Tag: Fox (Page 16 of 31)

TV in the 2000s: My Top Reality Shows For the Decade

Reality TV was kicking into high gear in the early part of the decade, and in 2002 Fox’s “American Idol” changed many things about how we watch TV, how we view the music industry, and how we view Paula Abdul. These are all shows that I blog about, so suffice to say that while I have become somewhat knowledgeable about each show, I do enjoy watching them, and enjoy them immensely. Here is how I rank them…..

“American Idol” (Fox)—It’s hard to argue with ratings and how this show has become the #1 show, maybe of all-time. And while we have taken issue with the judges, the producers and oftentimes, the talent, the fact remains that the concept of “American Idol” is awesome –to let viewers determine who they want to be a pop star. And it’s likely exceeded the expectations of producers and industry execs, particularly with the careers of Kelly Clarkson and Carrie Underwood. In fact, without Idol, what would those two be doing right now?

“The Biggest Loser” (NBC)—It’s hard to believe no one thought of a show like this long before reality TV came to be. And what could be more inspiring to Americans than to prove that those of us getting fat while watching reality TV and eating bad food and not exercising, that we can actually lose weight, and a lot of it, if we put the effort in. But seeing how the show transforms the lives of its contestants is must-see TV, and can be downright heartwarming. Sometimes, however, the producers let gameplay take over, which can cloud the purpose of the show. But still, the show is already in its 8th season and shows no signs of slowing down.

“Top Chef” (Bravo)—Admittedly, I only started watching this one in Season 5, but became hooked faster than I’ve been hooked by any reality show. It’s so well done, and has made me notice things in the production, like lighting and music and continuity, that I’ve never noticed in shows like this before. Then there is the competition itself, and it’s a show that pits, well, top chefs, against each other—chefs that know fine dining but have to stay on the cutting edge of cuisines and techniques for survival on the show.

“Hell’s Kitchen” (Fox)—The boisterous Gordon Ramsay became a fixture in our living rooms a few yeas back, and “Hell’s Kitchen” was an awesome concept for the first two or three seasons. After that, it began to lose some of its appeal—mostly because they have stuck to the same format again and again without much variation. Still a great show, but after six seasons, they need to take a break or change things up.

“The Next Food Network Star” (Food Network)—This show gained all of its credibility after the fact, once Season 2 champ Guy Fieri became a rock star almost overnight. But in the three seasons since, it’s failed to produce anyone like Guy, and maybe never will again. Plus, you can’t keep crowning a champ, and then give them 5-6 shows before letting them fade into oblivion. At least in my book, that hurts this show’s credibility.

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Fox likes the taste of “Bob’s Burgers”

Fox animation

Just after signing on with Matthew McConaughey to produce the animated series “Rooster,” Fox has given “Bob’s Burgers” the green light. From the mind of Loren Bouchard, co-creator of “Dr. Katz” and “Home Movies,” “Burgers” is an animated series based on an East Coast family who runs a fast food joint.

“One of the great things about telling a story is that (the show) could be a workplace and family comedy at exactly the same moment,” said Bouchard, who originally thought of doing a comedy about a family of cannibals running a restaurant but dropped the cannibalism part.

Bouchard, who is executive producing/co-showrunning “Burgers” with Jim Dauterive (“King of the Hill”), said he chose a burger place versus a traditional restaurant because “it feels very iconic.”

Although “Burgers” will have a similar look and tone to the rest of the comedies from Fox’s Sunday animated block, it will be “a little more urban,” said Bouchard, who spent several years working in bars and restaurants during his 20s.

The original voice cast included H. Jon Benjamin as Bob, John Roberts as wife Linda and Kristen Schaal, Eugene Mirman and Dan Mintz as the kids. Fox gave the series a 13-episode order after viewing a 12-minute presentation. It’s unclear whether the cast will return, but Bouchard is optimistic.

As am I. “Dr. Katz” is one of my favorite series of all time and Bouchard was an integral part of its success.

Look for the show to premiere in early 2011.

Hollywood (and the rest of California) destroyed! Millions to be made!

John Cusack in

Yes, with just one really big new release this week, it’s looking like Sony and Roland Emmerich’s eschatological extravaganza, “2012,” will most definitely take the box office crown this weekend. Prognosticators are, however, offering a pretty broad range of possible results. Pamela McClintock of Variety says that “observers” are guessing the mega-disaster tale will make “north” of $40 million “or even substantially more” on its opening. The ever jolly Carl DiOrio of The Hollywood Reporter gets more specific on the “substantially more” and suggests that those mysterious tracking surveys mean that $55-65 million is “doable” for the first would-be blockbuster I’ve ever heard of to be based on the Mayan calendar. Some of this speculation, of course, is based on the large success ($186.7 million domestically) of Emmerich’s other mass destruction based sci-fi flick from 2004, “The Day After Tomorrow.”

Still, there are some issues, including an outsize running time of 2 hours and 38 minutes, forty minutes longer than “Day.” Predictably, most critics are making fun of the film. Let’s face it, Emmerich isn’t exactly known for thoughtful cinema. Still, while the film only scores a meager 32% “fresh” on Rotten Tomatoes, it does seem to generate a certain number of backhanded compliments from those who think it edges into guilty pleasure territory, including from our own David Medsker and a darn funny, three-star review by the Chicago Tribune‘s Michael Phillips. In any event, that running time could be an issue in terms of number of shows per day and also simply by annoying impatient filmgoers. However, the teen boys who go to this stuff never seem to mind a long running time if they get their share of thud and blunder and, by all accounts, “2012” provides oodles of some of the best wanton destruction in some time.

Bill Nighy in Being released in some 882 theaters, as compared to 3,404 for “2012,” is Focus Features’ “Pirate Radio.” It’s a shortened version of a fact-inspired comedy that was called “The Boat That Rocked” in the UK. Writer-director Richard Curtis of “Love, Actually,” “Four Weddings and a Funeral,” and cult TV favorite “Blackadder,” is once again splitting critics with this ode to the glory days of sixties pop. However, a running theme in the reviews appears to be that, for a comedy about a bunch of radio rebels forcing their way illegally onto English airwaves during the heyday of sex, drugs, and rock and roll, it’s a bit polite. And so, the RT rating is a mehish 56% as of this writing.

I should add, though, that there’s something about Richard Curtis — I’d guess it’s gratuitous niceness — that tends to make some critics underrate his films. “Love, Actually” was a terrific piece of work in my own opinion, but it only earned an RT rating of 63%, though it also earned roughly a million bucks for each percentage point. Will Harris, who got to travel to our nation’s mother country to participate in the press junket for “Pirate Radio” is of a like mind, but feels this effort is worthy but a bit less wonderful its predecessor. (Will’s interviews from his trip are highly recommended. I suggest you start with Richard Curtis.)

And that’s it for the major/semi-major releases, but there’s some very interesting action amongst the limited flicks. First, as per Box Office Mojo, the critically lauded, sure-to-be Oscar nominated “Precious: Based on the Novel Push by Sapphire,” which did amazing limited release business last weekend for Lions Gate with a per-screen average of $100,000 in 18 theaters, is expanding to 174 screens this weekend. Apparition/Sony’s critically derided and sure to be utterly un-awarded “Boondock Saints II: All Saints Day” is bumping up to 244 screens after showing some cult strength.

Finally, in an interesting strategy for a fairly high profile animated family film with an all-star voice cast, “Fantastic Mr. Fox” — from Fox, naturally — is opening in four theaters this weekend. The thinking here is, I’m guessing, that this isn’t just any animated family film based on a popular children’s book by Roald Dahl, but one directed by arthouse fave Wes Anderson. Though there may, or may not, have been significant issues during its making, it wound up with great reviews. In fact, the painstakingly non-CGI puppet animation is collecting the most consistently good notices of Anderson’s entire remarkable career, as reckoned by Rotten Tomatoes, beating even his instant classic “Rushmore” by four points. So, giving “Mr. Fox” a little time to percolate and spread some good word of mouth by opening it more slowly makes a lot of sense. It’s a strategy that should be used a lot more often, with good movies that is.

Fantastic Mr. Fox

Friday movie news dump

It’s that time of the week when we offload the week’s last few stories.

Will Ferrell in * In the wake of his “Land of the Lost” debacle, Will Ferrell is going back to “Stranger than Fiction” territory with a more low-key form of comedy, writes Mike Fleming. “Everything Must Go” will be from first-time feature director Dan Rush and is based on a story by Raymond Carver — not an author frequently connected with hilarity though the script is apparently primarily a comedy and the premise (a newly unemployed guy’s wife locks him out and deposits his stuff on the lawn…and the guy responds by trying to sell all of it) sounds potentially pretty funny.

It’s important to remember that, once upon a time, not all comedies were expected to be laugh-riot farces and, ironically enough, they were often funnier anyhow. (The classical definition of comedy, by the way, is less about being funny and more about having a happy ending. By that definition, many black comedies are not comedies at all.)

* More from Fleming: Robert Redford’s new Lincoln conspiracy film started shooting on Monday and he has quite a cast assembled. This one could be good.

* American liberals like me complain a lot, and for very good reason, about the actions of media mega mogul Rupert Murdoch, particularly in regards to how his TV news network is essentially an arm of the Republican Party. But, it could be a lot worse. Italy’s scandal-ridden, far-right movie and TV mogul Murdoch-equivalent actually runs the freaking country and I bet Italian rightwingers cry about the “liberal media” and the evils of the Rome film-making establishment too. But, hey, at least they have health care,.

* Speaking of media moguls, Nikki Finke believes that GE may ultimately divest itself of NBC Universal, which may please ecologically minded and antiwar folks while depriving “30 Rock” of one of its best running gags. Still, Finke says it may be seven years before it’s complete, so Tina Fey & company should be able to milk it sufficiently. Also, Finke wonders about Ted Turner’s mental health in regard to Time-Warner.

* It may be last summer’s news here in the U.S., but “Up” continues to land on top of the global box office.

Hell’s Kitchen: bang bang, we’re done

Did anyone else know that the season finale of FOX’s “Hell’s Kitchen” was last night? I didn’t until Mrs. Mike read the TV listings to me, and suddenly I was stressed that I had to watch four hours of TV (more like 3, thank you TiVo) for blogs this morning about this show and “The Biggest Loser.” Will Harris, I have more respect for you at this moment than ever. But I made it through and now HK is done for a while as FOX turns its attention to the baseball playoffs. Anyway, we have a season finale to discuss, but it was really two back to back episodes, and they shortened the finale episode considerably compared to previous seasons (thank you FOX, seriously).

The first episode began with Gordon Ramsay having the three semi-finalists, Ariel, Dave and Kevin, make a dish out of a cuisine chosen from under a dome. Ariel went first and drew Chinese; Dave drew Indian and then moaned and groaned; and Kevin had Mexican. They would be judged by Ramsay and three celebrity judges that specialize in those cuisines.

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