Tag: Michael Cera (Page 2 of 4)

No fooling, it’s Thor’s-day at the movies

I don’t usually do these kind of posts on Thursdays, and it’s April Fools’ Day. However, there’s simply too much apparently non-joking, actual movie news to leave for Friday. So, here we go.

* Of course, in Hollywood, it’s not always easy to spot the April Fool’s story from the real thing. That’s why IESB frontloads their big possible, eventual scoop today with all sorts of promises that they’re not joking. Anyhow, it appears that #1 cult creator Joss Whedon, most recently of “Dollhouse” and “Dr. Horrible’s Sing-Along Blog” fame, is supposedly on the short list to direct “The Avengers,” currently being penned by Zak Penn.

avengers

If you’re skeptical about this, you’re far from alone. Just check out the slightly quizzical reaction from Whedon’s robotic and slavishly devoted cult — of which I am a known member — over at Whedonesque. (I’ve even forgiven Whedon for listening too much to Rahm Emmanuel and selling out to big pharma and not fighting hard enough to keep the public option in the health care bill….Oh, wait, wrong blog.) Still, Whedon’s known for staying in touch with his fans. I strongly suspect that, if the story were completely unfounded, he’d have posted something about it by now.

One creative point. Some fans seem skeptical that a collaboration between Penn and Whedon could work. Well, of course, Whedon has actually done any number of rewrites and polishes on other people’s scripts — a lot of folks give him credit for most of the wittier portions of “Speed” — and though Penn has been involved with some pretty conventionally dull flicks in his day, he’s not completely lacking imagination and humor. His little seen 2004 comedy-thriller mock-documentary, “Incident at Loch Ness,” has some remarkably hilarious moments,  most of them courtesy of Werner Herzog, playing himself and also taking a cowriting credit. If Penn’s good enough for Herr Herzog, he’s perhaps good enough for Joss Whedon.

* Speaking of “The Avengers,” the movie about the only actual deity in the group, “Thor,” is currently in production and director Kenneth Branagh talked about the film and his affection for the Stan Lee/Jack Kirby/et al comic books in today’s L.A. Times. This was not some random publicity glad-handing but a deliberate effort to squelch some unpleasant — and, to my ear, unlikely — rumors being reported in the tabloid press which allege open on-set criticism/anger directed at newcomer-lead Chris Hemsworth from venerable master thespian Anthony Hopkins, presumably relating to the 26 year-old star’s relative lack of experience, at least compared to Hopkins.  Hopkins, who’ll be playing Thor’s even more venerable dad, Odin, and Branagh have strongly denied the rumors and painted a picture of a happy set.

I was fairly impressed with Hemsworth’s work in the opening of “Star Trek,” so I tend to lean towards the official story here. He’s also a veteran of an Aussie soap, “Home and Away,” and history teaches us that soap vets tend to become pretty good actors when actually allowed time to learn their lines properly and develop characters. I don’t know much about Hopkins on a personal level except that he’s gotten this far in his career without these kind of incidents being an issue that I can think of. I suspect it would take a titanic lack of talent/ability to visibly annoy him at this point.

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The epic epicness of “Scott Pilgrim”

For those of you who haven’t read Bryan Lee O’Malley’s “Scott Pilgrim” comic series — about a twentysomething slacker who must defeat the seven evil ex-boyfriends of his new girlfriend, Ramona V. Flowers — well, there’s a good chance you’ll want to pick them up after seeing the first trailer for Edgar Wright’s big-screen adaptation. There has been a lot of buzz around the Twitterverse about “Scott Pilgrim vs. the World,” with directors like Jason Reitman calling it a “game changer for the genre” and Kevin Smith saying that “nobody is going to know WTF just hit them.”

I’ve been excited about this project for quite a while. The source material is wildly original, Wright is one of the most creative directors working today, and the cast is absolutely perfect — from Michael Cera and Mary Elizabeth Winstead in the lead roles, to Chris Evans, Brandon Routh and Jason Schwartzman as the evil exes. The movie doesn’t come out until August, so to help whet your appetite until then, check out the trailer below.






So, guess what’s topping the box office this weekend

Sam Worthington and Zoe Saldana in Yes, the holiday weekend is barely half-way over and tonight’s Golden Globes could alter things slightly. Nevertheless, the Box Office Mojo’s weekend estimates are out and, don’t even bother to wait for it, Fox’s “Avatar” was once again the box office leader with a solid $41.3 million estimated take and a still very low drop of only 17.9% on its fifth go-round. Domestically, “Avatar” is already the #3 all-time moneymaker with a total of $491,767,000. Worldwide it has defeated, “The Return of the King” and is now #2 at just over $1.6 billion, just a couple billion shy of another movie you might have an opinion about, “Titanic.” James Cameron might have to buy an additional Malibu estate for his self-esteem to live in.

Just to keep us from falling completely asleep, however, there were some new members of the top 3 this week. The post apocalyptic actioner with a spiritual tint, Warner Brothers’ “The Book of Eli,” performed as per the expectations I described last time and has a current weekend estimate of roughly $31.6 million. That will definitely be happy news not only for star Denzel Washington but for directors Allen and Albert Hughes, whose last film, “From Hell” was not a box office success despite the presence of another big star, Johnny Depp. (Indeed, one of that film’s producers left the film business and has gone on to become one of the most powerful and annoying members of the left hand side of blogosphere, but that’s a story for another time and place.)

Denzel Washington in

As for the #3 spot…it’s not really a weekend if I don’t make an completely wrong predictive comment — when will I learn to keep my trap shut? Anyhow, the marketing strategy turning a critically dissed piece of Oscar bait into a film aimed at female tweens and teenagers has paid off with a very decent estimated third place showing of just over $17 million for “The Lovely Bones” and Paramount/Dreamworks. The film has been out in limited release for several weeks, but went into over 2,500 theaters and apparently the timing was correct.

A brand new wide release, “The Spy Next Door,” a frankly lame looking vehicle for Jackie Chan, did fairly unimpressive business for a wide release film on its opening weekend despite . It came in the #6 spot with an estimated $9.7 million for Lionsgate, which might be enough if the film’s budget is low enough. In other “cudda been worse” news, it’s 0% on the Tomatometer on Friday has blossomed to 9% with four critics failing to dislike it.

Michael Cera in Finally, the vampire role-reversal flick a la Monty Python’s “Bicycle Repairman” sketch, “Daybreakers,” which did rather well last week, suffered a huge 67% drop in its second time out, going from a $15 million last week to about $5 million this week. And, because I’m a nice guy, I’ll keep the word on “Youth in Revolt” to myself.

Tuesday late night movie news

It’s pretty clear that nothing going on in movieland tonight is going to be able to compete with the sheer entertainment value of the NBC late night TV quagmire, but there’s definitely stuff to talk about.

* Peter Saarsgard of the very good “An Education” is a highly intriguing actor who I’ve been following for some time, especially since catching his work in the underrated “The Dying Gaul” at Sundance a few years back. No matter what kind of character he’s playing, he seems to have a real gift for moral ambiguity. If he’s cast as a villain, we think he must have a good side, and if he’s cast as someone more upright, we wonder if there isn’t something underhanded going on. Anyhow, Borys Kit reports that it looks like he might be playing the villain side of the street in the Green Lantern movie. Could be good.

an-education-peter-sarsgaard-2

* The longest named director in show business is back on “The Tourist,” a remake of a French thriller to star Johnny Depp and Angelina Jolie Florian Henckel von Donnersmarck is the very talented and personable multilingual director behind “The Lives of Others.”

* Simon Brew has some more on the upcoming “Spiderman” reboot announced yesterday. His list of possible new Spideys has two interesting entries that I can’t quite agree with. Daniel Radcliffe actually makes some sense, but we’ll have to see how his American accent is, though I’d personally advise the soon-to-be ex-Harry Potter to avoid overly franchisey roles for a while. Michael Cera would be interesting but, I fear, disastrous. He’d have to get muscular and we know what happens to funny young actors when they become too obviously physically fit. Just ask Anthony Michael Hall.

The trick with Peter Parker is that the actor has to be believable both as a vulnerable demi-nerd, and as the sinewy superhero. Tobey Maguire was actually a really outstanding choice.

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Talk about “Youth in Revolt”

No wonder the Michael Cera vehicle wasn’t a huge hit at the box office this weekend. You kids today have no clue how to revolt. THIS is how it’s done. (Contains mildly NSFW elements including gratuitous cleavage photography, gigantic plastic bosoms — the nonsurgical kind — and an offensive epithet considered mild in 1968 in the second video.)

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