Tag: Kenneth Branagh (Page 2 of 4)

Hamlet

As a self-professed fan of all things “Hamlet,” my interest was immediately piqued when the BBC announced that they would be producing a modern day update of the Shakespearean classic with “Doctor Who” star David Tennant in the title role. Everyone knows the story of “Hamlet,” but if you don’t, this isn’t a bad place to start as it’s a pretty faithful adaptation with some strong performances from its cast. Tennant played the Danish prince in the most recent staging of the play by the Royal Shakespeare Company, and though it isn’t the best Hamlet to date, he brings a whimsical madness to the role that injects some much-needed energy into the story. Unlike previous incarnations, Tennant’s Hamlet is crazy from the start – a victim of paranoia who believes he’s being spied on by his murderous uncle via the CCTV cameras installed throughout the castle.

And indeed, there’s a bit of truth behind his madness, as the newly anointed King Claudius (Patrick Stewart, also reprising his role from the RSC production, and who recently spoke with our own Will Harris about the film) keeps a watchful eye on his nephew. But while Claudius initially comes off looking more like a worried patriarch than an evil stepdad, he eventually reveals himself to be the villain he truly is in subtle moments of guile and wickedness that capitalize on the veteran actor’s commanding screen presence. The rest of the cast pales in comparison (particularly Peter De Jersey, who is horribly miscast as Horatio), although Mariah Gale does get to chew some scenery once Ophelia loses her marbles (and her clothes).

Despite setting the story in present day, the film feels very much like a period piece. Director Gregory Dorn is careful to update the material without changing the meaning, and though it’s been filmed on a movie set, there’s an air of theatricality to the production that proves why “Hamlet” is better told on stage than in film. All in all, it’s one of the finer adaptations in recent memory. It still doesn’t come close to besting the Kenneth Branagh-directed version, but then again, there’s a good chance nothing ever will.

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No fooling, it’s Thor’s-day at the movies

I don’t usually do these kind of posts on Thursdays, and it’s April Fools’ Day. However, there’s simply too much apparently non-joking, actual movie news to leave for Friday. So, here we go.

* Of course, in Hollywood, it’s not always easy to spot the April Fool’s story from the real thing. That’s why IESB frontloads their big possible, eventual scoop today with all sorts of promises that they’re not joking. Anyhow, it appears that #1 cult creator Joss Whedon, most recently of “Dollhouse” and “Dr. Horrible’s Sing-Along Blog” fame, is supposedly on the short list to direct “The Avengers,” currently being penned by Zak Penn.

avengers

If you’re skeptical about this, you’re far from alone. Just check out the slightly quizzical reaction from Whedon’s robotic and slavishly devoted cult — of which I am a known member — over at Whedonesque. (I’ve even forgiven Whedon for listening too much to Rahm Emmanuel and selling out to big pharma and not fighting hard enough to keep the public option in the health care bill….Oh, wait, wrong blog.) Still, Whedon’s known for staying in touch with his fans. I strongly suspect that, if the story were completely unfounded, he’d have posted something about it by now.

One creative point. Some fans seem skeptical that a collaboration between Penn and Whedon could work. Well, of course, Whedon has actually done any number of rewrites and polishes on other people’s scripts — a lot of folks give him credit for most of the wittier portions of “Speed” — and though Penn has been involved with some pretty conventionally dull flicks in his day, he’s not completely lacking imagination and humor. His little seen 2004 comedy-thriller mock-documentary, “Incident at Loch Ness,” has some remarkably hilarious moments,  most of them courtesy of Werner Herzog, playing himself and also taking a cowriting credit. If Penn’s good enough for Herr Herzog, he’s perhaps good enough for Joss Whedon.

* Speaking of “The Avengers,” the movie about the only actual deity in the group, “Thor,” is currently in production and director Kenneth Branagh talked about the film and his affection for the Stan Lee/Jack Kirby/et al comic books in today’s L.A. Times. This was not some random publicity glad-handing but a deliberate effort to squelch some unpleasant — and, to my ear, unlikely — rumors being reported in the tabloid press which allege open on-set criticism/anger directed at newcomer-lead Chris Hemsworth from venerable master thespian Anthony Hopkins, presumably relating to the 26 year-old star’s relative lack of experience, at least compared to Hopkins.  Hopkins, who’ll be playing Thor’s even more venerable dad, Odin, and Branagh have strongly denied the rumors and painted a picture of a happy set.

I was fairly impressed with Hemsworth’s work in the opening of “Star Trek,” so I tend to lean towards the official story here. He’s also a veteran of an Aussie soap, “Home and Away,” and history teaches us that soap vets tend to become pretty good actors when actually allowed time to learn their lines properly and develop characters. I don’t know much about Hopkins on a personal level except that he’s gotten this far in his career without these kind of incidents being an issue that I can think of. I suspect it would take a titanic lack of talent/ability to visibly annoy him at this point.

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Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

Spiderman

My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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Friday night movie news dump…

And, for a change, it’s barely even night here on west coast as I begin.

*  We’re seeing some major league “New Moon” girl-power at the box office, already. $26.3 million, to be specific. That’s just for midnight shows.

* Just a few days back I noted the casting of Japanese star Tadanobu Asano as Hogun in Kenneth Branagh’s upcoming “Mighty Thor” flick. As a part of Norse (i.e., Viking) mythology, Asgard is, by definition, a pretty strictly Nordic place, so I thought this casting was interesting.  Visually, the Marvel comics Hogun was based on Charles Bronson, whose face had a definite Asiatic/Mongolian-by-way-of-Lithuania cast, so going with the star of “Mongol” was a stretch worth noting, but maybe not a definite sign of completely race blind nontraditional  casting.

However, Branagh has now cast the very fine African-English actor Idris Elba of “The Wire” and several great episodes of “The Office” in the part of Heimdall, guardian of Asgard. As a commentor at the Heat Vision blog that spread the news mentioned, Branagh did something very similar when he cast Denzel Washington as an Italian warrior-prince in his version of “Much Ado About Nothing.” I’ll quote myself from the Bullz-Eye piece I did on less well known Denzel Washington performances:

As a major production featuring truly race-blind “nontraditional” casting in a key role, “Much Ado About Nothing” is something of an onscreen first. In fact, audiences and critics had no more problem accepting Washington as an Italian prince than they did accepting the extremely British, pasty-faced Branagh as a Mediterranean nobleman.

Especially in films set far away from a realistic context and where the actor has as much authority as both Washington and Elba have, I think we’re sophisticated enough about the nature of movies that this will not be a problem, even for viewers who know a little about mythology. And here’s the best part: it will piss off some white supremacists. I’ve personally heard about young Neo-Nazis who dig the comic book “Mighty Thor” and apparently are too stupid and ignorant to realize that the series was created by Stan Lee and Jack Kirby, a.k.a., Stanley Leiber and Jacob Kurtzberg, two rather brilliant New York Jews. As always, the joke is on the hate fetishists.

Like I said before, this is not your father’s Asgard, and I’m fine with that.

800px-Asgard

* It’s thirty days before the release of “Avatar,” the movie isn’t quite done yet, and some of us insist on going about our business as if life as we have always known it was not about to be forever altered. Quick, send out Sigourney Weaver and Giovanni Ribisi to say nice things about James Cameron!

* He’s brought us everything from “School of Rock” to “Chuck and Buck”, but very talented quirk/comedy writer/actor Mike White’s next film is about Santa war, but I doubt it’ll be very violent. On the other hand, he appeared in the comically mega-violent “Zombieland,” so perhaps his thinking has evolved some. I pretty violently disagreed with his op-ed, but he gets credit for even thinking about stuff like this.

* And, now for something completely different, from OC Weekly restaurant critic Edwin Goei comes his list of the five greatest food movies. I’d steal some of his YouTube clips, but I’m starving and I’m supposed to go to the gym later, dammit. Just go see for yourselves.

Hollywood, land of confusion

Today, much of the confusion appears to be ethnic.

* Patrick Goldstein presents the U.K. based “Case of the Vanishing and Less Famous African-Americans.

* Universal is “circling” a director of commercials named Carl Erik Rinsch for a shot at the big time for a new action flick, writes Michael Fleming. Rinsch, who I never heard of until now, turns out to have an pretty interesting visual approach (more about that in tonight next’s post), but these days every third movie is from some first-timer whose made his or her name doing commercials. Also, Keanu Reeves is the star. Nothing surprising or strange about that, I guess. No, what’s of interest here is that the movie is a new version of the story of the loyal 47 Ronin (leaderless samurai), an oft-filmed national legend — in Japan, that is.

47_ronin_1941_2

Okay, so Reeves is part-Asian, but his looks are sort of those of a vaguely ethnic white guy, which is usually neither here nor there, but this isn’t “Shogun” or “The Last Samurai” — it’s not a story about some random westerner who finds himself in 18th century Japan. Or maybe it is now. I don’t like pre-judging movies but this just gives me a bad feeling. The 47 Ronin is a dearly held national legend of Japan and they’re going to make a seemingly super-Americanized English language version, and starring this guy?

I know there’s such a thing as non-traditional casting, but this is just weird. Samurai are not merely part Japanese and really can’t be. Remember Boss Tanaka from “Kill Bill” and his reaction to taking orders from a woman who was Chinese-Japanese American? Quentin  Tarantino is one big-time Western filmmaker who knows something about Asian culture; I wonder if there are any others. If any movie were to give Japan’s growing nationalist far-right a boost, this could be it.

But it’s only a movie, right? So, let’s see some Japanese filmmakers get to do a version of the Alamo or the Shoot-Out at the O.K. Corral starring some vaguely Caucasian-looking Japanese actor as Wyatt Earp/Davey Crockett and film it in Japanese. I wonder how that would do in the States. I also wonder what our own ranting nativists would make of that.

Tadanobu Asano* But poetic semi-justice is swift, because also from the mighty pen of Michael Fleming comes the word of casting the “Warriors Three” by Kenneth Branagh of the upcoming “Mighty Thor” flick. Alongside the traditionally more or less Nordic looking Stuart Townsend and Ray Stevenson (who I guess will be wearing a fat suit of some sort as Valstagg or gaining a lot of weight, or will just be the trimmest Falstaff knock-off ever), Branagh has taken the interesting step of going full mongol on the character of Hogun, who was partially modeled on Charles Bronson, by casting the Japanese actor who actually starred in “Mongol” (and Takashi Miike’s probably-never-to-be-seen-by-me gangster gorefest, “Ichi the Killer”), Tadanobu Asano. Yes, this is not your father’s lily-white Asgard.

* Mel Gibson adds to the confusion/mystery around “Max Max 4.”

* And, finally, in non-ethnically based confusion, Nikki Finke reports Carl Icahn appears to be mucking about with the MGM sale, and the ever-opinionated Devin Faraci (well, he’s a pussycat next to Ms. Finke, but who isn’t?) has some interestingly contentious thoughts on the state of geek-oriented film journalism and Julia Stiles/Spiderman/Black Cat rumors.

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