Author: Will Harris (Page 29 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Nurse Jackie 2.2 – There Goes God

Every episode of “Nurse Jackie” brings a new reminder of how far a drug addict can sink, but, c’mon, Jackie, hiding your pills in the Easter eggs? Really? Wow.

You can’t say the set designers haven’t come up with a realistic looking garage for the Peyton family, and as soon as I saw the shot of the electrical outlets, I knew it was going to play into the storyline in some capacity, but I didn’t expect that it would involve the ever-paranoid Grace going around and unplugging all of the appliances in the house every night so as to avoid possible house fires. Good lord, the child has been saving her allowance to buy the safest possible smoke detector for the house…? That’s a whole new level of paranoia, so I figured it wouldn’t be long before the child entered therapy on a full-time basis, and, of course, I was right: Jackie was looking into it before the end of the episode. And speaking of that particular discussion, Akalitis’s comment about how the psychiatrist “was extremely helpful with my boy” is, unless I missed something last season, the first actual clarification as to why she was so enamored of the baby last season. She used to have a son, it seems, and the fact that there’s been no mention of him up to this point leads me to suspect that the boy in question is no longer among the living, though given Akalitis’s age, I suppose it’s equally possible that he’s now grown up and out in the world somewhere.

So Eleanor “partied like a 20-year-old last night,” scored some Ecstasy, and admits that she’s still high. I’m watching this, and I’m thinking with all due sarcasm, “Oh, no, that’s not going to come back into play. Never!” Well, at the very least, it didn’t come back into play this episode, which truly surprised me. I guess it’s just part of the overall “I miss Mummy” arc, along with Eleanor’s recurring demand that Jackie inform her daughters that they now have a godmother with a crisp British accent, but the end result was that, on second viewing, I could just sit back and enjoy Eleanor’s hysterical run / dance down the hallway (and the resulting scream from Zoe) and her unabashed flirtation with and up-and-down admiration of Sam without fear that it was all going to be tainted by Eleanor screwing up on the job while still under the influence. To be momentarily melancholy, though, I must mention one bit about Eleanor’s mourning of her mother that really hit home for me: her uncertainty about how to remove her from the list of contacts on her cell phone. Having witnessed someone have a breakdown when they accidentally stumbled upon their deceased parent’s number on their phone, I can say with 100% seriousness that this is a very valid point of concern.

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Breaking Bad 3.2 – For There Ain’t No One For To Give You No Pain

Say what you will about the band America, but hearing the strains of their song “A Horse With No Name” kick off this week’s episode of “Breaking Bad” was a perfect way to remind us that, although Walter White may have begun his transition from Mr. Chips to Scarface, when it comes to his taste in music, he’s still got a looooooong way to go. Given everything he’s done since the beginning of this series, it’s no wonder that he’s looking more than a little twitchy when the cop pulls him over, but how typically Walt to try and use the plane crash as an excuse to get out of a ticket, then getting huffy when the cop doesn’t accept it as valid. I’m sure I wasn’t the only person who groaned audibly when he got out of the car to approach the officer. Seriously, who does that? Apparently, the man who’s expressing his First Amendment rights does that, which is why he quite deservedly got pepper-sprayed for his belligerence.

Once Walt found himself being thrown into the back of the squad car, it was only inevitable that Hank would find his way into the proceedings, and so he did, though his first appearance finds him in mid-discussion about the investigation of Olive Oil and his brethren, who went up in smoke at the end of last week’s episodes. Gomez’s less-than-casual comment about Hank’s “famous blue meth” having not been seen in 29 days leads me to suspect that we won’t go much beyond 30 before there’s a change on that front. After Walt rescues Hank from his clink (kids, remember: no matter how legitimate it may sound when you’re delivering it, nothing makes an apology seem less sincere than staring at your feet the entire time you’re delivering it), the two have some approximation of a heart-to-heart talk, and I feel certain that Hank’s uncertainty about Skyler’s refusal to let Walt see the kids is going to resurface again, especially since she shut Hank down the moment he tried to bring it up at dinner.

By the way, having Hank once again underline his belief that Walt is a textbook underachiever only serves to make me anxious…and not necessarily in a good way…about how he’ll react when he inevitably finds out that his brother-in-law is Heisenberg. I’m reminded of how one of Lex Luthor’s computers took all the facts available to it and deduced that Superman’s secret identity was Clark Kent, but Luthor declared it to be an impossibility because the computer didn’t know Superman the way he did, and he couldn’t accept that Superman would ever deign to take on such a lowly persona. Mark my words: Marie’s going to be in on it before Hank is.

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Nurse Jackie 2.1 – Hey, Hobo Man! Hey, Dapper Dan!

Yep, that’s right: another Showtime series is getting the blog treatment on Premium Hollywood. It’s amazing how much more inspired you can be to write a series blog when the network provides you with all of the season’s episodes up front. I mean, I don’t know how the other TV critics who are married with children feel about it, but for my part, trying to write a blog immediately after an episode airs really screws up my time with my family (particularly if it happens to be a series that my wife doesn’t like and that I’m not comfortable watching around my 4-year-old daughter), so I’m a heck of a lot more predisposed to take the reigns of a blog where I can watch the episodes in advance.

In the case of “Nurse Jackie,” it also helps immensely that I really love the show. Although I’m guilty of missing the first season when it originally aired, I can assure you that no arm-twisting was required to dole four stars for the Season 1 DVD set, and by the time I’d finished watching the whole thing from top to bottom, I was chomping at the bit to dive into Season 2, so it’s a pleasure to finally be able to do so.

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United States of Tara 2.1 – I Get Up, I Get Knocked Back Down Again

It may surprise you to see me kicking off a weekly look at Showtime’s “United States of Tara,” given that my DVD review of the show’s first season wasn’t exactly what you’d call glowing. If you can’t be bothered to click on the preceding link, allow me to summarize: I gave it a mere three stars out of a possible five, and the pilot alone left me in such a sour mood that it infiltrated my feelings about a great number of the subsequent episodes. Still, I plowed through the entire season – 12 episodes – and, by the end of the experience, I’d found that, although I still wasn’t necessarily a full-fledged “Tara” booster, I’d fallen for the storylines of the other characters (if not so much those of Tara and her alter-egos) enough to be intrigued about what Season 2 might hold.

Now, I’m not saying that the publicity department at Showtime read my review, but whether they did or didn’t, screener discs for the second season of “Tara” arrived in my mailbox last week…and since they’re here, thereby giving me the chance to watch and write about the episodes in advance of their air date, it’s too tempting an opportunity to resist. As such, I’m blogging about “United States of Tara: Season 2.”

So let’s get started, then, shall we?

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Breaking Bad 3.1 – I Blame The Government

The first image that really catches our eye is that of some poor bastard hauling his dirty, grimy self across the ground. He looks, in a word, pitiful…and as we’ve just seen a truck driving along the dusty road and another man wandering about with seeming calm, we have to presume that the aforementioned gentleman on the ground has but a short amount of time left on this earth.

But, then, we start to get mixed signals when a second man is seen crawling in the dirt, then a third.

By the time the shot cuts to reveal a veritable legion of dirt crawlers, with the ominous score only serving to underline the palpable nervousness of the bystanders in the village (i.e. the ones sitting or standing rather than crawling), we have to ask: “What the hell’s going on here?”

A car pulls up. A man with silver skulls on the toes of his boots steps out. Make that two men. Are they twins?

Oh, but it’s too late to consider the genetic origins of these guys, because now they’ve started crawling. This is getting downright creepy…and that’s even before the group begins to rise to their feet and enter a highly disturbing candle-lit shrine, to which they add a sheet of paper.

It’s a Santa Muerte shrine. On the paper is a pencil sketch of Heisenberg. In short, these guys are praying that Walter White will be dead soon.

Season 3 is officially off to an awesome start. Welcome back, “Breaking Bad.”

Given the end of Season 2, it’s no surprise that the first thing tackled post-credits is the inevitable repercussions of the airplane crash. You probably spotted the guest appearance by Ashleigh Banfield, but the other newscasters are actually from Albuquerque’s NBC affiliate, KOB. It’s an easy segue back into where we left off last season, offering a look into how it’s affected the residents of the city…including, of course, one W. White, who’s busy burning money on his barbecue grill. If there’s any sight more horrifying than watching cash go up in smoke, it’s got to be Walt having second thoughts and, in the process, setting his robe on fire. It was a must-do, though: right about now, the money is really the only thing in Walt’s life that he can stop from going up smoke.

Certainly, his marriage is shot to hell, a fact underlined by Skyler’s inaugural appearance in Season 3, which takes place as she’s attempting to kickstart the divorce proceedings between herself and Walt. It’s a meeting borne of emotion rather than intellect, however, with Skyler desperately trying to ignore the attorney’s comments and suggestions until the cumulative effect of her protestations finally begin the process of collapsing her resolve. The tension between her and Walt, Jr., doesn’t help the situation any, and once her sister starts to get on her case, Skyler can’t deny it any more: she’s got to ask Walt outright what the hell he’s got going on in his world that he’s been too afraid to reveal to her.

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