Tag: Christopher Nolan (Page 2 of 5)

A Roundtable Chat with actress Lesley Manville (“Another Year”)

A classic case of an “overnight success” who’s been working successfully for decades, Lesley Manville was just starting to be able to bask in the glow of a job extremely well done during the junket for “Another Year” last month. A few weeks later, the already simmering Oscar speculation around her performance in the latest film from maverick English director Mike Leigh got an early boost: she won the Best Actress award from the influential National Board of Review alongside a number of nominations elsewhere.

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Lesley Manville began her career on the stage and British television, making her film debut with a minor role in Mike Newell’s 1985 melodrama, “Dance With a Stranger.” In 1988, she appeared in Mike Leigh’s worldwide breakthrough comedy, “High Hopes,” the first of six films so far with the director known for his uniquely collaborative approach. Notable roles in Leigh’s historically-based “Vera Drake” and “Topsy-Turvy” followed, along with numerous less well known films and television shows. It’s possible that she’s best known to the mass U.S. audience as Mrs. Cratchit from Robert Zemickis’ motion-capture “A Christmas Carol.”

In “Another Year,” Manville portrays Mary, a lonely and progressively more depressed alcoholic whose visits to the home of a contented therapist coworker (Ruth Sheen) and her husband (Jim Broadbent), become increasingly painful. It’s a powerful and all too real-seeming portrayal that has hit Manville’s career with enormous force.

Even without a huge number of awards, I suspect we’ll be seeing a lot of Manville from now on. During the post roundtable chatter, I half jokingly suggested that she should work on her American accent, and she reminded me that she had just recently finished doing the very American play by John Guare, “Six Degrees of Separation.”

Things got a bit interesting late in this group interview, when one of the other writers present asked a question which Manville, perhaps stung by some past public discussion of her short-lived late 1980s marriage to Gary Oldman, deemed overly personal. With a little luck, Lesley Manville will have to deal with more prying from less from the press in years ahead.

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More midweek movie news — it bleeds so, alas, it leads

* It’s probably just the aftermath of a quiet holiday week or two, but there’s been an awful lot of movie news I haven’t mentioned this week. Tonight, however, all of the usual casting tidbits and what not are being overshadowed by an extremely dramatic new development in the murder or Ronnie Chasen. Chasen, you’ll recall, was the highly respected and well-liked industry publicist who was shot five times in her car with hollow point bullets in a murder that seemed senseless, yet not random. Tonight, the big news if you turn on any local news station out here is that police went to serve a search warrant, one of a few, on a “person of interest” in the case but before they could talk to the man, he committed suicide with a handgun. Not surprisingly, Nikki Finke has the latest on what has to be the strangest and saddest Hollywood story of the year.

* Speaking of Finke, she claimed another “toldja” tonight. Channing Tatum will be Jonah Hill‘s costar in the upcoming comedy rendering of “21 Jump Street” written by Hill and Michael Bacall.

* A ballet comedy with Chloe Moretz, Kristen Bell and Jackie Earle Haley? Works for me. Moretz makes a lot of sense here. As we discussed when I interviewed her last summer, she has a background in ballet. She was also fairly gaga over the portions of “The Black Swan” she’d been able to see.

* A sweet tribute to the late Leslie Nielsen by David Zucker.

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* Anne Thompson has a rundown of the selections for this year’s Sundance Film Festival, which is just about six or seven weeks away already, if you can believe it.

* Speaking of Anne Thompson, she posted an early review of the Coen Brothers new version of “True Grit” tonight. She was very positive about the movie herself but seemed to feel  that younger viewers don’t “get” westerns because they happened a long time ago. (Does that mean they dislike all films taking place more than a hundred years in the past? I find that a sad thought.) She also said the response at the screening she went to was “mixed.”

Well, at least so far it’s not so mixed with the geek elements of the film blogosphere because Drew McWeeney, Harry Knowles (who, yes, tends to be excitably positive), and Eric Eisenberg of CinemaBlend posted flat-out raves. This fan of Westerns, who recently read the Charles Portis novel and is looking forward to reacquainting himself with the 1969 version really soon, is excited. Only blogo-blowhard Jeffrey Welles has labeled it a “misfire” in what I’ve read so far, and I can’t help but consider the source. At least he didn’t spend the review calling Jeff Bridges fat or something. It seems like every time I read Welles, he’s criticizing someone for being overweight.

* Left over from last night. Christopher Nolan makes sense and tells us to embrace the ambiguity. Actually, the deliberate little bit of doubt at the ending was one of the few things I liked unreservedly about “Inception” which, overall, was a big, cold, glittering disappointment for me.

* Michael Douglas is apparently doing well in the health department and, from a totally selfish point of view, the best part is that it really does look like the Soderbergh Liberace movie is going forward.

* Whedonesque reveals a non-story as Entertainment Weekly manufactures a dubious scoop on the Joss Whedon-less “Buffy” movie.

* I’m sure Peter Jackson knows exactly what he’s doing, but it blows me away that a big scale fantasy epic like “The Hobbit” is going to be shot with RED Epic digital cameras. I know I have huge retro tendencies, but somehow, I’d feel better if he were using those massive old 3-strip Technicolor cameras.

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Midweek movie news

Big movies are in the news today.

* James Cameron apparently won’t be directing the latest iteration of legend of Egyptian queen Cleopatra. Instead, he’ll spend the next few years doing the inevitable: “Avatar 2” and “Avatar 3.” Apparently, the commitment now is partially in return for Fox making a large donation to green causes Cameron supports.

* Christopher Nolan gave Geoff Boucher the title of the next Batman installment “The Dark Knight Rises” — not very inspiring. Having previously eliminated Mr. Freeze as the film’s big bad, he also eliminated the Riddler. That leaves Catwoman, the Penguin, and…Man-Bat?

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Monday movie news

The Deadline crew has really been working overtime these last few days, so there’s much to talk about as a new week begins.

* I’m not kidding about the pace of news from Deadline today. Just as I was starting to finish writing this, Mike Fleming broke the news that we have a “Superman” director who’ll be working with producer Christopher Nolan, and he is one Zack Snyder of “300,” “Watchmen,’ the “Dawn of the Dead” remake and that owl movie that’s out right now. Expect a fightin’ Supes. Should you expect a good Supes movie? Dunno. I never understood the grief that “Superman Returns” got. It was a nice, fun movie in the best senses of the words “nice” and “fun.” Will this one be all grimness and unnecessary darkness? I hope not.

*  Fox landed the film adaptation rights for apparently the hottest book of the moment, Abraham Lincoln: Vampire Hunter which is being produced by Tim Burton and directed by Timur Bekmanbetov (“Night Watch,” “Wanted“), who purchased the rights with their own money. And it’s not like they were afraid to show they really wanted it:

When Tim and Timur and their entourage of reps came to the Fox…they were met with a huge banner at the gate. It had the title treatment of the script and was emblazoned, “Tim Burton and Timur Bekmambetov present Abraham Lincoln: Vampire Hunter”. At their parking spot were signs saying “Parking For Vampire Hunters Only: park at your own risk,” and so forth. There were bloody footprints lining the walkway and stairs leading from their cars to the meeting in Building 88 with images from the book and lines from the script. As if that were not enough, there also were bloody axes strewn about, and a bugle player in a Confederate uniform playing “Taps” as the filmmakers walked to the meeting..

Yes, like Camelot, Hollywood is a silly place, and I sort of like it that way. I just wished I enjoyed Bekmambetov’s movies, because I didn’t.

* Re: silliness. Check out this promotion for “Jackass 3D”

* I seriously dislike writing about stories that say that so-and-so is “about to be” “offered” a part. There are simply too many items like that and too many “ifs” (maybe the studio will change their minds; maybe the star will say “no,” etc.) and I prefer to wait until the story is further down the road. Nevertheless, Mike Fleming has reported that Emma Stone is about to be offered the part of Mary Jane Watson in the Marc Webb-directed 3D “Spiderman” reboot opposite Andrew Garfield.

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Weekend box office preview: “Inception” to meet its match in “The Other Guys”

Christopher Nolan’s science fiction thriller continues to hold audiences to the tune of over $200 million as it enters its fourth week.  It still will likely be no match for the projected $30-$35 million or maybe a bit more being bandied about by box office prognosticators like Ben Fritz and, more optimistically, jolly Carl DiOrio for the new buddy-cop cop parody/homage from Sony starring Will Ferrell, “The Other Guys.” Of course, having Ferrell in a movie is not an instant ticket to box office glory as the experience of “Land of the Lost” taught us not so long ago. “Inception” will nevertheless go to the #2 spot, it appears.

The Other Guys and friend

This time, Ferrell’s got what looks to be very strong support from the increasingly funny Mark Wahlberg not to mention supporting performances by Samuel L. Jackson and Dwayne Johnson as the supercops who would ordinarily be the leads in a buddy-cop flick. It’s even got very decent reviews, which are not a requirement for Ferrell to have a hit but they indicate the movie might be okay. That always helps, though there’s general agreement that the film from Sony is creatively not in anywhere near the ballpark of something like the similarly themed “Hot Fuzz.”

Aimed at a very different audience of young girls, the prospects are less promising for Disney’s “Step Up: 3D.” As the third film in a series that was actually declining, the conventional wisdom is that the only reason it was even made was to cash in on the three-dimensional craze. I’m thinking that craze has already peaked, at least for the present. Nevertheless, DiOrio says that its tracking indicates it might actually beat the $18.9 million opening of the prior entry. I’ll believe that when I see it, though admittedly there really isn’t a strong film for female tweens right now, so counterprogramming could be the film’s salvation. Though with “3D” actually in the title, I’d be worried if I was the executive who greenlit this one.

Luke Wilson and Friends in This week also sees two films opening in over two hundred theaters, making them larger than usual limited releases. As per Box Office Mojo, “Middle Men” from Paramount will be opening in 252 theaters, including the multiscreen drive-in theater about thirty miles east of L.A. where I’ll likely be attending an informal gathering at this weekend.  The movie is getting mixed reviews, which is about right in my view. It’s an attempt to make a Scorsese-style quality film about a major turning point both in the history of porn and e-commerce that fails simply because it tries to tell a miniseries story in the length of an ordinary 100 minute release. Still, it’s an interesting movie with a lot of good moments and some very good acting, including from star Luke Wilson. We’ve been covering it a lot at Bullz-Eye with interviews by me with co-stars Giovanni Ribisi and Gabriel Macht and there’s more to come here at Premium Hollywood.

Being released in 231 theaters is Joel Schumacher’s latest attempt at artistic respectability, “12.” Named after a fictitious designer drug, it’s getting predictably uniform bad reviews and is evoking mentions of Larry Clark’s infamous “Kids.”  On 45 screens is kind of the flip side of that, a sentimental comedy-drama of puppy love that sounds a little bit like a very wholesome “Let the Right One,” minus (obviously) the vampires, called “Flipped.” What’s weird here is not that its reviews so far aren’t so good, but that there are only four of them. Even at his best, Reiner was never a huge favorite of mine, though he sometimes chose great material. (No, “When Harry Met Sally” is not really great material in my view.). Still, only getting four reviews is just sad.

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