Tag: Terminator: The Sarah Connor Chronicles (Page 2 of 3)

Currently on the Bubble: Half the Reasons I Watch Network TV.

Have you noticed an intoxicating scent of fear and desperation in the air recently? When you catch that scent wafting in from the general direction Hollywood, you know we’ve reached the time when the networks have begun to look very, very seriously at their schedules in order to determine which of the shows that haven’t yet earned pick-up notices for their next season actually deserve those notices. This year, the stench is particularly strong, what with the combination of Jay Leno’s new M-F 10 PM show killing five perfectly good spots for hourlong drama on NBC, the general economic situation, and the American public still not really having much of an interest in watching anything original. Keeping in mind, of course, that when I say “the American public,” I’m not talking about you

“No, Mum, they haven’t officially canceled ‘Eleventh Hour’ yet. I’ll keep you posted, though, shall I?”

Nellie Andreeva at the Hollywood Reporter has put together a piece where she gives a rundown of what shows are still waiting to find out if they’re going to get a pink slip or a terse note saying, “Yeah, yeah, you’ve got another season, now get your ass back to work,” while Hercules over at Ain’t It Cool News has taken the work out of it for you and simply offered up three succinct lists: Likely To Return, Unlikely to Return, and 50/50.

Taking the “Likely to Return” list – “Ghost Whisperer,” “How I Met Your Mother,” “Law & Order,” “Numb3rs,” “Southland,” and “Ugly Betty” – out of discussion for the moment, I don’t mind telling you that, between the other two lists, it’s highly depressing to see about half of my TiVo Season Passes get cited. (Not mentioned in the Hollywood Reporter piece is “Kings,” but I agree with Herc that it’s probably been left out because its permanent vacation at the end of its Saturday night death slot run is considered a given.) Regular Premium Hollywood readers will already know that our man John Paulsen has been covering the death knell of several of these shows and established his feelings on what he’d be bummed to see depart, but here are the five shows – one per network, so as not to be greedy – that I’d most like to see earn a reprieve from cancellation:

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Ausiello: “Terminator: TSCC” is finished

EW.com’s Michael Ausiello says that “Terminator: The Sara Connor Chronicles” is all but done.

Resist the urge to nuke the messenger, but multiple sources are telling me that Fox will not be renewing Terminator: The Summer Glau Sarah Connor Chronicles for a third season.

“It’s done,” maintains a source close to the show. “Everyone has pretty much known for a couple of weeks.” Adds a network insider: “Consider it canceled.”

The one bright spot? Despite horrific ratings, Fox isn’t ready to declare SCC dead and buried — at least not officially. “No decision has been made yet,” insists a network rep. “We will be announcing our fall schedule on May 18.

I think the show’s slow pacing was ultimately its downfall. Fans of the “Terminator” movies are used to rock ’em, sock ’em action, and while the series had a few episodes that could be described that way, it had neither the budget nor the inclination to be a full-fledged action series. The final four or five episodes of this season were terrific, so from a creative standpoint, the series was about as good as it could be at the end.

It would be nice if Fox gave it another season, but I’m not holding my breath.

TV Roundup: “Terminator: TSCC” ratings, “Dollhouse” news and more

– Quality-wise, “Terminator: The Sarah Connor Chronicles” finished really strong, but the ratings stayed even over the course of the season, so the future of the show is definitely in question. The show finished with a nail-biting four- or five-episode run, but the series’ overall slow pace drove away all but the most faithful of viewers. This should have been a 13-episode-per-season series from the start.

– “Dollhouse” ratings from last Friday matched a season low. Not good. More bad news: Fox isn’t going to air the 13th (already shot) episode, though some in Joss Whedon’s camp suggest that the 12th episode (“Omega”) is his original vision for the season finale. (I’m as confused as you are.)

– TNT broke a streak of “successful” shows by canceling “Trust Me.” TNT head of programming Michael Wright said that “it just didn’t find an audience.”

– “Prison Break” returns this Friday with the first of the final eight (?) hours of the series.

Friday night — where good shows go to die

In theory, Fox had a solid idea. Pair Joss Whedon’s new hour-long drama, “Dollhouse,” with “Terminator: The Sarah Connor Chronicles” to create a male-skewing sci-fi block on Friday night. They’ve had success on Friday’s in the past with sci-fi; “The X-Files” flourished there (or at least paid for itself) for several years. But The Live Feed reports that ratings for both shows were a disappointment.

The series premiere of Joss Whedon’s “Dollhouse” was seen by 4.7 million viewers Friday night and garnered a 2.0 preliminary adults 18-49 rating and 6 share. It was beaten in the 9 p.m. hour by ABC’s “Supernanny” (6.1 million viewers, 2.2/7) and is the lowest-rated scripted series premiere on a major broadcast network this season aside from NBC’s now-defunct “Crusoe.”

“Dollhouse” was paired with the midseason return of “Terminator: The Sarah Connor Chronicles” (3.7 million, 1.3/5), which was shifted from its previous Monday post. “Terminator” came in third place in the hour and hit a series low (by like 27%). “Terminator” beat NBC’s “Howie Do It” (3.9 million, 1.2/4), but not by much. Both “Ghost Whisperer” (10.3 million, 2.4/8) and “Wife Swap” (4.3 million, 1.5/5) did better.

I thought “Dollhouse” had a pretty solid premiere, but I was by no means blown away. The premise is interesting — that there’s a business that can reprogram “dolls” to become whatever its clients need. In the premiere, Echo (Eliza Dushku), started out as a party girl meant to entertain a rich playboy, but was reprogrammed to become an expert in kidnapping scenarios. Dushku looks great in a dress, but was a little stiff when she was trying to convince the father of a kidnapped girl that she was the right person for the job. I’m not sure that she’s the right one to carry the series, though future episodes will decide this. Stepping back a bit, I’m not sure how some viewers may react to seeing this pretty girl having her brain wiped at least once per episode. If the heroine doesn’t have some consistent character traits week-to-week, she may be tough to relate to.

I’ve liked “Terminator” all along, and I’m surprised that it is struggling in the ratings. I suppose this has to do with the collective attention span of fans of the movie series. Maybe stringing out a serialized plot over 20+ episodes is just too slow of a pace for those that fell in love with the action-packed “Terminator” films. This is a perfect example of a series that should have a 13-episode season, like many of the series on HBO, Showtime, FX and TNT. Shorter seasons means a compact season-long story arc and no filler, which is the main reason that a series loses viewership. When people get bored they naturally move on.

Another Friday show that is dying a slow death is “Friday Night Lights.” It consistently scored in the 4.0-5.0 range in its first season, and that fell to the 3.0-4.0 range in its second foray. Now, after premiering on DirecTV this fall, the show is garnering ratings in the 2.2-2.8 range as NBC runs the episodes for the non-DirecTV folks. Is this enough to keep this stellar show on the air for another season? Only the big-wigs at DirecTV and NBC know for sure, but given the state of the economy, it would be surprising if it were granted a fourth season.

Hey, Whedon-ites, who’s ready for “Dollhouse”?

Check out the new trailer (which also pimps its sister show, “Terminator: The Sarah Connor Chronicles”), then let me know what you think. I’ve seen the first episode – more details on that coming soon – and I liked it but wasn’t in love with it. Will the illustrious Ms. Dushku be able to live up to the show’s premise and produce a different performance for each new personality she’s imprinted with? I’m in “wait and see” mode, personally, but it’s Joss Whedon, so I’m hopeful.

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