Author: Jason Zingale (Page 39 of 154)

Sons of Anarchy 2.3 – Fix

Two days after “Mad Men” wins its second straight Emmy for Best Drama and “Sons of Anarchy” opens the episode with Luanne shooting a porn parody. Coincidence? Perhaps, but I can’t help but think that Kurt Sutter planned for the expected win. Of course, the opening minutes also featured Bobby performing as Elvis at a Bar mitzvah, and it’s apparently beginning to take a toll on him. His time in prison has resulted in a pile of bills, and in an attempt to reward him for his services to the club, Clay assigns him to go take care of the bookkeeping at Luanne’s studio. She’s not at all happy with the idea of SAMCRO taking an even bigger bite out of her business, but as it turns out, Luanne also has something to hide. It doesn’t take long for Bobby to discover that Luanne has been skimming off the top over the last six years, and when he threatens to report it to the club, Luanne makes him an offer he can’t refuse. If Otto ever finds out about it, however, Bobby is as good as dead.

The same can be said of Ethan Zobelle and his gang of Neo-Nazis once Clay finally realizes what’s really going on with Gemma. Personally, I can’t believe three weeks have already passed, because Gemma is acting way too fragile for Clay not to be a little more suspicious. Their fight in the parking lot outside the porn studio seemed to be more about Clay not getting laid than Gemma not acting like herself. Wayne suggests that Gemma attend an out-of-town support group for sexual abuse survivors, but she quickly shoots down that idea – and just in time, too, since Tig was apparently just around the corner. I don’t think he heard anything, though, because he would have told Clay right away.

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The meat of the episode this week revolved around Ethan Zobelle’s latest plan to force the Sons of Anarchy out of Charming, and it all hinders on convincing Deputy Chief Hale to join the witch hunt. Hale doesn’t like Zobelle’s idea of purposely bringing drugs into the town – thereby discrediting SAMCRO’s worth and Chief Wayne’s ability to control crime – but that doesn’t stop him from doing it anyway. When Opie and Half Sack catch a dealer selling meth at the mill (with Nords in tow), they go back to the club to get re-enforcements before beating the information out of him.

When they learn where Darby has set up his meth lab, Jax gives Hale the location to see if he can be trusted. Clay, meanwhile, tells Wayne all about their little test to keep him in the loop. It looks as if Hale is going to pass after he visits Darby’s base of operations (albeit without a warrant), but after speaking with Ethan about his reasoning for wanting the Sons out of Charming, his outlook suddenly changes and he lies to Jax about there ever being a meth lab. Not that it really matters, since SAMCRO just blows it up themselves, but I can’t believe that Hale would do business with Zobelle. Isn’t he supposed to be all about doing things by the books? Now that he’s resorted to his own crooked methods, however, there’s no going back. Oh yeah, and he just sided with the wrong bad guys.

Blu Tuesday: Observe and Report, Wallace & Gromit and Star Trek

On the surface, this week’s selection of Blu-rays may not look like much, but there’s something here for everyone, including the latest from Seth Rogen, the debut of a couple cult classics, and a few box sets that most movie nerds already have on their radar. There may not be any really major titles being released today, but I’d much rather have the option to choose from a solid list like this any day of the week.

“Observe & Report” (Sony)

A curious mix between “Paul Blart: Mall Cop” and “Taxi Driver,” Jody Hill’s sophomore effort isn’t the usual Seth Rogen laugh-a-thon, but rather a pitch-black comedy that only gets darker and more sadistic with each passing minute. This is the kind of film that usually divides moviegoers, and though I didn’t love it or hate it, I will admit that it’s Rogen’s strongest (and most mature) performance to date. It usually takes a while for a comic actor to branch off into more serious roles, but Rogen has been so overexposed lately that it’s nice to see him try something new. “Observe and Report” is hardly the kind of film that benefits from high definition, however, so Warner Bros. has made a point of distinguishing the Blu-ray edition from its DVD counterpart by making all of the extras – like a picture-in-picture commentary, deleted scenes and a gag reel – exclusive to this release. It isn’t exactly the smartest business practice, but HD fans won’t complain. At least we’re finally getting a little extra bang for our buck.

“Wallace & Gromit: The Complete Collection” (Lionsgate)

People may think of Tim Burton when they hear the words “stop motion animation,” but for my money, Nick Park is the king of the genre. His “Wallace & Gromit” shorts have earned a nice little following over the years, and though the feature-length “Curse of the Were-Rabbit” failed to take the franchise to the next level, it’s still a darned good film in its own right. Still, Park’s bread and butter (or crackers and cheese, if you will) has always been the shorts, and along with collecting his three previous films (“A Grand Day Out,” “The Wrong Trousers” and “A Close Shave”), the new compilation also features Wallace and Gromit’s latest madcap adventure, “A Matter of Loaf and Death.” To sweeten the pot, Lionsgate has also included a bevy of bonus material like commentary tracks, making-of featurettes and a hilarious episode of “Shaun the Sheep.” At only $20 bucks for the Blu-ray edition, it’s hard to imagine even the most casual fan not succumbing to such a great deal.

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Entourage 6.10 – Berried Alive

Consider this just another case of art imitating life, but I couldn’t help but think about T.R. Knight’s recent decision to leave “Grey’s Anatomy” during tonight’s episode. Drama has been put through the wringer ever since his altercation with Dan Coakley, and now that his character on “Five Towns” looks to be headed for Comaville, his screen time is sure to be reduced. Just like Knight, Drama is more concerned with the work than the paycheck, and when he learns that the producer of the new “Melrose Place” has him in mind for a role, he goes to Lloyd for help getting out of his contract.

What Drama doesn’t realize is that Lloyd has just left Ari for Adam Davies. Ari, meanwhile, has to find out about the betrayal from Vince, and in an attempt to spite Lloyd, he personally goes to Coakley to help out Drama and entice him to stay at the agency as one of his clients. It works at first, but when Lloyd tries to win back his only client with, I must admit, a damn good speech, Drama discovers where his best bet lies. Ari isn’t even mad about it since he wouldn’t have the time to properly invest in Drama’s career anyway, but it will be curious to see how far they take this new rivalry. I can’t imagine Lloyd will be gone for too long, but they’ll definitely drag it out until either the season finale or next season’s premiere. Drama, on the other hand, is taking a big risk by leaving “Five Towns,” and it would seem almost too easy if he did get the gig. Then again, maybe he’ll be able to win over the network by proving that he really can act – at least, when compared to the standards of other likeminded shows on The CW.

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While Drama ponders a career move, Eric decides to confront Ashley about why she’s been giving him the cold shoulder. As expected, it all boils down to her trust issues. When Eric laughs off the most recent incident involving a misunderstanding about Vince’s alias (check out last week’s post if you’re confused), she decides that if they’re going to stay together, he has to promise that he won’t screw Brittany the Assistant and give her the freedom to read his e-mails. Eric agrees at first, but after conferring with a few sources and realizing that Ashley may be crazy, he decides to break it off. As it turns out, Ashley is a little nuts (as evidenced by her mini breakdown in the middle of a restaurant), and it’s probably smart for Eric to get rid of her before things get worse. It’s a shame, because Alexis Dziena is pretty easy on the eyes. Then again, Kate Mara isn’t too bad herself, and we all know Sloan will be back before long.

Turtle’s current predicament might seem just as cut and dry, but he’s certainly making it more complicated than it needs to be. When Jamie Lynn admits to being jealous about his new admirer (which, for the record, I find totally ridiculous), Turtle begins second guessing his ability to stay loyal. While I understand where Turtle’s coming from in that this is the first time he’s ever had one woman interested in him, let alone two, it’s absurd to think that any sorority girl would trump Jamie Lynn Sigler. For starters, she’s obviously only interested in him because he’s famous (Best line of the night: “Is that Vincent Chase? Who are you?”), and second, he’s already dating Meadow freaking Soprano. Granted, her new job offer is certainly going to throw a wrench into their relationship, but if given the choice between Jamie Lynn and the new girl, is there even any doubt as to who he should pick? Yeah, I didn’t think so.

X-Men: Volumes Three and Four

The first two volumes of the “X-Men” animated series contained some of the most memorable episodes in the show’s five-year run. Unfortunately, the same can’t be said of Volumes Three and Four. In fact, many of the episodes that appear are nothing more than retreads of previous stories, like the four-part “Dark Phoenix” saga and the two-part “One Man’s Worth,” which plays out like “Days of Future Past: Part Deux.” Throwaway villains like Sauron (“Savage Land, Strange Heart”) and Shadow King (“Xavier Remembers”) also return, even though there are far more interesting baddies in the X-Men universe that have yet to appear. It isn’t all doom and gloom, however, as we do get guest appearances from Dazzler, Iceman, X-Factor, Nightcrawler and Psylocke, as well as some great one-off episodes featuring Wolverine (the cleverly titled “Weapon X, Lies and Video Tape” and “The Lotus and the Steel”). And in keeping with the comics of that time, the two-part “Sanctuary” is a virtual scene-for-scene remake of Chris Claremont’s short-lived, three-issue “X-Men” run. It’s not good enough to rank among the best episodes, but it’s definitely one of the high points of these surprisingly hit-and-miss two-disc sets.

Click to buy “X-Men: Volume Three” and ” Volume Four”

Sons of Anarchy 2.2 – Small Tears

After the events of last week’s episode, it didn’t seem like Kurt Sutter was going to waste any time in getting to the showdown between the Sons of Anarchy and the Neo-Nazis, but when I actually had the time to sit down and think about it, I wondered if Gemma would actually tell Clay about what happened to her. Fast-forward a couple of days to tonight’s episode, and sure enough, Gemma is keeping mum on the subject. For the time being, the only people that know about Gemma’s attack are Wayne and Tara, and even they don’t know who was responsible. She’s made them swear not to tell anyone else, either, and in order to cover it up, Wayne wrecks Gemma’s car to make it look like she was in a crash. It’s only a matter of time before Clay finds out, however, because she’s acting really vulnerable around him, and he’s gotta know that someone as headstrong as Gemma wouldn’t be that shaken up over something like a car crash.

If nothing else, Gemma has certainly succeeded in pissing off Charming’s newest residents – namely AJ, who can’t believe that Gemma hasn’t told Clay the truth. When he runs back to tell Ethan (henceforth known as Mr. White) the bad news, Mr. White suggests they might have underestimated Gemma. Whether that means they’re going to attack her again remains unseen, but they’re definitely not about to give up after one failed attempt. In fact, Mr. White already has another plan in play (providing intel to the Mayans about a gun deal going down between the Sons and the One-Niners), though I have to think that goes against everything he believes in. After all, he didn’t tell AJ that he was working with them, and we already know his feelings on that subject matter.

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The shootout at the aforementioned gun deal happened as a result of Jax’s decision to pin the Mayan murder on the One-Niners, and though Clay wasn’t happy about it to begin with, he was doubly pissed when it resulted in Bobby taking a bullet to the shoulder. Jax’s reasoning for the frame-up was great (“Spur of the moment, seemed like the right thing. Sure you can understand.”), but I can’t help but feel like Clay still came out on top when it was all over. He really does seem to know what he’s doing when it comes to running the club, and though Jax is going to continue to crucify him for Donna’s death, he still needs to learn a few things before he takes over. Then again, it was going to end up badly for the Sons no matter what Jax did with the body, so he really had no choice.

Plus, he quickly redeemed himself by coming up with a new way for the club to make some extra cash. When Otto’s wife, Luanne, has to shut down her porn studio due to an investigation by ATF (no doubt ordered by Agent Stahl out of spite), a rival producer known for the sleazy treatment of his female stars (Tom Arnold) tries to steal Luanne’s girls. Jax and Co. effectively persuade him to back off with the help of some baseball bats, and in return, the Sons get a 50% stake in everything Luanne earns. It’s kind of a shit deal for her, but it’s better than what she was expecting when she agreed to meet Jax at the abandoned warehouse, to which he replied, “You think I brought you here to Adrianna you?”

Comparisons to “The Sopranos” be damned, it’s nice to see the writers have finally begun to embrace the similarities between their show and the former HBO hit. Casting Drea de Matteo was certainly a coup from the start, but this easily trumps her guest appearance any day of the week.

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