Month: August 2009 (Page 19 of 33)

2009 Emmys sticking to original format

Emmys

In an effort to add some needed entertainment, the Academy of Television Arts and Sciences and CBS had earlier decided to pre-record eight award presentations and play them in snippets throughout the ceremony. Now, because of dissent from the creative community and lack of public support from the other major networks, this “time-shift” is not going to happen.

The TV Acad had intended to pre-tape eight award presentations in the hour leading up to the 5 p.m. PT start of the live three-hour telecast from downtown L.A.’s Nokia Theater, and then run clips of those presentations throughout the telecast. Yet just two weeks after the board overwhelmingly approved the final changes, the Acad confirmed that this year’s telecast will include the usual roster of 28 kudos presented live.

The fight that erupted after the time-shifting decision was announced boiled down to a question of respect for various disciplines — the plan was to drop two awards each from the writing, directing, acting and producing fields — but also a case of critical darlings vs. mainstream hits.

It’s strange to think that 28 awards are handed out in just three hours. To me, the Emmys always seem much longer than they actually are. That’s obviously not a good thing, but the eight awards they were planning to pre-record would have been from the writing and directing categories. Since my favorite shows are nominated in those categories, I would be disappointed if they weren’t given their due in front of the national audience. After all, the writers and directors are the backbone of what makes great television. I’m all for adding extra bits of entertainment to the broadcast, but CBS never announced what they had in mind. If anything, get rid of the Guest Actor/Actress categories to make room for some extra music and comedy.

Silly time in movie land

Still in the midst of a busy day, so I’m keeping it short…

* In the “haven’t we seen this item already” category, it seems that Warners is now planning a movie based on Legos. Apparently, they have run out of video games and dolls and now they are basing a movie on a toy building material. Hey, I’m not saying it will necessarily be bad, but what next: “Lincoln Logs: The Movie”? And, coming soon, the R-rated comedy for adults: “Drywall.”

* The good kind of silliness, from my friends, ‘net superstars the Perry Boys of “Retarded Policeman” fame. This may seem familiar.

For more of the Perry Boys’ exploits, click here.

TCA Tour: “Glee”

During his executive session at the TCA Press Tour, Fox President of Entertainment Kevin Reilly announced that they’ve finished 13 episodes of “Glee,” assuring us that “the show delivers. It’s fantastic.” While this is exactly the sort of thing you’d expect a network president to say, those of us who caught the pilot episode of the series when it aired earlier this year couldn’t be much more hopeful that Reilly isn’t just talking out of his arse.

It was an interesting experiment for Fox to air the series pilot months before the series was to make its proper debut, but it created the kind of buzz that makes network executives giddy.

“We didn’t really think that a one-time-only play was going to be about ratings,” said Reilly. “It was really a marketing stunt to a certain extent, and it’s something that has ended up being very successful. In fact, it could be the marker for something we’re going to employ more frequently, because our marketing effort in these things get wedged into such a narrow window from the time they’re ready to put out there to the time they air. We wanted people to talk about it and take time to get their heads around it. It did a 4.3 rating ultimately in the Live-Plus-Seven. It’s been sampled by 25 million people between TV, the online site, and Hulu, which has been unbelievably strong. We’re going to repeat it again. We’ve heard the chatter, and the talk continues to get more and more positive.

“We were at Comic-Con last week, which was a stretch for this show,” he admitted. “We were nervous nobody was going to show up. It wasn’t even in the main venue. There were thousands of people out the door, and it was like The Beatles were there. There’s something happening with the show. With that said, we’re both very confident there is a core audience for this show that is going to be there and it will be successful. How much the upside is…? I don’t think we’re looking for this to be necessarily the biggest phenomenon of the fall. It is a little bit of an offbeat show, but we’d certainly love to have it in that square success category. We know it’s a creative success because we’ve now seen the work. So all in all, we like that strategy. It worked very well.”

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David Mamet taking on a new “Anne Frank” film

Disney has acquired the rights to do a new version of The Diary of Anne Frank, this time to be written and directed by David Mamet. I know the temptation here is to start making dumb (but possibly funny) jokes about F-words being thrown into this latest version of the frequently filmed accidental classic and classroom perennial. However, this is not the first time Mamet has dealt with family-friendly material. His 1999 G-rated version of Terence Rattigan’s “The Winslow Boy” was a genuine treat and was also drawn from real, though far happier, events.

By the way, via IMDb, I count nine previous versions of the Anne Frank diary itself (not including numerous productions expanding on what was in the actual diary) mostly made for television. There was also an anime version in 1995.

Considering Frank’s legendary postive view of mankind, a post of mine from last year responding to an op-ed by Mamet might be of some interest here.

TCA Tour: “Lie to Me”

“Lie to Me” is a series which I would’ve watched a heck of a lot more if it hadn’t always been up against a series that I already had an existing addiction to, but every episode that I did see was enjoyable, so I’ve already got my order in for a copy of the Season 1 set, so that I can be properly prepped for Season 2. There’s also another really good reason to be ready for the show’s sophomore outing: they’ve added Shawn Ryan – a.k.a. the man behind “The Shield” – to the series’ production team.

How did such a thing come to pass? In a nutshell, Samuel Baum asked him to join, and although the two hadn’t really known each other, Ryan was swayed both by a sudden opening in his schedule and the company Baum was keeping.

“I came out and helped out a little bit on the last couple episodes as a favor to the studio,” explained Ryan. “I didn’t really know Sam, but I had a couple of my old ‘Shield’ writers who were over there, and I thought, ‘Well, that will be cool.’ I enjoyed it: I got to meet Tim and the rest of the cast, I dug the show. ‘The Unit’ was unceremoniously dumped by CBS, so I suddenly found myself with a little time, and I thought I could bring something to the show. It was something that excited me. You see the actors here: it’s an incredible cast, and I just want to get to know these characters better. And believe me, there’s enough work on a TV show for both Sam and I. So it really is a very cooperative, very friendly relationship. There was no “All About Eve” sort of situation here. There’s plenty for both of us do. In terms of what I think I might bring to it, I think I’m trying to push it a little bit more in a character direction, add a little bit of adrenaline to the show, but really sort of dig deep.”

So by “adrenaline,” are we talking more explosions, or what?

“No, no, I don’t mean that exactly,” Ryan said. ” Listen, the show is ultimately based on a group of scientists. And Mekhi (Phifer) plays a character who is not a scientist. But the fact is they are people who are diving into the middle of charge cases and accusing people of being liars. That can lead to consequences. So I don’t mean adrenaline in a ‘Shield’ sense or a ’24’ sense, but they are going to put themselves in some emotionally and physically harrowing situations at times. And I think the pace of the show will increase slightly. And we have a lot of story to tell, and I just think there’s some juice that can be added to the show in a fun way.”

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