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The Biggest Loser: use it or lose it


“The Biggest Loser” on NBC has this way of throwing twists and turns on top of twists and turns. They did that again last night, just as I was beginning to like said twists. Just don’t ever get too comfortable watching this show, and if you’re on the show, that’s even more so.

The episode began with a recap of last week, with Rick being sent home, but then host Alison Sweeney asked everyone back in, and told them that for the next weigh in, only one person would count for each team, and the other team got to choose which person they wanted to weigh in, at the weigh-in. Wow, that’s crazy!

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Sons of Anarchy 3.8 – Lochan Mor

Well, the Sons have finally arrived in Ireland, and to celebrate the occasion, tonight’s episode was a supersized 90-minute edition with a cool Celtic version of the “This Life” theme song to boot. Unfortunately, that also means that Charming is going to be a dreary place for the remainder of the season, although the writers are clearly trying to make it somewhat interesting. For starters, it gives Tig and Kozik plenty of time to kiss and make up – especially now that Tig has had his license revoked due to his little stunt at the end of last week’s episode. We also now know that their beef goes back eight years, and it has something to do with a girl, which Chucky so eloquently confirms with the quote of the night: “Judging by their level of malevolence, there’s gotta be at least one vagina involved.”

And when they’re not bickering like an old couple, Tig and Kozik are going to be pretty busy trying to keep the peace in Charming all on their own, because there are still plenty of bad guys lurking about – particularly Jacob Hale, who will do anything to get SAMCRO out of his town. At the moment, however, he’s more concerned with convincing Lumpy to sell his boxing gym so that he can begin building his hotels. Hale hires Darby to put the pressure on, but when Lumpy refuses the offer, Darby returns the money because he doesn’t want to kill the old man. Hale in turn finds someone else to do his dirty work, but it seems strange that he’d get in bed with Salazar considering his MC was the one responsible for killing his little brother. He doesn’t see it that way, of course, but that’s just out of blind hatred for SAMCRO. Of course, Salazar wouldn’t have done any damage if the prospect that Tig left in charge wasn’t such a pussy, but the experience was obviously enough to convince him that the life of an outlaw biker wasn’t for him, as he left his cut and gun and rode away. Good riddance.

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I can’t wait to say the same about Tara’s pregnancy drama, because this is easily the weakest storyline at the moment. Why doesn’t she just tell Jax and get it over with? We all know she isn’t going to get an abortion, even though her supervisor Margaret seems to think it’s a good idea, and though she asked to schedule an appointment while at the abortion clinic with Lyla (yep, she’s pregnant too – SAMCRO is certainly a fertile bunch), she’ll change her mind eventually. And if she doesn’t, well, that’s going to be a pretty big secret to keep from Jax after he returns from Ireland with Abel, they reconcile their relationship, and she starts having regrets about not keeping the baby. The whole thing is just ridiculous, so let’s move on.

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Activate the Beiber-Tron!

Today we have two videos promoting upcoming films that I’m expecting to be deeply silly while exciting their core demographic to it’s very, er, core.

Via Mike Fleming, this first look online at Disney’s “Tron: Legacy” featuring the music of Daft Punk. I have to say, I recently took a second look at the original “Tron” and the less I say probably the better, but watching this doesn’t cause me pain. There was a 20 minute preview and I wonder how that would hold up.

Geek though I be, such is my dislike of the original “Tron” movie that I’d probably be more appropriate reviewer of the following movie: “Never Say Never” a music documentary/promotional vehicle starring the one, the only, Justin Beiber — because every generation needs its own Frankie Avalon.

After the flip, a bonus video which, given the title of the Beiber-flick, I’d really like to see Beiber perform. I mean, I know the Beiber “Never Say Never” is different, but it would certainly increase my respect for him if he could come up with a medley of his song and the one after the flip.

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Back to “Back to the Future”

It’s the 25th anniversary of the science fiction comedy from Robert Zemeckis and Bob Gale. As you might also expect, a 3-disc Blu-Ray set is also hitting stores today featuring the original film and it’s two-sequels.

So, to go with Will Harris’s interview with Gale which includes some more interesting casting details in addition to the ones you’ve probably already heard about, Universal has made available a series of short clips from yesterday’s press conference at New York’s Waldorf Hotel featuring a lot of the cast — Michael J. Fox, Christopher Lloyd, Lea Thompson, and Mary Steenburgen (from “Back to the Future 3”) but not Crispin Glover — as well as Gale and Zemeckis. A lot of them are very brief and I would have been happier if they’d edited it into one clip, but you take what you can get.

We’ve got a bunch of more these after the flip for you diehard “Future” fans.

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The Return of the Five Deadly Venoms

Don’t let the title fool you. While some of the actors from the earlier “Five Deadly Venoms” do indeed turn up in this bit of vintage 1978 Hong Kong action cinema from the Shaw Brothers — the Warner Brothers of Eastern exploitation cinema — this movie is not a sequel and was originally titled “Crippled Avengers,” which was more accurate but also a bit politically incorrect for the current market. I’m sure “Disabled Avengers” or “Differently Abled Avengers” didn’t have quite the same ring. Still, differently abled our heroes truly are as one by one they are wantonly dismembered, blinded, rendered deaf and dumb and, in one bit of impressive kung fu, deprived of roughly 50 IQ points. Naturally, working as a team, these avengers are able to overcome their disabilities for, really, the only good reason there is to overcome one’s disabilities — avenging! The action here doesn’t have quite the finesse and artistry of the Bruce Lee films or the great costume extravaganzas of the late 80s and early 90s, and director Chang Cheh allows the often comically melodramatic story to lose a lot of steam, but the action is consistently well staged and delivers the ass-kicking goods. The main bad guy — himself a disabled avenger of sorts — even sports some kung fu gadgetry that appears to have come out of the 19th century Chinese equivalent of Q branch.

Click to buy “The Return of the Five Deadly Venoms”

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