And this is pre-“Transformers,” and post-“The 40-Year-Old Virgin” (and possibly post-“Knocked Up”), so it’s pretty bad…fast forward to the 1:40 mark…
Great find by THE WORLD OF ISAAC.
Tag: Seth Rogen (Page 4 of 5)
After a couple of days getting crap out of the way, packing, and the most crowded Amtrak train I’ve ever seen (though it’s still a highly civilized way to travel), I’m a bit out of it. Also, with the “Industry Lounge” not yet open, I’ve got no place to blog with access to a outlet, and my power is 55% and rapidly dwindling…so let me just say that — yeah, it’s a zoo here.
That also means that tonight, it’s just quick-ass short astericky stuff. And no pics either. Sorry.
* Via Anne Thompson @ AICN. 250 “very lucky” fans will get to see “Inglourious Basterds” here after all. And, as per Ms. Thompson, after “Spiderman 4,” Sam Raimi may do a movie version of the “World of Warcraft” game. If anyone can make the first good video game-derived movie, it would be Raimi.
With the completely and utterly sold-out Comic-Con starting mid-week, Hollywood publicists seem to be working overtime to fulfill your no doubt insatiable need for geek news. I could probably write seven or eight posts catering to nerd proclivities. But you’re getting just one today, (and, with the help of few snafus, this one took much longer than it should have). A few highlights
* Leonardo DiCaprio’s company has signed writer Rand Ravich (“The Astronaut’s Wife,” the TV series “Life”) to do a new film somehow tied to Rod Serling’s classic anthology science-fiction/fantasy TV series, “The Twilight Zone.” Many of you will remember the 1983 film, which utilized multiple writers and directors and consisted of three adaptations of well known episodes from the original series, one tale loosely drawn from a pair of episodes (sadly infamous due to the accident which killed actor Vic Morrow and two illegally hired children, very nearly ending the career of director John Landis), and a framing story featuring Albert Brooks and Dan Aykroyd. No word on what form this new film would take — a single tale would be missing the entire point of “The Twilight Zone,” IMO — and I’m unfamiliar with Ravich’s work. So, it’ll be interesting to watch this one move further along the pipeline.
[Update: Apparently, one year ago at least, the idea was to make a single film drawn from an episode of the series. Why, I have no idea. I learned this via Monika Bartyzel, you can read her post and my messed up comments here.
* The word on the overseas grosses for “Harry Potter and the Half-Blood Prince” are in and they’re a new worldwide five day record of $297 million. Blimey.
Last week’s season premiere received a bigger negative response than I expected. In fact, I’m kind of surprised that more of these detractors didn’t come out of the woodwork last year, when there was actually something to complain about. At least then it looked like the show was taking a turn for the worse, because as far as I’m concerned, the first two episodes of the new season have been nothing but classic “Entourage.” If you’re not enjoying it now, then I find it hard to believe you ever did. Sure, it might seem a bit repetitive after six years of the same thing, but the chemistry is still great and the story arc for this season actually shows real promise.
As for boys still being boys, well, that’s very much in full swing at the beginning of the episode when Turtle launches into a rant about how Katherine Heigl’s character from “Knocked Up” would never bang the guy played by Seth Rogen. (Our own John Paulsen would likely agree.) Apparently, being funny doesn’t make up for being ugly. I don’t know what that means for Turtle and Jamie-Lynn (he claims that girls think he’s cute, even though he’s always had a hard time convincing them to have sex with him), but for the time being, they’re very much the happy couple – so much so that Jamie-Lynn finally makes their relationship official at Vince’s big movie premiere. The rest of the guys score dates as well. Vince brings some chick he hooked up with last weekend, Drama convinces a vivacious retail clerk to tag along, and Eric goes with Sloan… as friends.
Obviously, the ever-changing relationship between Eric and Sloan is going to play a big part this year, especially now that they’ve introduced the superhot Alexis Dziena as Eric’s new “friend,” Ashley. I mean, he didn’t even seem that interested in the girl at first (her appearance at the party definitely caused some awkwardness between him and Sloan), but after confessing his true feelings to Sloan and getting denied, he was more than happy to use Ashley as a last-minute back-up plan. Sloan’s text message apology (what, she was too busy to call?) seems to indicate she cares more than she’s letting on, and you can be sure that once Eric finally starts getting serious with Ashley, Sloan is only going to want him back.
Also, is it just me, or does it seem like Ari doesn’t even work for Vince anymore? With the exception of the odd run-in with his star client, he’s been spending most of his time these days with Andrew, who Ari discovers may or may not be having an affair with a junior agent. It’s the kind of news that Ari doesn’t want to hear, especially since he’s just gone out of his way to convince Mrs. Ari to become friends with Andrew’s wife, Marlo. He’s urged Andrew to put an end to the fling before his wife becomes any the wiser, but it doesn’t take a rocket scientist to know that this is going to end very badly. And poor Lloyd is going to be one that gets punished for it. Oh well, we knew Gary Cole wouldn’t be around for the long haul. It was just a matter of who would be the one to push him out the door.
If documentaries necessarily involve a potential for abuse, simply because the perceived reality of film is so open to manipulation through editing and other tricks of the movie trade, documentary/fiction hybrids offer the opportunity for extreme confusion and manipulation. And, boy, is that the case here.
While the actual write-ups for “Paper Heart” were vague about the premise, a fellow LAFF-goer casually told me that it involved some kind of recreation of the romance between comedian/performance artist Charlyne Yi (“Knocked Up“) and the future of comic understatement, Michael Cera. Thus, watching the film, I became convinced I was seeing some kind of fictionalized retelling of a real-life romance. I am informed, however, in David Poland’s interview and from the post film Q&A that the relationship in the film is utterly and entirely fictional, so I assumed I was wrong again and the pair don’t date and never have. But after a bit more research I have information that indicates that Yi and Cera do have a relationship, just not in the one the movie. Except that the movie deals with what are Yi’s supposedly real feelings about love and how could that not affect her real or imagined romance with Cera? Of course, that’s none of my business and that’s probably a big part of the point.
The whole layers of fiction and reality thing got even more complicated when, at the post-screening Q&A, cowriter-director Nicholas Jasenovec stated categorically that story portions of the film were fictional while the documentary portions were not. Fine, but then a pre-teen boy who appears in the film opining on romance joins the discussion and, asked about he was found for “Paper Heart,” he and Jasenovic state that he was found through a casting process to join what appears to be a conversation with more or less random school children, and he is an actor.
When Jean Luc Godard uttered his most quoted line, that cinema was truth, 24 times a second, and every cut is a lie, I think this is kind of what he was talking about. But, so what?
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