Tag: Batman (Page 2 of 4)

Superhero movie madness, explained

Let’s face it, this superhero movie thing is in danger of getting out of control. On the DC side we have Batman, Green Lantern, possibly the Flash, Wonder Woman, Aquaman and, assuming the studio can move faster than a speeding lawsuit, Superman.

Marvel, of course, is moving faster still with movies about Iron Man, the Hulk, Thor, Captain America, possibly Nick Fury, and who knows what else leading up to an “Avengers” film to be directed by geek fave Joss Whedon, we think. (In April, Whedon and Marvel were in “final negotiations.” Now one of Whedon’s brothers has apparently told MTV that he has “tentatively agreed” to do it…is that even different?)

So, what’s the big deal? A few movies have been extremely successful and Hollywood follows its historic tendency towards repeating a winning formula until such time as the audience completely revolts. Is this any different? No, actually, but also yes. You see, I haven’t read a Marvel comic in a very long time, but even now my closet fanboy heart goes faintly pitty-pat at the thought of an “Avengers” movie incorporating the same actors from the other films. Why? It’s called “continuity.” What’s that? I could just say, “It’s a fanboy thing, you wouldn’t understand.” But now, thanks to some random guy with a little musical ability and more wit, action figures, and time on his hands, I have an explanation. In song.

Big time h/t to Alison Nastasi of Cinematical.

Friday night movie news dump

I’ve got a bunch of other stuff to get to, so let’s see how efficient and selective I can be tonight.

* We have a Bat-date and it’s July 20, 2012.

* “Iron Man 2” is already starting to rake it in.

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* I can’t believe I failed to mention this a couple of days back, but writer-director Bill Condon is handling the next “Twilight” film. These days, Condon is best known for “Dreamgirls,” and he did a brilliant job turning Bob Fosse’s anti-dramatic theater-piece, “Chicago,” into an audience-friendly hit as a writer. However, he’s made a horror film (one of the “Candyman” films) and also his terrific “Gods and Monsters” was an homage to “Frankenstein” director and all-around filmmaking great James Whale. In other words, he’s far more interesting a guy to do this than you would expect.

* News-flash: “Kick-Ass” man Matthew Vaughn will, once again, not be directing an X-Men movie. Don’t stop the presses!

* If James Cameron paid such careful attention to the science in “Avatar,” why couldn’t he also spend a little time on the dialogue?

* With all the sequels being made, why the f*** not “Anchorman 2”? Too many comedy superstars means too much $, I suppose.

* Speaking of money, you’d think it would be easy for David O. Russell to get enough money for two or so days of shooting to finish “Nailed,” written by Kristen Gore (Al and Tipper’s  funny daughter). It seems the quirky comedy (the extremely talented, conflict-prone Russell makes no other kind) has been sent to cinema hell — or purgatory if we’re all lucky — not by Russell, who for once seems to have things nicely under control, but by seriously troubled producer David Bergstein. For those of you with enough time, check out the long version of what left this film literally hanging as written by Kim Masters. Sad/fascinating stuff.

* Justly respected critic Todd McCarthy is back after being canned by Variety and blogging for Indiewire. Good news.

* J.J. Abrams may be doing something with Steven Spielberg. Quoth Beaks:

[It] will be “both a tribute to and a collaboration with Steven Spielberg”. The film, about which nothing specific is known, is intended as an homage to Spielberg’s ’70s and early ’80s output; “…an interpretation of some of Spielberg’s earlier films, but done in a personal way.”

…This is either kinda cool, or a little creepy. I can’t decide.

The original “Robin’s Big Date”

Via Kevin Jagernauth at the Playlist, we learn that one of the skits for the upcoming, unnamed 17-director comedy anthology film is an expansion of the funny little film below from 2005, which comes as news to yours truly. “Robin’s Big Date” features Justin Long as a sensitive young Robin who has to put up with a supremely overbearing, bearded Batman (Sam Rockwell) who doesn’t seem to realize when he’s not wanted.

Especially with his outstanding work in “Moon” and the upcoming “Iron Man 2,” Rockwell is an actor who has really been growing on me a lot lately — I had previously found him a tad bland but I now see the error of my ways. His work here with Justin Long, also excellent, shows that his way with a comic scene is great stuff. Though I love that the updated version will include not only Rockwell and Long, but also writer-turned-actor Jon “I’m a PC” Hodgeman of “The Daily Show” as the Penguin, this nice little film is going to be hard to top. Enjoy.

Especially with his outstanding work in “Moon” and the upcoming “Iron Man 2,” Rockwell is an actor who has really been growing on me a lot lately — I had previously found him a tad bland but I now see the error of my ways. His work here with Justin Long, also excellent, shows that his way with a comic scene is nothing too new he already. Though I love that the updated version will include not only Rockwell and Long, but also writer-turned-actor Jon “I’m a PC” Hodgeman of “The Daily Show” as the Penguin, this nice little film is going to be hard to top. Enjoy.

No fooling, it’s Thor’s-day at the movies

I don’t usually do these kind of posts on Thursdays, and it’s April Fools’ Day. However, there’s simply too much apparently non-joking, actual movie news to leave for Friday. So, here we go.

* Of course, in Hollywood, it’s not always easy to spot the April Fool’s story from the real thing. That’s why IESB frontloads their big possible, eventual scoop today with all sorts of promises that they’re not joking. Anyhow, it appears that #1 cult creator Joss Whedon, most recently of “Dollhouse” and “Dr. Horrible’s Sing-Along Blog” fame, is supposedly on the short list to direct “The Avengers,” currently being penned by Zak Penn.

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If you’re skeptical about this, you’re far from alone. Just check out the slightly quizzical reaction from Whedon’s robotic and slavishly devoted cult — of which I am a known member — over at Whedonesque. (I’ve even forgiven Whedon for listening too much to Rahm Emmanuel and selling out to big pharma and not fighting hard enough to keep the public option in the health care bill….Oh, wait, wrong blog.) Still, Whedon’s known for staying in touch with his fans. I strongly suspect that, if the story were completely unfounded, he’d have posted something about it by now.

One creative point. Some fans seem skeptical that a collaboration between Penn and Whedon could work. Well, of course, Whedon has actually done any number of rewrites and polishes on other people’s scripts — a lot of folks give him credit for most of the wittier portions of “Speed” — and though Penn has been involved with some pretty conventionally dull flicks in his day, he’s not completely lacking imagination and humor. His little seen 2004 comedy-thriller mock-documentary, “Incident at Loch Ness,” has some remarkably hilarious moments,  most of them courtesy of Werner Herzog, playing himself and also taking a cowriting credit. If Penn’s good enough for Herr Herzog, he’s perhaps good enough for Joss Whedon.

* Speaking of “The Avengers,” the movie about the only actual deity in the group, “Thor,” is currently in production and director Kenneth Branagh talked about the film and his affection for the Stan Lee/Jack Kirby/et al comic books in today’s L.A. Times. This was not some random publicity glad-handing but a deliberate effort to squelch some unpleasant — and, to my ear, unlikely — rumors being reported in the tabloid press which allege open on-set criticism/anger directed at newcomer-lead Chris Hemsworth from venerable master thespian Anthony Hopkins, presumably relating to the 26 year-old star’s relative lack of experience, at least compared to Hopkins.  Hopkins, who’ll be playing Thor’s even more venerable dad, Odin, and Branagh have strongly denied the rumors and painted a picture of a happy set.

I was fairly impressed with Hemsworth’s work in the opening of “Star Trek,” so I tend to lean towards the official story here. He’s also a veteran of an Aussie soap, “Home and Away,” and history teaches us that soap vets tend to become pretty good actors when actually allowed time to learn their lines properly and develop characters. I don’t know much about Hopkins on a personal level except that he’s gotten this far in his career without these kind of incidents being an issue that I can think of. I suspect it would take a titanic lack of talent/ability to visibly annoy him at this point.

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The League of Quality Superhero Animation plugs “Crisis on Two Earths” at Paley Center

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It’s an old story. You’re a superhero minding your own business and then you bump into someone who looks very familiar but, well, something’s just not right. Gee whiz but this person looks a lot like you and is even wearing similar clothes, but then you notice your new acquaintance looks like he or she is made from rocks, uses terrible grammar and does everything the opposite of you. (“Me want to not save world!”) Or the newcomer looks like one of your deadliest enemies, but turns out to be no Bizaaro, but as heroic as you are. What’s a superhero to do?

It’s an old superhero comic story that has yet to find its way into a big-time costumed-hero flicks — but at least it’s finally been used in a solidly entertaining and often slyly funny direct-to-DVD animated production. Rated a mild PG-13 for non-deadly “action violence,” Warner Home Video’s “Justice League: Crisis on Two Earths” shows us the fall-out of an alternate universe where the equivalents of our most famed superheros are essentially costumed Mafioso, while a bald guy named Luthor and a joker named the Jester vainly fight the power of organized caped crime.

When the alternate Luthor (Chris Noth) manages a reality jump into the original DC Comics Universe, he enlists the aid of  most of the Justice League. And so, Superman (Mark Harmon), Wonder Woman (Vanessa Marshall), and a less than cooperative Batman (William Baldwin), become involved in a desperate quest to free Good Luthor’s universe from super-powered criminal domination by the vicious Crime Syndicate and it’s Jersey-thug-like leader, Ultraman (Brian Bloom) — and also to stave off the possible destruction of all existence by an off-his-evil meds Dark Knight of the Soul, Owlman (James Woods), and his only slightly more sane GF, Super Woman (Gina Torres).

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The 72 minute direct-to-video feature was premiered at both of the coastal outlets of the Paley Center, and I attended the one located on Earth Prime’s Beverly Hills. Us members of the local geek press were allowed to commune with members of the cast and crew and, in my case, that started with the extremely busy animation casting and voice director, Andrea Romano. The loquacious performer and voice director, whose work includes everything from “Animaniacs” to “Spongebob Squarepants” and “Ben Ten,” is held in as high esteem by super-animation fans as any actor, writer, or director. Her work on DC superhero projects goes back to the early nineties and “Batman: The Animated Series,” which revolutionized superhero cartoons with quality writing from creators like Bruce Timm and Paul Dini, animation, and, thanks to her efforts, acting.

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