Tag: Headlines (Page 18 of 146)

RIP Irvin Kershner (updated)

Irvin Kershner, who died Saturday at age 87, was a solid journeyman director, his early films — several of which, especially “The Flim-Flam Man” and “The Luck of Ginger Coffey” are supposed to be pretty good — are obscure enough that even I haven’t seen too many of them. He was also a graduate of the USC Film School in 1950, which makes him, I guess, about the first of the film school brats.

He’s known today primarily because of two strong, dramatic action films. The first was a 1976 fact-based TV movie, “Raid on Entebbe.” The second was, uh-hmm, “The Empire Strikes Back.” For one film in the series, a “Star Wars” film had a genuinely well-written screenplay with good dialogue and a director who knew how to elicit strong work from actors and structure a dramatic moment. For some reason, everyone agrees it was the best of the series. Watch this scene again, though you’ve certainly seen it before. There’s emotion going on.

Kershner was, I gather, a gracious and intelligent man. Here is a brief tribute/outtake from the documentary “The Nature of Existence” in which Kershner endorses “the Force” in a way, while also speaking out for a spiritual, but entirely non-supernatural view of life, death, and creativity.

Much more, as usual, at MUBI.

UPDATE: The fine blogger Greg Ferrara argues that “The Luck of Ginger Coffey” was a lot better than “pretty good.”

RIP Leslie Nielsen (updated)

It would be a fool’s errand to try and argue that Mr. Nielsen’s greatest moments were not in “Airplane” and as Lt. Frank Drebbin in the “The Naked Gun” and the “Police Squad!” series that preceded it. But, with everyone else saluting those amazing deadpan moments now that Leslie Nielsen has sadly left us at age 84, I thought I’d take a moment to take two somewhat less well known moments from his early, less funny movies.

First, before Captains Kirk and Reynolds and Han Solo, there was the not-so-dissimilar Commander J.J. Adams in “Forbidden Planet.”

And here is Nielsen in what honestly really is, in its way, an amazing pre-Zucker Brothers performance by Nielsen. In 1977’s “Day of the Animals” he portrayed an ad man who takes over one faction of an extremely ill-starred group of campers. Below, he indulges in some poor behavior even Sterling Cooper wouldn’t have tolerated.

And, because it’s mandatory, a brief moment of sheer genius from “The Naked Gun.”

More via Roger Ebert,Edward Copeland and MUBI.

UPDATE: More reaction to Leslie Nielsen’s life and passing from David Hudson.

Thanksgiving weekend box office: Harry Potter still rules, but “Tangled” keeps hope alive for Disney princesses

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As we discussed on Thursday, “Harry Potter and the Deathly Hallows: Part One” would have had to suffer a truly enormous second weekend drop, or its nearest competitor would have had to be a HUGE over-performer, for it to come in at any spot but #1 this weekend. Still, these last five days were a bit more competitive than expected.

Over just this weekend (Friday-Sunday), the latest entry in J.K. Rowling’s enormous fantasy opus dropped by a hefty but not surprising 59.7% from last weekend with an estimate of $50 million and change for studio Warner Brothers, according to Box Office Mojo. Over at Anne Thompson/Indiewire land, Anthony D’Alessandro reports that the fantasy feature earned some $76.3 over the entire Thanksgiving weekend. (Nikki Finke has a slightly higher figure along with the predictable extra snark.)

Coming up a very healthy #2 was Disney’s “Tangled.” Reports of the death of Disney fairy-tale adaptations and princess tales may be taking a very Mark Twain-worthy turn. The 3D animated musical comedy, which is receiving hearty praise from critics and top grades from Cinemascore, earned a stellar $69 million estimate over the five day period and came within a hair’s breadth of the Potter-plex over the weekend with $49.1 million. Close enough that, when the actuals come out, it’s not impossible that “Tangled” could actually win the weekend. Of course, with this much money involved, neither film could possibly be termed a “loser.”

That, however, is not the case for the weekend’s other two new releases. The musical’s new lease on life took a small hit this weekend with a disappointing run for “Burlesque.” The poorly reviewed pic earned an $11.8 million weekend estimate for Screen Gems/Sony in the #4 spot after “Megamind,” and somewhere in the neighborhood of $17 million over the five day period, perhaps $7 million below the expected take. Still, D’Alessandro reports a very good Cinemascore rating, which may indicate strong legs or at least that people who really wanted to see a movie with Cher and Christina Aguilera got what they wanted.

Bringing up the rear after #5 “Unstoppable,” which is holding very nicely indeed in Week 3 with an estimated $11.75 for Fox, was Edward Zwick’s “Love and Other Drugs.” How Nikki Finke could describe Zwick’s first attempt at a romantic comedy/drama, 1986 near-crime against humanity (and David Mamet) “About Last Night,” as “now classic” is a mystery to me. Less of a mystery is the fact that a poorly reviewed attempt at Oscar bait is a movie with no place to call home. So, those $9.85 weekend and $14.5 holiday weekend estimates are absolutely no surprise.

The Dwayne Johnson action fest “Faster” also lost its personal race this weekend, with a rather slower $8.7 and $12.2 million estimate. La Finke notes that the marketing budget on the film was kept modest (so that’s why director George Tillman, Jr. talked to me?) and, at least, CBS Films prexy Les Moonves seems committed to the long haul with his fledgling film company.

Meanwhile, in limited release-land, the big news was the big weekend for “The King’s Speech” which earned by far the weekend’s biggest per-screen average with a king-size $87,500 average on four screens. Considering this film is both reportedly extremely good, stars English actors portraying royalty, and from the Weinsteins, its heavy Oscar presence seems assured alongside “The Social Network” (which I finally saw last night and was absolutely floored by) and “The Black Swan” (which I haven’t seen yet, but seems to floor everyone who sees it).

The Walking Dead 1.5 – Wildfire

After the attack on the camp, the question of what to do with the dead was always going to be a sensitive subject. While Daryl wants to burn anyone who’s been bitten or killed, Glenn is adamant that they bury their fellow survivors. And when you think of it, they both make pretty good points. If you don’t kill them now, there’s always a chance that that decision will come back to bite you (pun very much intended) in the future. On the other hand, you need to maintain a certain bit of humanity in situations like this or there’s nothing separating you from the monsters.

Of course, before they decide what they’re going to do with the bodies, they need to figure out how they’re going to pry one of them – Amy – out of Andrea’s arms. She’s obviously still coping with the death of her little sister and feeling especially guilty that she wasn’t always there for her when they were younger. But neither Rick nor Lori can get through to Andrea, and it takes Dale’s story about losing his wife to cancer (and how the two sisters are the closest thing he’s had to family since her death) to get her to finally snap out of it. Just in time, too, as Amy begins to come back to life as a zombie and Andrea is forced to shoot her in the head.

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With all the discussion going on about how to handle the dead, you can hardly blame Jim for trying to keep his bite a secret. It was only a matter of time before someone found out, however, although everyone took it a lot better than he probably imagined they would. Only Daryl seemed willing to shoot him right there on the spot (then again, that’s pretty much his answer for everything), but Rick believes that the Center for Disease Control might have a cure, and suggests that the group heads there for refuge now that the camp is compromised. Shane disagrees, and wants to go to the military base at Fort Benning instead, even if it’s 100 miles away.

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Boardwalk Empire 1.11 – Thou Hast Fulfilled the Judgment of the Wicked

At last, after several references to him during the course of the season, we finally get a first-hand look at Hardeen, brother of Houdini. His performance, while ostensibly impressive, receives little more than a yawn from Nucky. Margaret, meanwhile, is on the verge of offering a standing ovation. Harry and Annabelle are also in attendance, with Harry looking particularly nervous. He claims it’s because it makes him nervous to see Hardeen tied up. I’m skeptical. I don’t know what’s going on, but Harry’s clearly up to something…

Angela’s drifting off in thought while sitting at the dinner table, which really apparently pisses off Jimmy. Fair enough: he’s still smarting from the situation with the photographer, clearly distrusting his wife despite her assurances that she never slept with the man…which is true insofar as it goes, but let’s not go there right now. What’s more important is that he receives a phone call. It sounds like business, but he says it was his mother, letting him know that his father is dying. Given that Jimmy seemed to have viewed Nucky as a father figure when the season kicked off, I think it’s fair to say that the bond between him and his real father must be pretty weak.

Agents Van Alden and Sepso are enjoying a spot of Chinese when Van Alden unsurprisingly turns the topic of conversation to that of Sepso having killed Billy, and it’s not exactly what you’d call a polite dinnertime chat. Sepso maintains his cool, relatively speaking, but it’s clear that this won’t be the last time Van Alden brings up the matter.

The evening with Hardeen continues beyond his proper show, as he entertains the troops back at Nucky’s place. Once again, Margaret and Annabelle are enthralled, while Nucky shrugs and Harry sweats. It’s pretty funny to watch Hardeen play up his reputation even as he plays down his brother’s, but the fun stops when Harry explodes and at least explains why he’s been looking so sketchy all night: he’s lost a huge amount of money at the hands of one Charles Ponzi…and if the name sounds familiar, yes, he is the one who gave name to the so-called Ponzi Scheme, which most recently came to prominence via Bernie Madoff. So much for the relationship between Harry and Annabelle, eh?

Rothstein gets word from Chicago that things ain’t looking good for him with the whole Black Sox situation. His attorney suggests that he heads to Chi-Town, but to make sure he knows someone in the city who’s willing to do him a favor. Will it be Capone or Torrio?

No, The Commodore’s not dead yet, but you can’t blame his maid for fearing the worst. I mean, the guy’s already sick, and then his dog dies…? Talk about the kind of thing to send a guy into a tailspin. But, wait, who’s the Commodore’s guest? Jimmy?!? Wait a minute: Jimmy’s the Commodore’s son? Did we already know this? I’m pretty sure we didn’t. (Given the predilection of the majority of this blog’s few readers to only comment when they have a chance to criticize or complain, I can only presume someone will quickly confirm if I’m wrong.) Boy, Jimmy’s really pissed off that he’s had to make this visit, and it’s clear that he won’t miss his father when he’s gone. How else to explain the fact that, when the Commodore says he’s dying, Jimmy’s only response is to say, “Well, then, I will call you a priest.” Still, when the Commodore adds that the wrong person is running Atlantic City, it causes such mixed feelings in Jimmy that he promptly pukes. Still, I guess it would be a little confusing to realize that a man you’ve loathed for decades could well be the one who holds the key to the future you’ve been seeking.

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