Category: TV (Page 103 of 595)

24 8.14: Our time is running out

And it’s official: this will be the last season of Premium Hollywood’s “24” blog.

Did you like how I made Fox’s decision to kill the show all about me?

Truth be told, I’m relieved. Ask anyone who blogs about a show and they will tell you that the single-best way to ruin a show for someone is to write about it. Even really good shows like “Lost” get exhausting after a while (biggest, mythology, ever), but “24,” frankly, has been spinning its wheels for years now, and I know that my frustration with the show reflected in my writing. I really did try to make this as entertaining as possible, but that can be difficult when all you want to do is say “Fuck this show,” and hit Publish.

Now that I know it’s over (ooh, another potential blog title), though, I plan to have as much fun watching this show as possible, even if Starbuck is the sorriest excuse for a mole in TV history. And fingers crossed that I get another interview with Annie “Crazy Jackie” Wersching before they call it a day.

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Insert your own gun joke here.

I am always amused at how cavalier TV politicians are about committing high treason. (There’s a Karl Rove joke in there somewhere, but…nah.) We always knew Weiss was a weasel, but not even I thought that he would sell out Madame President like that, especially after that rousing speech she gave when the cabinet members actually entertained the idea of giving up Slumdog in order to stop the bomb. That was worthy of the piece on Presidential speeches that our own Will Harris assembled earlier this year. Say this for the lack of screen time Cherry Jones has suffered this year – when she is on screen, at least they give her good stuff…

…though in return for that good stuff, they have her assign the nation’s best field agent with the menial task of escorting Slumdog President and family out of the blast range. Of course, it turned out to be a very good thing that he was there, or they’d all be dead. Two firestorms in two weeks! Wheeeeee! Actually, I liked seeing Jack go all Call of Duty on General Brucker’s goons, picking them off in the smoke screen like fish in a barrel. (That general has a great agent though, as he has made memorable appearances in “Fringe” and “Damages” before appearing here.) I was sure that Jackie was going to get picked off though, but it’s too soon for a dramatic death scene like that. That one comes in Hour 23. Book it, Dan-O.

Now that we know that Starbuck is a terrorist, isn’t it curious how Samir is suddenly ringing her phone like it’s Booty Call Hour? Was she really not communicating with him up to this point? You have to think that he needed a thing or two from her before she killed Jimmy James, and either way, how conspicuous is she that they’re in a crisis and she’s constantly on her cell? Especially when – this just occurred to me – her phone was blasted in the EMP? She must have sent Samir a text message with the new number of the replacement phone NSA handed her. Or not; maybe they thought we wouldn’t notice. Silly, silly show runners.

Starbuck did say something interesting during one of the calls, though. It’s clear that there is no real relationship between Samir and Starbuck, and that this is a reluctant business arrangement on her part to help him. So who is it that she answers to? Who would be interested in recruiting a young, attractive female with a criminal past for a position of vast interest to national security? If they’re American, that would explain how “Dana” has been able to escape detection up to this point. God, this couldn’t be the makings of a perfect storm of sleaze, could it? Remember who’s making a late appearance before the final clock tick? Three words: Buck buck brawwwwwwwwk!

But nah, that’s too easy. There is no way an ex-President could get involved with something like that…right? Tony Almeida’s behind bars, so he couldn’t be the phantom menace, as it were…but Alan Wilson could be. His story is still unresolved; all we know is that Jackie nearly tortured him to death at the end of Day 7. Maybe his lawyers secured some kind of pardon for his troubles, and now he’s trying to secure more work for his defense contractors by executing another attack on US soil. It makes sense on paper, but that is usually the best indication that the show has other plans.

Lastly, let’s discuss poor, poor Tarin, who was forced to assume the role of the delivery driver for the bomb. This is surely a test on Samir’s part, since he has unofficially questioned Tarin’s commitment to the cause from the moment he expressed regret for getting Princess Jasmine involved. Tarin activates the ticking clock within the ticking clock, with a pained expression that said, “I am far too handsome to die like this.” Doesn’t he have 42 virgins waiting for him in the afterlife? Hey, no one wants to die, but dude, you’re a terrorist. You had to know that this moment was coming.

Which brings us to our song of the week, by my beloved Muse. Time is indeed running out for both Madame President and the show as a whole. The show’s producers seem to be excited about flipping the franchise into a feature film property, but I don’t know how that’s possible without massive commercial breaks. I remember when Johnny Depp and Christopher Walken tried that in the ’90s with “Nick of Time.” Didn’t work out too well. But on the plus side, maybe they’ll cut out all that useless stuff like Mare Winningham and her closeted terrorist son. That can only be a good thing, right?

Breaking Bad 3.2 – For There Ain’t No One For To Give You No Pain

Say what you will about the band America, but hearing the strains of their song “A Horse With No Name” kick off this week’s episode of “Breaking Bad” was a perfect way to remind us that, although Walter White may have begun his transition from Mr. Chips to Scarface, when it comes to his taste in music, he’s still got a looooooong way to go. Given everything he’s done since the beginning of this series, it’s no wonder that he’s looking more than a little twitchy when the cop pulls him over, but how typically Walt to try and use the plane crash as an excuse to get out of a ticket, then getting huffy when the cop doesn’t accept it as valid. I’m sure I wasn’t the only person who groaned audibly when he got out of the car to approach the officer. Seriously, who does that? Apparently, the man who’s expressing his First Amendment rights does that, which is why he quite deservedly got pepper-sprayed for his belligerence.

Once Walt found himself being thrown into the back of the squad car, it was only inevitable that Hank would find his way into the proceedings, and so he did, though his first appearance finds him in mid-discussion about the investigation of Olive Oil and his brethren, who went up in smoke at the end of last week’s episodes. Gomez’s less-than-casual comment about Hank’s “famous blue meth” having not been seen in 29 days leads me to suspect that we won’t go much beyond 30 before there’s a change on that front. After Walt rescues Hank from his clink (kids, remember: no matter how legitimate it may sound when you’re delivering it, nothing makes an apology seem less sincere than staring at your feet the entire time you’re delivering it), the two have some approximation of a heart-to-heart talk, and I feel certain that Hank’s uncertainty about Skyler’s refusal to let Walt see the kids is going to resurface again, especially since she shut Hank down the moment he tried to bring it up at dinner.

By the way, having Hank once again underline his belief that Walt is a textbook underachiever only serves to make me anxious…and not necessarily in a good way…about how he’ll react when he inevitably finds out that his brother-in-law is Heisenberg. I’m reminded of how one of Lex Luthor’s computers took all the facts available to it and deduced that Superman’s secret identity was Clark Kent, but Luthor declared it to be an impossibility because the computer didn’t know Superman the way he did, and he couldn’t accept that Superman would ever deign to take on such a lowly persona. Mark my words: Marie’s going to be in on it before Hank is.

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Your end of week movie news dump

A ton has happened since my last of these posts and I’m sure I’m missing plenty, but here are just a few of the interesting things going on in the movie world as this rather loony week finally ends.

* Bryan Singer will be producing, not directing, the next “X-Men” prequel. He’ll be directing “Jack, the Giant Killer” instead. And another Mike Fleming story, an exclusive this time: “Paranormal Activity 2” has a director. He’s Tod Williams, best known for “The Door in the Floor.” Sounds to me like Paramount is keeping things modest, wisely.

* The very ill Dennis Hopper got his star on the Hollywood Walk of Fame today.  Amy Kaufman has video of the ceremony which included Hopper rather gently chiding the paparazzi for an incident which caused him to fall. The video itself ends with photographers yelling “Viggo!” and “Jack!”

* Ridley Scott’s “Robin Hood” with Russell Crowe as Robin will be opening Cannes this year. The plot description put me somewhat in mind of the angle the great director Richard Lester and writer James Goldman took on the legend in a film I’m quite partial to, “Robin and Marian,” which starred Sean Connery and Audrey Hepburn.

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American Idol: no thing like a sure thing

Last night’s results on “American Idol” were about as predictable as Simon Cowell and Ryan Seacrest’s annoyingly uncomfortable banter. We all knew Paige Miles was going home, it was just a matter of how we got there.

The painfully 60-minute-long show began with a group performance of Wham’s “Wake Me Up Before You Go Go,” which was enhanced by the fact that the 11 finalists recorded the track and then sang along with it. So every time you heard one of them sing, you heard two of them sing. Weird.

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Cameron attacks Beck! Beck attacks Cameron! Kevin Smith attacks me (and every other critic in the world)!! MI:4 gets jiggy with directorial possibilities!!!! It’s auteurs gone wild!

I was honestly going to take tonight off to focus on some other stuff I need to get done but then Kevin Smith, James Cameron and, er, Glenn Beck — yes, you heard me, Glenn freaking Beck, have made that impossible.  Between the three of them, I could probably do five thousand words alone. Just let’s say there’s a whole lotta lameness going on. On the other hand, Michael Bay is actually making as much sense as Cameron these days. It’s a weird world we live in. And that’s not all,  to wit…

James Cameron
* In a massive example of what this liberal feels falls under the category of “dude, I’m not sure you’re helping,” while talking to the press, James Cameron launched into a somewhat humourous expletive filled tirade against Glenn Beck, the newest and by far the looniest resident of the Fox News asylum. Naturally, this was grist for the mill of John Nolte over at Andrew Breitbart’s frequently even more unhinged far right film blog, Big Hollywood.

Now, it would probably take me the aforementioned five thousands words to explain why the vast majority of what Nolte ordinarily writes is, I believe objectively and factually, complete horse puckey. However, here there is a definite kernel of truth in noting that Cameron’s decision to release an initially stripped down “Avatar” single disc with zero extras on Earth Day, naturally to be followed by more deluxe editions in the future, doesn’t exactly fit in with the environmentalist message of the film or Cameron’s claims to be not too terribly concerned with making scads of money. Though, to be fair, Fox — owned by Rupert Murdoch — does have something to say here as well.

Of course, Glenn Beck has responded and, watching said response, during the first half I was thinking: “Good work, James Cameron, you’ve given Glen f–king Beck a chance to look sane.” But, fortunately for my view of the universe, Beck’s need to over-dramatize, even in an attempt at humor, prevented him from looking too stable or stable at all.

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Steven Zeitchik of the oh-so-liberal (in comparison to Big Hollywood) L.A. Times provides the video and some context involving Cameron’s involvement in a 2007 documentary touching on the historical reality of the New Testament. Big Hollywood provides the same video and some very different context on the same film. I simply don’t have the time to investigate that one right now.

Three things I’m sure of, however: 1. One of these men is a gifted egomaniac; 2. the other is a former “Morning Zoo” shock jock who has found the only job on the planet requiring even less intelligence and sense of responsibility; 3. the best way to turn the public off the entire issue of the environment is for James Cameron and Glenn Beck to have a debate about it.

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