Tag: Spiderman (Page 4 of 5)

Tuesday late night movie news

It’s pretty clear that nothing going on in movieland tonight is going to be able to compete with the sheer entertainment value of the NBC late night TV quagmire, but there’s definitely stuff to talk about.

* Peter Saarsgard of the very good “An Education” is a highly intriguing actor who I’ve been following for some time, especially since catching his work in the underrated “The Dying Gaul” at Sundance a few years back. No matter what kind of character he’s playing, he seems to have a real gift for moral ambiguity. If he’s cast as a villain, we think he must have a good side, and if he’s cast as someone more upright, we wonder if there isn’t something underhanded going on. Anyhow, Borys Kit reports that it looks like he might be playing the villain side of the street in the Green Lantern movie. Could be good.

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* The longest named director in show business is back on “The Tourist,” a remake of a French thriller to star Johnny Depp and Angelina Jolie Florian Henckel von Donnersmarck is the very talented and personable multilingual director behind “The Lives of Others.”

* Simon Brew has some more on the upcoming “Spiderman” reboot announced yesterday. His list of possible new Spideys has two interesting entries that I can’t quite agree with. Daniel Radcliffe actually makes some sense, but we’ll have to see how his American accent is, though I’d personally advise the soon-to-be ex-Harry Potter to avoid overly franchisey roles for a while. Michael Cera would be interesting but, I fear, disastrous. He’d have to get muscular and we know what happens to funny young actors when they become too obviously physically fit. Just ask Anthony Michael Hall.

The trick with Peter Parker is that the actor has to be believable both as a vulnerable demi-nerd, and as the sinewy superhero. Tobey Maguire was actually a really outstanding choice.

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Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

Spiderman

My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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“New Moon” and “The Blind Side” to have repeat box office bout

With a number of mostly rather underwhelming looking new films debuting this post-Thanksgiving/pre full-Christmas insanity week in medium-to-wide-release, box office pros like jolly Carl DiOrio of The Hollywood Reporter and Variety‘s Pamela McClintock appear to agree pretty strongly that the battle this week will once again be between the romantic monsters of Summit’s “The Twilight Saga: New Moon” and the football loving Red State good Samaritans of Warners’ “The Blind Side.” Considering that, as I wrote about last Sunday, “New Moon” dropped by 70% in its second last week while “The Blind Side” actually grew without the benefit of a major expansion — something I’ve never seen in the entire time I’ve been writing these posts — my money’s on the Sandra Bullock feel-good drama.

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Of the four new releases said to be appearing in 1,000 to 2,000+ theaters this weekend, the most promising, both artistically and commercially, is “Brothers,”  a remake of a widely acclaimed Afghanistan war-themed 2005 drama from Denmark. Distributed by Lionsgate, the movie is an intense love triangle involving the not-actually-dead young Afghanistan war vet played by Tobey Maguire, his not-actually-a-widow played by Natalie Portman, and his black sheep brother, Jake Gyllenhaal — who looks so much like a brother to Maguire that he once is supposed to have nearly replaced him in one of the “Spiderman” sequels.  (If they worked Elijah Wood into the cast, they would have achieved the baby-faced, raspy-voiced star trifecta.)

Director Jim Sheridan of “My Left Foot,” “In the Name of the Father,” and “In America” has a real flair for intense tales that dance around the edges of melodrama and then sometimes dive right in. The one-two-three punch of the very well known youngish stars would make you think this should come in with a decent amount of money — at least in the double digits. However, considering the growing news and controversy around the Afghanistan war, the topic might be a bit too timely for audience tastes. Also, a film like this should probably should at least crack 70% on the Tomatometer, especially, but hitting it of with something  in the neighborhood of 5060% of critics will have to do. Worse reviewed films have received Oscar nominations, however.

Robert De Niro in Next up is another remake of a foreign language hit, this time of an Italian comedy-drama/tearjerker from 1990 that starred the great Marcello Mastroianni and was directed by Giuseppe Tornatore of “Cinema Paradiso.” (Not at all a favorite of mine, by the way.) Disney’s PG-13 “Everybody’s Fine” brings us Robert De Niro as a widower trying to reconnect with his children and grandchildren and costars Drew Barrymore, Kate Beckinsale, and Sam Rockwell. A sentimental tale for the holidays with this kind of star power should have some wattage in theory, though  apparently the “tracking” is kind of stinking for this film which isn’t really wowing the critics either. Our own Jason Zingale liked it mainly on the strength of DeNiro’s performance but this one feels like the movie you settle for if grandma, or maybe great-grandma, wants to see something nice and you can’t get into the “The Blind Side.”

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If it’s Tuesday night, it must be movie odds and ends

* This year’s Oscar producers have been named: choreographer turned critically-hated film director turned “Hairspray” wunderkind Adam Shankman and industry mainstay Bill Mechanic. Nikki Finke is happy and, really, isn’t that all that matters? That’s not the only gig for Shankman, who will also be directing the film version of the eighties-centric hair-band musical “Rock of Ages.” I’ve run across one or two hair bands I don’t completely hate, but this does not excite me. The period juke box musical I’m waiting for features Elvis Costello, the Clash, X, and maybe some early Ben Folds. I’ll call mine “Clubland.”

* Anne Thompson rakes the muck on the Hollywood Film Festival. Fascinating. I have my doubts about L.A. ever getting a really world-class festival, and this one sure doesn’t seem to be helping.

Zombieland with Jesse Eisenberg* I caught up with “Zombieland” last night and managed not to become overly upset at the gore. (I have this whole issue with excess blood and ick, yet also like the kind of stuff that sometimes features excess blood and ick — it’s a conflict.) Still, I don’t know if I’ll ever truly understand why people enjoy being disgusted. I find being disgusted disgusting.

Otherwise, it was nicely paced, slightly poignant, and very funny, thanks to a nice and cleverly profane dialogue, decent writing, and a good cast. Unlike Bullz-Eye’s David Medsker, however, I found the movie enjoyable but a little thin, especially during the second half. Some of the most ballyhooed aspects (the superstar cameo, which Dave didn’t love either) were less hilarious than I expected, however. I’m surprised we haven’t heard about a sequel yet as in some ways plays more like a well-produced TV pilot than anything else.

* Not that he hasn’t earned the right to be astonishingly wealthy as much as any human can, but how rich must Steven Spielberg be? I mean, if someone owed you a few hundred million bucks would you be all, like, “ah, that’s okay — you can wait until 2017. Just give me a 5.25% share of your income. I’ll be cool.” And, according to La Finke, the language of the contract refers to him as “Steven.” I know Hollywood loves first names, but it’s a contract. Aren’t those supposed to be formal?

* It’s not really movie news at this point, but speaking of musicals this musical lover never asked for, the Bono/Edge Spiderman musical directed by Julie Taymor continues to gasp. Personally, I’ve had my curiosity about a “Spiderman” musical sated already. Much as I love cocktail lounges and the song “Fever,” this was not a high point.

Disney, Diablo, and the King Kirby clan’s Spidey claim

Just  a few interesting items in recent movieworld news.

* Nikki Finke selects a possible future “toldja” candidate for the next Disney chairman. Toothy, bespectacled Rich Ross is not a name that’s likely to excite movie fans, as his background is pretty much Disney Channel material. Interesting comments on this one.

* Fresh on the heels of the bad box office of  the graphic comedy horror flick, “Jennifer’s Body,” “Juno” authoress Diablo Cody’s next outing will be a major dialing down of the “edgy” factor, as she will be adopting the Sweet Valley High book series for the movies. I had only heard of the television series until I saw this item, but according to the Heat Vision blog, a humongous 150 of the books were published between 1983 and 2003 and 60 million copies are in print. That’s not small and reminds me of a female-skewing variant on classic pulp series based on characters like the Shadow and Doc Savage.

Attaching Cody to this project strikes me as a canny move. Not only is she apparently a fan, but giving it to a writer with a known “edge” might broaden the appeal to cynics and, possibly, males. I’m far from Cody’s biggest fan, but I’m still a lot more likely to check out the movie than I would have been otherwise.

* Also courtesy of Heat Vision, the Jack Kirby estate law suit against the Disney owned Marvel continues to play out. The THR blog’s Borys Kits and Matthew Belloni say that they’ve seen some of the legal “termination notices” and that this might be a more sweeping suit that was thought. To me, the really interesting portion of this is that one of the notices was for Spiderman, a character Kirby never drew that’s usually credited largely to the eccentric and brilliant Steve Ditko. However…

According to several accounts, Kirby, with his Captain America co-creator Joe Simon, did create a character called the Silver Spider, whose alter ego was an orphaned boy living with two elderly people, and that character was morphed into Spider-Man. Other accounts have the Silver Spider becoming the Fly for another comic company.

It gets a lot broader than that, with the Kirby claiming some possession of several Spidey supporting characters, but that may be just so much legal jockeying. We’ll see.

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