Tag: Headlines (Page 128 of 146)

Same movie news, different movie blog

Seems like today, everyone’s talking about the same few news items. I’d hate to be left out.

* Adding to the endless speculation over who will be cast as whom in “Spiderman 4,” Nikki Finke enters the more or less pointless but, I suppose, fun fray by naming Anne Hathaway as having been “approached” for a role which her readers have decreed to be the Black Cat.

* The Academy has come up with a short-list of nominees-to-be-nominees in the Best Documentary category. Everyone is making a big deal about the absence of Michael Moore’s “Capitalism: A Love Story” and then naming any one of a number of highly regarded documentaries that didn’t make the cut, including the rather predictably ignored “Anvil! The Story of Anvil” (looks like too much fun) and James Toback’s look at Mike Tyson (to, er, biting?). I’m personally not thrilled that “We Live in Public,” which I still think might be the most important movie made this year, is out of the running, but then I’m obviously somewhat personally invested. Anne Thompson is right, however, that the doc category is growing ever more interesting and crowded.

* The Oscars have an alliterative director. Will he win an Emmy?

* “New Moon” mania breaks out with news of huge early ticket sales. If you have more time on your hands than me, you can read this very lengthy interview and I’m sure pretty interesting interview with director Paul Weitz. I could barely skim it right now, but here’s a quote that leapt out at me:

I have been kind of hazed into the world of VFX, so I understand how to do that — or at least who to trust — and I get what it is that they’re trying to do. I think that with the right visual effects supervisor, I can direct animators who are animating creatures, who are like actors in that sense. It’s just that their performances are being done over the course of months. Each five-second shot takes months to develop. That stuff I like very much, but I wouldn’t say that I’m either an expert or kind of a savant as far as that goes. That’s Peter Jackson and Guillermo del Toro and Sam Raimi. That’s not me.

Don’t make Rob Schneider wait [video]

Thanks to Bob’s Blitz for the video…

Adam Sandler flea Rob Schneider was upset that his appearance on WiLD Morning Show was delayed by 15 minutes. After Schneider complained and griped about the wait – Wild 95.5 DJ Virgina Lang walked off the show – host Jason Pennington kicked Rob off:

“I make more money than you, I’m fine. I could buy and sell you.”

Nice.

Schneider says he was “just joking,” but looking at the video, I don’t buy it. He was just being an a-hole.

Okay, maybe this guy actually should be making movies

In the post just below this one, I write quite skeptically about a planned upcoming movie that commercial director Carl Erik Rinsch is said to be “circling.” Aside from my other strong misgivings about the project, I was initially unimpressed that yet another big movie was being helmed by a commercial director.

Now, as Ridley Scott (one of the bosses at Rinsch’s commercial production company) proved, the demanding field of commercials can yield some fairly great directors. At the same time, commercials are great proving grounds for visual flash and style, but don’t require the kind of sustained storytelling that even dramatic short subjects require.  I think one reason old Hollywood worked better from a film consumer’s point of view was that directors started on dramatic short subjects, then moved on to low budget “B” pictures, and finally on to main features. I don’t think I need to remind anyone where Michael Bay started.

Still, things haven’t worked in the old school way in a long, long time and I thought it was only fair for me to see if I could find some of Mr. Rinsch’s commercials online. And, I have to say, I was impressed — not that they’re all perfect or indicate he’ll be the next John Ford, but he certainly has a way with an arresting image and with some very cool CGI work as well. I just wish Rinsch could find a more promising project than “47 Ronin” — or figure some brilliant way to make the thing not as wrongheaded as it sounds. We’ll see about that, but I do think these are very intriguing pieces of work. There’s a bit of a Spike Jonze/Michel Gondry vibe here, alongside something else.

Much more after the jump.

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Hollywood, land of confusion

Today, much of the confusion appears to be ethnic.

* Patrick Goldstein presents the U.K. based “Case of the Vanishing and Less Famous African-Americans.”

* Universal is “circling” a director of commercials named Carl Erik Rinsch for a shot at the big time for a new action flick, writes Michael Fleming. Rinsch, who I never heard of until now, turns out to have an pretty interesting visual approach (more about that in tonight next’s post), but these days every third movie is from some first-timer whose made his or her name doing commercials. Also, Keanu Reeves is the star. Nothing surprising or strange about that, I guess. No, what’s of interest here is that the movie is a new version of the story of the loyal 47 Ronin (leaderless samurai), an oft-filmed national legend — in Japan, that is.

47_ronin_1941_2

Okay, so Reeves is part-Asian, but his looks are sort of those of a vaguely ethnic white guy, which is usually neither here nor there, but this isn’t “Shogun” or “The Last Samurai” — it’s not a story about some random westerner who finds himself in 18th century Japan. Or maybe it is now. I don’t like pre-judging movies but this just gives me a bad feeling. The 47 Ronin is a dearly held national legend of Japan and they’re going to make a seemingly super-Americanized English language version, and starring this guy?

I know there’s such a thing as non-traditional casting, but this is just weird. Samurai are not merely part Japanese and really can’t be. Remember Boss Tanaka from “Kill Bill” and his reaction to taking orders from a woman who was Chinese-Japanese American? Quentin  Tarantino is one big-time Western filmmaker who knows something about Asian culture; I wonder if there are any others. If any movie were to give Japan’s growing nationalist far-right a boost, this could be it.

But it’s only a movie, right? So, let’s see some Japanese filmmakers get to do a version of the Alamo or the Shoot-Out at the O.K. Corral starring some vaguely Caucasian-looking Japanese actor as Wyatt Earp/Davey Crockett and film it in Japanese. I wonder how that would do in the States. I also wonder what our own ranting nativists would make of that.

Tadanobu Asano* But poetic semi-justice is swift, because also from the mighty pen of Michael Fleming comes the word of casting the “Warriors Three” by Kenneth Branagh of the upcoming “Mighty Thor” flick. Alongside the traditionally more or less Nordic looking Stuart Townsend and Ray Stevenson (who I guess will be wearing a fat suit of some sort as Valstagg or gaining a lot of weight, or will just be the trimmest Falstaff knock-off ever), Branagh has taken the interesting step of going full mongol on the character of Hogun, who was partially modeled on Charles Bronson, by casting the Japanese actor who actually starred in “Mongol” (and Takashi Miike’s probably-never-to-be-seen-by-me gangster gorefest, “Ichi the Killer”), Tadanobu Asano. Yes, this is not your father’s lily-white Asgard.

* Mel Gibson adds to the confusion/mystery around “Max Max 4.”

* And, finally, in non-ethnically based confusion, Nikki Finke reports Carl Icahn appears to be mucking about with the MGM sale, and the ever-opinionated Devin Faraci (well, he’s a pussycat next to Ms. Finke, but who isn’t?) has some interestingly contentious thoughts on the state of geek-oriented film journalism and Julia Stiles/Spiderman/Black Cat rumors.

Of movies and madness on a Monday

Movie news bits and pieces tonight.

* Universal may be having a bad year, but Sony is doing just fine.

* Disney has apparently ditched a McG-spearheaded sort-of prequel to “20,000 Leagues Under the Sea” focusing on the “origin” of Captain Nemo and his fabulous submarine, the Nautilus. Apparently, pirates on the water are better than mysterious antiheroes underneath it.

20000_leagues_under_the_sea_1954

* Kim Masters introduces us to “the movie theater of the future,” which sounds an awful lot like no movie theater at all to me. With people buying fewer DVDs, I supposed it’s necessary for the studios to experiment with delivery systems and new approaches, but undercutting theater owners won’t help anyone in the long run. The focus should be largely on making moviegoing better, cheaper (or at least providing more value), and more of an event for filmgoers of all ages — while also maybe utilizing our enormous numbers of screens to offer more choices. Just a thought.

* Have you ever heard of fifties B-movie and sixties TV director Paul Wendkos? I just barely recognized the name and I’m a gigantic geek. C. Jerry Kuttner has some thoughts on his passing.

* That item above is via The Auteurs Daily and so is this item. Extreme meta and some inside baseball is involved, so caution is advised. So, was using the expression  “screw-up,” a screw-up? That’s the question facing Anne Thompson who, in post I linked to and left a brief comment at last week about a new job for L.A. Weekly movie critic Scott Foundas, had in passing pretty much said that former New York Film Festival programmer Kent Jones had apparently been guilty of some sort of big mistake, with the implied result being his departure. Anyhow, Mr. Jones has friends and one of them was Manohla Dargis of the New York Times. I really don’t know any of the specifics enough to even contemplate a comment on whose right and wrong here — the ins and outs of festivals and their personnel hasn’t exactly been on my radar — but fans of excess verbiage might want to take a look at the ‘net equivalent of a non-lethal multi-car pile-up that eventually involved Mr. Foundas as well.

* Bad news for cinephiles. Edward Copeland, whose  involvement in the movie-geek blogosphere predates my own and lots of others by some time, is taking a break from blogging because of health concerns. For as long as his break lasts, he will certainly be missed. Get better soon, Edward.

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