Tag: Zombieland (Page 2 of 4)

Celluloid Heroes: Jason Zingale’s Best (and Worst) Films of 2009

For film critics, the end of the year means only one thing: “best of” lists. It’s probably one of my favorite parts about the job, so when Bullz-Eye decided to do a decade-end feature in place of our annual retrospective, I didn’t let that deter me from putting one together anyway. This year’s crop of films was just as uneven as in past years, but while you might have had to dig a little deeper to find some real gems, there’s no denying that 2009 still delivered some truly great movies. Here’s a look at my ten favorite films, along with a few honorable mentions and a list of the year’s worst.

THE BEST FILMS of 2009:

1. “Inglourious Basterds

Quentin Tarantino’s WWII revenge fantasy is every fan’s dream movie. Not only does it feature the director’s trademark dialogue (and plenty of it), but it also boasts a stellar ensemble cast, award-worthy performances from Christoph Waltz and Michael Fassbender, and some of the most thrilling sequences of the year. The German bar scene may feature QT at his nostalgic best, but the opening chapter is his magnum opus. That “Inglourious Basterds” can run for an additional 120 minutes and still be just as engaging is a testament to the film’s supreme quality.

2. “The Hurt Locker

This Iraq war thriller is one of the most suspenseful movies I’ve ever seen, piling on the tension so high that you’ll literally spend the entire film on the edge of your seat. Jeremy Renner is a marvel to watch as the bomb squad thrill junkie at the center of the story, but the real star is director Kathryn Bigelow, who takes an otherwise barebones script and transforms it into a series of memorable set pieces that continually upstage the one before it. But best of all, “The Hurt Locker” proves that female directors don’t have to make movies for women to be taken seriously in Hollywood.

3. “Up in the Air

There’s a pretty good chance that “Up in the Air” would have moved up a spot on my list had I found the time to see it a second time, but as it stands, the Jason Reitman-directed seriocomedy is still one of the year’s best movies. Reitman may not get a lot of credit as a director, but between his funny and timely adaptation of the Walter Kirn novel and keen use of his actors, it’s pretty clear that he has a promising future in the business. George Clooney continues to charm the hell out of moviegoers in a role tailor-made for the veteran actor, while Anna Kendrick steals the show yet again in a performance that deserves to be rewarded come awards time.

4. “Fantastic Mr. Fox

I’m surely in the minority on this one, but “Fantastic Mr. Fox” is the best animated movie of the year. I love Pixar just as much as the next person, but while “Up” proved to be yet another excellent addition to the studio’s still-flawless portfolio, director Wes Anderson’s adaptation of the popular Roald Dahl children’s story is even better. From the spot-on voice cast and witty script to the incredible sets and wonderful costume design, “Fantastic Mr. Fox” has so many layers that you have to watch it several times just to soak up all of the rich detail that went into making the movie.

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Celluloid Heroes: David Medsker’s Top Movies of 2009

Let’s not mince words, because our very lives depend only upon truth: 2009 was not a great year for movies. It was the most profitable, but how much of that was driven by quality versus 3D and IMAX surcharges? And at the risk of sounding like one of those cranky critics who’s never satisfied, let me state that I did indeed find several movies that I enjoyed at the theater this year; I’m just not sure how many of them will stand the test of time.

This was very much a disposable entertainment kind of year, where movies were built to serve like a meal (consumed once), rather than a piece of furniture (stays with you for decades). Having said that, there were some damn good meals served up this year. Here are my ten favorites.

zombieland
10. Zombieland
The single best time I’ve ever had at the movies. It was at a theater that served beer, and the crowd was eager to have some fun. Needless to say, we did. I still think the death of the actor who turned in a brilliant cameo performance was cheap and illogical, but based on the woooooot! that it received when it happened, I am clearly in the minority.

avatar
9. Avatar
It’s not great storytelling – we’d actually pony up the dough for someone to punch up James Cameron’s dialogue if he’d allow it – but “Avatar” is extraordinary filmmaking. The landscapes of Pandora are so rich and unique that it’s easy to forget that none of it is real. To put in perspective just how huge “Avatar” is, the RoboCop-type battle weapon was the big showstopper in “District 9.” Here, there are dozens of them, and they’re just part of the scenery. People dog Cameron for his admittedly monstrous ego, but for God’s sake, look at this movie. Who else could make this? Nobody, that’s who. Love him or hate him, James Cameron makes sure every one of his movies gives you something you’ve never seen before, and holy cow, does he do that here.

district 9
8. District 9
That slapping sound you heard is Paul Verhoeven hitting his forehead for not thinking of this first. Neill Blomkamp’s aliens-as-Apartheid-victims story is the kind of art-imitates-life metaphor that makes Verhoeven involuntarily drool (and, sometimes, demand that an all-nude shower scene be written in somewhere), and Blomkamp works CGI miracles on a relatively miniscule $30 million budget.

basterds
7. Inglourious Basterds
It is such a treat watching Quentin Tarantino grow up. His stories are infinitely simpler, but they’re better because of it. “Basterds” is his simplest one yet, and while the movie is mostly dialogue, it’s not overly chatty. The scene in the sub-level German bar is worth the price of admission below, but Tarantino goes one better by delivering an over-the-top finale that is revisionist history at its most sublime.

coraline
6. Coraline
We love “The Nightmare Before Christmas” as much as the next Goth kid, but “Coraline” is Henry Selick’s best stop-motion feature yet, by a country mile. It has all of the spooky/funny elements of “Nightmare,” but the story, courtesy of Neil Gaiman, is ten times better. Most importantly, this movie is actually scary, as in ‘pay attention to that PG rating before deciding whether to show it to your kids’ scary. Unless you want to be awaken by your six-year-old’s night terrors for the next nine months, in which case we say go nuts.

hurt locker
5. The Hurt Locker
This has to be the front runner for Best Picture at this point, and it’s a most worthy candidate. Kathryn Bigelow’s been playing with the big boys for a while now, but even when she had big names (Keanu Reeves, Patrick Swayze) or big budgets (“Strange Days”) behind her, she never had a story as gripping as “The Hurt Locker” at her disposal.

fantastic fox
4. Fantastic Mr. Fox
So delightfully odd that it’s almost impossible to describe. The animals, while incredibly well spoken, are still animals at heart – stay away from Mr. Fox when he’s eating – but Wes Anderson makes sure they’re also as human as can be. Bonus points for recruiting Jarvis Cocker to write the movie’s campfire song.

up 2
3. Up
It took repeat plays with my son to see just how bold and nontraditional this movie was. If the directors at Pixar are parts of the body, Pete Docter is unquestionably the heart, and his tale of a lonely widower and the little boy unfortunate enough to be on his porch when he sails his house for South America tugs the heartstrings like no other movie in Pixar’s catalog. When I interviewed Docter earlier this year, I told him that the “Married Life” montage brought me to tears…but not before I called him a bastard for making me cry. (He thought that was hilarious.) I’ve now seen the movie another five or six times, and damned if I don’t cry at that scene every single time. Fuck you, Pete Docter. You’re awesome, but fuck you.

500 days
2. (500) Days of Summer
The story of a guy who’s prone to fugue states, likes sad British pop music and singing karaoke, and spends years in the work force doing a job he has no business doing, and then he falls for the girl that is both the end-all-be-all and bane of his existence? Let’s just say that this movie spoke to me. Joseph Gordon-Levitt and Zooey Deschanel are too cute for words as Tom and Summer, and director Marc Webb stages one of the simplest but most brilliant scenes of the year with Tom’s expectations of Summer’s party playing out side by side with the reality. Also had the best musical number of the year.

up in the air
1. Up in the Air
Director Jason Reitman taps into into George Clooney’s effortless, endless reservoir of cool and uses it to make his protagonist, the terminally single, travel-happy hatchet man Ryan Bingham, a likable guy. Clooney has never been better, and Anna Kendrick (props to EW’s Owen Gleiberman for his pitch-perfect description of her character as a ‘bottom-line chipmunk’) goes toe to toe with Clooney from start to finish. Just when I thought I knew where Reitman would go next, he veers off in a different, much better direction. He’s only made three full-length movies, and he’s already a better director than his father.

Honorable Mentions
Moon
Anvil: The Story of Anvil
Cloudy with a Chance of Meatballs
Star Trek
Harry Potter and the Half-Blood Prince

Celluloid Heroes: Funniest Death Scenes of the 2000s

John Donne once said that death be not proud, but history appears to have misplaced his opinion on whether it can be funny. Fortunately, Hollywood has given us an answer on his behalf: hell, yes. Yes, we’re positive that’s exactly how the religious poet Donne would feel about it if he had seen the movies we’ve seen this decade. Even the dogs get in on the action at the movies this year: in “Up,” Dug’s favorite joke is, “A squirrel says, ‘I forgot to store acorns for the winter and now I am dead.’ The joke is funny because the squirrel is dead.”

One word of caution before proceeding: as you might imagine, there are SPOILERS galore here. Heck, some of these movies haven’t even been released on DVD yet. Ready to laugh at man’s last, most undignified act? Read on, fellow sickos, and of course give us your suggestions for the list in the comments section.

10. Shaft (2000): Back alley view to a kill
shaft
Yes, it seems like an inauspicious way to begin the list, but hey, it was a free screening, and I love Samuel L. Jackson. There is a reason that there was no sequel to John Singleton’s blacksploitation remake – what was up with Edgar Wright taking a shit in the middle of a meeting? – but Singleton did set up one fantastic death of a bad guy, and better yet, it’s clean enough for network television. John Shaft is being chased by baddies, so he jumps through the window of a New York apartment building onto the fire escape. Bad guy is a few steps behind him, so he peeks his head out of the window to see how much of a lead Shaft has. Ha ha, muthafucka. Shaft is right there outside the window, gun in bad guy’s face. Boom, dead.

9. Friday the 13th (2009): Shoot that poison arrow through my heeeeeeead
friday 13th nolan
Easily the best scene in the wholly unnecessary 2009 remake of the legendary (though itself not very good) 1980 slasher movie. Nolan is driving a ski boat, his topless cheesecake girlfriend behind on a wakeboard. From out of nowhere, THWACK! Nolan gets an arrow straight through his head, killing him instantly. This scene is awesome for two reasons: the obvious one is the sheer surprise of it all, the instant death in a movie series built on slow, creeping deaths and boo! noises. The really awesome part about it is that for this to happen, it means that Jason Voorhees, a mentally impaired, hockey mask-wearing lunatic (you can’t say that the mask doesn’t affect his depth perception), had to shoot an arrow at a fast-moving boat while standing on the shore, from a distance of at least 50 yards. Anyone who’s done archery on “Wii Sports Resort” knows that that, friends, is fucking ridonculous.

8. Saw IV (2007): Ice ice, baby
saw iv
For a series that started out with such promise – before that whole ‘torture porn’ phrase was bandied about, everyone just thought of “Saw” as a grisly thriller, which it was – the “Saw” movies became self-parody by the third installment, trying to have their cake and eat it too with traps that the victims had absolutely no chance of surviving, then wagging a finger at the misguided Amanda (and by extension, the American public) for setting them up, thinking they could have it both ways. When the fourth one came along, I was understandably jaded, especially after they revealed that Detective Eric Matthews is not only alive but stuck in a noose and slipping on an ice block while two gigantic blocks sit suspended in the rafters on both sides of his melon in the event an electrode is triggered. One of Matthews’ friends on the force has been looking for him since he disappeared, and since the police chief is working with Jigsaw, the chief knows just how to manipulate him. He even warns the guy earlier not to go through an unsecured door, and it is that impulsive move later that causes Matthews’ awesome, awesome death, where those 100-pound blocks of ice create a brain smoothie that the residents of Zombieland would kill for. Speaking of which…

7. Zombieland (2009): Fatty on the windscreen
zombieland banjo
One of the most beautifully grotesque pieces of photography I’ve seen in years. The scene just before this was funny enough, with the little princess zombies going after the suburban hausfrau, but when she takes her eye off the road, hits the back of the flat bed truck, crashes through the windshield and skids 30 feet across the street, well, that’s just comedy gold, right there. Those of you who have seen the movie are probably wondering why I included this over the much-ballyhooed cameo death scene by Bill Murray. Well, I’ll tell you: because that was as cheap a laugh as there is in “Zombieland.” Come on, do you really think Tallahassee and Wichita never thought, “Wait, don’t jump Columbus; he’s a jumpy little bitch and shoots everything twice”? That scene required a massive lapse of logic on the part of all concerned. Except Columbus, of course; he was totally within his rights to take Zombie Murray out.

6. Final Destination 2 (2003): Keep off the glass
final dest 2 glass edit
Considered by many to be the best of the franchise (though I’ll confess that I prefer the third one, and you’ll soon see why), there are some spectacular deaths in “Final Destination 2,” but only one had me reaching for the rewind wheel, and that is when young Tim (James Kirk) foolishly chases after some pigeons outside of the hospital, and runs underneath a giant plate of glass, which doesn’t just kill him but turns him into vapor. Later, for an added laugh, they show the body bag that carries his “remains” into an ambulance, but it has no form, since there was only blood left behind.

5. Kill Bill Vol. I (2003): Cutthroat business meeting
kill bill 2
The next time you’re thinking of calling out your new boss’ Chinese or American heritage as a symbol of weakness or corruption, make sure your new boss isn’t barefoot and carrying a samurai sword. You won’t hear her coming, and the last thing you’ll see is up her kimono after your severed head lies motionless at her feet. Bad call, Boss Tanaka.

4. Final Destination 3 (2006): Sorry, I really lost my head
final dest 3
I laughed so hard at this one that three women from a couple rows in front of me turned and looked at me like I was a ghoul. Apparently, they didn’t know that these movies are supposed to be funny. After the initial crash takes place, smarty pants Wendy tries to warn Lewis the gym rat that Death is after them. Instead, he mocks her, even after he was nearly decapitated by two swords on the wall. (Hands up: anyone been to a gym that has swords on the wall? Didn’t think so.) He then does one more rep on his triceps machine, unaware that the free weights behind him are really, really free. On the plus side for him, he literally had no idea what hit him, because whatever brains that would have formed that idea were in pieces on the floor. And Wendy. Mostly Wendy.

3. Law Abiding Citizen (2009): I just called to say…you’re dead
law abiding citizen
It doubled its budget at the box office, but “Law Abiding Citizen” is a pretty silly movie. Man loses wife and daughter in home robbery, man feels wronged by system, Man extracts brutal revenge on everyone, and we mean everyone, he feels is responsible. There is one scene, however, that makes the entire film worth watching, and it is when attorney Nick Rice is in the judge’s chambers, and the judge, who is one of the ‘everyone’ supposedly responsible for this miscarriage of justice, answers her cell phone. “Hello?” BAM! Dead. Man somehow wired her phone to deliver the equivalent to a bullet in the head. The whole thing takes less than a second, and it’s one of the funniest less-than-a-seconds of the you will ever see.

2. Spider-Man (2002): Death scene, interrupted
spider-man goblin
Leave it to Sam Raimi to assemble a vicious, bloody fight to the death between hero and villain, and end it with the funniest scene in the movie. After beating Peter Parker nearly senseless in the tried and true standard that is the abandoned building, Peter comes roaring back with a vengeance until the Green Goblin surrenders and reveals himself to be Norman Osborn, Peter’s best friend Harry’s father. Norman then attempts to literally and figuratively stab Peter in the back with his hoverboard, but Peter’s spider sense tingles just in time for him to backflip out of the way while the hoverboard impales Norman to a brick wall. That alone would make for a pretty cool scene, but it’s not enough for Raimi; in a trick straight out of the “Evil Dead” series, he includes a score-free, quick-shot close-up of Norman saying “Oh,” and then jumping back into the action of Norman getting killed by his own weapon. He may have made his bones in horror, but that scene is a textbook lesson in comic timing.

1. Star Wars, Episode II: Attack of the Clones (2002): The face of death is near, and so, I flail!
clones shmi 1
She had nearly 25 years of acting experience under her belt when the Sweden-born Pernilla August signed on to play Anakin Skywalker’s mother Shmi, and somewhere along the way, you would think that she would have learned how to die on screen. But then again, after 30 years of making movies, you’d think that George Lucas would know a thing or two about directing, so there you go. The “Star Wars” movies were never shining beacons of thespian genius, but Shmi Skywalker-Lars’ death is the kind of work that you’d expect from the understudies to the group in “Waiting for Guffman.” Shmi’s last words aren’t even tear-filled confessions or reluctant farewell; they’re the acts of someone with Alzheimer’s, someone so forgetful that she doesn’t realize she’s about to die. And for the piece de resistance, the open-mouth head flop. Even Hayden Christensen could do a better death scene than that. And he’s a robot, fer crissakes.

Honorable Mentions
The Dark Knight (2008): The disappearing pencil trick
Van Helsing (2004): Werewolf Helsing howls over lover’s death
District 9 (2009): The bullet grenade
Ninja Assassin (2009): Just a little off the top…half of your head

Celluloid Heroes: The 10 Funniest Lines of the ’00s

It takes a lot to make me laugh out loud at something a person says. Witty is one thing, but genuinely funny is another beast altogether. And when I say laugh out loud, I’m talking about involuntary spasms of laughter, the kind that take a couple of minutes to subside. There is no formula for it, and I have no criteria for what form it takes. I just know it when it see it. Unfortunately, I don’t see it often enough. Sometimes they appear in otherwise unfunny movies, at which point I usually get angry, but that’s a subject for another day.

In the first of a long list of decade-oriented blog posts about the movies of the 2000s, here are the lines that made me laugh the hardest at the Googoplex. Be advised, potential SPOILERS abound here, so I don’t want to hear that I ruined such and such movie for you. What are your favorite lines? Let’s hear ’em in the comment section.

#10: Up – Somebody always loves you
This is more of a laughter-through-tears kind of thing, but it’s my list, my rules, so it counts. Pete Docter goes straight for the heart in this movie, almost mercilessly so. The “married life” sequence makes me cry like a little girl every time I watch it, and this scene, where the loyal Dug comes to comfort Carl, is quite possibly the “Awwwwwww” moment of the decade.

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Indie awards, viscera in your lap, and the boredom of Alec

* If you’re looking for any clear Oscar indications from today’s indie awards news, you might want to look elsewhere. “Precious” and “The Last Station” — which I’ve been reading very mixed things about so far — were among the films to make a nominations splash with The Independent Spirit Awards.  Meanwhile, the Gotham Awards were held last night and “The Hurt Locker” “swept” things — well, it won two big awards including Best Picture. Close enough. (Kathryn Bigelow’s wartime thriller, a favorite of many, was not eligible for the Spirit Awards this year, but only got a pair of acting nominations last year.)

* There’s something in the air about gross-outs in 3-D today. First, comes news that sequels to both “Zombieland” and, lord help us all, “Jackass,” are planned in the suddenly semi-ubiquitous format because what the world needs now is projectile cow semen in three dimensions. That’s not all, a new remake of George Romero’s seminal “Night of the Living Dead” will be in 3-D digital animation, which actually renders things less gross and scary — to me, anyhow and that’s just fine for this disliker of gross-outs.

By the way, this is will be the third remake of the film and the second in 3-D, though the 2006 attempt seems a bit less classy. I actually like the idea of taking an epic tack with a variation of the original film, but I just hope Romero gets at least a small piece of the action. (In one of the strangest foul-ups in movie history, the original flesh-eating zombie flick fell into the public domain back in 1968. So, anyone who wants to may legally do their own rip-off.)

Meanwhile, jolly Carl DiOrio is here to tell us that the growth of 3-D films will be gradual and mostly limited to genre and concert films for the time being. Good to know.

* Domestic b.o. is up by 8%, and the really good news is that b.o. is short for “box office.”

* Paul Greengrass confirms his “Bourne 4” directorial exit as reported yesterday, but says the divorce is highly amicable, though the fate of the project seems in doubt and, yeah, I’m not sure we really need a fourth outing, either. On the other hand, Bourne fans can protect themselves against speedy video obsolescence on the three films already out early next year. Here come: “flipper discs.”

* Say it ain’t so, Alec Baldwin, say it ain’t so! You may be bored, but we are so not.

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