Tag: Nikki Finke (Page 3 of 12)

Movie news for a no longer new week

A fair amount of stuff happening…

* Tom Hanks, Julia Roberts may star, and Stephen Daldry might direct, an adaptation of a 9/11 themed novel by Jonathan Safran Foer called Extremely Loud and Incredibly Close. Lou Loumenick is, I’m sure, not the only one to hope the project never happens. The backlash against author Foer seems to be going full-steam. Since I”ve never read anything by him and missed the movie version of his “Everything is Illuminated,” I’m completely in the dark on this one.

* I mentioned in a tongue-in-cheek way on Sunday that, despite a fairly disappointing $10 million showing for “Piranha 3D” over the weekend, given the modest $24 million, I thought a sequel a possibility. I certainly didn’t expect this quick a turn-around, but there you go. Seems the foreign returns, combined with an okay take domestically on the famished fish tale were sufficient to justify another go-round at this price level.

* One person who I know for a fact to be delighted by the “Piranha” news is film blogger and devoted horror dad Dennis Cozzalio who reviewed — and kind of loved — the movie for the Bullz-Eye team this week, doing us all a solid as everyone in the staff was indisposed in one way or another. (My infamous gorephobia wasn’t helping any, either.) Coincidentally, Dennis’s excellent and already world-famous cinephile blog — Sergio Leone and the Infield Fly Rule — got a little more world famous today through the attention from the lofty likes of Richard Brody of The New Yorker today. The topic, strangely enough, was the work of the late action director Sergio Leone. The infield fly rule will have to take care of itself for now.

* Oh, and if you reaction to the idea of a sequel to the aforementioned silly horror flick was “when pigs fly!” the great Japanese animator Hiyao Miyazaki has a planned sequel for you.

* It’s too sad to mention in this silly context, but it also seems wrong to ignore it and I don’t know how else to handle this. Sincere condolences to comic actor Martin Short and his family. Extremely tragic news regarding his wife.

* Apparently, unlike most /Film commenters, I actually do care that there’s may be a “Fantastic Four” reboot as they’ve always been my favorite Marvel characters, but I couldn’t even make it past the oh-so-thin first half-hour of the first movie. Why not reclaim a lost opportunity? Casting rumors, however, I never care about. Actual casting news gets really old sometimes.

* If movies are making you sick, it might not be just the content. Nah, it’s probably the content.

* The Playlist is correct. Pedro Almodovar’s new film is definitely high up on my list of highly anticipated movies for next year. It’s nice to see the Spanish director reteam with Antonio Banderas, who appeared in four of the director’s early successes starting with “Matador” in 1986 and wrapping with the controversial “Tie Me Up! Tie Me Down!” in 1991.

However, they’ll forgive us for anticipating even more the next film from Winnipeg’s own resident eccentric cine-genius Guy Madden, which will feature Isabella Rosellini, Jason Patric, and Sir Simon Milligan himself, Kevin McDonald of The Kids in the Hall comedy troupe. No insult to Mr. Patric, but his costars appear to be two of the coolest humans extant as far as we’re concerned here at PH. Ms. Rosellini gave a great interview to Will Harris some time back, and Mr. MacDonald has a terrific career-spanning chat over at the Onion which brings up the fact that, in drag, MacDonald has a small visual similarity to the luminous Ms. R.

* The end of one of modern journalism’s greatest hates? Sharon Waxman extends an olive branch to Nikki Finke. This could be interesting.

* Capone at AICN has a great interview with thinking geeks’ favorite Guillermo del Toro. A couple of items that were new to me, anyway: it’s far from a sure thing he’ll be directing “The Haunted Mansion” though he’s definitely producing and cowriting. Also, del Toro is now openly hoping that Peter Jackson will wind up as helming “The Hobbit” after all.

Movie news for a semi-new week

I was going to put this off as long as possible this week, but the movie news tonight is like a burden upon my soul.

* In case you haven’t heard, the epic speculation about just who will play the Pippi Longstocking-via-the-Velvet-Underground Lisbeth Salender of “The Girl With the Dragon Tattoo” (American style) is over. The part has gone to 25 year-old Rooney Mara. Anne Thompson has the inside dope on this relative unknown.

rooney-mara

Still, I find the comparisons with the legendary battle to cast the role of Scarlett O’Hara in “Gone With the Wind” to be slightly much. It’s more like casting Daniel Radcliffe as Harry Potter or Sean Connery as James Bond.

The obvious differences aside, Connery was, by the way, very much like Mara. He was actually the second person to play the role. The first was Gene Barry in a nationality flipped 1954 TV version of “Casino Royale” in which “Jimmy Bond” was American and “Clarence Leiter” was British.

* As if we Angelenos don’t have enough problems with aliens invading our town and the ensuing legal battles therein. The President’s in L.A. raising money from the godless sodomites of H-wood with help from communist money hating writer-producer-director-moguls John Wells and J.J. Abrams. And we know what this means — a new round of liberal criticism of the Obama Administration for, yes, the traffic. Even Hef was bothered.

* I once transcribed and informally partially edited an “as told to” book by the son of the entrepreneurial founder of a major multinational with huge ties to the film industry through his son. Nikki Finke today reminds me of a quip the second-generation captain of industry quoted: “There’s nothing wrong with nepotism, as long as you keep it in the family.”

* It sounds like he’ll be okay, but think good thoughts for Michael Douglas anyway.

* Because of my recent roundtable piece with Kevin Pollak, I’ve been giving his interview program a listen. Ironically, Christopher Walken, like William “the Shat” Shatner before him, is jumping into the interview game, perhaps inspired by Pollak for all anyone knows. Imitation is the sincerest form of flattery, I’ve heard.

* Some of my best friends have post-graduate degrees in psychology but, Lord amighty, headline grabbing psychologists and their journalistic/PR enablers can really produce a special kind of stupid and shallow when they go all pop-cultural on us. Get this:

“In today’s media, superheroes and slackers are the only two options boys have,” said Lamb. “Boys are told, if you can’t be a superhero, you can always be a slacker.”

They were writing the same thing when I was kid, only the terms were different. I’d give you a more detailed case on why I consider this complete idiocy, but since I’m clearly not a superhero, I must be a slacker. (H/t Anne Thompson.)

slacker

Midweek movie news, and then…

After tonight, I’ll be taking a break from the daily blogging grind for just a bit. That means I’ll be out completely for a couple of days at least and then you may see a post here and there and then, suddenly, I’ll be back like I was never gone in the first place, probably towards the tail end of the month. So, this will have to hold you for a little while.

* As of tonight, corporate raider Carl Icahn appears to be a majority stockholder in Lionsgate.

* I’ve never been a fan of the seventies movie of the silly seventies film version of “Logan’s Run,” but with Carl Erik Rinsch directing, my interest in the new film perked up considerably. Now, Alex Garland — who wrote and produced the not-entirely-unrelated upcoming version of “Never Let Me Go” which I discussed yesterday — has jumped on board, making it even more interesting. Better, they’re approaching it as a new version of the book, not a remake of the film. In the 1976 film, by the way, no one in the futuristic society was permitted to live past 30. In the novel, it was 21.

* Sam Raimi has been confirmed as the director of “Oz: The Great and Powerful.” Apparently Robert Downey, Jr., who just formed a new company with his producer wife, Susan Downey, is the most likely Oz at this point.

* Be sure and check out Will Harris’s terrific interview with one of the best, Isabella Rossellini. Easily one of the most fascinating  actresses of the last thirty years or so, with quite a backstory behind her. Don’t miss it.

DATEBOOK_greenporno_horiz

*Though Ms. Rossellini seems perfectly at home in a very humorous way with her fifty-something status, that is not really always the case for actresses. This month’s conversation between Jason Bellamy and Ed Howard at the House Next Door underlines that point as the cinephile thinkers discuss two of Hollywood’s greatest show-biz based films, “Sunset Boulevard” and “All About Eve,” both released in 1950 and both dealing with actresses who struggling with this whole passage of time thing.

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It’s your end of week late movie news dump

No time to waste and, fortunately, it’s a bit slower than usual tonight.

* I admit it, a lot of the financial/stock market terminology used in Carl Icahn’s letter to Lionsgate stockholders, as carried by Nikki Finke and summarized by THR, eludes me. However, the gist seems to be that it’s all out war now.

* I was out covering the red carpet at the Mike Nichols AFI tribute last night — you’ll be seeing something about it here closer to when the show will actually air in a couple of weeks. Although I had the opportunity to speak very briefly with some genuinely great people, I was a bit disappointed there was no opportunity to watch the presentation on CCTV while I was there. Still, looks like the show that’ll air on TV Land should be something.

George Segal and Elizabeth Taylor in

* As an English major and someone who has actually read Cervantes, Joel Silver’s apparent approach to “Don Quixote” — which is not to be confused with Terry Gilliam’s ever-dicey “The Man Who Killed Don Quixote” — makes me want to slash my wrists just a little.

* Some better news, also from the Playlist, which is that uninhobbited Guillermo del Toro is going back to his vampiric roots and doing a Van Helsing film that will, it safe to say, be much better than the last one, if it ever happens.

* Speaking of good directors who could use a gig, the Vulture claims that Sam Raimi has been offered the gig on the “Wizard of Oz” prequel, “Oz, the Great and Powerful.” I’ve no idea if it’s true, of course, but I’m reasonably sure he’d do a better and more imaginative job than either Sam Mendes or Adam Shankman, which is not really a knock on them.

* Re: talk of a “Taken” sequel. I know the movie did well, but I have a feeling that Liam Neeson just wants to keep working right now.

* Jim Emerson examines the notion of the movies that killed the movies, in the sense that sometimes the success of a particular film, or a type of film, you personally dislike a great deal can make a person actually loose interest in all films that come after, to some degree or another. For Francois Truffuat, it was 1962’s “Dr. No.” Yes, the first James Bond flick. Of course, his own career was really just still starting.

The pimp and the hippie

Since “Get Him to the Greek” has been on our mind lately, and if you haven’t read my mammoth press day interview thingy with cast members Russell Brand, Jonah Hill, Rose Byrne, and writer-director Nicholas Stoller you may do so now, or at your leisure. I’m also happy to report that, whatever the recently returned Nikki Finke is saying, it’s doing somewhat better than expected and defeating the really horrid looking (and, not surprisingly, horribly reviewed) “Killers” as of this moment at the Box Office.

Be that as it may, inspired by a fun piece over at the Playlist on fake bands from movies, along the lines of Aldous Snow’s Infant Sorrow from “Greek.” This weekend, I’ll be presenting some great moments with great fictional cinema bands. I’ll lead with one of the best moments from 2004’s “Hustle and Flow.” I think this was the moment I realized what I was watching was going to be a little more like “The Commitments” and a little less like “Superfly” when I saw it cold at Sundance. (Did I really declare it “the sweetest pimp movie of all time”? Oh, I was young and foolish then.) Since this is a rap tune created by an actual, fictional, pimp played by Terrence Howard, all the usual work-related provisos apply. Also, I wonder about those subtitles on the video. Just how do you translate “Whoop That Trick” into Greek? For that matter, how do you translate it into English?

And now for something completely different. A lot of you are probably familiar with the gay Hitler from the musical version of “The Producers” but fewer of you may know the hippie Hitler played to insane perfection by Dick Shawn in Mel Brooks 1968 original comedy cult-classic. Here, Lorenzo St. Dubois, call him “LSD” for short, sings “Love Power” and grabs the Broadway glass ring with the help of his all-female back-up band.

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