Author: Christopher Glotfelty (Page 11 of 17)

Will “Paranormal Activity” be a success?

Back in May, a friend and I attended an advance screening at Paramount Studios for “Paranormal Activity.” I did some quick reasearch and every source heavily compared it to “The Blair Witch Project.” Given my dissatisfaction with that movie, I almost backed out. Also, the filmmakers and actors associated with “Paranormal Activy” were complete unknowns to the industry and this only added to my skepticism. Luckily, we decided to go. I know everyone’s barometer varies for what they classify as “horror,” but it definitely felt like the entire theater jumped out of their seats on at least five occasions. Obviously, there’s a difference between “frightening,” “scary,” “thrilling,” “grotesque,” and “shocking.” If anything, I was thrilled. Nothing is this film should leave you trembling. However, many scenes provided heart-pumping scares that simply made the whole experience fun.

When it released in the summer of 1999, Daniel Myrick and Eduardo Sanchez’s “Blair Witch” was a revelation for horror cinema. The 1990s were a bad decade for scary movies. The vast majority of those that saw a wide release were derivative echoes of ‘80s slasher classics or high numbered sequels to old franchises like “Friday the 13th” and “Halloween.”

“Paranormal Activity” is now releasing into much the same environment that “Blair Witch” did. We’re mired in a stagnant pool of old ideas that, while they still have an audience, are failing to excite and spook in the way they once did. It will be interesting to see if the old formula of “reality horror” will manage to engage audiences and excite the industry in the way it did ten years ago. Earlier this week, “Paranormal” had a 100% rating on Rotten Tomatoes. It’s looking quite likely that we’re in for something special.

“Paranormal Activity” has been circulating around festivals for some time now, but I can see why Paramount wants it to seem “fresh” to American audiences. It’s being given a limited-release this weekend, so go see it if you can. I know horror films have sucked lately, but you’ll have a good time.

Dancing with the Stars: Ashley Hamilton and Macy Gray first to go

Macy Gray

The first Results Show from the new season of “Dancing with the Stars” aired last night, featuring recaps, performances, and of course, eliminations. A record 16 couples are participating this season, so I’d expect weeks where there are multiple shows and/or eliminations due to time restrictions. I want to mention one thing before I give my thoughts on lasts night’s episode: the house band is really talented. Not only that, but they play quality music — not just modern pop numbers devoid of feeling. While I haven’t recognized every song they’ve played, I have enjoyed them all. Their interesting song selection has inspired me to hit the Internet and do some research.

At the request of judge Len Goodman, Kelly Osbourne and parter Louis van Amstel began the show with a recreation of their Viennese Waltz. She’s my pick to win the competition, so if she can impress the picky Goodman early on, she has a shot. Moments later, it’s revealed that Louie Vito/Chelsea Hightower and Aaron Carter/Karina Smirnoff are safe from elimination. I think Carter is the favorite on the male side.

During Sean Kington’s gratuitously auto-tuned performance, I was finally disappointed with the show. I thought it would happen much earlier, but the dances are quite interesting. Thankfully, Kingston had professional dancers surrounding him, so I just plugged my ears and watched.

Kenny Mayne, Jeff Ross, and Penn Jillette were featured in a segment detailing “The Losers Club,” an elite society reserved for those individuals first eliminated from a season of “Dancing with the Stars.” This just reminded me of how funny Mayne is. Really, watch his web show.

To my surprise, Ashley Hamilton and Edyta Sliwinska were the first couple sent home. I really thought Michael Irvin would get the boot, but now it will be months before I get to see Edyta’s beautiful form light up my screen/life.

While the cast of The Lion King theater production were great, I can’t believe it’s still running. I remember going to that show with my mom when I was a kid. The dance tribute to Patrick Swayze was very nice and showcased how talented the pros really are.

Unfortunately, Macy Gray and Jonathan Roberts were sent packing as well. I wish Macy could have stuck around. She seemed more out of place than any of these competitors and I would have liked to see her evolve. Also, she will say anything on live television. What were you thinking, America?

“Dancing with the Stars” kicks off new season with three-night premiere

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Although “Dancing with the Stars” is already in its ninth season, I’ve somehow avoided watching a complete episode during its five-year run. Girls I know, my mother, and friends’ parents have had the show on in my presence, but I instinctively ignored it. Inexplicably, I’ve always lumped reality programs and reality competition in the same category, but after watching the first episode of this new season, I realize that was unfair. “Dancing with the Stars,” “American Idol,” and “America’s Got Talent” are not the same as “A Shot at Love with Tila Tequila,” “Rock of Love with Bret Michaels,” or “I Love New York.” Those last three are shows my friends and I define as “trash TV.” We, the audience, are laughing at the contestants, simply hoping to witness their humiliation. On the other hand, “Dancing with the Stars” exudes a genuine sense of fun. Celebrities train — rather vigorously — with attractive dancers and later perform in front of quirky judges. Pretty safe television, but it’s a formula perfect for a broad American demographic. The judges (Len Goodman, Bruno Tonioli, Carrie Ann Inaba) and hosts (Tom Bergeron, Samantha Harris) keep things fun, professional, and competitive. So, here we go. Written below is one young man’s interpretations of the show every female present in his life has previously forced upon him. The new season is in the midst of a “three-night-premiere,” but will return next Monday at 8:00 PM to its weekly time slot.

Episode 1 (season premiere)

The males are set to compete on opening night.

Aaron Carter with Karina Smirnoff

Jesus, Karina is smokin’. Alright, I get it. I can see now why men tolerate watching this with their girlfriends or wives. I know we’re not supposed to focus on the professional dancer as much, so I’ll do my best to avoid the flesh. Carter did a good job, I suppose, but Karina could dance with anybody and I’d be fascinated.

Chuck Lidell with Anna Trebunskaya

I almost fell out of my chair laughing during The Iceman’s routine. It’s not that Chuck Liddell was horrible, but his forced smile was just too goofy. I already want him to win this thing.

Mark Dacascos with Lacey Schwimmer

Martial arts professional and star of “Iron Chef America,” Dacascos is an athletic fellow. Still, this dance was a tad boring and I wasn’t feeling the “Asian” theme. Like judge Len Goodman said, it felt like a gimmick. His plea, “I don’t want to see kung fu in the waltz,” made me laugh.

Ashley Hamilton with Edyta Sliwinska

George Hamilton’s kid is very tall, producing a robotic element to this routine. He’ll probably get farther than Liddell, but he needs to loosen up. As for Edyta, the woman is incredible — both at dancing and making me want to move to Poland.

Donny Osmond with Kym Johnson

I thought this was the most “natural” dance so far. Both dancers seemed comfortable, yet energetic. Apparently, the judges weren’t fooled and urged Osmond to focus on the steps rather than the showmanship. “Too much razzmatazz,” says the crotchety Goodman, and with that statement alone I’ve gained a newfound appreciation for older Brits.

Louie Vito with Chelsie Hightower

This is by far the youngest team in the competition and it shows. Still, their routine is endearing and the judges recognize that. At this point, the professional snowboarder certainly has a better chance than The Iceman.

Michael Irvin with Anna Demadova

It’s a shame, because he was so captivating at the start. He just needs to learn to retain that enthusiasm for an entire performance. This was just dialing it in and he’s not even the professional!

Tom DeLay with Cheryl Burke

Delay’s presence is obviously getting the most press. It’s just weird, and though I’d rather it were Dick Cheney, there’s something sublime about an aging American politician dancing with a sexy, young woman.

Salsa and Viennese relays

Split up into groups of four, each duo is given 30 seconds to execute the dance they did not perform earlier. Ashley Hamilton, Chuck Liddell, and Michael Irvin are the least impressive. And remember, my opinion matters because I’ve been familiar with dance for all of two hours.

To be fair, I really need to watch the next show to review the other contestants. (Translated: Natalie Coughlin, one of the competitors, is really pretty.) Below are my thoughts on the second episode.

Episode 1.2

Tonight, it’s time for the female celebrities to hit the floor.

Debi Mazar with Maksim Chmerkovskiy

Hey, it’s Vince’s publicist from “Entourage” and yet another foreign dancer. For the record, I’m watching this with my mom, and that brings both it’s share of problems and benefits. The show’s format is incredibly easy to follow, but she insists on explaining everything, like how the elementary judging process works. Moms.

Melissa Joan Hart with Mark Ballas

They keep repeating that Melissa Joan Hart is best known as the lead actress from “Sabrina the Teenage Witch,” but my generation will forever associate her as Clarissa from “Clarissa Explains it All.” She looks exactly the same and now I’m thinking about Larissa Oleynik from “The Secret World of Alex Mack.” God, she was cute. Nickelodeon used to have it together. What ever happened to that network? Oh yeah, I’m old now.

Mya with Dmitry Chaplin

Mya was one of my first celebrity crushes and she still looks great. As a qualified dancing twit, I believe Mya and Dmitry did a nice job. However, judge Len Goodman is throwing a geriatric hissy fit because they didn’t perform a traditional Viennese Waltz. The audience is vehemently booing him — I’m laughing my ass off at home. I wonder what he thinks of “jerk” dancing.

Kathy Ireland with Tony Dovolani

My moms keeps mumbling expressions like “bless her heart” and “aw, good for her.” Knowing my mom, that means Kathy Ireland can’t dance.

Natalie Coughlin with Alex Mazo

The female Michael Phelps, Olympic swimmer Natalie Coughlin is…really pretty. A three-time gold medalist, Coughlin has an incredible body and is undoubtedly in better shape than the her female competition. Judge Goodman is complaining again. This time he’s confused why all these pretty girls can’t make the salsa sexy. He wants more sex appeal and I couldn’t agree more.

Macy Gray with Jonathan Roberts

The judges seemed to like Gray’s “vulnerability” and “unique style.” Of course, this is code for “you’re not going to make it very far.” In her interview after, Gray says something which the censors have to bleep for around three seconds. The hosts, judges, and fellow contestants are all shocked. Unfortunately, I can’t tell what she said. My mom just thinks she’s drunk.

UPDATE: She said the dance “almost busted her cherry.” Let that swim around your brain for a while.

Joanna Krupa with Derek Hough

In the “getting to know” segment they run before each dance, it’s clear I wouldn’t get along with either of these individuals in the real world. Nevertheless, this is the best dance of the night.

Kelly Osbourne with Louis Van Amstel

Yep, that Kelly Osbourne. During “The Osbournes,” she was viewed as obnoxious and unflattering. Still, she was only a kid and I never watched the show. Now, she’s 24, pretty, enthusiastic, and can dance. It may not look as natural as Mya or as dynamic as Joanna Krupa, but Kelly has a vivid passion the others are lacking.

Fox Trot and Viennese Waltz relays

With these quick dances, it’s easier to predict who won’t get far. Macy Gray, Kathy Ireland, Melissa Joan Hart, and Debi Mazar desperately need to spice things up if they’re going to advance. Natalie Coughlin has the athleticism, but needs to relax a bit. Like NASCAR, you have to root for someone even if you’re not a fan of the event, so I’m choosing Kelly. Mya and Joanna have the raw talent, but I think Kelly has the will to go deep.

Damn. If you watch two episodes, you might as well complete the whole season, right? Right?

Waiting for January…

Jones

I have absolutely no clue about fashion. The day after Hollywood awards ceremonies, “Extra,” “Access Hollywood,” and countless entertainment websites are always abuzz with who looked sexy, who looked trashy, who had the most expensive dress, etc. More often than not, I just stare and listen with a blank expression as the lipstick, eye liner, cleavage, flashy dresses, and impossible hairdos meld into a single sexy lady. The brands, designers, and stylists never register with my feeble male brain — it’s just too much to take in. Last night, however, one woman clearly stood out at the 2009 Emmys and grabbed my complete attention.

January Jones is familiar to a large part of the American public as Betty Draper from “Mad Men.” As a constant stream of bedazzled beauty flowed down the red carpet, this slim blonde with the presence of a classic Hollywood starlet caught my eye. Now this is a babe, I thought. I’m sure she was dressed in something revolutionary, but my natural male instincts could only produce this simple thought. Nevertheless, because a few of you may be interested, Jones apparently wore an Atelier Versace gown and accessorized with Neil Lane jewelry and Jimmy Choo “Keenan” sandals. Yep.

As for “Mad Men,” the series performed well again at this year’s Emmys. Despite stiff competition, the show earned statues for Outstanding Drama Series and Outstanding Writing for a Drama Series. Though Ms. Jones didn’t receive a nomination for her popular role, she looked better than anyone inside the Nokia Theatre, which should be worthy consolation. Don’t believe me? Take a look for yourself.

You folks want another awards show?

King

Well, you got it! What with the Oscars, Golden Globes, Emmys, Grammys, and VMAs, it constantly feels as if there’s some big reception right around the corner. Despite their constant presence, comedians have always felt that their craft is shunned at most Hollywood ceremonies, especially the Oscars and Golden Globes. Thus, George Schlatter founded the American Comedy Awards in 1987. The event inexplicably shut down in 2001, but now it’s coming back.

ABC carried the majority of ACA broadcasts in the 1980s and ’90s, while Comedy Central aired the final edition in 2001.

Having just signed the deal, cabler doesn’t have many specifics on what the show will look like in terms of length, format or location, but president Michele Ganeless told Daily Variety that it will “likely feel like a Comedy Central event and not very formal. It will be fun, irreverent and appropriate for the brand.”

What is known is that the categories to be honored will include film, television, performance and digital shorts.

Ganeless said the cabler is restarting the ACA because it feels the genre is underserved by other kudos.

TV Land and Spike TV will both air the American Comedy Awards sometime in late 2010.

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