Month: August 2009 (Page 9 of 33)

Mad Men 3.2 – The Sky Was Falling, Heaven Was Calling

Okay, before we really get rolling on this week’s “Mad Men” blog, I really think we should start things off in much the same way that tonight’s episode did: by reminding the world just how incredibly hot Ann-Marget was in the early ’60s.

I mean, seriously, was she smoking or what?

It’s no wonder that Peggy immediately slid into catfight mode with that comment about how, if the client was looking for someone like Kim McAfee (Ann-Margret’s character from “Bye Bye Birdie”), they were looking for someone who’s 25 but acts 14. It was a hilariously bitchy line, almost as funny as Sal’s character-perfect reaction when the clip ended. This obviously isn’t the first time Peggy’s been so annoyed by the goings-on within Sterling-Cooper that she’s stepped out of her comfort zone and tried to be someone that she really isn’t, but, wow, her attempts to duplicate Ms. Margret’s moves and vocal stylings made for some highly uncomfortable viewing. Nonetheless, she at least ended up feeling sufficiently empowered to go out for a one-night stand with a hyper-excited college boy.

Mad Men - Peggy Olson

No surprise, though, that she slowed down his base-running – as well she should have, since he was clearly headin’ for home plate at a fast clip – in order to avoid a possible repeat of the Pete Campbell situation. As she slipped out of bed in a failed attempt to avoid a walk of shame, I couldn’t help but notice just how much more attractive Peggy looks when she’s out of her work clothes…but, then again, you could probably say that about most women.

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Entourage 6.7 – No More Drama

This year of “Entourage” has been pretty great so far, but one of the show’s biggest weaknesses has always been its tendency to hit the cruise control and coast through the middle of the season. Thankfully, that doesn’t seem to be the case this time around, as tonight’s episode managed to include not just one, but two major storylines, as well as a fun side adventure starring Vince and Turtle. The latter was obviously the most lighthearted of the bunch, but even though the break-in at Vince’s house was handled quite humorously (stolen underwear, really?), there’s a good chance it could become a little darker during the final stretch of the season. After all, celebrity stalkers shouldn’t be taken lightly, and though the guys have clearly ruled out firearms as a form of protection (“Turtle, you will end up like Plaxico and shoot yourself.”), they might want to take Ari’s advice and hire some security on the double.

Speaking of which, where was Ari tonight? With the exception of a short scene with Vince and Turtle, Ari’s only other involvement in the episode was sending Eric a bunch of pizzas as a gift for starting his new job. Ari may still think of him as a pizza boy, but Eric really hit the ground running on his first day, and I think that he’s going to prove to be a bigger asset than he gets credit for. With the exception of Harvey and maybe Billy Walsh, just about everybody Eric has worked with in the past likes him (or at least respects his work ethic), and that includes Bob Saget, who Murray is desperately trying to sign. At the moment, Saget is being pursued by a fellow co-worker named Scotty Lavin (Scott Caan), but when he fails to close the deal, Eric tries to close it for him after he name drops the former “Full House” star in a meeting.

As it turns out, the only way Saget will sign with the company is if he can have sex in Murray’s office. When Eric informs Scott of the strange request, however, he thinks that he’s being played, so Eric takes it to Murray himself and, just like that, bags himself a new client. Murray certainly seemed impressed with Eric’s initiative, and even jokingly suggests he sign Christian Bale by letting him “execute a cinematographer if he wants.” I highly doubt Eric is quite at that level just yet, but once Scotty learns that he’s been beaten to the punch, it’s not going to bode well for Eric. Of course, this impending rivalry is exactly what the show needs, and I can’t wait to see what the writers have in store for Kevin Connelly, Scott Caan, or even Kate Mara, who’s been cast in the incredibly thankless role of Eric’s assistant. Surely they plan on giving her more to do in the future.

That’s all we had time for this week, however, as the rest of the episode was dedicated to Drama trying to make up for his violent outage. With his job in limbo (Lloyd calls to inform him that all his scenes have been cancelled for the day), Drama races to the studio lot only to discover that he’s been banned to even enter. He tries to apologize to his boss by phone, but he only eggs Drama on even more, resulting in yet another threat – this one strictly verbal. So, with no other choice, Drama bribes the security guard at the gate with sweets and literally begs for his job back.

As it turns out, Drama’s job was never really in danger to begin with (Ed Burns granted him a “stay of execution”), but Dan the studio exec decides he’s going to torture him anyways, and I can’t even begin to imagine what that means for poor Drama. There’s a pretty wide variety of things that could happen to him, but since this is “Entourage,” I’m placing my money on his character having some kind of sexual (read: gay) reawakening. If the writers really wanted to turn the story on its head, however, they’d have Drama dreading the new subplot, only to receive a surprise Emmy nomination for his performance. Hey, it’s “Entourage,” it could happen.

True Blood 2.10: New World in My View

All hell has broken loose in Bon Temps. Quite literally, from the looks of things. As Jason so eloquently put it, “This is fuckin’ fucked up!” Agreed.

It amazed me how nonchalantly Sookie and Bill walked into Sookie’s house (or what used to be her house) after seeing the sacrificial offering erected in her front yard. At the very least, wouldn’t Bill lead the way instead of letting Sookie walk in first? Sure enough, Maryann comes in shortly thereafter and, once pleasantries have been exchanged and Sookie pulls her patented Tough Chick act, Maryann slams her up against the wall. Bill to the rescue! In the split second before Bill sunk his teeth into Maryann’s neck, I wondered how her blood would affect him. Yeah, not good. Well, not good for Bill, anyway, but judging by Maryann’s cries of “yes, ravage me!” it looks like she enjoyed it plenty. She also enjoyed the little laser light show that shot out of Sookie’s hand. “What are you?” Maryann asked several times following that incident, a look of amazed curiosity on her face. Sam may be Maryann’s priority right now, but Maryann is so utterly fascinated by Sookie after their encounter that I’m guessing she will be Maryann’s primary target before the season is over. That’s not to say that Maryann will give up on Sam – she seems pretty intent on tracking him down, to say the least – but like Eric before her, Maryann has eyes for Sookie.

Speaking of eyes, just about everyone in town has those utterly creepy, dead, black eyes, including Miss Tara Mae. To quote last week’s post from esteemed blogger Will Harris, whose shoes I hope to be at least serviceably filling tonight: “While I’m sure there have been less successful interventions than the one by Lafayette and Tara’s mama, *I* haven’t seen one.” Well, Lafayette would seem to agree with Will when, after trying prayer, pleading and a vicious slap across the face, he uttered, “This has to be the worst motherfucking intervention in history.” A little later, Lafayette’s invitation to Bill provided another highlight in an episode full of great moments. Some of those moments were funny — Eggs cheerfully asking Maryann, “You want us to kill something, so it’s extra fresh?” — while some were of the more disturbing variety, like Tara promising, “He’s on his way and he’s going to kill us all.” I’m telling you, those eyes give me the willies!

So now that Bill and Sookie were able to team up and pull Tara out of her trance, I wonder just how easily she can fall back into it. Lord knows Lafayette will do everything in his power to keep Tara away from Maryann, but you just know she’ll try to go rescue Eggs at some point. Maryann didn’t seem overly concerned about Tara leaving last week when Lafayette and Tara’s mama rescued her from Sookie’s house, but maybe that’s because she knew Tara would be back soon enough. Hey, everyone digs Maryann’s parties!

In fact, when I say “everyone,” I mean damn near everyone, since just about the entire town is now in Maryann’s employ as she hunts Sam down. Has there ever been a more formidable duo than Sam Merlotte and Andy Bellefleur? Okay, don’t answer that, but at least Andy provided some good laughs tonight, most notably after Sam told him that Maryann probably wanted to cut out his heart in front of a bunch of naked people. “And people thought I was crazy for seein’ a pig.” Poor Andy, although he doesn’t look so crazy now. One wonders whether Andy or Jason came up with the idea to trick the townies into thinking that Jason was Dionysus (or whomever the hell they’re all waiting for), but it worked like a charm, thanks in no small part to Sam’s disappearing act. Andy’s and Jason’s reaction to that was perfect, and the bare-ass-apron shot was a great touch. It’s great to see Jason taking charge in the wake of his L.O.D.I. training, and it looks like he’ll be on the frontlines when this all comes to a head over the final two episodes.

Admittedly, there is plenty that I’m missing here (Terry was awesome tonight as the commander of the townie brigade, as was Hoyt’s batshit crazy mom), but I’ll wrap it up with a comment about last week’s blog entry from fellow PH blogger John Paulsen: “One thing this show does better than just about any other I’ve seen is end each episode with a bang…usually some sort of revelation/cliffhanger that keeps the audience wanting more.” True to form, I sure as hell want to know who the Queen is and why she has a horde of Mr. Smiths surrounding her house. At first I thought Bill might be going to see Lorena, but that doesn’t make much sense. Either way, it’s looking like the Queen will be playing a pivotal role in the war that’s about to go down in Bon Temps. I’m just wondering who’s going to survive, and who won’t.

Inglorious movie moment #3

I wonder if that estimated $37.5 million would have been any less, or more, if “Inglourious Basterds” included a scene like the one below tfrom 1977’s “Soldier of Orange,” a fact-based tale about the impact of World War II on a group of promising Dutch students. And, no, it’s not “Brokeback Nazis” or anything of the kind…or at least that’s not how I remember the breakthrough film from Holland’s Paul Verhoeven who certainly wouldn’t be afraid of a little gay subtext or text, so who knows. It’s been awhile.

Verhoeven, of course, eventually moved stateside and went on to have one of the more interesting Hollywood careers we’ve seen (except for “Robocop,” I’m not a fan, not at all…but that could change; I still haven’t seen “Showgirls”!). Sorry, no subtitles you’ll just have to figure the content of the discussion between a very young Rutger Hauer and Derek de Lint.

“Basterds” bash box office projections

Either the Weinstein Company did an extremely good job of managing expectations or box office prognosticators simply underestimated the potential of a director/brand name with a strong suit for entertaining a large swath of the moviegoing public, a premise with fairly proven guy appeal (revenge + WWII), and the additional gravy of an A-lister in a juicy, semi-lead role. In any case, for the second time in as many weeks, a very well-reviewed genre film has significantly over-performed and “Inglourious Basterds” has raked in an exceedingly healthy $37.6 million, say the box office estimates promulgated by THR, Nikki Finke, Variety, Box Office Mojo, etc.

Concerns which I brought up last time that the latest from Quentin Tarantino might be too cinema-esoteric for mainstream audiences have apparently proven to be a non-issue, at least for weekend #1. It’s outstanding foreign performance totaling $27.5 million is no surprise at all, especially given the subject matter and Tarantino’s  choice — which almost certainly made his job harder — to film the movie in several different languages rather than opting for the traditional mid-Atlantic or vaguely nation-specific accents we usually see in American-shot international tales. These are both, by the way, significant financial personal bests for Tarantino. Of course, that’s not “Transformers” numbers, but people will actually still likely be watching this one twenty years from now and probably longer, which means it will be making money for the putatively on-the-edge Harvey Weinstein and Universal for that time as well.

District 9
The same is also probably true in re: Tristar and Sony for this week’s #2 performer and that other transnational “well reviewed genre film” I mentioned above, “District 9.” The South Africa-set, politically charged violent sci-fi action piece brought in $18.9 million for a drop of just under 50% from last week, as there proves to be a market for combining a certain amount of brains with violent brawn. That’s even more impressive given the stiff competition from “Basterds” for largely the same audience.

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