Author: Will Harris (Page 30 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

A Chat with Anders Anderson and Andy Steinman (“Stolen”)

When you hear about a movie that stars Jon Hamm (“Mad Men”) and Josh Lucas (“Glory Road,” “Poseidon”) and fleshes out its ensemble with Morena Baccarin (“V,” “Firefly”), Michael Cudlitz (“Southland”), James Van Der Beek (“Dawson’s Creek”), and half a dozen other faces that are instantly recognizable from television and motion pictures, it’s hard not to get excited when you’re pitched the opportunity to speak with the director (Anders Anderson) and the cinematographer (Andy Steinman).

But what happens if, before you see the film, you read on the website RottenTomatoes.com that it’s actually earning the much dreaded 0% rating on the Tomatometer?

Well, if you’re me, then the first thing you do after that is actually watch the film yourself…and, personally, I liked it.

If I had to guess about the reason “Stolen” has received so many sneering reviews, it’s that it bears striking similarities to a couple of high-rated but critically snubbed police procedurals currently airing on network television. But, hey, I like those shows, and I also like the actors in “Stolen,” so if you’re of the same mindset, then you’ll probably like the film, too.

Still, before I got off the line with Messrs. Anderson and Steinman, I felt obliged to buckle up and ask them what they thought about the film’s Tomatometer rating….and, no, the line didn’t go dead immediately after I asked it.

Bullz-Eye: Hi, guys! Good to talk with you.

Anders Anderson: Hey, Will, how are you doing?

Andy Steinman: Hey, Will, nice to talk with you.

BE: Now, I hope you guys don’t mind if I ask you to identify yourselves before you answer questions, just because your voices sound kind of similar.

AA: Yeah, no problem.

AS: They’re actually quite different, but when you’re around someone that long, they start melding into one.

BE: (Laughs) That’s probably what it is. Well, I guess my first question is to ask how you guys first began your collaboration. Had you been friends prior to this project?

AA: Yeah, we had, but I’ll let Andy tell this tale. He’s told it many times.

AS: Yeah, we first met on a short in Santa Fe, NM, that Anders was acting and…I think you were producing it, too, yeah?

AA: Yeah.

AS: And I was a cinematographer, and I came out there, and we just clicked. Talking to him about whatever we had to do with the camera, talking to him about performance, talking to him about movies that we like, how to make the short the best it could be. We just kind of hit it off on what we wanted to do in our careers when we were done with this short, so we started talking about possibly forming a company and trying to do movies that we wanted to do. And it was just one of those things where we talked to each other and asked, “Well, what do we do next?” And the answer was always, “Well, we’ve got to make a feature.” And so we started talking about, “How do we make a feature? What do we do?” And we just started that process, step by step, of trying to get a movie made: pulling our resources and connections, however little they were, to try and get a feature off the ground. And we became friends all at the same time.

BE: So how did Glenn Taranto’s script cross your path? Did you know him, or was it pitched to you?

AS: We basically contacted everyone we knew. (Laughs) Friends, family, any type of business connection, and asked, “Does anyone know anyone who has a script? Does anyone have a script? We’re looking for material. We’re just looking for something that we can get behind.” And a production company that we’d worked with in the past basically said, “Here, we have a couple of scripts that we like. Why don’t you take a read?” And, lo and behold, Glenn’s script – which was originally called “Box in the Box” – showed up in front of us, and instantly we knew that something was there was that was a great vehicle to get actors, to get performers to be in our first film. Being first-timers, we knew that a lot of this had to be…we knew that we had to get some really good cast behind us to kind of help get the movie out there, and we thought that script would do that. So we just kind of took it and ran with it.

Continue reading »

“Breaking Bad” returns to AMC for Season 3. Will you be there?

Well, I certainly will be, that’s for sure.

The writers of Bullz-Eye – and, by extension, Premium Hollywood – have never been afraid to throw their love behind television series that aren’t necessarily embraced by the general viewing public, and it’s no surprise that AMC’s “Breaking Bad” falls into that category. Certainly, it gets a great deal of love from the nation’s TV critics, but in fairness, it does have the sort of premise that doesn’t necessarily lend itself to mass consumption: a high school chemistry teacher with a pregnant wife and a teenage son with cerebral palsy is diagnosed with stage-three terminal lung cancer and, in order to provide for his family, decides to start making meth.

Bryan Cranston, previously known primarily for his work as Hal, the patriarch on “Malcolm in the Middle,” took the role of Walter White – the aforementioned meth-maker – and ran with it. Indeed, we’re pretty sure that the only times he has stopped running since the premiere of “Breaking Bad” have been to accept his back-to-back Emmy Awards for Outstanding Lead Actor in a Drama Series.

Although Cranston is the only member of the ensemble to win thus far, he’s not the only one to have been nominated. His co-star, Aaron Paul, pulled in his first nomination for Outstanding Supporting Actor in a Drama Series in 2009 for his work as Jesse Pinkman, Walt’s partner in crime, and it would not surprise us in the least if 2010 found Anna Gunn in the running for Outstanding Actress in a Drama Series. (Season 3 is, we have been reliably informed, somewhat Skyler-centric.)

Now, if you haven’t been following “Breaking Bad” but you’ve heard good things and have been wondering if there’s way you can possibly catch up in time to watch the premiere of Season 3 without feeling completely lost, you’re in luck: AMC has managed to successfully distill the first two seasons of the show into one reeeeeeeally intense six-minute video. It doesn’t mean you shouldn’t go back and watch Season 1 and Season 2 in their entirety when you have the chance, but this will definitely put you in a position to sit comfortably in front of the TV with the rest of us on Sunday night.

Now, as you may have seen elsewhere, Bullz-Eye was fortunate enough to visit the set of “Breaking Bad” in January, where we were provided with the opportunity to have lunch with series creator Vince Gilligan, then followed that up with dinner with Bryan Cranston and Aaron Paul. And prior to that, the Winter 2010 TCA Tour provided me with several other “Breaking Bad” opportunities: a one-on-one with Aaron, followed by a chat with Bob Odenkirk, the “Mr. Show” alumnus who now plays the series’ resident attorney, the ever-slimy Saul Goodman, and then wrapped things up by (quietly) participating in a roundtable interview with Cranston, Paul, Gunn, and Odenkirk.

Yes, we realize that’s a lot of information to take in before the premiere, but at least you can’t say we don’t provide you with a great deal of preparatory material…including this sneak preview of what you can expect on Sunday night:

Season 3 of “Breaking Bad” premieres on Sunday, March 21, at 10 PM EST/PST.

(Be sure to meet back here after the season premiere – and every episode thereafter, for that matter – to check out our blog!)

Mark Valley chats about “Human Target”

You may have already read my preview of what we can expect from the next couple of episodes of “Human Target,” but in a conference call with Mark Valley – Christopher Chance himself – on Monday, I asked the actor to take a step back and consider how the show has developed since its original inception. After all, a lot of series spend their first season just throwing things against a wall to see what sticks. Basically, I was curious as to whether or not he felt as though the show had gotten into a groove…and, if so, when he felt like that had happened.

“I think they’ve been throwing me against a wall for 11 episodes,” joked Valley. “I think I’ve been throwing all of Vancouver’s stuntmen against the wall to see what sticks.”

After a pause, Valley laughed and asked, “Uh, what was the question again?”

Duly filled in, he then considered the question and answered it seriously.

“I think when it really clicked for me was probably the episode ‘Rewind,'” Valley said. “We didn’t have a lot of locations and didn’t have a lot of big set pieces going on. It all took place in an airplane, and you got an idea of, ‘Okay, very simply, this is something that has to get done in this plane.’ And it was broken down, and all our characters were…well, Chi and I were in the same location shooting as well, which is kind of cool.

“I think that episode ended the pace that we came up with and that we realized we could work at. I think it was the second or third episode we did. The pace that we came up with and the shorthand that we all developed with the crew and with the cameras and with the actors…it was pretty amazing the result that came out of that. And then we realized, ‘Oh, wow, this is what we can do. We can make a movie in eight days. Uh-oh, we have ten more to do.’ That was probably the one point where I realized, ‘Oh, wow, we’ve got something here.'”

Valley admitted, however, that he walked into “Human Target” with no real vision of what it would turn out to be.

“I’d been on shows before that have been new,” he said, “but with this one, not only is the show new, but Chi (McBride) is kind of new to the genre, I’m new to this genre, even the show runners are sort of new to this. So I went into it with an open mind thinking, ‘This is going to be exciting,’ as to how it’s going to come together. And it has been exciting. It’s sort of a collaboration in some ways, where everybody’s influence is kind of…if it’s not heard, then it’s felt and it’s reacted to, and the end product is something that everybody feels a part of.”

American Idol: All the Lovely Ladies

Greetings, “American Idol” aficionados! I’ll be your guest blogger today, as Mr. Farley had plans which necessitated that someone step in for him on either “The Biggest Loser” or “AI,” and although I’m far from a regular viewer of either series, you don’t need to have been following “AI” to tune in and offer your opinions about the performances. Besides, before I got this sweet gig as a TV critic, I spent more than a decade writing almost exclusively about music, so it’s not like I don’t have a frame of reference to the topic at hand. (You kids are still listening to Marcy Playground and DJ Jazzy Jeff & The Fresh Prince, right?)

We’re into the Top 16 now, of course, and last night was all about the ladies, with each of the eight female contestants getting their chance in the spotlight. I think it’s fair to say that any episode which begins with Ellen DeGeneres sitting in Simon Cowell’s lap, seemingly basking in his scent, is going to be an interesting one. It was, as ever, a mixture of magnificent and mediocre, but you can get my impressions on the performances after the jump.

Continue reading »

Checking in on Fox’s “Human Target”

As a longtime comic book geek, I’m not ashamed to admit that not only was I already familiar with the character of the Human Target from his adventures in the DC Comics universe, but I’m also one of those who actually watched when broadcast television first tried to make a television series out of the adventures of the man known as Christopher Chance. Few, however, would dare to suggest that ABC’s “Human Target” attempt – which aired in 1992, starred Rick Springfield, and lasted for a grand total of seven episodes – was a true classic of the comic-book TV genre…and that includes Chi McBride, who plays Winston, Chance’s partner, on the Fox series.

“Somebody asked me a crazy question today, like, ‘I heard that there was a rumor that Rick Springfield was supposed to be doing this one,'” said McBride, when I talked to him during the January TCA press tour. “I was, like, ‘What are you, goofy? The Human Target in a walker?’ I remember that old show…and that was pretty bad. We’re the 2.0 version of that, and it will make you forget about that thing.”

Based on the episodes I’ve seen, I’d have to agree with McBride…and so, it would seem, would our man John Paulsen, who described “Human Target” as “a fun ride.”

“Even though the series is heavy on action,” said Paulsen, “it has a lighthearted, fun feel to it — think Jack Bauer with a sense of humor — which is underlined by Chance’s charm (with his usually female clientele) and the dynamic between Winston and Guerrero, who do not particularly like each other.”

Guerrero, for those of you who haven’t yet checked out the series, is Chance’s technical expert, and he’s played by Jackie Earle Haley. Between this role and his memorable turn as the somewhat psychotic Rorschach in “Watchmen,” you’d think that he was paying off DC Comics for all the great gigs they’ve been providing him…and, indeed, in January, I asked him outright if this was the case.

“I should be, right?” he laughed. “Yeah, I’ve got them on the kickback plan.”

“I’d never been a huge comic book fan,” he said. “Growing up, I could never really get into them. When I was a kid, I was a super-slow reader, and when I’d open up a comic book, I couldn’t figure out what to look at first. The pictures? The words? Just the pacing of it kind of threw me off. Cut to years later, though, and I absolutely fell in love with ‘Watchmen.’ I mean, I became a ‘Watchmen’ fan, and since then, I’ve really begun to understand and appreciate comic books and graphic novels, especially the more grown-up ones, I guess you’d say. Right now, I’d almost have to say that my favorite comic book…and this will surprise you…is ‘V for Vendetta.’ It’s because it’s…it’s literature, man. It’s just an absolutely phenomenal, thought-provoking piece of work.”

Whether or not Haley feels the same way about the source material which inspired his current series remains unconfirmed, but when it comes to watching Fox’s “Human Target,” you’ll almost certainly enjoy it more without having read the original comic books. Why waste time nitpicking about continuity issues between the two mediums when you can enjoy each on their own merits? Having seen the next two episodes of “Human Target,” I can tell you that, while it has very little to do with anything that’s seen print in the past, it’s still a fun hour of adventure, humor, and even a bit of drama. Mr. Paulsen had observed that, as of when he composed his piece, “the show hasn’t done much in the way of a serialized plot, so new viewers could pick it up without missing much,” and while that still remains more or less true, the series is finally getting around to delving into the mysterious background of Christopher Chance, played by Mark Valley.

On March 10th, Chance reunites with a fiery former flame (played by Leonor Varela) when he is called to South America to rescue an archeologist (Kris Marshall) targeted by a South American army and a deadly bounty hunter, and although Chance’s past isn’t exactly what you’d call an open book by episode’s end, it does give you some insight into his romantic history. The episode on the 17th, however, is arguably the best installment of the series to date. Lennie James, late of “Jericho,” guest stars as Chance’s former partner, and although you arguably learn more about James’s character than you do Chance’s, it’s an episode that’s filled with both action and emotion. In addition to finding Chance getting caught up with the FBI, it’s also notable for expanding Guerrero’s storyline, which means that – woo-hoo! – Haley will hopefully be taking more of a spotlight in future episodes. Not that he and McBride aren’t consistently contributing to the overall success of the series, but any chance to get more Jackie Earle Haley is a chance we’re ready to take.

Haven’t checked out “Human Target” yet? Now’s the time, especially with upcoming episodes featuring guest appearances from Armand Assante and Lee Majors.

“Human Target” returns to Fox on Wednesday, March 10th, at 8 PM.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑