Category: TV (Page 251 of 595)

24 7.11-12: Hey Madame President, you want some Candy?

As one of last week’s commenters observed, if you didn’t know any better, you’d think that I hate “24.” And to be honest, there have been times – and even seasons – when I did. But last week was an aberration in what has overall been the strongest season the show has assembled in ages, maybe ever. The show is always going to have its You Must Suspend Disbelief moments, and I understand that. I find that those YMSD moments are more forgivable when they revolve around timing, rather than when someone behaves completely out of character in order to manufacture a little more conflict. Just wanted to set the record straight for any newcomers to the blog. (*End of editorial*)

And while we’re talking about suspending disbelief, let’s address the most obvious one in tonight’s two-hour episode, and it’s not that a team of soldiers armed to the teeth found a way to infiltrate White House security. The show lives for that kind of conspiracy thriller stuff, and I would hate to see them stop. No, it’s the fact that no one involved in US intelligence had any idea that General Candyman was on US property. Public Enemy #1 is on your back porch, and you didn’t know? Really? Seth Meyers could riff on this for weeks in one of those Weekend Update skits. Like I said in last week’s comment section, how did he avoid detection? Did he float in on a raft? And if Candyman and Ike Turner are both in the States, who on earth is running Sangala? No one, apparently, because the soldiers are all running for the hills, but you’d think that the American soldiers in Sangala would have suspected that something was amiss before they bombed them back to the Stone Age. But hey, I have no military experience, so I don’t know how these things work. All I know is what a college friend and lifelong Army soldier once told me, which is that anything worth shooting is worth shooting twice, something Jack Bauer would wholeheartedly agree with.

Tonight’s episode finally gave us the smackdown we’ve been thirsting for: Chloe O’Brian vs. Janis Gold. And impressively enough, it ended with Janis getting the drop on Chloe, enough to convince Dudley Do-Right to lock up Chloe in holding. Of course, Janis had to work some magic of her own in order to obtain a recording of the phone call that incriminated Chloe, which opens the door to the possibility that Janis might have some secrets of her own. Perhaps Billy Walsh was just a smoke screen, and that he and Janis were both involved in the day’s events, with each unaware of the other’s involvement. That would certainly make for a nice last-minute twist, the type upon which this show thrives.

“So Chloe, are you thinking what I’m thinking” “I was thinking it before you even walked into the room.” “So it’s on?” “Oh, it’s on, bitch.”

The first hour of tonight’s show was just the buildup to the raid, but I thought they did a good job of ratcheting up the tension. I will, though, call two specific things into question: the fact that no one saw the “orderly” kill Ike Turner thanks to the phantom phone call (Ike’s death was not quite the head on a stake that I predicted in Hour 8, but it makes sense given the circumstances), and the fact that Jacqueline Bauer not only jumped onto a boat filled with soldiers, but chose to stay on the boat once she lost both her gun and her cell phone. All together now: Ahhhhhhh hahahahahahaha! Whew, all better. Seriously, that was just silly. Even better was that she walked right by all of their weapons as they sat outside, unguarded, on the boat’s stern. Had she grabbed one of those assault rifles, she could have at worst crippled Candyman’s efforts and at best stopped them entirely. This part of the show brought to you by Steve Winwood’s “Roll with It.”

So Jack knows that Senator Forman’s weasel assistant is the point man to the day’s events, and gets thisclose to getting him to talk (thanks to the threat of paralysis via torture, of course) when security blows the door down, at which point Weasel Boy predictably asks for his attorney and clams up. And sure enough, minutes later the lunatics have taken over the asylum. Interesting that they kill everyone in sight and then, upon capturing Big Balls Bill, decide that they need hostages. Not that I was rooting for Bill’s death, but it would have made more sense, since he was actively trying to mislead them by running off with Madame Prez’s tracker. Even more interesting was Tony’s story about his “contact,” who’s now “dead.” Are we all in agreement that Tony is the source, and is feeding Jack intel out of atonement for the bad things he’s done/is about to do? Even more curious was the conversation between the Vice President and one of his lackeys about not looking too eager to see the President get offed. This is surely to distract us from the real problem, which is none other than the retun of Jonas Brother (that’s Jon Voigt’s character, for those who missed my “24: Redemption” blog all those months ago), who sold out President Taylor’s daughter in a nanosecond in order to secure the safety of his mysterious shipment. Jonas Brother is like this season’s First Lady of Crazy: the gift that keeps on giving.

Our episode ends with President Taylor giving herself up so that Candyman doesn’t gouge her daughter’s eyes (though Old Yeller takes another bullet protecting said daughter, the poor bastard), and Jack utters the words that will make at least one loyal follower of this blog giddy: “I have a daughter.” Of course, what he didn’t tell Madame President was that his daughter is likely caught in a bear trap, or a hostage in a Kwik-E-Mart robbery, or something else equally crazy, but I suppose this was neither the time nor the place for details.

If Patrick Warburton’s going to Hell, he’s taking a lot of viewers with him

Bullz-Eye was fortunate enough to score an opportunity to speak with Patrick Warburton on the occasion of his CBS series, “Rules of Engagement,” returning to its 9:30 timeslot within the network’s Monday night comedy line-up.

We did not, however, limit ourselves to discussing that particular show.

In addition to conversations about Warburton’s roles on “NewsRadio,” “The Venture Brothers,” in “Get Smart” and “The Emperor’s New Groove,” and, of course, as the title character of the live-action TV version of “The Tick,” we also asked him about his long-running role on “Family Guy” as Joe, the paraplegic cop whose wife, Bonnie, finally gave birth.

“You know, my mother actually thinks my soul is in peril for being on that show, and after I watched last Sunday’s episode, I thought, ‘Geez, maybe she’s right. Joe’s getting his diaper changed…and I am going to hell for being on this show.’ You know my rationalization is that it is just absurd, crazy humor, and…what the fuck. It is a deplorable show. It’s horrible.”

Well, it’s all a matter of opinion.

Check out the rest of Bullz-Eye’s chat with Patrick Warburton by clicking here…or, of course, by clicking the big graphic below:

Heroes 3.18 – When Harriet Tubman Met Def Leppard

I’m not saying this was the best episode of the season, but it was definitely filled with some of the best dialogue of the season.

I can’t tell you the exact moment that I decided I liked every character on “Heroes,” but at least I can identify it for Claire’s new boy, Alex (though I like to think of him as Aqualad). It was when he looked at her and said, “You’re not Harriet Tubman, Claire, all right? And this isn’t the Underground Railroad. You’re just a high school girl, and you’re in over your head.” He’s probably a narc, but what can I tell you? You just don’t get many Harriet Tubman references nowadays; you’ve gotta respect them when they come along. Also, I actually laughed out loud when Alex wouldn’t even cop to having sex with Claire to save his own skin.

You know, I almost hate to admit it, but I actually kind of liked Hayden Panettiere’s performance this episode…probably because she actually played some semblance of a typical teenage girl for much of the time, particularly during the discussion with her mom about whether or not a divorce from HRG was forthcoming. Her mom had quite a few good lines during the course of the episode, too, including her observation about the van that’d been sitting outside their house for way too long (“No-one’s pool is that dirty”), but nothing topped the lustful shout-out to the glory of Def Leppard’s Rick Savage. Having the agent come in and almost but not quite find Alex wasn’t nearly as suspenseful as I think it was probably intended to be, though, nor was Claire and Alex’s great escape. And the underwater kiss…?

Okay, fine, it was actually kind of sweet. Happy?

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Paul Rudd, Mac, and McDonalds dance contest

My guess is that few, if any of us, remember the movie “Mac and Me.” A movie staring an alien that is separated from his family, searches for them, evades the government and dances in a McDonald’s, all with the aid of a child in a wheelchair (think “ET” but without being able to ride a bike). A post on Filmdrunk shows a clip from “Conan” where Paul Rudd plays a scene from “Mac and Me” instead of one from his movie “Role Models.” It has apparently been a rolling joke on the show, with Paul Rudd going straight to this scene from “Mac and Me,” forgoing the promotion of the film in which he’s starring.

As a way to further jog your memory, here is a behind the scenes clip with the painted one himself, Ronald McDonald, who introduces the movie:

With all the shameless self-promotion done in the name of the golden arches, I’ve come up with a formula for “Mac and Me.” It goes something like this: Ronald McDonald + “Mac and Me” + McDonald’s dance party in “Mac and Me” = the greatest product placement movie in history.

Gives new meaning to the phrase Mac attack.

Battlestar Galactica: Someone to Watch Over Me

When this episode started, and Kara got into a conversation with some random dude in the bar, I was thinking — why are they introducing a new character at this point in the series?

My “twist-dar” went off when they failed to show her dad’s face in her flashbacks, and it really went off when he lit up a cigarette (after she reminisced about the “smell of tobacco” earlier in the episode). Then the meaning of Hera’s drawing was revealed and suddenly Kara and her “dad” were playing the “Battlestar Galactica” version of “All Along the Watchtower.”

Kara’s trip plodded along, but it was still quite intense, because the nature of her existence is still one of the big questions yet to be answered. This mellowness provided a nice balance to what was going on elsewhere on the ship, as the Chief made a bad, bad decision by trusting Boomer again. Roslin’s demeanor towards Tyrol was unnecessarily harsh, and she bears some responsibility for his actions. Boomer is (mostly) evil, a fact confirmed by her sexual encounter with Helo right in front of Athena. That has to be a tough pill for the Chief to swallow — he breaks her out of the brig and the first guy she screws is Helo? Ouch.

The scene where Boomer made her escape was one of the most nail-biting of the entire series. It was clear that the Chief didn’t know Hera was in the trunk because Boomer had to tell him to “be careful” with it. Still, he’s a dope for falling for her act again. Way to go, Chief.

So now Galactica has a hole in the side of the ship, and after weeks of intimating that the old girl was on her last legs, the ship is truly falling apart. Cavil has (or will have) Hera, and there are only three episodes left. We still need to find out the truth about Kara and the fleet needs to find some sort of home. They wouldn’t end the series with the fleet just drifting aimlessly in space…would they?

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