BD-Live means very little in terms of ever seeing new extras. If you don’t own any of the films, you could certainly spend your money on worse things, but just know that by doing so, you’re only encouraging Sony to do more of the same in the future.

“Manhattan Melodrama” – a Friday night movie moment

With “Public Enemies” entering its second weekend in theaters, and inspired by a brief but typically wonderful post on Myrna Loy by cinephile superstar Campaspe, a vintage trailer for the legendary last movie seen by John Dillinger just prior to his death seems fitting.

“Manhattan Melodrama” starred thirties A-listers Clark Gable and William Powell, in the first of his many films opposite Loy, but is not often seen these days in comparison to later films featuring any of the three. Nevertheless, it’s grand, ultra-corny Hollywood entertainment of the most egregious sort. (Glenn Erickson suggested the title should really be “Manhattan Fairy Tale,” and he’s not wrong.) MGM was always the studio of excess glamor and wholesome values, and they brought that even to a gangster picture. Abandon cynicism, maintain your irony, and check it out some time.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑