Author: Will Harris (Page 27 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

A chat with Ted Lange…? You got it!

On Sunday, April 25th, TV Land will be airing its annual celebration of classic television known as the TV Land Awards. Our man Bob Westal was walking the red carpet for us, star-spotting and chatting with the occasional celebrity passerby, but as I’m ensconced here in Virginia, I have to make do with phoners. It was hardly settling, however, to have the opportunity to chat with an iconic figure of ’70s and ’80 s television like Ted Lange. Although he’s arguably best known for his role as bartender Isaac Washington on “The Love Boat,” it’s far from the only item on his resume, so I made sure to brush up on his list of credits on IMDb before getting on the phone with him. This proved to be a wise move, as it resulted in stories of a Shakespearean production and tales of working on “Wattstax,” “Friday Foster,” “Record City,” “Mr. T and Tina,” and, yes, “That’s My Mama,” too. But, of course, there was still plenty of “Love Boat” banter as well, since it was that very show which led Lange to attend the TV Land Awards and reunite with his former crewmates…sorry, I meant castmates.

Come aboard as we set sail for…

Ted Lange: Hi, Will!

Bullz-Eye: Hey, Ted, how’s it going?

TL: Good! How are you doing?

BE: I’m doing well. It’s a pleasure to talk with you.

TL: What city are you in?

BE: I’m in Norfolk, Virginia. Where are you? Somewhere on the east coast, I guess, given how early it is.

TL:West coast, actually!

BE: Wow, then it’s really, really early there. Are you in California?

TL: Yessir. Los Angeles, California, city of the angels! (Laughs)

BE: Well, one of our writers here at Bullz-Eye was actually at the TV Land Awards the other night…

TL: Oh, really?

BE: He did the red carpet thing, and then he headed into the bloggers’ room, so he wasn’t in there with the action, per se, but he said it was a good time.

TL: It was a good time. It was a lot of fun.

BE: So was the entire cast there for the reunion?

TL: Well, Gavin MacLeod (Captain Stubing) had a back operation – he hurt himself, hurt a couple of his discs – so he wasn’t able to be there. We really missed him, because, you know, he’s the anchor of the show as the captain. So I called him up and talked to him to see how he was doing, and he was a little weak, but he was recuperating well. But everybody else was there, and they all brought their kids. Fred Grandy (Gopher) brought his daughter, I brought my son…it was a lot of fun.

BE: I was talking to Bob, our man who was there, and he was quite pleased that he’d gotten to talk to Bernie Kopell (Doc) on the carpet. So do you guys keep in touch aside from these occasional public reunions?

TL: Oh, yeah, absolutely. We’re friends. The great thing about the show was that we made friendships, you know? We were acting buddies and everything, but off-camera…I mean, I learned how to play tennis on Bernie’s tennis court. I wasn’t really into tennis ‘til I met Bernie. He’s been a good pal, and Fred I see all the time whenever I’m out on the east coast, and Tewes…we’re all friends, and that was the wonderful ancillary benefit of the show: that we made some really lasting friendships.

BE: So how did you first come onto “The Love Boat”? Obviously, you were pretty well established on television already, thanks to “That’s My Mama.”

TL: Yeah, actually, I did two series. I did “That’s My Mama,” and I did another series called “Mr. T and Tina,” with Pat Morita. The network was aware of me, and they had done a pilot and…they had used the guy who played the postman on “That’s My Mama,” Teddy Wilson, on the first “Love Boat” pilot, and they didn’t like the chemistry of the crew, so when they did the second pilot, they kind of threw everybody out that wasn’t working and brought in some new guys…and they stuck with the “That’s My Mama” cast by bringing me in to play the bartender. (Laughs) So I was very fortunate!

BE: Had you worked with Aaron Spelling before “Love Boat”?

TL: No, I hadn’t, actually. Jimmy Komack was the producer of “Mr. T and Tina,” and he sat me down and said, “You’re going to go work for Aaron Spelling, so let me just tell you that he’s really a great guy.” And, of course, he was correct.

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Breaking Bad 3.5 – Escalate This!

This, my friends, was one hell of an episode, offering up multiple moments which will almost certainly inspire me to say the same of future episodes. Arguably the best of those moments came when we were made privy to a sight which both yours truly and Bullz-Eye.com editor-in-chief Jamey Codding have been waiting to see since January…but we’ll get to that later.

First, it’s time to flash even farther back.

How completely surreal to have the episode start off with footage from the first episode of “Breaking Bad.” I can’t say as I ever really considered the origins of the R.V., except to figure that, since Walt hadn’t given Jesse a whole lot of money to buy it in the first place, it was simply as good as he could find. With the benefit of hindsight, however, it’s pretty damned easy to imagine that a dumb-ass like Jesse circa Season 1 would have a little trouble coping with a sudden cash influx like the one Walt handed him. Some of the shit Jesse was spouting during the scene was pretty hilarious, as was the bit where the gang re-entered the real world at daybreak with one of them puking in the VIP Parking space. It was particularly nice to see Combo resurrected, even if only for the duration of the pre-credits sequence: in addition to reconfirming just how tight Jesse and Combo used to be back in the day and revealing Combo’s crucial role in the fruition of the Walt ‘n’ Jesse partnership, it also showed that, all things considered, he was probably lucky to have lived as long as he did. (Best moment: when Jesse groans that he only has about $1400 left and Combo hopefully suggests, “Waffle House?”)

Oh, if you’re wondering about the song they played in the strip club, it’s by the Teddybears and it’s called “Rocket Scientist,” but as of this writing, it ain’t available on iTunes. Sorry ’bout that, but at least you can hear it again by clicking below:

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American Idol: Chastize me over Elvis Presley’s grave

As guest blogger, I will open in the only way I should: by offering my sincerest apologies for not getting the blog for last night’s “American Idol” completed in a more timely fashion. I’ve been battling an allergy attack since yesterday (the result, I feel certain, of all the dust I kicked up in my office while scouring the joint for tax receipts), and, quite frankly, I feel like crap. But I know Mike’s got a lot going on these days, what with his big move and all, so I was always going to do this for him. I just had to build up my strength, which I have now done, so with my cup of hot lemon tea with honey sitting by the keyboard, let’s get to talking about who got the boot.

Things kicked off last night with a medley of Elvis Presley songs – “Burning Love,” “Teddy Bear,” “Return to Sender,” and “Viva Last Vegas” – which neither did damage to the reputation of the King of Rock ‘n’ Roll nor did it any favors. The best part about “Burning Love” was the cute moment where we saw Katie working her knees for all they were worth, and Lee’s vocals on “Teddy Bear” sounded like those of a lounge singer, but I actually kind of dug it. Otherwise, though, I was pretty underwhelmed by the performances, and when “Viva Las Vegas” kicked off, all I could think of was how much better the Dead Kennedys did the song.

From there, the program went green for a minute or so as we were treated to a Ford-sponsored commercial with several of the contestants performing a version of…wait for it…the Polyphonic Spree’s “Light and Day / Reach for the Sun.” How completely and utterly surreal, but it sounded a damned sight better than any of those Elvis covers.

Moving on to the first of the night’s departures, Cap’n Seacrest narrowed down the playing field to three contestants:

* Casey, whose version of “Lawdy Miss Claudy” Mike described as “not bad at all vocally, but just a so-so rating on the entertainment meter.”
* Aaron, who offered a take on “Blue Suede Shoes,” which Mike called “cheesy but not horrible.”
* Andrew, who Mike buried in the Not So Good column last night, saying, “It wasn’t awful, but not at all star quality and easily the worst of the night.”

So long, Andrew…and, really, was there ever any doubt that you’d be one of the two players leaving the game tonight? But, hey, at least we got your version of James Morrison’s “You Give Me Something” as a farewell, which served to remind us that, all things considered, America probably made the right decision.

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Conan lands on…TBS?

Can’t say as I saw that one coming, but, hey, fair enough: I always knew I’d watch him wherever he turned up, and it’s not like there’s anything inherently wrong with TBS…well, not anything that a purge of any and all series containing the words “Tyler Perry’s” in its title couldn’t fix, anyway.

Here’s the story, straight from TBS:

Comedy icon Conan O’Brien is joining TBS to host a late-night talk show that is expected to debut in November. The Emmy-winning comedian’s new program will be followed by “Lopez Tonight,” which will shift to a midnight time slot.

O’Brien began talks in earnest with TBS just last week, after George Lopez personally called him to ask that he consider joining the network’s late-night line-up.

“I can’t think of anything better than doing my show with Conan as my lead-in,” Lopez said. “It’s the beginning of a new era in late-night comedy.”

Said O’Brien: “In three months I’ve gone from network television to Twitter to performing live in theaters, and now I’m headed to basic cable. My plan is working perfectly.”

O’Brien and Lopez will give TBS a dynamic lineup in late-night television. TBS – which has built a programming slate that appeals to a young, diverse audience – expects O’Brien to be a long-term addition to the network’s late-night landscape. O’Brien will host his hour-long, yet-to-be-titled show Mondays through Thursdays at 11 p.m. (ET/PT).

“Conan has been the comedic voice for a generation. TBS already has a huge audience of young comedy lovers, and Conan’s show will give these fans even more reasons to watch our network,” said Steve Koonin, president of Turner Entertainment Networks.

With the addition of O’Brien’s show, TBS will establish two hours of late-night talk. “Lopez Tonight,” while just a few months old, has already become a destination show for a diverse audience. The “Lopez Tonight” audience is young as well, with a median age of just 34.

“For decades, late-night TV has been dominated by broadcast television,” Koonin said. “Now, with a young audience and a growing late-night lineup, TBS is set to be the choice of comedy fans for years to come.”

So what are your thoughts on Conan’s move to TBS? From my perspective, it was becoming increasingly clear that Fox was never going to successfully clear the hurdles set by their affiliates, and even if they had, they probably wouldn’t have been nearly as tolerant of fluctuating ratings – huge numbers upon his return, a probable big drop immediately thereafter, then middling out as people figure out which host they want to watch regularly – as TBS almost certainly will be. TBS can afford to let Conan build a presence on their network, whereas Fox…well, I think we all know how forgiving Fox is with their low-rated series.

Breaking Bad 3.4 – Dirty, Damp, and Deep in the Valley of the Sun

I begin this week’s “Breaking Bad” blog with a confession: it’s the first episode this season where I didn’t have an advance screener, which meant that I was watching it along with the rest of you. The reason I confess this is because it also means that, in order to get my blog knocked out as quickly as possible, I had to watch it live on the TV set in my office, which is TiVo-less. It’s the set in the living room that has the TiVo, and…well, that’s recording “The Celebrity Apprentice” for me. Hmmm…suddenly, what was intended to be an attempt to earn your sympathy has abruptly become fodder for insult. This has gone terribly wrong. Perhaps I’d better go ahead and get to talking about “Breaking Bad” in order to try and save face. (Yes, I know: it’s far too late for that.)

Well, Jesse might be clean, but he’s clearly no smarter now than he was when he was still using. Kids, here’s your lesson for this week: if you’re ever driving a bullet-riddled RV and find yourself in desperate need of fuel, do not…repeat, do not…try to use methamphetamine as currency. While I can appreciate the need to take Old Faithful for a spin for “work” purposes, when it comes to potential witnesses trying to pick it out of a line-up, it’s hard to conceive of a more memorable vehicle. It kinds of stands out in a crowd, you know? I’ll give it to Jesse, though: ever since admitting to himself -whether rightly or wrongly – that he’s the bad guy, he’s developed balls of steel. Trading gas for meth with a state trooper right there in the store…? That’s pretty fucking ballsy, you’ve got to admit. The best line of the scene, though, had to be when Cashier Cara offered her concerns about the addictiveness of meth and Jesse assured her that it had been blown way out of proportion. (“It’s a media thing.”)

We had some great scenes from Saul Goodman this week. Of course Saul’s got a class action lawsuit working against the airline. He’s just that kind of guy. I loved both the guy we saw in his office (“You’ve been the victim of a terrible accident, some discomfort is to be expected”), as well as the phone call later in the episode, where he assures someone that they needn’t have had a wing fall on their house and that even a bag of peanuts is enough to get them into the lawsuit. Awesome. Mike’s mikes turned up a fierce war of words between Walt and Skyler over her revelation that she’d fucked Ted, a conversation which led Walt to offer one of his typically nonsensical declarations (“I’ll suit myself to his face!”) and found him heading over to the office to confront Ted in person and give a predictably ineffective performance.

Damned shame about the potted plant, though. Poor bastard only had a week left ’til retirement…

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