Category: TV Reality (Page 15 of 18)

TCA Tour: Fox Executive Session

This morning, Peter Rice, Fox’s Chairman of Entertainment, and Kevin Reilly, Fox’s President of Entertainment, sat down for their network’s executive session, and you will be unsurprised to learn that they were positively bombarded with questions about Paula Abdul’s departure from “American Idol.”

“Paula is the only member of ‘American Idol’ whose contract was up this year,” said Rice. “We have been talking to her about it for most of the season, and we very much wanted her to return. In the past few weeks, the negotiation came to a conclusion, we made an offer that was fair to Paula, a substantial raise on the money she made in past, but Paula decided not to return. It was not our choice. We wanted her to come back to the show.”

Rice admitted that, given the short amount of time since Abdul’s announcement of departure, they didn’t have any big announcements to make about what they’d be doing, aside from the fact that
they would be focusing on the auditioning process and that it was their intention to have guest judges at each audition.

“We are talking to people now, a couple are confirmed, and we are talking about dates with others,” said Rice. “It’s our intention to have the guest judges be female pop stars, female performers, female artists.” Minutes later, he acknowledged that they had indeed gotten commitments from two such judges already: Katy Perry and Victoria Beckham.

“Between now and January,” said Rice, “we will come up with a more permanent solution on what we’ll do,” but of the inevitable change in dynamic with a new judge, he admitted, “There’s something exciting about that.”

Seriously, though, isn’t there still a chance she could still be back in the “Idol” fold come January?

That’d be a “no,” according to Rice. He says that the negotiations have concluded and that Paula Abdul is not returning.

“The expectation and hope was that Paula would come back,” he reiterated. “I think that when her current agent made a statement to the press two weeks ago, we thought, ‘What if she doesn’t come back?’ But we had no contingency. There is going to be a change, and we have to look at it as a positive change now, an opportunity for the show, to bring a different energy to it.”

Reilly, who had let Rice run with the ball, did finally chime in and remind us that, ultimately, the show is about the contestants. But I don’t think anybody bought that for a second.

Okay, that’s enough about Paula, but there was one more “Idol” note that came up during the session: no matter what you may have heard, Fox is not paying Ryan Seacrest $15 million to host “American Idol.” Seacrest’s $15 million deal is with CKX, Inc., which encompasses much more than “American Idol.” His original contract for “AI” remains in place.

Frankly, there wasn’t much time left after all of the Paula Abdul questions were asked and answered, but somewhere in the midst of it all, a few more random facts did slip out:

* The renewal of “Dollhouse” for a second season was due to the die-hard Joss Whedon fans, but Reilly swears that “it didn’t factor in from a fear place. It was more from a positive place. Those fans were there every week, and they stuck with it in a way that a lot of television fans don’t.” Now that he’s worked out the hiccups in the show, the official mandate for Season 2 of “Dollhouse” is for Joss to keep doing what he does.

* The decision to air the pilot of “Glee” as a standalone episode several months before its formal series premiere was “a marketing stunt,” one that did better than they ever imagined. Rice admits that the show’s a bit unique. “It’s definitely not saccharine, but every episode ends in an uplifting manner,” he said, going on to describe the series variously as “upbeat,” “subversive,” “sweet,” “emotional,” and “aspirational.”

* And, lastly, there are currently no plans to air the final six episodes of “King of the Hill.” Nice one, Fox. The series was always treated like the bastard child of the Sunday night animated line-up, so way to keep it that way to the very end.

TCA Tour: The CW Executive Session

Dawn Ostroff, President of Entertainment for The CW, just took the stage for her executive session, during which time she had these things to say:

* After a year which found some pretty impressive increases in the number of young women viewers (77 percent on Mondays, 26 percent on Tuesdays), they’re going to try and build on that momentum and make their schedule more cohesive. They’re viewing themselves less as a network and more as a magazine, where people come to see what’s going on in the world. That perhaps would explain why I always feel so horribly out of touch whenever I tune in.

* The CW has stepped away from sitcoms at the moment because they can’t seem to find any which are “loud enough or noisy enough to get the attention that we get from our drama and reality shows.” In fact, they didn’t have a single sitcom in the running this season.

* Why the move of “Smallville” to Friday nights? “We felt it was the best way to open up the night,” she said, since Fridays had previously been more of a standalone night for the network. Is this the last season for the show? “I hope it isn’t. Zod is going to be the big villain this season, and Clark has to save the world, or we’re all going to be kneeling before Zod.” She says the cast and producers are excited, and she has high hopes that the show will stay on the air for awhile.

* What about seeing Michael Rosenbaum return as Lex Luthor, since he’s still talked about constantly? “I don’t know if we really had a conversation with Michael, but I think the talk was to keep the character alive and make his presence felt.” She I don’t know if (a return) will happen this season.”

* Similarly, the hope is that “Supernatural” will also continue. “Eric Kripke has done a great job creatively, and the show’s gotten better every year.”

* What does she say to a 35-year-old guy who wants to know what he can find on the network? Her response was to reel off most of The CW’s lineup and suggest that guys watch almost all of them, even “America’s Next Top Model,” even if they don’t necessarily want to admit it. But with that said, she also defended their decision to be specific about the demographic they’re courting…which is good, because, wow, talk about a total cop-out of an answer. (A 35-year-old guy can find something to watch anywhere if he doesn’t want to admit that he watches it!)

* The much-hyped “Gossip Girl” spin-off that never got off the group has now officially been given the status of “not likely.”

* “Body Politic,” the pilot which took a look at Washington politics through the eyes of up-and-coming staffers, is officially dead.

* How about a “90210” crossover? “Technically, we could do that,” she said, “because both shows are shot in L.A. I think down the road, after ‘Melrose’ gets up and running, we would consider that. It would be a big event for us.”

* As far as Mischa Barton’s health, the only real concern was that she was ready for production…and she was. “We’re happy that she’s better,” said Ostroff, “and what went on in her personal life is her business.” A question about the fact that she looks heavier in current photos than she did in the original presentation we saw for “The Beautiful Life,” asked in the context about whether re-shoots would be required, was met simply with assurances that “she looks great.”

TCA Tour, Day 2: “How’d You Get So Rich?”

I’m still not happy with TV Land for giving up their “all classic television, all the time” format in favor of bringing in a new crop of reality shows that, quite frankly, we could see on virtually any other network on the dial. But with that said, I have to admit that their latest endeavor – “How’d You Get So Rich?” – is a unique concept that I haven’t seen anywhere else, introducing viewers to hard-working, regular folks who went from rags to mega-riches by coming up with ideas and inventions that are pretty simple.

The show’s host…? Joan Rivers. And, boy, does that woman know how to liven up a TCA panel.

“I don’t know about any of you,” she began, “but, you know, you walk down a street and somebody goes past you in a Maserati or a Lamborghini or whatever those stupid cars are, and you go, ‘How did they get so fucking rich?’ Our show is ringing the doorbells, walking in, and talking to nouveau riche people…and it is so great because they will answer you. They are stupid enough to tell you where their money came from. No ‘oh, well, I don’t think I should talk about it.’ No, it’s, ‘Oh, yes. It’s $4 million, and my husband made it in drugs.’ Our follow-up show is ‘How’d You Get So Fuckin Poor?’ That’ll be hosted by the Madoffs. And everyone will say the same thing: ‘Because of you!'”

But, seriously, folks, you can tell that she really does love the show…not that it stops her from making fun of some of the individuals who are spotlighted on it, or from coming right out and saying that some of the inventions that these people have gotten rich from are so dumb / obvious that they’ll make you want to kill yourself.

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It’s money that matters

Filthy lucre is today’s theme in movieland. Really, it’s every day’s theme, but it’s on my mind today.

* Nikki Finke, who actually makes money blogging, notes a pay cut for William Morris assistants, who already work ridiculously hard for the hope of decent money some day, and are expected to work a minimum of fifty hours a week. Presumably they get some overtime (though one wonders if they’re not working actually quite a bit more — Hollywood and Walmart have been known to have a few things in common in the past). They’d better because their boss’s brother is the White House chief of staff. Could get messy, otherwise.

Finke also has an interesting — inasmuch as I can follow it — look at some silver linings amidst the major studio’s fiscals clouds.

* A noted casting change in the third “Twilight” will probably not affect grosses perceptibly, but there’s no stopping those wagging tongues.

* And with all the fuss at Comic-Con, the appearance of anime genius Hiyao Miyazaki got all but ignored by the media, as far as I can tell. “Princess Mononoke” beat “Titanic” in Japan. If it had done so here, it’s fair to say he wouldn’t have been a relative afterthought.

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TCA Tour, Day 1: “Househusbands of Hollywood”

The Fox Reality Channel is a cable network that I’ve been interested in checking out ever since they aired “Long Way Down,” which detailed the 18-country motorcycle journey undertaken by Ewan McGregor and Charley Boorman. Unfortunately, however, Cox Communications has yet to see fit to offer up the network in the Hampton Roads area of Virginia, so I’m still going without. This is unfortunate, as I’m at least a little intrigued by Fox Reality’s latest endeavor, “Househusbands of Hollywood,” but the good news is that the network is so behind the series that they’re making it available on Hulu, Video on Demand, and iTunes.

My reason for being interested in the series is simple: I’m a full-time work-at-home dad with a 4-year-old daughter. Granted, she doesn’t tend to spend her days with me, thanks to her wonderful nana as well as an awesome caregiver named Janice whom she visits a few days a week, but, hey, I’m still home all day. As such, I have to figure that I’m going to see a certain amount of myself in this show.

Here’s a quick roll call of the Househusbands:

* Billy Ashley (former outfielder for the Los Angeles Dodgers and Boston Red Sox, married to makeup artist Lisa Ashley)
* Danny Barclay (aspiring actor, married to attorney Katherine Barclay)
* Darryl Bell (arguably best known for playing Ron on “A Different World,” dating Tempestt Bledsoe, late of “The Cosby Show”)
* Charlie Mattera (ex-convict turned actor / screenwriter, married to a psychologist)
* Grant Reynolds (former USMC sniper, married to Gillian Reynolds of “Good Day L.A.” and “Fox NFL Sunday”)

Basically, we get to see the respective home lives of these guys, then we see them all meet up together during what’s referred to as the “man cave” segment of the show. Yes, it’s obviously the flip-side of all of the “Housewives” shows that have been shoved down your throat, but, dammit, isn’t it about time we got to see the husband’s side of thing?

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