On a day where a lot of people are talking about where the proper lines are in humor that also happens to be the birthday of one of this nations’ greatest figures, this clip of Richard Pryor from “Live on the Sunset Strip” involving the worst racial epithet most of us know seems more apt than ever. I think this is a great moment that gets more moving every time I see it, but it may not be appropriate for work or around kids, for obvious reasons.
I think this moment changed the way a lot of people talk.
If you saw “Forgetting Sarah Marshall” — and I hope you have as its one of the stronger comedies to be made over the last several years — you’ll likely have noticed the strong comic chemistry between British comedy sensation Russell Brand as three-quarters insane, recovering addict rock star Aldous Snow and Jonah Hill (“Superbad“) as a resort waiter and somewhat overly devoted fan of Snow’s. Well, you’re not the only one, and so we have the somewhat slapdash, sometimes brilliant, and ultimately winning new comedy, “Get Him to the Greek,” which once again brings us Brand as Aldous Snow, who, since the events of “Sarah Marshall” has suffered a failed marriage to rocker Jackie Q (Rose Byrne), had a seven-year old son, and removed the “recovering” from his addiction — kind of impressive since “Sarah Marshall” was only two years ago.
Nevertheless, having fallen headlong off the wagon, Snow needs help arriving on-time and semi-cognizant for an important TV appearance, a sound check, and a special comeback performance at L.A.’s Greek Theater. The task falls to ambitious young record company assistant Aaron Green (Hill, playing a different character than in “Sarah Marshall”), a huge fan of Snow’s in a sweet but rocky relationship with his improbably adorable doctor girlfriend (Elizabeth Moss of “Mad Men“). Frequently vomit-stained hijinks ensue as Green and Snow barely survive a number of unfortunate events, including a nearly apocalyptic visit to the set of “The Today Show,” one of the most truly mad Las Vegas sequences in film history, and the kind of freaky three-ways that would make most porn producers blanch. It’s all wrapped up with the sort of good-hearted traditional morality which reminds us that the producer is the Walt Disney of male-centric, R-rated comedies, Judd Apatow.
On Sunday, April 25th, TV Land will be airing its annual celebration of classic television known as the TV Land Awards. Our man Bob Westal was walking the red carpet for us, star-spotting and chatting with the occasional celebrity passerby, but as I’m ensconced here in Virginia, I have to make do with phoners. It was hardly settling, however, to have the opportunity to chat with an iconic figure of ’70s and ’80 s television like Ted Lange. Although he’s arguably best known for his role as bartender Isaac Washington on “The Love Boat,” it’s far from the only item on his resume, so I made sure to brush up on his list of credits on IMDb before getting on the phone with him. This proved to be a wise move, as it resulted in stories of a Shakespearean production and tales of working on “Wattstax,” “Friday Foster,” “Record City,” “Mr. T and Tina,” and, yes, “That’s My Mama,” too. But, of course, there was still plenty of “Love Boat” banter as well, since it was that very show which led Lange to attend the TV Land Awards and reunite with his former crewmates…sorry, I meant castmates.
Come aboard as we set sail for…
Ted Lange: Hi, Will!
Bullz-Eye: Hey, Ted, how’s it going?
TL: Good! How are you doing?
BE: I’m doing well. It’s a pleasure to talk with you.
TL: What city are you in?
BE: I’m in Norfolk, Virginia. Where are you? Somewhere on the east coast, I guess, given how early it is.
TL:West coast, actually!
BE: Wow, then it’s really, really early there. Are you in California?
TL: Yessir. Los Angeles, California, city of the angels! (Laughs)
BE: Well, one of our writers here at Bullz-Eye was actually at the TV Land Awards the other night…
TL: Oh, really?
BE: He did the red carpet thing, and then he headed into the bloggers’ room, so he wasn’t in there with the action, per se, but he said it was a good time.
TL: It was a good time. It was a lot of fun.
BE: So was the entire cast there for the reunion?
TL: Well, Gavin MacLeod (Captain Stubing) had a back operation – he hurt himself, hurt a couple of his discs – so he wasn’t able to be there. We really missed him, because, you know, he’s the anchor of the show as the captain. So I called him up and talked to him to see how he was doing, and he was a little weak, but he was recuperating well. But everybody else was there, and they all brought their kids. Fred Grandy (Gopher) brought his daughter, I brought my son…it was a lot of fun.
BE: I was talking to Bob, our man who was there, and he was quite pleased that he’d gotten to talk to Bernie Kopell (Doc) on the carpet. So do you guys keep in touch aside from these occasional public reunions?
TL: Oh, yeah, absolutely. We’re friends. The great thing about the show was that we made friendships, you know? We were acting buddies and everything, but off-camera…I mean, I learned how to play tennis on Bernie’s tennis court. I wasn’t really into tennis ‘til I met Bernie. He’s been a good pal, and Fred I see all the time whenever I’m out on the east coast, and Tewes…we’re all friends, and that was the wonderful ancillary benefit of the show: that we made some really lasting friendships.
BE: So how did you first come onto “The Love Boat”? Obviously, you were pretty well established on television already, thanks to “That’s My Mama.”
TL: Yeah, actually, I did two series. I did “That’s My Mama,” and I did another series called “Mr. T and Tina,” with Pat Morita. The network was aware of me, and they had done a pilot and…they had used the guy who played the postman on “That’s My Mama,” Teddy Wilson, on the first “Love Boat” pilot, and they didn’t like the chemistry of the crew, so when they did the second pilot, they kind of threw everybody out that wasn’t working and brought in some new guys…and they stuck with the “That’s My Mama” cast by bringing me in to play the bartender. (Laughs) So I was very fortunate!
BE: Had you worked with Aaron Spelling before “Love Boat”?
TL: No, I hadn’t, actually. Jimmy Komack was the producer of “Mr. T and Tina,” and he sat me down and said, “You’re going to go work for Aaron Spelling, so let me just tell you that he’s really a great guy.” And, of course, he was correct.
* Robert Rodriguez is producing a “Predator” reboot, entitled “Predators,” to be directed by Hungarian-American helmer Nimród Antal. As per today’s Variety, along for the ride are Adrien Brody and Topher Grace. I, personally, will wait for the movie to decide first whether I’ll bother to see it and second whether these two undoubtedly talented actors are well cast here. (Grace is kind of a personal favorite and this sounds like chance to be sort of a badass Norman Bates, which I can kind of see.) However, as usual geek film bloggers and some film geek bloggers can’t wait for the movie to have an opinion, and Spout’s Christopher Campbell collates the reaction. No word on Brody’s chances for eventually becoming a not-too competent and unlucky governor of California.
* Two very tentative but interesting items from Mike Fleming today. Gary Ross, who’s past specialty was such seriocomic Oscarish fare as “Dave,” “Pleasantville,” and “Seabiscuit” but who is doing the the latest rewrite on the next “Spiderman” film may also be directing as well as rewriting a proposed “Venom” movie, without Topher Grace, most likely. The many problems with “Spider-Man 3” to my mind had nothing at all to do with Grace, but who said life was fair?
* The second Fleming item has screenwriter-director Bill Condon (“Dreamgirls“) “in discussions” to return to biographical material somewhat along the lines of “Gods and Monsters” and “Kinsey,” with a proposed film about the late Richard Pryor to star Marlon Wayans. Adam Sandler‘s “Happy Madison” company is involved at this point, which makes sense given the reverence nearly all modern comedians have for Pryor.
* Speaking of people who’ve been known to throw a few M-F bombs in the name of a laugh, our own Will Harris has an interview with the praised and maligned indie film mainstay and part-time funny de facto stand-up comic, Kevin Smith at Bullz-Eye. Very definitely worth a read. And, though I probably don’t need to say it, the following video is NSFW and is just plain dangerous to your life and career if you are anywhere near Gwyneth Paltrow, Steven Spielberg, or George Lucas.